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50 great articles and essays about love and relationships, love and life, masters of love by emily esfahani smith, this is emo by chuck klosterman, how to pick your life partner by tim urban, my superpower is being alone forever by joe berkowitz and joanna neborsky, it's not them, it's you by jen doll, together alone by michael hobbes, liking is for cowards by jonathan franzen, 30 more essays about life, relationships, in relationships, be deliberate by emily esfahani smith and galena rhoades, endless love by aaron ben-ze’ev, does a more equal marriage mean less sex by lori gottlieb, deeply, truly (but not physically) in love by lauren slater, is an open marriage a happier marriage by susan dominus, the breakup museum by leslie jamison, tinder and the dawn of the "dating apocalypse" by nancy jo sales, dating online by emily witt, love me tinder by emily witt, tinder hearted by allison p. davis, a million first dates by dan slater, mormons, orthodox jews and the dating crisis by jon birger, dating by numbers by kevin poulsen, why we cheat by lisa taddeo, why women stray by david buss, the adultery arms race by michelle cottle, the cuckold by james harms, why we love by helen fisher, essays in love by alain de botton, all about love by bell hooks, a general theory of love by thomas lewis, fari amini and richard lannon, 100 more great nonfiction books, see also..., 50 great psychology articles, 50 great essays about life, 20 great articles about happiness.

best essay on love

The Psychology of Love

Love by lauren slater, the science of love by barbara fredrickson, the biology of attraction by helen e. fisher, love is like cocaine by helen fisher, the rejection lab by alison kinney, there's no such thing as everlasting love by emily esfahani smith, 50 more articles about psychology, men, women, sex and darwin by natalie angier, 12 revelations about sex by alain de botton, safe-sex lies by meghan daum, why my wife won't sleep with me by sean elder, women who want to want by daniel bergner, 50 more articles about sex, kids these days, no labels, no drama, right by jordana narin, why developing serious relationships in your 20s matters by elizabeth spiers, like. flirt. ghost. by mary h. k. choi, friends without benefits by nancy jo sales, boys on the side by hanna rosin, 50 more articles about growing up, the limits of friendship by maria konnikova, the type of love that makes people happiest by arthur c. brooks, how friendships change in adulthood by julie beck, it’s your friends who break your heart by jennifer senior, friends of a certain age by alex williams, a guide to friendship, schmoozing, and social advancement by glenn o'brien, the man date by jennifer 8. lee.

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best essay on love

Feb 20, 2023

250-500 Word Example Essays About Love and Romance

Got an Essay assignment about Love and Romance? Let us help you out with these inspiring Examples!

Love, an emotion that has captivated the hearts and minds of poets, authors, and artists throughout history, remains a profound and multi-faceted subject. While the depth and complexity of this emotion can make it a daunting topic to explore in an essay, the right resources can turn this challenge into a rewarding endeavor. For those looking to capture the essence of love and romance in their writing, our essay writer can be a beacon of inspiration and assistance. This tool, powered by Jenni.ai, offers a seamless journey through the essay-writing process, from brainstorming ideas to refining the final draft. 

Whether you're delving into argumentative, persuasive , or reflective essays about love, Jenni.ai ensures clarity, coherence, and a touch of elegance in your prose. It's a trusted companion for students, educators, and seasoned writers alike, simplifying the writing journey every step of the way.

1. The Evolution of Love: A Study of the Changing Nature of Romance throughout History

Introduction.

Love is one of humanity's most complicated and mysterious emotions. People have strived to comprehend and define Love throughout history, resulting in many works of literature, art, and music dedicated to the subject. Despite its universal appeal, the nature of Love has evolved significantly throughout time, reflecting evolving cultural, social, and economic situations. In this essay, we will look at the evolution of Love, from ancient times to the present.

Ancient Love

A. Greek and Roman Love

Love was viewed as a complex and varied feeling in ancient Greece and Rome, comprising characteristics of desire, friendship, and awe. Love was frequently represented as a tremendous force in ancient civilizations, capable of both propelling individuals to high heights of success and bringing them down into the depths of sorrow. This was especially true of romantic Love, which was glorified in epic poems like the Iliad and Odyssey , as well as works of art and literature depicting the hardships and sufferings of star-crossed lovers.

B. Medieval Love

A chivalric code known as courtly Love emerged in medieval Europe. Its core tenants were the importance of Love, honour, and devotion. During this time, romantic Love was typically portrayed as an unrequited emotion, with the lover pining for the affections of a faraway and unreachable beloved. Medieval poets and troubadours mirrored this romanticised picture of Love in their works by singing and writing about the highs and lows of passionate Love.

Modern Love

A. The Renaissance

The idealized picture of Love that had ruled for centuries was called into question by artists and intellectuals during the Renaissance, marking a turning point in the development of romantic relationships. During this time, romantic Love was portrayed as more tactile and visceral. Shakespeare, for instance, reflected the shifting beliefs of his day by exploring the nuanced and often tragic nature of Love in his works.

B. The Enlightenment

The concepts of reason and individuality began to gain root during the Enlightenment, and with that came a shift in how people saw Love. Political marriages and alliances were often formed based on Love, which was now considered a more sensible and practical feeling. Thinkers from the Enlightenment period, including Voltaire and Jean-Jacques Rousseau, shared this perspective on Love as a tool for bettering society and the individual.

C. The Modern Era

Today, the word "love" is most often used to describe a feeling one has when they are in a committed relationship or when one has achieved their own goals. Love has become a consumable good thanks to the spread of consumerism and the worship of the individual. The media and arts reflect this conception of Love by depicting it as a means to one's fulfillment and contentment.

The changing cultural, social, and economic conditions of each historical epoch are reflected in the history of Love. The essence of Love has changed dramatically throughout the years, from its idealised image in ancient Greece and Rome to its depiction as a spiritual tie in mediaeval Europe to its current identification with romantic relationships and personal fulfilment. Despite these changes, Love remains a strong and enduring force in human existence, inspiring numerous works of art, literature, and music and affecting how we live and interact with one another.

2. The Power of Love: Examining the Impact of Love on Our Lives and Relationships

Love is a strong feeling that may dramatically alter our life and the bonds we form with others. love, whether romantic, familial, or platonic, can unite us and improve our lives in countless ways., the benefits of love.

A. Improved Physical Health

Love has been demonstrated to improve physical health by decreasing stress, lowering blood pressure, and increasing immunity. The hormone oxytocin, which is released in response to social bonding and has been demonstrated to reduce physiological responses to stress, is thought to be at play here.

B. Enhanced Mental Health

In addition to its physical benefits, Love has been shown to have a beneficial effect on our mental health, lowering stress and anxiety levels and boosting our general sense of happiness. The protective powers of Love against the negative consequences of stress and other difficulties in life are well accepted.

C. Strengthened Relationships

A stronger tie may be formed between two people via the power of Love. Relationships of all kinds, whether romantic, familial, or platonic, may benefit from the strengthening effects of Love by increasing their levels of closeness, trust, and mutual understanding.

The Challenges of Love

A. Love can be painful

Sometimes Love hurts, as when a relationship ends or when we can't find the one we're looking for. One of life's most trying events is losing someone we care about, which may leave us feeling isolated, discouraged, and empty.

The Power of Love to Overcome Challenges

Despite these difficulties, Love may help us overcome them and grow closer to one another. The strength of Love is that it may help us learn and grow, both as people and as a community, via its many forms, such as forgiveness, compromise, and the willingness to persevere through adversity.

Finally, Love is a strong and transformational force that may profoundly influence our lives and relationships. Love may provide us joy, comfort, and a feeling of purpose, whether between friends, family, or romantic partners. Despite its numerous advantages, Love may also bring with it difficulties such as heartbreak and strife. Nonetheless, never underestimate the power of Love. 

It has the potential to draw people together and form deep, long-lasting bonds. Love has the power to make the world a better place, whether through acts of kindness, selflessness, or simply being there for one another. So, let us embrace Love in all of its manifestations and harness its potential to improve our lives and the lives of those around us.

3. The Science of Love: Understanding the Biology and Psychology Behind Love and Attraction

For millennia, people have been drawn and intrigued by the intricate and intriguing feeling of Love. Despite its enormous global significance, the science of Love is now being thoroughly investigated. This paper will investigate the biology and psychology of Love and attraction, delving into the different elements that impact these powerful emotions and how they form our relationships.

The Biology of Love

A. Hormone Function

Love is a biological process controlled by chemicals such as dopamine, serotonin, and oxytocin. These hormones influence our sensations of attraction, enthusiasm, and enjoyment and boost sentiments of trust and closeness.

B. The Influence of Genetics

Genetics also has an impact on Love and attraction, with some personality qualities and physical characteristics that are considered to be appealing to potential spouses being handed down from generation to generation. This suggests that particular preferences for specific sorts of people are hardwired into our genetics, influencing our romantic and sexual attraction patterns.

The Psychology of Love

A. The Role of Attachment Styles

Our attachment types, which we acquire from our early connections with our caretakers, also affect our Love. These attachment types can significantly influence our later relationships, influencing how we build and keep deep attachments with others.

B. The Impact of Social Norms and Values

Cultural Values

Social conventions and cultural ideas also impact Love and attraction, with societal expectations and values impacting our romantic and sexual impulses. These social conventions and cultural ideas influence everything from who we are attracted to and how we approach and pursue relationships.

The Meeting of Biology and

Love Psychology

The biology and psychology of Love are inextricably linked and interdependent, with one having a complicated and subtle impact on the other. This suggests that, while biology influences our sentiments of attraction and Love, our psychological experiences and beliefs may equally shape these emotions.

To summarise, love science is a complicated and intriguing discipline that encompasses the biology and psychology of this strong and transformational emotion. By investigating the elements that impact Love and attraction, we may gain a deeper understanding of the systems that underpin these feelings and how they shape our lives and relationships. The study of Love is a vital and beneficial effort, whether we seek Love, attempt to preserve Love, or wonder about the science underlying this feeling.

4. The Fine Line Between Love and Obsession: Exploring the Dark Side of Love

Love is a powerful and transformative emotion that can bring immense joy and fulfilment to our lives. But Love can also turn dark and dangerous when it crosses the line into obsession. This essay will examine the fine line between Love and obsession, exploring how Love can become unhealthy and dangerous.

The Characteristics of Obsessive Love

A. Unhealthy Attachment

Obsessive Love is characterized by an unhealthy attachment to another person, with the obsessed person becoming overly dependent on their partner for emotional fulfilment. This can lead to feelings of possessiveness and jealousy, as well as a need for constant attention and validation.

B. Control and Manipulation

Obsessive Love can also involve control and manipulation, with the obsessed person trying to control every aspect of their partner's life and behaviour. This can range from minor acts of manipulation, such as trying to dictate what their partner wears or who they spend time with, to more serious forms of control, such as physical abuse or stalking.

The Dark Side of Love

A. Stalking and Harassment

The dark side of Love can take many forms, with stalking and harassment being among the most extreme and dangerous forms of obsessive behaviour. Stalking and harassment can have serious and long-lasting consequences for the victim, causing fear, stress, and trauma that can impact their mental and physical well-being.

B. Domestic Violence

Domestic violence is another form of the dark side of Love, with physical, sexual, and psychological abuse being used as a means of control and domination. Domestic violence can have devastating consequences for the victim, often leading to serious injury or even death.

The Roots of Obsessive Love

A. Psychological Issues

Obsessive Love can have its roots in psychological issues, including depression, anxiety, and borderline personality disorder. These conditions can lead to feelings of insecurity and low self-esteem, making it difficult for individuals to form healthy relationships.

B. Cultural and Social Factors

Cultural and social factors can also play a role in the development of obsessive Love, with certain societal beliefs and norms promoting possessiveness and control in relationships. This can include gender roles, expectations, and cultural beliefs about Love and relationships.

In conclusion, the fine line between Love and obsession is delicate and dangerous, with Love crossing over into unhealthy and dangerous territory when it becomes obsessive. By understanding the characteristics of obsessive Love and how it can take dark and dangerous forms, we can better protect ourselves and our loved ones from the negative consequences of this powerful emotion.

5. The Concept of Unconditional Love: An Analysis of the Ideal of Selfless Love

All kinds of different things count as Love since it's such a complicated and diverse feeling. Unconditional Love is frequently depicted as altruistic, all-encompassing, and unshakable, making it one of the most romanticized types. In this essay, I'd discuss the idea of unconditional Love, defining it and contrasting it with other types of affection.

An Explanation of Selfless Love

A. Selfless Love

The term "unconditional love" is commonly used to describe a type of Love that puts the other person's needs before its own. In this kind of Love, one person cares for another without any thought of return or compensation.

B. Love that encompasses everything

Many people use the term "all-encompassing" to express how unconditional Love embraces a person regardless of who they are or what they've done in their lives. A love like this doesn't depend on the other person changing or improving in any way; rather, it's an unconditional embrace of the person as they are.

The Ideal of Unconditional Love

A. Love Without Conditions

Unconditional Love is a romantic ideal in which the lover places no restrictions on the object of his affection. Since it involves so much giving of oneself, this kind of Love is typically held up as the pinnacle of romantic relationships.

B. Putting the Feeling into Action

However, since we are all flawed human beings, practising unconditional Love can be challenging in daily life. Although this may be the case, the ideal of unconditional Love is still significant since it motivates us to improve our Love and compassion towards others.

The Advantages of Unconditional Love

A. Stronger Connections

Unconditional Love has the potential to improve our connections with others, leading to deeper and more meaningful bonds. This kind of Love creates a non-judgmental and welcoming attitude towards people, which can assist to lessen conflict and improve understanding.

B. More Joy and Satisfaction

As a result of the more profound relationships it fosters, unconditional Love may also increase a person's sense of well-being and contentment. Finding Love like this may give our life new meaning and make us feel whole.

In conclusion, many of us hold unconditional Love as a relationship goal. Even if it's not always possible, the ideal of unconditional Love is worthwhile since it motivates us to increase our Love and compassion. The concept of unconditional Love may lead us to a more meaningful and happy lifestyle, whether our goal is to better our relationships or to find more pleasure and contentment in general.

6. The Importance of Communication in Love Relationships: A Study of the Role of Communication in Maintaining Love

Love relationships, like all others, benefit greatly from open lines of communication between partners. Connecting with one another on a regular basis, whether it's to chat about the day, express emotions, or problem-solve, is crucial to keeping the Love alive between you. This essay will discuss the significance of communication in romantic relationships, specifically how it helps couples stay together and grow closer over time.

Advantages of good communication

Increased Compatibility and Mutual Understanding

Love partnerships benefit significantly from open lines of communication that facilitate mutual understanding and closeness. Sharing our innermost ideas, emotions, and experiences with our partners via direct and honest communication strengthens our bonds with them.

Reduced Conflict

As we can better address difficulties and find positive solutions to differences when communicating effectively, we experience less conflict in our relationships. Relationships may be stronger and more loving by talking through differences and finding common ground.

The Difficulties in Expressing Your Feelings in a Romantic Relationship

A. Confusing Messages and Confused Intents

Good communication can sometimes be difficult, especially in romantic partnerships, despite its many advantages. Conflict, anger and a lack of trust may all result from poor communication and misunderstandings in relationships.

B. Vulnerability and Emotional Safety

Likewise, it takes courage and trust to open up and talk about your feelings with the person you love. It may be nerve-wracking to communicate our innermost thoughts and feelings with a partner because of the risk of being judged harshly or rejected.

The Importance of Active Listening

What is Active Listening?

Maintaining positive connections with others requires not just good talkers but also good listeners. Paying close attention to the other person as they speak and making an effort to get their viewpoint and requirements is an essential component of active listening.

The Benefits of Active Listening

The ability to listen attentively and process information can have a significant influence on interpersonal bonds. You may show your spouse how much you value their opinion and the commitment you have to the relationship by listening attentively to what they have to say.

Finally, it's important to note that communication is a cornerstone of successful, loving partnerships. Communication is crucial for developing and maintaining healthy relationships , whether it is via problem-solving, venting, or just listening. Your relationship may grow stronger and become more rewarding and loving if you put an emphasis on communicating well with one another.

Final Words

Love is a complicated and varied theme that has inspired numerous works of art, literature, and music. Whether it is the science of Love, the power of Love, or the development of Love, there is a great deal to learn and comprehend about this universal feeling. 

Students now have access to a potent tool that may assist them in writing essays about Love with ease and assurance thanks to Jenni.ai. From giving ideas and recommendations to leading you through the writing process, Jenni.ai is the ideal option for anyone who wants to write about Love and relationships. Why then wait? Sign up for a free trial of Jenni.ai today and explore its numerous writing perks!

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Essays About Love and Relationships: Top 5 Examples

Love, romance, and relationships are just as complicated and messy as they are fascinating. Read our guide on essays about love and relationships.

We, as humans, are social beings. Humanity is inclined towards living with others of our kind and forming relationships with them. Love, whether in a romantic context or otherwise, is essential to a strong relationship with someone. It can be used to describe familial, friendly, or romantic relationships; however, it most commonly refers to romantic partners. 

Love and relationships are difficult to understand, but with effort, devotion, and good intentions, they can blossom into something beautiful that will stay with you for life. This is why it is important to be able to discern wisely when choosing a potential partner.

5 Essay Examples

1. love and marriage by kannamma shanmugasundaram, 2. what my short-term relationships taught me about love and life by aaron zhu, 3. true love waits by christine barrett, 4. choosing the right relationship by robert solley, 5. masters of love by emily esfahani smith, 1. what is a healthy romantic relationship, 2. a favorite love story, 3. relationship experiences, 4. lessons relationships can teach you, 5. love and relationships in the 21st century, 6. is marriage necessary for true love.

“In successful love marriages, couples have to learn to look past these imperfections and remember the reasons why they married each other in the first place. They must be able to accept the fact that neither one of them is perfect. Successful love marriages need to set aside these superior, seemingly impossible expectations and be willing to compromise, settling for some good and some bad.”

Shanmugasundaram’s essay looks at marriage in Eastern Cultures, such as her Indian traditions, in which women have less freedom and are often forced into arranged marriages. Shanmugasundaram discusses her differing views with her parents over marriage; they prefer to stick to tradition while she, influenced by Western values, wants to choose for herself. Ultimately, she has compromised with her parents: they will have a say in who she marries, but it will be up to her to make the final decision. She will only marry who she loves. 

“There is no forever, I’ve been promised forever by so many exes that it’s as meaningless to me as a homeless person promising me a pot of gold. From here on out, I’m no longer looking for promises of forever, what I want is the promise that you’ll try your best and you’ll be worth it. Don’t promise me forever, promise me that there will be no regrets.”

In Zhu’s essay, he reflects on his lessons regarding love and relationships. His experiences with past partners have taught him many things, including self-worth and the inability to change others. Most interestingly, however, he believes that “forever” does not exist and that going into a relationship, they should commit to as long as possible, not “forever.” Furthermore, they should commit to making the relationship worthwhile without regret. 

“For life is a constant change, love is the greatest surprise, friendship is your best defense, maturity comes with responsibility and death is just around the corner, so, expect little, assume nothing, learn from your mistakes, never fail to have faith that true love waits, take care of your friends, treasure your family, moderate your pride and throw up all hatred for God opens millions of flowers without forcing the buds, reminding us not to force our way but to wait for true love to happen perfectly in His time.”

Barrett writes about how teenagers often feel the need to be in a relationship or feel “love” as soon as possible. But unfortunately, our brains are not fully matured in our teenage years, so we are more likely to make mistakes. Barrett discourages teenagers from dating so early; she believes that they should let life take its course and enjoy life at the moment. Her message is that they shouldn’t be in a rush to grow up, for true love will come to those who are patient. You might also be interested in these essays about commitment and essays about girlfriends .

“A paucity of common interests gets blamed when relationships go south, but they are rarely the central problem. Nonetheless, it is good to have some — mostly in terms of having enough in common that there are things that you enjoy spending time doing together. The more important domains to consider are personality and values, and when it comes to personality, the key question is how does your potential partner handle stress.”

Solley, from a more psychological perspective, gives tips on how one can choose the ideal person to be in a relationship with. Love is a lifetime commitment, so much thought should be put into it. One should look at culture, values regarding spending money, and common interests. Solley believes that you should not always look for someone with the same interests, for what makes a relationship interesting is the partners’ differences and how they look past them. 

“There are two ways to think about kindness. You can think about it as a fixed trait: Either you have it or you don’t. Or you could think of kindness as a muscle. In some people, that muscle is naturally stronger than in others, but it can grow stronger in everyone with exercise. Masters tend to think about kindness as a muscle. They know that they have to exercise it to keep it in shape. They know, in other words, that a good relationship requires sustained hard work.”

Smith discusses research conducted over many years that explains the different aspects of a relationship, including intimacy, emotional strength, and kindness. She discusses kindness in-depth, saying that a relationship can test your kindness, but you must be willing to work to be kind if you love your partner. You might also be interested in these essays about divorce .

6 Writing Prompts On Essays About Love and Relationships

Essays About Love and Relationships: What is a healthy romantic relationship?

Everyone has a different idea of what makes a great relationship. For example, some prioritize assertiveness in their partner, while others prefer a calmer demeanor. You can write about different qualities and habits that a healthy, respectful relationship needs, such as quality time and patience. If you have personal experience, reflect on this as well; however, if you don’t, write about what you would hope from your future partner. 

Love and relationships have been an essential element in almost every literary work, movie, and television show; an example of each would be Romeo and Juliet , The Fault in Our Stars , and Grey’s Anatomy . Even seemingly unrelated movies, such as the Star Wars and Lord of the Rings franchises, have a romantic component. Describe a love story of your choice; explain its plot, characters, and, most importantly, how the theme of love and relationships is present. 

If you have been in a romantic relationship before, or if you are in one currently, reflect on your experience. Why did you pursue this relationship? Explore your relationship’s positive and negative sides and, if applicable, how it ended. If not, write about how you will try and prevent the relationship from ending.

All our experiences in life form us, relationships included. In your essay, reflect on ways romantic relationships can teach you new things and make you better; consider values such as self-worth, patience, and positivity. Then, as with the other prompts, use your personal experiences for a more interesting essay. Hou might find our guide on how to write a vow helpful.

How love, romance, and relationships are perceived has changed dramatically in recent years; from the nuclear family, we have seen greater acceptance of same-sex relationships, blended families, and relationships with more than two partners—research on how the notion of romantic relationships has changed and discuss this in your essay. 

Essays About Love and Relationships: Is marriage necessary for true love?

More and more people in relationships are deciding not to get married. For a strong argumentative essay, discuss whether you agree with the idea that true love does not require marriage, so it is fine not to get married in the first place. Research the arguments of both sides, then make your claim. 

Check out our guide packed full of transition words for essays . If you’re still stuck, check out our general resource of essay writing topics .

best essay on love

Martin is an avid writer specializing in editing and proofreading. He also enjoys literary analysis and writing about food and travel.

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The 8 Best 'Modern Love' Essays

best essay on love

Isn't it a fantastic feeling when you stumble upon a column that makes you think, "I can't believe I survived without these stories in my life"? Ever since I read my first New York Times "Modern Love" essay, I was hooked by the series' concept of meditations on connection. The New York Times began publishing essays on the subject, written exclusively by NYT readers, in 2004. However, the series has experienced an upswing in popularity in recent months. This is mostly due to the excellently-produced Modern Love podcast (from WBUR) that's been around since January of this year. In each episode, a talented actor brings a favorite "Modern Love" article to life . Listening to an episode is a great way to freshen up your commute, or provide a soundtrack to your afternoon walk.

But with all these essays, podcasts, and even a Modern Love: 50 True and Extraordinary Tales book out there, I sometimes feel like there's an embarrassment of riches when it comes to "Modern Love." How on earth am I supposed to pick the best stories? Since I know I'm not the only one with this problem, I dug into the "Modern Love" archives from the past three years and picked eight of my favorite stories from 2014-2016. Whether you're a newcomer to the series or you've been a longtime fan, you'll enjoy this assortment of essays on all kinds of unlikely love.

1. Just One Last Swirl Around the Bowl

best essay on love

Dave Barry, the Pulitzer Prize-winning reporter and author of the New York Times' "This Land" column , wrote this essay about his daughter's dying fish. One of the few Modern Love pieces that isn't about romantic love, the essay explores his memories of his parents' deaths, and how he tried to care for them as best as he knew how during their final days. While his daughter comes to terms with the fish's imminent death, Barry, too, reflects on what it means to watch someone you love die.

You can also listen to Jason Alexander read this on the Modern Love podcast , and he does a bang-up job.

2. All Twisted Up by Genderbending

best essay on love

Delacey Skinner doesn't know what to think when she discovers that her ex-boyfriend is dating a trans woman. This information causes Skinner to question her own identity as a woman. She's never felt particularly comfortable in her femininity, so what does it mean that her ex now has a relationship with someone who presents herself as far more traditionally feminine than Skinner herself ever has? Skinner's essay is a poignant and thought-provoking take on gender identity.

3. Putting Love to the Stress Test

best essay on love

What happens when you meet a person so scarily similar to yourself that you assume something has to go wrong? In this essay, Jasmine Jaksic signs up for OkCupid and finds a man who's answered almost every question on the site in the same way as her. Since she and her new beau are both software developers, they decide to implement a real-life version of the "stress test," which is the practice of testing a computer program to its limits. What Jaksic discovers during the four weeks of their stress test changes the way she thinks about the necessities of a relationship.

4. Sharing a Cab, and My Toes

best essay on love

After abandoning her life as an academic, Julia Anne Miller fulfills her decades-long dream of moving to New York City. While working as a writer for a test-prep company, she sets out to explore the city. Each of her coworkers nurses an artistic dream, and the test-prep job is only a way to pay the bills. Miller's dream: to perform. One night, she shares a cab ride home with a coworker, leading to a bizarre sexual experience. This forms the basis of her eloquent meditation on what it means to get what you want.

5. One Bouquet of Fleeting Beauty, Please

best essay on love

This stunning and lyrical essay will make you smell tulips and lilies as you're reading. Written by Alisha Gorder, it tells the story of Gorder's time at a floral shop, arranging and selling bouquets to people trying to communicate with their loved ones through flowers. People often send commonplace messages with their bouquets, such as "Happy Birthday" (H.B.), "Happy Anniversary" (H.A.), and "Thinking of You" (T.O.Y.). But sometimes, what they're trying to say isn't so simple. Gorder weaves those anecdotes into the fabric of her own life: when she was 18, her boyfriend of two years killed himself, and she was forced to learn an agonizing lesson about love.

6. One Thousand and One Nights of Laundry

best essay on love

Wendy Rasmussen, the author of this melancholy reflection on love and loss, married an Iraqi refugee and then divorced him. Her essay captures an episode of her life in which she went to his house with their sons to do laundry, since she didn't have a working laundry machine. One night, her drunk ex-husband told her a story about escaping from Iraq by crossing the Saudi Arabian deserts, and about the man he left behind in the sand. Rasmussen's essay is subtle, but evocative, and it's a read you won't forget.

7. Finding My Own Rescuer

best essay on love

Anna March brings us this story about the love of her life, a man disabled in a car accident when he was 16. Though he has to use a wheelchair, Adam is anything but helpless: he can cook, walk the dogs, and drive, and he helps keep March's life in order when they move in together. But their new house has more than one story, and while they're waiting for the proper ramps to be installed, the tables turn in their relationship. Now March is the one caring for him - and she doesn't know if she's up to the task.

8. No Labels, No Drama, Right?

best essay on love

This is the essay that made me start following "Modern Love" - mostly because I've seen the exact same story play out in my friends' lives so many times. The author, Jordana Narin, writes about the man who occupied the space between friend and boyfriend for so long that she hardly knew how to handle her relationship with him - especially because, as a Millennial and college student, she didn't know how to admit her feelings. If you've tried to navigate the muddy waters of hookup culture, this is an essay that will resonate with you.

Images: Caleb Ekeroth , Brenda Helen , Luis Llerena, Daria Sukhorukova , Kai Oberhäuser , freestocks.org /Unsplash; jill111 , Unsplash , ferobanjo /Pixabay

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The 10 Best Modern Love Columns Ever

best essay on love

By Daniel Jones

  • Dec. 19, 2014

The Modern Love column began its run in Sunday Styles a decade ago. In honor of this milestone, we decided to look back and see which columns, of the more than 500 published, had been most popular with readers. Here are the results, ranked primarily from reader stats (most emailed, most viewed) and from an estimation of how influential the column was in terms of media coverage and social media response.

Among these 10 writers are a college student, a Hollywood actress, a Montana wife and mother, and a Chicago marketing engineer. They range in age from 18 to over 80. Their stories, excerpted here, provoked compassion, outrage, laughter and tears. More than anything, readers gobbled them up and shared them widely. I am pleased to present them again.

1. “What Shamu Taught Me About a Happy Marriage,” Amy Sutherland, June 25, 2006. As I wash dishes at the kitchen sink, my husband paces behind me, irritated. “Have you seen my keys?” he snarls, then huffs out a loud sigh and stomps from the room with our dog, Dixie, at his heels, anxious over her favorite human’s upset.

In the past I would have been right behind Dixie. I would have turned off the faucet and joined the hunt while trying to soothe my husband with bromides like, “Don’t worry, they’ll turn up.”

Now, I focus on the wet dish in my hands. I don’t turn around. I don’t say a word. I’m using a technique I learned from a dolphin trainer.

2. “Those Aren’t Fighting Words, Dear,” Laura Munson, July 31, 2009. “I don’t love you anymore,” my husband said. “I’m not sure I ever did.”

His words came at me like a speeding fist, like a sucker punch, yet somehow in that moment I was able to duck. And once I recovered and composed myself, I managed to say, “I don’t buy it.” Because I didn’t.

He drew back in surprise. Apparently he’d expected me to burst into tears, to rage at him, to threaten him with a custody battle. Or beg him to change his mind.

3. “Good Enough? That’s Great,” Daniel Jones, Jan. 31, 2014. What’s the best way to recalibrate a marriage as the years pass? I wish I had the answer, because clearly millions of us would like to know.

As the editor of the Modern Love column for nearly a decade, I have noticed people wrestling with two questions above all others. From the young: “How do I find love?” And from those wallowing through marital malaise: “How do I get it back?”

Though it’s not really love they want back as much as attention, excitement and passion.

4. “Age Is No Obstacle to Love, or Adventure,” Nora Johnson, Sept. 12, 2013. I used to think that elder love, if it even existed, was confined to rocking chairs or golf carts, that it had to be a dull business because of the physical limitations of age.

Failing memory would make interesting conversation impossible, and old people didn’t seem inclined or able to participate in the lovely stuff of love — sadly, because what better way to get through that wretchedly boring, painful and terrifying period we call our golden years?

5. “Coming Out as a Modern Family,” Maria Bello, Nov. 29, 2013. I have never understood the distinction of “primary” partner. Does that imply we have secondary and tertiary partners, too? Can my primary partner be my sister or child or best friend, or does it have to be someone I am having sex with? I have two friends who are sisters who have lived together for 15 years and raised a daughter. Are they not partners because they don’t have sex? And many married couples I know haven’t had sex for years. Are they any less partners?

6. “Sometimes, It’s Not You,” Sara Eckel, Sept. 23, 2011. Did we find love because we grew up, got real and worked through our issues? No. We just found the right guys. We found men who love us even though we’re still cranky and neurotic, haven’t got our careers together, and sometimes talk too loudly, drink too much and swear at the television news. We have gray hairs and unfashionable clothes and bad attitudes. They love us, anyway.

7. “Truly, Madly, Guiltily,” Ayelet Waldman, March 27, 2005. I am the only woman in Mommy and Me who seems to be, well, getting any. This could fill me with smug well-being. I could sit in the room and gloat over my wonderful marriage.

But I don’t. I am far too busy worrying about what’s wrong with me. Why, of all the women in the room, am I the only one who has not made the erotic transition a good mother is supposed to make? Why am I the only one incapable of placing her children at the center of her passionate universe?

8. “The Race Grows Sweeter Near Its Final Lap,” Eve Pell, Jan. 24, 2013. Old love is different. In our 70s and 80s, we had been through enough of life’s ups and downs to know who we were, and we had learned to compromise. We knew something about death because we had seen loved ones die. The finish line was drawing closer. Why not have one last blossoming of the heart?

I was no longer so pretty, but I was not so neurotic, either. I had survived loss and mistakes and ill-considered decisions; if this relationship failed, I’d survive that too.

9. “Want to Be My Boyfriend? Please Define,” Marguerite Fields (College Essay Contest Winner), May 4, 2008. When my friends and I started having a conversation about the nature of monogamy, I thought I knew something about monogamy. Because, despite the fleeting nature of most of my encounters, and despite my own role in their short duration, I think what I have been seeking in some form from all of these men is permanence.

Sometimes I don’t like them, or am scared of them, and a lot of times I’m just bored by them. But my fear or dislike or boredom never seems to diminish my underlying desire for a guy to stay, or at least to say he is going to stay, for a very long time.

10. “Somewhere Inside, a Path to Empathy,” David Finch, May 17, 2009. “I don’t know when things got bad,” Kristen said, wiping away tears. “I feel like I’ve lost you and I don’t know what will bring you back.”

In reality she hadn’t lost me. She’d found me. The facade of semi-normalcy I’d struggled to maintain was falling away, revealing the person I’d been since childhood. I didn’t even know what was wrong with me, though my wife, a speech pathologist who works with autistic children, had her suspicions. Even so, it would be another two years before she would put all the pieces together and attach a name to what was ruining our marriage: Asperger’s syndrome.

Daniel Jones, @danjonesnyt. is the Modern Love editor.

Stories of Love to Nourish Your Soul

After the Affair, the Reckoning:  While a mother takes care of her new baby, her husband takes up with another woman .

This Is Not the Relationship I Ordered:   Divorce leaves a woman with a surprising realization  about who has been the love of her life.

My Husband Is Two Years Older Than My Son:  A woman’s 19-year marital age gap feels treacherous — and is the best thing that’s ever happened to her .

Please Stay, Baby. Please?: The grief of miscarriage is largely invisible. And with each loss, the longing multiplies .

My Bad-Times-Only Boyfriend: Why is a woman’s long-ago fling suddenly acting as if he’s her husband ?

A Family Dinner With My Wife and Girlfriend: Learning to love two women at once  — one living with Alzheimer’s — is a challenge and a blessing.

Our Last, Impossible Conversation: Artificial intelligence gives a widow another chance to talk to her long-lost husband .

Essay on Love for Students and Children

500+ words essay on love.

Love is the most significant thing in human’s life. Each science and every single literature masterwork will tell you about it. Humans are also social animals. We lived for centuries with this way of life, we were depended on one another to tell us how our clothes fit us, how our body is whether healthy or emaciated. All these we get the honest opinions of those who love us, those who care for us and makes our happiness paramount.

essay on love

What is Love?

Love is a set of emotions, behaviors, and beliefs with strong feelings of affection. So, for example, a person might say he or she loves his or her dog, loves freedom, or loves God. The concept of love may become an unimaginable thing and also it may happen to each person in a particular way.

Love has a variety of feelings, emotions, and attitude. For someone love is more than just being interested physically in another one, rather it is an emotional attachment. We can say love is more of a feeling that a person feels for another person. Therefore, the basic meaning of love is to feel more than liking towards someone.

Get the huge list of more than 500 Essay Topics and Ideas

Need of Love

We know that the desire to love and care for others is a hard-wired and deep-hearted because the fulfillment of this wish increases the happiness level. Expressing love for others benefits not just the recipient of affection, but also the person who delivers it. The need to be loved can be considered as one of our most basic and fundamental needs.

One of the forms that this need can take is contact comfort. It is the desire to be held and touched. So there are many experiments showing that babies who are not having contact comfort, especially during the first six months, grow up to be psychologically damaged.

Significance of Love

Love is as critical for the mind and body of a human being as oxygen. Therefore, the more connected you are, the healthier you will be physically as well as emotionally. It is also true that the less love you have, the level of depression will be more in your life. So, we can say that love is probably the best antidepressant.

It is also a fact that the most depressed people don’t love themselves and they do not feel loved by others. They also become self-focused and hence making themselves less attractive to others.

Society and Love

It is a scientific fact that society functions better when there is a certain sense of community. Compassion and love are the glue for society. Hence without it, there is no feeling of togetherness for further evolution and progress. Love , compassion, trust and caring we can say that these are the building blocks of relationships and society.

Relationship and Love

A relationship is comprised of many things such as friendship , sexual attraction , intellectual compatibility, and finally love. Love is the binding element that keeps a relationship strong and solid. But how do you know if you are in love in true sense? Here are some symptoms that the emotion you are feeling is healthy, life-enhancing love.

Love is the Greatest Wealth in Life

Love is the greatest wealth in life because we buy things we love for our happiness. For example, we build our dream house and purchase a favorite car to attract love. Being loved in a remote environment is a better experience than been hated even in the most advanced environment.

Love or Money

Love should be given more importance than money as love is always everlasting. Money is important to live, but having a true companion you can always trust should come before that. If you love each other, you will both work hard to help each other live an amazing life together.

Love has been a vital reason we do most things in our life. Before we could know ourselves, we got showered by it from our close relatives like mothers , fathers , siblings, etc. Thus love is a unique gift for shaping us and our life. Therefore, we can say that love is a basic need of life. It plays a vital role in our life, society, and relation. It gives us energy and motivation in a difficult time. Finally, we can say that it is greater than any other thing in life.

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This essay focuses on personal love, or the love of particular persons as such. Part of the philosophical task in understanding personal love is to distinguish the various kinds of personal love. For example, the way in which I love my wife is seemingly very different from the way I love my mother, my child, and my friend. This task has typically proceeded hand-in-hand with philosophical analyses of these kinds of personal love, analyses that in part respond to various puzzles about love. Can love be justified? If so, how? What is the value of personal love? What impact does love have on the autonomy of both the lover and the beloved?

1. Preliminary Distinctions

2. love as union, 3. love as robust concern, 4.1 love as appraisal of value, 4.2 love as bestowal of value, 4.3 an intermediate position, 5.1 love as emotion proper, 5.2 love as emotion complex, 6. the value and justification of love, other internet resources, related entries.

In ordinary conversations, we often say things like the following:

  • I love chocolate (or skiing).
  • I love doing philosophy (or being a father).
  • I love my dog (or cat).
  • I love my wife (or mother or child or friend).

However, what is meant by ‘love’ differs from case to case. (1) may be understood as meaning merely that I like this thing or activity very much. In (2) the implication is typically that I find engaging in a certain activity or being a certain kind of person to be a part of my identity and so what makes my life worth living; I might just as well say that I value these. By contrast, (3) and (4) seem to indicate a mode of concern that cannot be neatly assimilated to anything else. Thus, we might understand the sort of love at issue in (4) to be, roughly, a matter of caring about another person as the person she is, for her own sake. (Accordingly, (3) may be understood as a kind of deficient mode of the sort of love we typically reserve for persons.) Philosophical accounts of love have focused primarily on the sort of personal love at issue in (4); such personal love will be the focus here (though see Frankfurt (1999) and Jaworska & Wonderly (2017) for attempts to provide a more general account that applies to non-persons as well).

Even within personal love, philosophers from the ancient Greeks on have traditionally distinguished three notions that can properly be called “love”: eros , agape , and philia . It will be useful to distinguish these three and say something about how contemporary discussions typically blur these distinctions (sometimes intentionally so) or use them for other purposes.

‘ Eros ’ originally meant love in the sense of a kind of passionate desire for an object, typically sexual passion (Liddell et al., 1940). Nygren (1953a,b) describes eros as the “‘love of desire,’ or acquisitive love” and therefore as egocentric (1953b, p. 89). Soble (1989b, 1990) similarly describes eros as “selfish” and as a response to the merits of the beloved—especially the beloved’s goodness or beauty. What is evident in Soble’s description of eros is a shift away from the sexual: to love something in the “erosic” sense (to use the term Soble coins) is to love it in a way that, by being responsive to its merits, is dependent on reasons. Such an understanding of eros is encouraged by Plato’s discussion in the Symposium , in which Socrates understands sexual desire to be a deficient response to physical beauty in particular, a response which ought to be developed into a response to the beauty of a person’s soul and, ultimately, into a response to the form, Beauty.

Soble’s intent in understanding eros to be a reason-dependent sort of love is to articulate a sharp contrast with agape , a sort of love that does not respond to the value of its object. ‘ Agape ’ has come, primarily through the Christian tradition, to mean the sort of love God has for us persons, as well as our love for God and, by extension, of our love for each other—a kind of brotherly love. In the paradigm case of God’s love for us, agape is “spontaneous and unmotivated,” revealing not that we merit that love but that God’s nature is love (Nygren 1953b, p. 85). Rather than responding to antecedent value in its object, agape instead is supposed to create value in its object and therefore to initiate our fellowship with God (pp. 87–88). Consequently, Badhwar (2003, p. 58) characterizes agape as “independent of the loved individual’s fundamental characteristics as the particular person she is”; and Soble (1990, p. 5) infers that agape , in contrast to eros , is therefore not reason dependent but is rationally “incomprehensible,” admitting at best of causal or historical explanations. [ 1 ]

Finally, ‘ philia ’ originally meant a kind of affectionate regard or friendly feeling towards not just one’s friends but also possibly towards family members, business partners, and one’s country at large (Liddell et al., 1940; Cooper, 1977). Like eros , philia is generally (but not universally) understood to be responsive to (good) qualities in one’s beloved. This similarity between eros and philia has led Thomas (1987) to wonder whether the only difference between romantic love and friendship is the sexual involvement of the former—and whether that is adequate to account for the real differences we experience. The distinction between eros and philia becomes harder to draw with Soble’s attempt to diminish the importance of the sexual in eros (1990).

Maintaining the distinctions among eros , agape , and philia becomes even more difficult when faced with contemporary theories of love (including romantic love) and friendship. For, as discussed below, some theories of romantic love understand it along the lines of the agape tradition as creating value in the beloved (cf. Section 4.2 ), and other accounts of romantic love treat sexual activity as merely the expression of what otherwise looks very much like friendship.

Given the focus here on personal love, Christian conceptions of God’s love for persons (and vice versa ) will be omitted, and the distinction between eros and philia will be blurred—as it typically is in contemporary accounts. Instead, the focus here will be on these contemporary understandings of love, including romantic love, understood as an attitude we take towards other persons. [ 2 ]

In providing an account of love, philosophical analyses must be careful to distinguish love from other positive attitudes we take towards persons, such as liking. Intuitively, love differs from such attitudes as liking in terms of its “depth,” and the problem is to elucidate the kind of “depth” we intuitively find love to have. Some analyses do this in part by providing thin conceptions of what liking amounts to. Thus, Singer (1991) and Brown (1987) understand liking to be a matter of desiring, an attitude that at best involves its object having only instrumental (and not intrinsic) value. Yet this seems inadequate: surely there are attitudes towards persons intermediate between having a desire with a person as its object and loving the person. I can care about a person for her own sake and not merely instrumentally, and yet such caring does not on its own amount to (non-deficiently) loving her, for it seems I can care about my dog in exactly the same way, a kind of caring which is insufficiently personal for love.

It is more common to distinguish loving from liking via the intuition that the “depth” of love is to be explained in terms of a notion of identification: to love someone is somehow to identify yourself with him, whereas no such notion of identification is involved in liking. As Nussbaum puts it, “The choice between one potential love and another can feel, and be, like a choice of a way of life, a decision to dedicate oneself to these values rather than these” (1990, p. 328); liking clearly does not have this sort of “depth” (see also Helm 2010; Bagley 2015). Whether love involves some kind of identification, and if so exactly how to understand such identification, is a central bone of contention among the various analyses of love. In particular, Whiting (2013) argues that the appeal to a notion of identification distorts our understanding of the sort of motivation love can provide, for taken literally it implies that love motivates through self -interest rather than through the beloved’s interests. Thus, Whiting argues, central to love is the possibility that love takes the lover “outside herself”, potentially forgetting herself in being moved directly by the interests of the beloved. (Of course, we need not take the notion of identification literally in this way: in identifying with one’s beloved, one might have a concern for one’s beloved that is analogous to one’s concern for oneself; see Helm 2010.)

Another common way to distinguish love from other personal attitudes is in terms of a distinctive kind of evaluation, which itself can account for love’s “depth.” Again, whether love essentially involves a distinctive kind of evaluation, and if so how to make sense of that evaluation, is hotly disputed. Closely related to questions of evaluation are questions of justification: can we justify loving or continuing to love a particular person, and if so, how? For those who think the justification of love is possible, it is common to understand such justification in terms of evaluation, and the answers here affect various accounts’ attempts to make sense of the kind of constancy or commitment love seems to involve, as well as the sense in which love is directed at particular individuals.

In what follows, theories of love are tentatively and hesitantly classified into four types: love as union, love as robust concern, love as valuing, and love as an emotion. It should be clear, however, that particular theories classified under one type sometimes also include, without contradiction, ideas central to other types. The types identified here overlap to some extent, and in some cases classifying particular theories may involve excessive pigeonholing. (Such cases are noted below.) Part of the classificatory problem is that many accounts of love are quasi-reductionistic, understanding love in terms of notions like affection, evaluation, attachment, etc., which themselves never get analyzed. Even when these accounts eschew explicitly reductionistic language, very often little attempt is made to show how one such “aspect” of love is conceptually connected to others. As a result, there is no clear and obvious way to classify particular theories, let alone identify what the relevant classes should be.

The union view claims that love consists in the formation of (or the desire to form) some significant kind of union, a “we.” A central task for union theorists, therefore, is to spell out just what such a “we” comes to—whether it is literally a new entity in the world somehow composed of the lover and the beloved, or whether it is merely metaphorical. Variants of this view perhaps go back to Aristotle (cf. Sherman 1993) and can also be found in Montaigne ([E]) and Hegel (1997); contemporary proponents include Solomon (1981, 1988), Scruton (1986), Nozick (1989), Fisher (1990), and Delaney (1996).

Scruton, writing in particular about romantic love, claims that love exists “just so soon as reciprocity becomes community: that is, just so soon as all distinction between my interests and your interests is overcome” (1986, p. 230). The idea is that the union is a union of concern, so that when I act out of that concern it is not for my sake alone or for your sake alone but for our sake. Fisher (1990) holds a similar, but somewhat more moderate view, claiming that love is a partial fusion of the lovers’ cares, concerns, emotional responses, and actions. What is striking about both Scruton and Fisher is the claim that love requires the actual union of the lovers’ concerns, for it thus becomes clear that they conceive of love not so much as an attitude we take towards another but as a relationship: the distinction between your interests and mine genuinely disappears only when we together come to have shared cares, concerns, etc., and my merely having a certain attitude towards you is not enough for love. This provides content to the notion of a “we” as the (metaphorical?) subject of these shared cares and concerns, and as that for whose sake we act.

Solomon (1988) offers a union view as well, though one that tries “to make new sense out of ‘love’ through a literal rather than metaphoric sense of the ‘fusion’ of two souls” (p. 24, cf. Solomon 1981; however, it is unclear exactly what he means by a “soul” here and so how love can be a “literal” fusion of two souls). What Solomon has in mind is the way in which, through love, the lovers redefine their identities as persons in terms of the relationship: “Love is the concentration and the intensive focus of mutual definition on a single individual, subjecting virtually every personal aspect of one’s self to this process” (1988, p. 197). The result is that lovers come to share the interests, roles, virtues, and so on that constitute what formerly was two individual identities but now has become a shared identity, and they do so in part by each allowing the other to play an important role in defining his own identity.

Nozick (1989) offers a union view that differs from those of Scruton, Fisher, and Solomon in that Nozick thinks that what is necessary for love is merely the desire to form a “we,” together with the desire that your beloved reciprocates. Nonetheless, he claims that this “we” is “a new entity in the world…created by a new web of relationships between [the lovers] which makes them no longer separate” (p. 70). In spelling out this web of relationships, Nozick appeals to the lovers “pooling” not only their well-beings, in the sense that the well-being of each is tied up with that of the other, but also their autonomy, in that “each transfers some previous rights to make certain decisions unilaterally into a joint pool” (p. 71). In addition, Nozick claims, the lovers each acquire a new identity as a part of the “we,” a new identity constituted by their (a) wanting to be perceived publicly as a couple, (b) their attending to their pooled well-being, and (c) their accepting a “certain kind of division of labor” (p. 72):

A person in a we might find himself coming across something interesting to read yet leaving it for the other person, not because he himself would not be interested in it but because the other would be more interested, and one of them reading it is sufficient for it to be registered by the wider identity now shared, the we . [ 3 ]

Opponents of the union view have seized on claims like this as excessive: union theorists, they claim, take too literally the ontological commitments of this notion of a “we.” This leads to two specific criticisms of the union view. The first is that union views do away with individual autonomy. Autonomy, it seems, involves a kind of independence on the part of the autonomous agent, such that she is in control over not only what she does but also who she is, as this is constituted by her interests, values, concerns, etc. However, union views, by doing away with a clear distinction between your interests and mine, thereby undermine this sort of independence and so undermine the autonomy of the lovers. If autonomy is a part of the individual’s good, then, on the union view, love is to this extent bad; so much the worse for the union view (Singer 1994; Soble 1997). Moreover, Singer (1994) argues that a necessary part of having your beloved be the object of your love is respect for your beloved as the particular person she is, and this requires respecting her autonomy.

Union theorists have responded to this objection in several ways. Nozick (1989) seems to think of a loss of autonomy in love as a desirable feature of the sort of union lovers can achieve. Fisher (1990), somewhat more reluctantly, claims that the loss of autonomy in love is an acceptable consequence of love. Yet without further argument these claims seem like mere bullet biting. Solomon (1988, pp. 64ff) describes this “tension” between union and autonomy as “the paradox of love.” However, this a view that Soble (1997) derides: merely to call it a paradox, as Solomon does, is not to face up to the problem.

The second criticism involves a substantive view concerning love. Part of what it is to love someone, these opponents say, is to have concern for him for his sake. However, union views make such concern unintelligible and eliminate the possibility of both selfishness and self-sacrifice, for by doing away with the distinction between my interests and your interests they have in effect turned your interests into mine and vice versa (Soble 1997; see also Blum 1980, 1993). Some advocates of union views see this as a point in their favor: we need to explain how it is I can have concern for people other than myself, and the union view apparently does this by understanding your interests to be part of my own. And Delaney, responding to an apparent tension between our desire to be loved unselfishly (for fear of otherwise being exploited) and our desire to be loved for reasons (which presumably are attractive to our lover and hence have a kind of selfish basis), says (1996, p. 346):

Given my view that the romantic ideal is primarily characterized by a desire to achieve a profound consolidation of needs and interests through the formation of a we , I do not think a little selfishness of the sort described should pose a worry to either party.

The objection, however, lies precisely in this attempt to explain my concern for my beloved egoistically. As Whiting (1991, p. 10) puts it, such an attempt “strikes me as unnecessary and potentially objectionable colonization”: in love, I ought to be concerned with my beloved for her sake, and not because I somehow get something out of it. (This can be true whether my concern with my beloved is merely instrumental to my good or whether it is partly constitutive of my good.)

Although Whiting’s and Soble’s criticisms here succeed against the more radical advocates of the union view, they in part fail to acknowledge the kernel of truth to be gleaned from the idea of union. Whiting’s way of formulating the second objection in terms of an unnecessary egoism in part points to a way out: we persons are in part social creatures, and love is one profound mode of that sociality. Indeed, part of the point of union accounts is to make sense of this social dimension: to make sense of a way in which we can sometimes identify ourselves with others not merely in becoming interdependent with them (as Singer 1994, p. 165, suggests, understanding ‘interdependence’ to be a kind of reciprocal benevolence and respect) but rather in making who we are as persons be constituted in part by those we love (cf., e.g., Rorty 1986/1993; Nussbaum 1990).

Along these lines, Friedman (1998), taking her inspiration in part from Delaney (1996), argues that we should understand the sort of union at issue in love to be a kind of federation of selves:

On the federation model, a third unified entity is constituted by the interaction of the lovers, one which involves the lovers acting in concert across a range of conditions and for a range of purposes. This concerted action, however, does not erase the existence of the two lovers as separable and separate agents with continuing possibilities for the exercise of their own respective agencies. [p. 165]

Given that on this view the lovers do not give up their individual identities, there is no principled reason why the union view cannot make sense of the lover’s concern for her beloved for his sake. [ 4 ] Moreover, Friedman argues, once we construe union as federation, we can see that autonomy is not a zero-sum game; rather, love can both directly enhance the autonomy of each and promote the growth of various skills, like realistic and critical self-evaluation, that foster autonomy.

Nonetheless, this federation model is not without its problems—problems that affect other versions of the union view as well. For if the federation (or the “we”, as on Nozick’s view) is understood as a third entity, we need a clearer account than has been given of its ontological status and how it comes to be. Relevant here is the literature on shared intention and plural subjects. Gilbert (1989, 1996, 2000) has argued that we should take quite seriously the existence of a plural subject as an entity over and above its constituent members. Others, such as Tuomela (1984, 1995), Searle (1990), and Bratman (1999) are more cautious, treating such talk of “us” having an intention as metaphorical.

As this criticism of the union view indicates, many find caring about your beloved for her sake to be a part of what it is to love her. The robust concern view of love takes this to be the central and defining feature of love (cf. Taylor 1976; Newton-Smith 1989; Soble 1990, 1997; LaFollette 1996; Frankfurt 1999; White 2001). As Taylor puts it:

To summarize: if x loves y then x wants to benefit and be with y etc., and he has these wants (or at least some of them) because he believes y has some determinate characteristics ψ in virtue of which he thinks it worth while to benefit and be with y . He regards satisfaction of these wants as an end and not as a means towards some other end. [p. 157]

In conceiving of my love for you as constituted by my concern for you for your sake, the robust concern view rejects the idea, central to the union view, that love is to be understood in terms of the (literal or metaphorical) creation of a “we”: I am the one who has this concern for you, though it is nonetheless disinterested and so not egoistic insofar as it is for your sake rather than for my own. [ 5 ]

At the heart of the robust concern view is the idea that love “is neither affective nor cognitive. It is volitional” (Frankfurt 1999, p. 129; see also Martin 2015). Frankfurt continues:

That a person cares about or that he loves something has less to do with how things make him feel, or with his opinions about them, than with the more or less stable motivational structures that shape his preferences and that guide and limit his conduct.

This account analyzes caring about someone for her sake as a matter of being motivated in certain ways, in part as a response to what happens to one’s beloved. Of course, to understand love in terms of desires is not to leave other emotional responses out in the cold, for these emotions should be understood as consequences of desires. Thus, just as I can be emotionally crushed when one of my strong desires is disappointed, so too I can be emotionally crushed when things similarly go badly for my beloved. In this way Frankfurt (1999) tacitly, and White (2001) more explicitly, acknowledge the way in which my caring for my beloved for her sake results in my identity being transformed through her influence insofar as I become vulnerable to things that happen to her.

Not all robust concern theorists seem to accept this line, however; in particular, Taylor (1976) and Soble (1990) seem to have a strongly individualistic conception of persons that prevents my identity being bound up with my beloved in this sort of way, a kind of view that may seem to undermine the intuitive “depth” that love seems to have. (For more on this point, see Rorty 1986/1993.) In the middle is Stump (2006), who follows Aquinas in understanding love to involve not only the desire for your beloved’s well-being but also a desire for a certain kind of relationship with your beloved—as a parent or spouse or sibling or priest or friend, for example—a relationship within which you share yourself with and connect yourself to your beloved. [ 6 ]

One source of worry about the robust concern view is that it involves too passive an understanding of one’s beloved (Ebels-Duggan 2008). The thought is that on the robust concern view the lover merely tries to discover what the beloved’s well-being consists in and then acts to promote that, potentially by thwarting the beloved’s own efforts when the lover thinks those efforts would harm her well-being. This, however, would be disrespectful and demeaning, not the sort of attitude that love is. What robust concern views seem to miss, Ebels-Duggan suggests, is the way love involves interacting agents, each with a capacity for autonomy the recognition and engagement with which is an essential part of love. In response, advocates of the robust concern view might point out that promoting someone’s well-being normally requires promoting her autonomy (though they may maintain that this need not always be true: that paternalism towards a beloved can sometimes be justified and appropriate as an expression of one’s love). Moreover, we might plausibly think, it is only through the exercise of one’s autonomy that one can define one’s own well-being as a person, so that a lover’s failure to respect the beloved’s autonomy would be a failure to promote her well-being and therefore not an expression of love, contrary to what Ebels-Duggan suggests. Consequently, it might seem, robust concern views can counter this objection by offering an enriched conception of what it is to be a person and so of the well-being of persons.

Another source of worry is that the robust concern view offers too thin a conception of love. By emphasizing robust concern, this view understands other features we think characteristic of love, such as one’s emotional responsiveness to one’s beloved, to be the effects of that concern rather than constituents of it. Thus Velleman (1999) argues that robust concern views, by understanding love merely as a matter of aiming at a particular end (viz., the welfare of one’s beloved), understand love to be merely conative. However, he claims, love can have nothing to do with desires, offering as a counterexample the possibility of loving a troublemaking relation whom you do not want to be with, whose well being you do not want to promote, etc. Similarly, Badhwar (2003) argues that such a “teleological” view of love makes it mysterious how “we can continue to love someone long after death has taken him beyond harm or benefit” (p. 46). Moreover Badhwar argues, if love is essentially a desire, then it implies that we lack something; yet love does not imply this and, indeed, can be felt most strongly at times when we feel our lives most complete and lacking in nothing. Consequently, Velleman and Badhwar conclude, love need not involve any desire or concern for the well-being of one’s beloved.

This conclusion, however, seems too hasty, for such examples can be accommodated within the robust concern view. Thus, the concern for your relative in Velleman’s example can be understood to be present but swamped by other, more powerful desires to avoid him. Indeed, keeping the idea that you want to some degree to benefit him, an idea Velleman rejects, seems to be essential to understanding the conceptual tension between loving someone and not wanting to help him, a tension Velleman does not fully acknowledge. Similarly, continued love for someone who has died can be understood on the robust concern view as parasitic on the former love you had for him when he was still alive: your desires to benefit him get transformed, through your subsequent understanding of the impossibility of doing so, into wishes. [ 7 ] Finally, the idea of concern for your beloved’s well-being need not imply the idea that you lack something, for such concern can be understood in terms of the disposition to be vigilant for occasions when you can come to his aid and consequently to have the relevant occurrent desires. All of this seems fully compatible with the robust concern view.

One might also question whether Velleman and Badhwar make proper use of their examples of loving your meddlesome relation or someone who has died. For although we can understand these as genuine cases of love, they are nonetheless deficient cases and ought therefore be understood as parasitic on the standard cases. Readily to accommodate such deficient cases of love into a philosophical analysis as being on a par with paradigm cases, and to do so without some special justification, is dubious.

Nonetheless, the robust concern view as it stands does not seem properly able to account for the intuitive “depth” of love and so does not seem properly to distinguish loving from liking. Although, as noted above, the robust concern view can begin to make some sense of the way in which the lover’s identity is altered by the beloved, it understands this only an effect of love, and not as a central part of what love consists in.

This vague thought is nicely developed by Wonderly (2017), who emphasizes that in addition to the sort of disinterested concern for another that is central to robust-concern accounts of love, an essential part of at least romantic love is the idea that in loving someone I must find them to be not merely important for their own sake but also important to me . Wonderly (2017) fleshes out what this “importance to me” involves in terms of the idea of attachment (developed in Wonderly 2016) that she argues can make sense of the intimacy and depth of love from within what remains fundamentally a robust-concern account. [ 8 ]

4. Love as Valuing

A third kind of view of love understands love to be a distinctive mode of valuing a person. As the distinction between eros and agape in Section 1 indicates, there are at least two ways to construe this in terms of whether the lover values the beloved because she is valuable, or whether the beloved comes to be valuable to the lover as a result of her loving him. The former view, which understands the lover as appraising the value of the beloved in loving him, is the topic of Section 4.1 , whereas the latter view, which understands her as bestowing value on him, will be discussed in Section 4.2 .

Velleman (1999, 2008) offers an appraisal view of love, understanding love to be fundamentally a matter of acknowledging and responding in a distinctive way to the value of the beloved. (For a very different appraisal view of love, see Kolodny 2003.) Understanding this more fully requires understanding both the kind of value of the beloved to which one responds and the distinctive kind of response to such value that love is. Nonetheless, it should be clear that what makes an account be an appraisal view of love is not the mere fact that love is understood to involve appraisal; many other accounts do so, and it is typical of robust concern accounts, for example (cf. the quote from Taylor above , Section 3 ). Rather, appraisal views are distinctive in understanding love to consist in that appraisal.

In articulating the kind of value love involves, Velleman, following Kant, distinguishes dignity from price. To have a price , as the economic metaphor suggests, is to have a value that can be compared to the value of other things with prices, such that it is intelligible to exchange without loss items of the same value. By contrast, to have dignity is to have a value such that comparisons of relative value become meaningless. Material goods are normally understood to have prices, but we persons have dignity: no substitution of one person for another can preserve exactly the same value, for something of incomparable worth would be lost (and gained) in such a substitution.

On this Kantian view, our dignity as persons consists in our rational nature: our capacity both to be actuated by reasons that we autonomously provide ourselves in setting our own ends and to respond appropriately to the intrinsic values we discover in the world. Consequently, one important way in which we exercise our rational natures is to respond with respect to the dignity of other persons (a dignity that consists in part in their capacity for respect): respect just is the required minimal response to the dignity of persons. What makes a response to a person be that of respect, Velleman claims, still following Kant, is that it “arrests our self-love” and thereby prevents us from treating him as a means to our ends (p. 360).

Given this, Velleman claims that love is similarly a response to the dignity of persons, and as such it is the dignity of the object of our love that justifies that love. However, love and respect are different kinds of responses to the same value. For love arrests not our self-love but rather

our tendencies toward emotional self-protection from another person, tendencies to draw ourselves in and close ourselves off from being affected by him. Love disarms our emotional defenses; it makes us vulnerable to the other. [1999, p. 361]

This means that the concern, attraction, sympathy, etc. that we normally associate with love are not constituents of love but are rather its normal effects, and love can remain without them (as in the case of the love for a meddlesome relative one cannot stand being around). Moreover, this provides Velleman with a clear account of the intuitive “depth” of love: it is essentially a response to persons as such, and to say that you love your dog is therefore to be confused.

Of course, we do not respond with love to the dignity of every person we meet, nor are we somehow required to: love, as the disarming of our emotional defenses in a way that makes us especially vulnerable to another, is the optional maximal response to others’ dignity. What, then, explains the selectivity of love—why I love some people and not others? The answer lies in the contingent fit between the way some people behaviorally express their dignity as persons and the way I happen to respond to those expressions by becoming emotionally vulnerable to them. The right sort of fit makes someone “lovable” by me (1999, p. 372), and my responding with love in these cases is a matter of my “really seeing” this person in a way that I fail to do with others who do not fit with me in this way. By ‘lovable’ here Velleman seems to mean able to be loved, not worthy of being loved, for nothing Velleman says here speaks to a question about the justification of my loving this person rather than that. Rather, what he offers is an explanation of the selectivity of my love, an explanation that as a matter of fact makes my response be that of love rather than mere respect.

This understanding of the selectivity of love as something that can be explained but not justified is potentially troubling. For we ordinarily think we can justify not only my loving you rather than someone else but also and more importantly the constancy of my love: my continuing to love you even as you change in certain fundamental ways (but not others). As Delaney (1996, p. 347) puts the worry about constancy:

while you seem to want it to be true that, were you to become a schmuck, your lover would continue to love you,…you also want it to be the case that your lover would never love a schmuck.

The issue here is not merely that we can offer explanations of the selectivity of my love, of why I do not love schmucks; rather, at issue is the discernment of love, of loving and continuing to love for good reasons as well as of ceasing to love for good reasons. To have these good reasons seems to involve attributing different values to you now rather than formerly or rather than to someone else, yet this is precisely what Velleman denies is the case in making the distinction between love and respect the way he does.

It is also questionable whether Velleman can even explain the selectivity of love in terms of the “fit” between your expressions and my sensitivities. For the relevant sensitivities on my part are emotional sensitivities: the lowering of my emotional defenses and so becoming emotionally vulnerable to you. Thus, I become vulnerable to the harms (or goods) that befall you and so sympathetically feel your pain (or joy). Such emotions are themselves assessable for warrant, and now we can ask why my disappointment that you lost the race is warranted, but my being disappointed that a mere stranger lost would not be warranted. The intuitive answer is that I love you but not him. However, this answer is unavailable to Velleman, because he thinks that what makes my response to your dignity that of love rather than respect is precisely that I feel such emotions, and to appeal to my love in explaining the emotions therefore seems viciously circular.

Although these problems are specific to Velleman’s account, the difficulty can be generalized to any appraisal account of love (such as that offered in Kolodny 2003). For if love is an appraisal, it needs to be distinguished from other forms of appraisal, including our evaluative judgments. On the one hand, to try to distinguish love as an appraisal from other appraisals in terms of love’s having certain effects on our emotional and motivational life (as on Velleman’s account) is unsatisfying because it ignores part of what needs to be explained: why the appraisal of love has these effects and yet judgments with the same evaluative content do not. Indeed, this question is crucial if we are to understand the intuitive “depth” of love, for without an answer to this question we do not understand why love should have the kind of centrality in our lives it manifestly does. [ 9 ] On the other hand, to bundle this emotional component into the appraisal itself would be to turn the view into either the robust concern view ( Section 3 ) or a variant of the emotion view ( Section 5.1 ).

In contrast to Velleman, Singer (1991, 1994, 2009) understands love to be fundamentally a matter of bestowing value on the beloved. To bestow value on another is to project a kind of intrinsic value onto him. Indeed, this fact about love is supposed to distinguish love from liking: “Love is an attitude with no clear objective,” whereas liking is inherently teleological (1991, p. 272). As such, there are no standards of correctness for bestowing such value, and this is how love differs from other personal attitudes like gratitude, generosity, and condescension: “love…confers importance no matter what the object is worth” (p. 273). Consequently, Singer thinks, love is not an attitude that can be justified in any way.

What is it, exactly, to bestow this kind of value on someone? It is, Singer says, a kind of attachment and commitment to the beloved, in which one comes to treat him as an end in himself and so to respond to his ends, interests, concerns, etc. as having value for their own sake. This means in part that the bestowal of value reveals itself “by caring about the needs and interests of the beloved, by wishing to benefit or protect her, by delighting in her achievements,” etc. (p. 270). This sounds very much like the robust concern view, yet the bestowal view differs in understanding such robust concern to be the effect of the bestowal of value that is love rather than itself what constitutes love: in bestowing value on my beloved, I make him be valuable in such a way that I ought to respond with robust concern.

For it to be intelligible that I have bestowed value on someone, I must therefore respond appropriately to him as valuable, and this requires having some sense of what his well-being is and of what affects that well-being positively or negatively. Yet having this sense requires in turn knowing what his strengths and deficiencies are, and this is a matter of appraising him in various ways. Bestowal thus presupposes a kind of appraisal, as a way of “really seeing” the beloved and attending to him. Nonetheless, Singer claims, it is the bestowal that is primary for understanding what love consists in: the appraisal is required only so that the commitment to one’s beloved and his value as thus bestowed has practical import and is not “a blind submission to some unknown being” (1991, p. 272; see also Singer 1994, pp. 139ff).

Singer is walking a tightrope in trying to make room for appraisal in his account of love. Insofar as the account is fundamentally a bestowal account, Singer claims that love cannot be justified, that we bestow the relevant kind of value “gratuitously.” This suggests that love is blind, that it does not matter what our beloved is like, which seems patently false. Singer tries to avoid this conclusion by appealing to the role of appraisal: it is only because we appraise another as having certain virtues and vices that we come to bestow value on him. Yet the “because” here, since it cannot justify the bestowal, is at best a kind of contingent causal explanation. [ 10 ] In this respect, Singer’s account of the selectivity of love is much the same as Velleman’s, and it is liable to the same criticism: it makes unintelligible the way in which our love can be discerning for better or worse reasons. Indeed, this failure to make sense of the idea that love can be justified is a problem for any bestowal view. For either (a) a bestowal itself cannot be justified (as on Singer’s account), in which case the justification of love is impossible, or (b) a bestowal can be justified, in which case it is hard to make sense of value as being bestowed rather than there antecedently in the object as the grounds of that “bestowal.”

More generally, a proponent of the bestowal view needs to be much clearer than Singer is in articulating precisely what a bestowal is. What is the value that I create in a bestowal, and how can my bestowal create it? On a crude Humean view, the answer might be that the value is something projected onto the world through my pro-attitudes, like desire. Yet such a view would be inadequate, since the projected value, being relative to a particular individual, would do no theoretical work, and the account would essentially be a variant of the robust concern view. Moreover, in providing a bestowal account of love, care is needed to distinguish love from other personal attitudes such as admiration and respect: do these other attitudes involve bestowal? If so, how does the bestowal in these cases differ from the bestowal of love? If not, why not, and what is so special about love that requires a fundamentally different evaluative attitude than admiration and respect?

Nonetheless, there is a kernel of truth in the bestowal view: there is surely something right about the idea that love is creative and not merely a response to antecedent value, and accounts of love that understand the kind of evaluation implicit in love merely in terms of appraisal seem to be missing something. Precisely what may be missed will be discussed below in Section 6 .

Perhaps there is room for an understanding of love and its relation to value that is intermediate between appraisal and bestowal accounts. After all, if we think of appraisal as something like perception, a matter of responding to what is out there in the world, and of bestowal as something like action, a matter of doing something and creating something, we should recognize that the responsiveness central to appraisal may itself depend on our active, creative choices. Thus, just as we must recognize that ordinary perception depends on our actively directing our attention and deploying concepts, interpretations, and even arguments in order to perceive things accurately, so too we might think our vision of our beloved’s valuable properties that is love also depends on our actively attending to and interpreting him. Something like this is Jollimore’s view (2011). According to Jollimore, in loving someone we actively attend to his valuable properties in a way that we take to provide us with reasons to treat him preferentially. Although we may acknowledge that others might have such properties even to a greater degree than our beloved does, we do not attend to and appreciate such properties in others in the same way we do those in our beloveds; indeed, we find our appreciation of our beloved’s valuable properties to “silence” our similar appreciation of those in others. (In this way, Jollimore thinks, we can solve the problem of fungibility, discussed below in Section 6 .) Likewise, in perceiving our beloved’s actions and character, we do so through the lens of such an appreciation, which will tend as to “silence” interpretations inconsistent with that appreciation. In this way, love involves finding one’s beloved to be valuable in a way that involves elements of both appraisal (insofar as one must thereby be responsive to valuable properties one’s beloved really has) and bestowal (insofar as through one’s attention and committed appreciation of these properties they come to have special significance for one).

One might object that this conception of love as silencing the special value of others or to negative interpretations of our beloveds is irrational in a way that love is not. For, it might seem, such “silencing” is merely a matter of our blinding ourselves to how things really are. Yet Jollimore claims that this sense in which love is blind is not objectionable, for (a) we can still intellectually recognize the things that love’s vision silences, and (b) there really is no impartial perspective we can take on the values things have, and love is one appropriate sort of partial perspective from which the value of persons can be manifest. Nonetheless, one might wonder about whether that perspective of love itself can be distorted and what the norms are in terms of which such distortions are intelligible. Furthermore, it may seem that Jollimore’s attempt to reconcile appraisal and bestowal fails to appreciate the underlying metaphysical difficulty: appraisal is a response to value that is antecedently there, whereas bestowal is the creation of value that was not antecedently there. Consequently, it might seem, appraisal and bestowal are mutually exclusive and cannot be reconciled in the way Jollimore hopes.

Whereas Jollimore tries to combine separate elements of appraisal and of bestowal in a single account, Helm (2010) and Bagley (2015) offer accounts that reject the metaphysical presupposition that values must be either prior to love (as with appraisal) or posterior to love (as with bestowal), instead understanding the love and the values to emerge simultaneously. Thus, Helm presents a detailed account of valuing in terms of the emotions, arguing that while we can understand individual emotions as appraisals , responding to values already their in their objects, these values are bestowed on those objects via broad, holistic patterns of emotions. How this amounts to an account of love will be discussed in Section 5.2 , below. Bagley (2015) instead appeals to a metaphor of improvisation, arguing that just as jazz musicians jointly make determinate the content of their musical ideas through on-going processes of their expression, so too lovers jointly engage in “deep improvisation”, thereby working out of their values and identities through the on-going process of living their lives together. These values are thus something the lovers jointly construct through the process of recognizing and responding to those very values. To love someone is thus to engage with them as partners in such “deep improvisation”. (This account is similar to Helm (2008, 2010)’s account of plural agency, which he uses to provide an account of friendship and other loving relationships; see the discussion of shared activity in the entry on friendship .)

5. Emotion Views

Given these problems with the accounts of love as valuing, perhaps we should turn to the emotions. For emotions just are responses to objects that combine evaluation, motivation, and a kind of phenomenology, all central features of the attitude of love.

Many accounts of love claim that it is an emotion; these include: Wollheim 1984, Rorty 1986/1993, Brown 1987, Hamlyn 1989, Baier 1991, and Badhwar 2003. [ 11 ] Thus, Hamlyn (1989, p. 219) says:

It would not be a plausible move to defend any theory of the emotions to which love and hate seemed exceptions by saying that love and hate are after all not emotions. I have heard this said, but it does seem to me a desperate move to make. If love and hate are not emotions what is?

The difficulty with this claim, as Rorty (1980) argues, is that the word, ‘emotion,’ does not seem to pick out a homogeneous collection of mental states, and so various theories claiming that love is an emotion mean very different things. Consequently, what are here labeled “emotion views” are divided into those that understand love to be a particular kind of evaluative-cum-motivational response to an object, whether that response is merely occurrent or dispositional (‘emotions proper,’ see Section 5.1 , below), and those that understand love to involve a collection of related and interconnected emotions proper (‘emotion complexes,’ see Section 5.2 , below).

An emotion proper is a kind of “evaluative-cum-motivational response to an object”; what does this mean? Emotions are generally understood to have several objects. The target of an emotion is that at which the emotion is directed: if I am afraid or angry at you, then you are the target. In responding to you with fear or anger, I am implicitly evaluating you in a particular way, and this evaluation—called the formal object —is the kind of evaluation of the target that is distinctive of a particular emotion type. Thus, in fearing you, I implicitly evaluate you as somehow dangerous, whereas in being angry at you I implicitly evaluate you as somehow offensive. Yet emotions are not merely evaluations of their targets; they in part motivate us to behave in certain ways, both rationally (by motivating action to avoid the danger) and arationally (via certain characteristic expressions, such as slamming a door out of anger). Moreover, emotions are generally understood to involve a phenomenological component, though just how to understand the characteristic “feel” of an emotion and its relation to the evaluation and motivation is hotly disputed. Finally, emotions are typically understood to be passions: responses that we feel imposed on us as if from the outside, rather than anything we actively do. (For more on the philosophy of emotions, see entry on emotion .)

What then are we saying when we say that love is an emotion proper? According to Brown (1987, p. 14), emotions as occurrent mental states are “abnormal bodily changes caused by the agent’s evaluation or appraisal of some object or situation that the agent believes to be of concern to him or her.” He spells this out by saying that in love, we “cherish” the person for having “a particular complex of instantiated qualities” that is “open-ended” so that we can continue to love the person even as she changes over time (pp. 106–7). These qualities, which include historical and relational qualities, are evaluated in love as worthwhile. [ 12 ] All of this seems aimed at spelling out what love’s formal object is, a task that is fundamental to understanding love as an emotion proper. Thus, Brown seems to say that love’s formal object is just being worthwhile (or, given his examples, perhaps: worthwhile as a person), and he resists being any more specific than this in order to preserve the open-endedness of love. Hamlyn (1989) offers a similar account, saying (p. 228):

With love the difficulty is to find anything of this kind [i.e., a formal object] which is uniquely appropriate to love. My thesis is that there is nothing of this kind that must be so, and that this differentiates it and hate from the other emotions.

Hamlyn goes on to suggest that love and hate might be primordial emotions, a kind of positive or negative “feeling towards,” presupposed by all other emotions. [ 13 ]

The trouble with these accounts of love as an emotion proper is that they provide too thin a conception of love. In Hamlyn’s case, love is conceived as a fairly generic pro-attitude, rather than as the specific kind of distinctively personal attitude discussed here. In Brown’s case, spelling out the formal object of love as simply being worthwhile (as a person) fails to distinguish love from other evaluative responses like admiration and respect. Part of the problem seems to be the rather simple account of what an emotion is that Brown and Hamlyn use as their starting point: if love is an emotion, then the understanding of what an emotion is must be enriched considerably to accommodate love. Yet it is not at all clear whether the idea of an “emotion proper” can be adequately enriched so as to do so. As Pismenny & Prinz (2017) point out, love seems to be too varied both in its ground and in the sort of experience it involves to be capturable by a single emotion.

The emotion complex view, which understands love to be a complex emotional attitude towards another person, may initially seem to hold out great promise to overcome the problems of alternative types of views. By articulating the emotional interconnections between persons, it could offer a satisfying account of the “depth” of love without the excesses of the union view and without the overly narrow teleological focus of the robust concern view; and because these emotional interconnections are themselves evaluations, it could offer an understanding of love as simultaneously evaluative, without needing to specify a single formal object of love. However, the devil is in the details.

Rorty (1986/1993) does not try to present a complete account of love; rather, she focuses on the idea that “relational psychological attitudes” which, like love, essentially involve emotional and desiderative responses, exhibit historicity : “they arise from, and are shaped by, dynamic interactions between a subject and an object” (p. 73). In part this means that what makes an attitude be one of love is not the presence of a state that we can point to at a particular time within the lover; rather, love is to be “identified by a characteristic narrative history” (p. 75). Moreover, Rorty argues, the historicity of love involves the lover’s being permanently transformed by loving who he does.

Baier (1991), seeming to pick up on this understanding of love as exhibiting historicity, says (p. 444):

Love is not just an emotion people feel toward other people, but also a complex tying together of the emotions that two or a few more people have; it is a special form of emotional interdependence.

To a certain extent, such emotional interdependence involves feeling sympathetic emotions, so that, for example, I feel disappointed and frustrated on behalf of my beloved when she fails, and joyful when she succeeds. However, Baier insists, love is “more than just the duplication of the emotion of each in a sympathetic echo in the other” (p. 442); the emotional interdependence of the lovers involves also appropriate follow-up responses to the emotional predicaments of your beloved. Two examples Baier gives (pp. 443–44) are a feeling of “mischievous delight” at your beloved’s temporary bafflement, and amusement at her embarrassment. The idea is that in a loving relationship your beloved gives you permission to feel such emotions when no one else is permitted to do so, and a condition of her granting you that permission is that you feel these emotions “tenderly.” Moreover, you ought to respond emotionally to your beloved’s emotional responses to you: by feeling hurt when she is indifferent to you, for example. All of these foster the sort of emotional interdependence Baier is after—a kind of intimacy you have with your beloved.

Badhwar (2003, p. 46) similarly understands love to be a matter of “one’s overall emotional orientation towards a person—the complex of perceptions, thoughts, and feelings”; as such, love is a matter of having a certain “character structure.” Central to this complex emotional orientation, Badhwar thinks, is what she calls the “look of love”: “an ongoing [emotional] affirmation of the loved object as worthy of existence…for her own sake” (p. 44), an affirmation that involves taking pleasure in your beloved’s well-being. Moreover, Badhwar claims, the look of love also provides to the beloved reliable testimony concerning the quality of the beloved’s character and actions (p. 57).

There is surely something very right about the idea that love, as an attitude central to deeply personal relationships, should not be understood as a state that can simply come and go. Rather, as the emotion complex view insists, the complexity of love is to be found in the historical patterns of one’s emotional responsiveness to one’s beloved—a pattern that also projects into the future. Indeed, as suggested above, the kind of emotional interdependence that results from this complex pattern can seem to account for the intuitive “depth” of love as fully interwoven into one’s emotional sense of oneself. And it seems to make some headway in understanding the complex phenomenology of love: love can at times be a matter of intense pleasure in the presence of one’s beloved, yet it can at other times involve frustration, exasperation, anger, and hurt as a manifestation of the complexities and depth of the relationships it fosters.

This understanding of love as constituted by a history of emotional interdependence enables emotion complex views to say something interesting about the impact love has on the lover’s identity. This is partly Rorty’s point (1986/1993) in her discussion of the historicity of love ( above ). Thus, she argues, one important feature of such historicity is that love is “ dynamically permeable ” in that the lover is continually “changed by loving” such that these changes “tend to ramify through a person’s character” (p. 77). Through such dynamic permeability, love transforms the identity of the lover in a way that can sometimes foster the continuity of the love, as each lover continually changes in response to the changes in the other. [ 14 ] Indeed, Rorty concludes, love should be understood in terms of “a characteristic narrative history” (p. 75) that results from such dynamic permeability. It should be clear, however, that the mere fact of dynamic permeability need not result in the love’s continuing: nothing about the dynamics of a relationship requires that the characteristic narrative history project into the future, and such permeability can therefore lead to the dissolution of the love. Love is therefore risky—indeed, all the more risky because of the way the identity of the lover is defined in part through the love. The loss of a love can therefore make one feel no longer oneself in ways poignantly described by Nussbaum (1990).

By focusing on such emotionally complex histories, emotion complex views differ from most alternative accounts of love. For alternative accounts tend to view love as a kind of attitude we take toward our beloveds, something we can analyze simply in terms of our mental state at the moment. [ 15 ] By ignoring this historical dimension of love in providing an account of what love is, alternative accounts have a hard time providing either satisfying accounts of the sense in which our identities as person are at stake in loving another or satisfactory solutions to problems concerning how love is to be justified (cf. Section 6 , especially the discussion of fungibility ).

Nonetheless, some questions remain. If love is to be understood as an emotion complex, we need a much more explicit account of the pattern at issue here: what ties all of these emotional responses together into a single thing, namely love? Baier and Badhwar seem content to provide interesting and insightful examples of this pattern, but that does not seem to be enough. For example, what connects my amusement at my beloved’s embarrassment to other emotions like my joy on his behalf when he succeeds? Why shouldn’t my amusement at his embarrassment be understood instead as a somewhat cruel case of schadenfreude and so as antithetical to, and disconnected from, love? Moreover, as Naar (2013) notes, we need a principled account of when such historical patterns are disrupted in such a way as to end the love and when they are not. Do I stop loving when, in the midst of clinical depression, I lose my normal pattern of emotional concern?

Presumably the answer requires returning to the historicity of love: it all depends on the historical details of the relationship my beloved and I have forged. Some loves develop so that the intimacy within the relationship is such as to allow for tender, teasing responses to each other, whereas other loves may not. The historical details, together with the lovers’ understanding of their relationship, presumably determine which emotional responses belong to the pattern constitutive of love and which do not. However, this answer so far is inadequate: not just any historical relationship involving emotional interdependence is a loving relationship, and we need a principled way of distinguishing loving relationships from other relational evaluative attitudes: precisely what is the characteristic narrative history that is characteristic of love?

Helm (2009, 2010) tries to answer some of these questions in presenting an account of love as intimate identification. To love another, Helm claims, is to care about him as the particular person he is and so, other things being equal, to value the things he values. Insofar as a person’s (structured) set of values—his sense of the kind of life worth his living—constitutes his identity as a person, such sharing of values amounts to sharing his identity, which sounds very much like union accounts of love. However, Helm is careful to understand such sharing of values as for the sake of the beloved (as robust concern accounts insist), and he spells this all out in terms of patterns of emotions. Thus, Helm claims, all emotions have not only a target and a formal object (as indicated above), but also a focus : a background object the subject cares about in terms of which the implicit evaluation of the target is made intelligible. (For example, if I am afraid of the approaching hailstorm, I thereby evaluate it as dangerous, and what explains this evaluation is the way that hailstorm bears on my vegetable garden, which I care about; my garden, therefore, is the focus of my fear.) Moreover, emotions normally come in patterns with a common focus: fearing the hailstorm is normally connected to other emotions as being relieved when it passes by harmlessly (or disappointed or sad when it does not), being angry at the rabbits for killing the spinach, delighted at the productivity of the tomato plants, etc. Helm argues that a projectible pattern of such emotions with a common focus constitute caring about that focus. Consequently, we might say along the lines of Section 4.3 , while particular emotions appraise events in the world as having certain evaluative properties, their having these properties is partly bestowed on them by the overall patterns of emotions.

Helm identifies some emotions as person-focused emotions : emotions like pride and shame that essentially take persons as their focuses, for these emotions implicitly evaluate in terms of the target’s bearing on the quality of life of the person that is their focus. To exhibit a pattern of such emotions focused on oneself and subfocused on being a mother, for example, is to care about the place being a mother has in the kind of life you find worth living—in your identity as a person; to care in this way is to value being a mother as a part of your concern for your own identity. Likewise, to exhibit a projectible pattern of such emotions focused on someone else and subfocused on his being a father is to value this as a part of your concern for his identity—to value it for his sake. Such sharing of another’s values for his sake, which, Helm argues, essentially involves trust, respect, and affection, amounts to intimate identification with him, and such intimate identification just is love. Thus, Helm tries to provide an account of love that is grounded in an explicit account of caring (and caring about something for the sake of someone else) that makes room for the intuitive “depth” of love through intimate identification.

Jaworska & Wonderly (2017) argue that Helm’s construal of intimacy as intimate identification is too demanding. Rather, they argue, the sort of intimacy that distinguishes love from mere caring is one that involves a kind of emotional vulnerability in which things going well or poorly for one’s beloved are directly connected not merely to one’s well-being, but to one’s ability to flourish. This connection, they argue, runs through the lover’s self-understanding and the place the beloved has in the lover’s sense of a meaningful life.

Why do we love? It has been suggested above that any account of love needs to be able to answer some such justificatory question. Although the issue of the justification of love is important on its own, it is also important for the implications it has for understanding more clearly the precise object of love: how can we make sense of the intuitions not only that we love the individuals themselves rather than their properties, but also that my beloved is not fungible—that no one could simply take her place without loss. Different theories approach these questions in different ways, but, as will become clear below, the question of justification is primary.

One way to understand the question of why we love is as asking for what the value of love is: what do we get out of it? One kind of answer, which has its roots in Aristotle, is that having loving relationships promotes self-knowledge insofar as your beloved acts as a kind of mirror, reflecting your character back to you (Badhwar, 2003, p. 58). Of course, this answer presupposes that we cannot accurately know ourselves in other ways: that left alone, our sense of ourselves will be too imperfect, too biased, to help us grow and mature as persons. The metaphor of a mirror also suggests that our beloveds will be in the relevant respects similar to us, so that merely by observing them, we can come to know ourselves better in a way that is, if not free from bias, at least more objective than otherwise.

Brink (1999, pp. 264–65) argues that there are serious limits to the value of such mirroring of one’s self in a beloved. For if the aim is not just to know yourself better but to improve yourself, you ought also to interact with others who are not just like yourself: interacting with such diverse others can help you recognize alternative possibilities for how to live and so better assess the relative merits of these possibilities. Whiting (2013) also emphasizes the importance of our beloveds’ having an independent voice capable of reflecting not who one now is but an ideal for who one is to be. Nonetheless, we need not take the metaphor of the mirror quite so literally; rather, our beloveds can reflect our selves not through their inherent similarity to us but rather through the interpretations they offer of us, both explicitly and implicitly in their responses to us. This is what Badhwar calls the “epistemic significance” of love. [ 16 ]

In addition to this epistemic significance of love, LaFollette (1996, Chapter 5) offers several other reasons why it is good to love, reasons derived in part from the psychological literature on love: love increases our sense of well-being, it elevates our sense of self-worth, and it serves to develop our character. It also, we might add, tends to lower stress and blood pressure and to increase health and longevity. Friedman (1993) argues that the kind of partiality towards our beloveds that love involves is itself morally valuable because it supports relationships—loving relationships—that contribute “to human well-being, integrity, and fulfillment in life” (p. 61). And Solomon (1988, p. 155) claims:

Ultimately, there is only one reason for love. That one grand reason…is “because we bring out the best in each other.” What counts as “the best,” of course, is subject to much individual variation.

This is because, Solomon suggests, in loving someone, I want myself to be better so as to be worthy of his love for me.

Each of these answers to the question of why we love understands it to be asking about love quite generally, abstracted away from details of particular relationships. It is also possible to understand the question as asking about particular loves. Here, there are several questions that are relevant:

  • What, if anything, justifies my loving rather than not loving this particular person?
  • What, if anything, justifies my coming to love this particular person rather than someone else?
  • What, if anything, justifies my continuing to love this particular person given the changes—both in him and me and in the overall circumstances—that have occurred since I began loving him?

These are importantly different questions. Velleman (1999), for example, thinks we can answer (1) by appealing to the fact that my beloved is a person and so has a rational nature, yet he thinks (2) and (3) have no answers: the best we can do is offer causal explanations for our loving particular people, a position echoed by Han (2021). Setiya (2014) similarly thinks (1) has an answer, but points not to the rational nature of persons but rather to the other’s humanity , where such humanity differs from personhood in that not all humans need have the requisite rational nature for personhood, and not all persons need be humans. And, as will become clear below , the distinction between (2) and (3) will become important in resolving puzzles concerning whether our beloveds are fungible, though it should be clear that (3) potentially raises questions concerning personal identity (which will not be addressed here).

It is important not to misconstrue these justificatory questions. Thomas (1991) , for example, rejects the idea that love can be justified: “there are no rational considerations whereby anyone can lay claim to another’s love or insist that an individual’s love for another is irrational” (p. 474). This is because, Thomas claims (p. 471):

no matter how wonderful and lovely an individual might be, on any and all accounts, it is simply false that a romantically unencumbered person must love that individual on pain of being irrational. Or, there is no irrationality involved in ceasing to love a person whom one once loved immensely, although the person has not changed.

However, as LaFollette (1996, p. 63) correctly points out,

reason is not some external power which dictates how we should behave, but an internal power, integral to who we are.… Reason does not command that we love anyone. Nonetheless, reason is vital in determining whom we love and why we love them.

That is, reasons for love are pro tanto : they are a part of the overall reasons we have for acting, and it is up to us in exercising our capacity for agency to decide what on balance we have reason to do or even whether we shall act contrary to our reasons. To construe the notion of a reason for love as compelling us to love, as Thomas does, is to misconstrue the place such reasons have within our agency. [ 17 ]

Most philosophical discussions of the justification of love focus on question (1) , thinking that answering this question will also, to the extent that we can, answer question (2) , which is typically not distinguished from (3) . The answers given to these questions vary in a way that turns on how the kind of evaluation implicit in love is construed. On the one hand, those who understand the evaluation implicit in love to be a matter of the bestowal of value (such as Telfer 1970–71; Friedman 1993; Singer 1994) typically claim that no justification can be given (cf. Section 4.2 ). As indicated above, this seems problematic, especially given the importance love can have both in our lives and, especially, in shaping our identities as persons. To reject the idea that we can love for reasons may reduce the impact our agency can have in defining who we are.

On the other hand, those who understand the evaluation implicit in love to be a matter of appraisal tend to answer the justificatory question by appeal to these valuable properties of the beloved. This acceptance of the idea that love can be justified leads to two further, related worries about the object of love.

The first worry is raised by Vlastos (1981) in a discussion Plato’s and Aristotle’s accounts of love. Vlastos notes that these accounts focus on the properties of our beloveds: we are to love people, they say, only because and insofar as they are objectifications of the excellences. Consequently, he argues, in doing so they fail to distinguish “ disinterested affection for the person we love” from “ appreciation of the excellences instantiated by that person ” (p. 33). That is, Vlastos thinks that Plato and Aristotle provide an account of love that is really a love of properties rather than a love of persons—love of a type of person, rather than love of a particular person—thereby losing what is distinctive about love as an essentially personal attitude. This worry about Plato and Aristotle might seem to apply just as well to other accounts that justify love in terms of the properties of the person: insofar as we love the person for the sake of her properties, it might seem that what we love is those properties and not the person. Here it is surely insufficient to say, as Solomon (1988, p. 154) does, “if love has its reasons, then it is not the whole person that one loves but certain aspects of that person—though the rest of the person comes along too, of course”: that final tagline fails to address the central difficulty about what the object of love is and so about love as a distinctly personal attitude. (Clausen 2019 might seem to address this worry by arguing that we love people not as having certain properties but rather as having “ organic unities ”: a holistic set of properties the value of each of which must be understood in essential part in terms of its place within that whole. Nonetheless, while this is an interesting and plausible way to think about the value of the properties of persons, that organic unity itself will be a (holistic) property held by the person, and it seems that the fundamental problem reemerges at the level of this holistic property: do we love the holistic unity rather than the person?)

The second worry concerns the fungibility of the object of love. To be fungible is to be replaceable by another relevantly similar object without any loss of value. Thus, money is fungible: I can give you two $5 bills in exchange for a $10 bill, and neither of us has lost anything. Is the object of love fungible? That is, can I simply switch from loving one person to loving another relevantly similar person without any loss? The worry about fungibility is commonly put this way: if we accept that love can be justified by appealing to properties of the beloved, then it may seem that in loving someone for certain reasons, I love him not simply as the individual he is, but as instantiating those properties. And this may imply that any other person instantiating those same properties would do just as well: my beloved would be fungible. Indeed, it may be that another person exhibits the properties that ground my love to a greater degree than my current beloved does, and so it may seem that in such a case I have reason to “trade up”—to switch my love to the new, better person. However, it seems clear that the objects of our loves are not fungible: love seems to involve a deeply personal commitment to a particular person, a commitment that is antithetical to the idea that our beloveds are fungible or to the idea that we ought to be willing to trade up when possible. [ 18 ]

In responding to these worries, Nozick (1989) appeals to the union view of love he endorses (see the section on Love as Union ):

The intention in love is to form a we and to identify with it as an extended self, to identify one’s fortunes in large part with its fortunes. A willingness to trade up, to destroy the very we you largely identify with, would then be a willingness to destroy your self in the form of your own extended self. [p. 78]

So it is because love involves forming a “we” that we must understand other persons and not properties to be the objects of love, and it is because my very identity as a person depends essentially on that “we” that it is not possible to substitute without loss one object of my love for another. However, Badhwar (2003) criticizes Nozick, saying that his response implies that once I love someone, I cannot abandon that love no matter who that person becomes; this, she says, “cannot be understood as love at all rather than addiction” (p. 61). [ 19 ]

Instead, Badhwar (1987) turns to her robust-concern account of love as a concern for the beloved for his sake rather than one’s own. Insofar as my love is disinterested — not a means to antecedent ends of my own—it would be senseless to think that my beloved could be replaced by someone who is able to satisfy my ends equally well or better. Consequently, my beloved is in this way irreplaceable. However, this is only a partial response to the worry about fungibility, as Badhwar herself seems to acknowledge. For the concern over fungibility arises not merely for those cases in which we think of love as justified instrumentally, but also for those cases in which the love is justified by the intrinsic value of the properties of my beloved. Confronted with cases like this, Badhwar (2003) concludes that the object of love is fungible after all (though she insists that it is very unlikely in practice). (Soble (1990, Chapter 13) draws similar conclusions.)

Nonetheless, Badhwar thinks that the object of love is “phenomenologically non-fungible” (2003, p. 63; see also 1987, p. 14). By this she means that we experience our beloveds to be irreplaceable: “loving and delighting in [one person] are not completely commensurate with loving and delighting in another” (1987, p. 14). Love can be such that we sometimes desire to be with this particular person whom we love, not another whom we also love, for our loves are qualitatively different. But why is this? It seems as though the typical reason I now want to spend time with Amy rather than Bob is, for example, that Amy is funny but Bob is not. I love Amy in part for her humor, and I love Bob for other reasons, and these qualitative differences between them is what makes them not fungible. However, this reply does not address the worry about the possibility of trading up: if Bob were to be at least as funny (charming, kind, etc.) as Amy, why shouldn’t I dump her and spend all my time with him?

A somewhat different approach is taken by Whiting (1991). In response to the first worry concerning the object of love, Whiting argues that Vlastos offers a false dichotomy: having affection for someone that is disinterested —for her sake rather than my own—essentially involves an appreciation of her excellences as such. Indeed, Whiting says, my appreciation of these as excellences, and so the underlying commitment I have to their value, just is a disinterested commitment to her because these excellences constitute her identity as the person she is. The person, therefore, really is the object of love. Delaney (1996) takes the complementary tack of distinguishing between the object of one’s love, which of course is the person, and the grounds of the love, which are her properties: to say, as Solomon does, that we love someone for reasons is not at all to say that we only love certain aspects of the person. In these terms, we might say that Whiting’s rejection of Vlastos’ dichotomy can be read as saying that what makes my attitude be one of disinterested affection—one of love—for the person is precisely that I am thereby responding to her excellences as the reasons for that affection. [ 20 ]

Of course, more needs to be said about what it is that makes a particular person be the object of love. Implicit in Whiting’s account is an understanding of the way in which the object of my love is determined in part by the history of interactions I have with her: it is she, and not merely her properties (which might be instantiated in many different people), that I want to be with; it is she, and not merely her properties, on whose behalf I am concerned when she suffers and whom I seek to comfort; etc. This addresses the first worry, but not the second worry about fungibility, for the question still remains whether she is the object of my love only as instantiating certain properties, and so whether or not I have reason to “trade up.”

To respond to the fungibility worry, Whiting and Delaney appeal explicitly to the historical relationship. [ 21 ] Thus, Whiting claims, although there may be a relatively large pool of people who have the kind of excellences of character that would justify my loving them, and so although there can be no answer to question (2) about why I come to love this rather than that person within this pool, once I have come to love this person and so have developed a historical relation with her, this history of concern justifies my continuing to love this person rather than someone else (1991, p. 7). Similarly, Delaney claims that love is grounded in “historical-relational properties” (1996, p. 346), so that I have reasons for continuing to love this person rather than switching allegiances and loving someone else. In each case, the appeal to both such historical relations and the excellences of character of my beloved is intended to provide an answer to question (3) , and this explains why the objects of love are not fungible.

There seems to be something very much right with this response. Relationships grounded in love are essentially personal, and it would be odd to think of what justifies that love to be merely non-relational properties of the beloved. Nonetheless, it is still unclear how the historical-relational propreties can provide any additional justification for subsequent concern beyond that which is already provided (as an answer to question (1) ) by appeal to the excellences of the beloved’s character (cf. Brink 1999). The mere fact that I have loved someone in the past does not seem to justify my continuing to love him in the future. When we imagine that he is going through a rough time and begins to lose the virtues justifying my initial love for him, why shouldn’t I dump him and instead come to love someone new having all of those virtues more fully? Intuitively (unless the change she undergoes makes her in some important sense no longer the same person he was), we think I should not dump him, but the appeal to the mere fact that I loved him in the past is surely not enough. Yet what historical-relational properties could do the trick? (For an interesting attempt at an answer, see Kolodny 2003 and also Howard 2019.)

If we think that love can be justified, then it may seem that the appeal to particular historical facts about a loving relationship to justify that love is inadequate, for such idiosyncratic and subjective properties might explain but cannot justify love. Rather, it may seem, justification in general requires appealing to universal, objective properties. But such properties are ones that others might share, which leads to the problem of fungibility. Consequently it may seem that love cannot be justified. In the face of this predicament, accounts of love that understand love to be an attitude towards value that is intermediate between appraisal and bestowal, between recognizing already existing value and creating that value (see Section 4.3 ) might seem to offer a way out. For once we reject the thought that the value of our beloveds must be either the precondition or the consequence of our love, we have room to acknowledge that the deeply personal, historically grounded, creative nature of love (central to bestowal accounts) and the understanding of love as responsive to valuable properties of the beloved that can justify that love (central to appraisal accounts) are not mutually exclusive (Helm 2010; Bagley 2015).

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  • –––, 1995, The Importance of Us: A Philosophical Study of Basic Social Notions , Stanford, CA: Stanford University Press.
  • Velleman, J. D., 1999, “Love as a Moral Emotion”, Ethics , 109: 338–74.
  • –––, 2008, “Beyond Price”, Ethics , 118: 191–212.
  • Vlastos, G., 1981, “The Individual as Object of Love in Plato”, in Platonic Studies , 2nd edition, Princeton, NJ: Princeton University Press, 3–42.
  • White, R. J., 2001, Love’s Philosophy , Rowman & Littlefield.
  • Whiting, J. E., 1991, “Impersonal Friends”, Monist , 74: 3–29.
  • –––, 2013, “Love: Self-Propagation, Self-Preservation, or Ekstasis?”, Canadian Journal of Philosophy , 43: 403–29.
  • Willigenburg, T. Van, 2005, “Reason and Love: A Non-Reductive Analysis of the Normativity of Agent-Relative Reasons”, Ethical Theory and Moral Practice , 8: 45–62.
  • Wollheim, R., 1984, The Thread of Life , Cambridge, MA: Harvard University Press.
  • Wonderly, M., 2016, “On Being Attached”, Philosophical Studies , 173: 223–42.
  • –––, 2017, “Love and Attachment”, American Philosophical Quarterly , 54: 235–50.
How to cite this entry . Preview the PDF version of this entry at the Friends of the SEP Society . Look up topics and thinkers related to this entry at the Internet Philosophy Ontology Project (InPhO). Enhanced bibliography for this entry at PhilPapers , with links to its database.
  • Aristotle , Nicomachean Ethics , translated by W.D. Ross.
  • Moseley, A., “ Philosophy of Love ,” in J. Fieser (ed.), Internet Encyclopedia of Philosophy

character, moral | emotion | friendship | impartiality | obligations: special | personal identity | Plato: ethics | Plato: rhetoric and poetry | respect | value: intrinsic vs. extrinsic

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Essay on Love

Students are often asked to write an essay on Love in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Love

Understanding love.

Love is a powerful emotion, felt by all creatures. It’s a bond that connects us, making us care deeply for others. From family to friends, we experience love in different forms.

Types of Love

There are many types of love. We love our family unconditionally, our friends deeply, and our pets loyally. This shows love’s versatility.

The Power of Love

Love can bring happiness, comfort, and warmth. It can heal wounds and bring peace. The power of love is truly magical.

Love’s Challenges

Love isn’t always easy. It can bring pain and heartache. But overcoming these challenges strengthens love.

Love is a beautiful journey, filled with joy and challenges. It’s a fundamental part of life.

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250 Words Essay on Love

The essence of love.

Love, a universal sentiment, is a complex and multidimensional concept that has been the subject of countless discourses and studies. It is a powerful emotion, a binding force that transcends physicality and enters the realm of the spiritual.

The Multifaceted Nature of Love

Love is not monolithic; it is multifaceted and varies in intensity and expression. It can be romantic, platonic, familial, or self-love. Each type is vital and contributes to our overall well-being. Romantic love, for instance, is often characterized by passion and intimacy. Platonic love, on the other hand, is grounded in intellectual connection and shared interests.

The Transformative Power of Love

Love has the power to transform individuals and societies. It fosters empathy, kindness, and understanding, breaking down barriers and promoting unity. Love can heal wounds, mend broken hearts, and inspire acts of selflessness and sacrifice. It is the catalyst for human growth and the foundation of our humanity.

Despite its beauty, love is not without challenges. It can lead to heartbreak, disappointment, and despair. However, these trials are part of the journey of love, teaching us resilience and the value of vulnerability.

The Enduring Mystery of Love

Despite our attempts to understand and define love, it remains a profound mystery. It is an experience that is deeply personal yet universally shared, a paradox that adds to its allure. Love, in its essence, is an exploration of the depths of the human heart, a journey into the soul’s innermost chambers.

In conclusion, love is a multifaceted, transformative, and enduring emotion that shapes our lives in profound and intricate ways. It is the essence of our humanity, a testament to our capacity for empathy, compassion, and connection.

500 Words Essay on Love

The concept of love.

Love, a four-letter word that encapsulates a plethora of emotions, is a universal concept that transcends all barriers. It is a deeply personal and subjective experience, yet it also serves as a communal bond that ties societies together. The complexity of love is such that it can be viewed from various perspectives, including biological, psychological, and philosophical.

Biological Perspective of Love

From a biological standpoint, love is a potent cocktail of chemicals. Neurotransmitters such as oxytocin and dopamine are primarily responsible for the feelings of attachment and pleasure associated with love. The release of these chemicals in the brain creates a sense of euphoria, leading to the emotional highs that are often associated with romantic love. This biochemical perspective, however, only scratches the surface of the profound complexity of love.

Psychological Perspective of Love

Psychologically, love is a dynamic process that evolves over time. According to Sternberg’s Triangular Theory of Love, it consists of three components: intimacy, passion, and commitment. Intimacy refers to feelings of closeness and connectedness, passion involves intense feelings and sexual attraction, while commitment refers to the decision to remain with another. The balance between these components determines the type of love one experiences, ranging from infatuation (passion alone) to consummate love (a balance of all three).

Philosophical Perspective of Love

Philosophically, love is often viewed as an existential need. It is seen as a path to self-discovery and personal growth. The philosopher Plato suggested that love is the pursuit of the whole, a quest for completeness. This idea is echoed in the concept of ‘soulmates’ prevalent in popular culture. Yet, love is not solely about finding the ‘missing piece’; it is also about selflessly caring for another, seeking their happiness, and accepting them unconditionally.

Love as a Social Construct

Beyond individual experience, love is a social construct that shapes societal norms and values. It is a driving force behind many cultural practices and traditions. Love is celebrated through literature, music, and art, reflecting its deep-rooted significance in human society. It is a catalyst for social cohesion, fostering empathy and mutual understanding among individuals.

Conclusion: The Complexity and Importance of Love

In conclusion, love is a multifaceted concept that cannot be confined to a single definition. It is a biological process, a psychological state, a philosophical pursuit, and a societal bond. It is a complex interplay of emotions, thoughts, and behaviors that profoundly influences our lives. Despite its complexity, or perhaps because of it, love remains one of the most enduring and universal aspects of the human experience. It is a testament to the depth and breadth of our capacity for connection, compassion, and growth.

That’s it! I hope the essay helped you.

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Before You Write a Love Essay, Read This to Get Examples

The day will come when you can’t escape the fate of all students: You will have to write a what is love essay.

No worries:

Here you’ll find tons of love essay topics and examples. No time to read everything? Scroll down to get a free PDF with original samples.

Definition: Essay on Love

First, let’s define what is love essay?

The most common topics are:

  • Definition of love
  • What is love?
  • Meaning of love

Why limit yourself to these hackneyed, general themes? Below, I’ll show how to make your paper on love original yet relevant to the prompt you get from teachers.

Love Essay Topics: 20 Ideas to Choose for Your Paper

Your essay on love and relationship doesn’t have to be super official and unemotional. It’s ok to share reflections and personal opinions when writing about romance.

Often, students get a general task to write an essay on love. It means they can choose a theme and a title for their paper. If that’s your case,  feel free to try any of these love essay topics:

  • Exploring the impact of love on individuals and relationships.
  • Love in the digital age: Navigating romance in a tech world.
  • Is there any essence and significance in unconditional love?
  • Love as a universal language: Connecting hearts across cultures.
  • Biochemistry of love: Exploring the process.
  • Love vs. passion vs. obsession.
  • How love helps cope with heartbreak and grief.
  • The art of loving. How we breed intimacy and trust.
  • The science behind attraction and attachment.
  • How love and relationships shape our identity and help with self-discovery.
  • Love and vulnerability: How to embrace emotional openness.
  • Romance is more complex than most think: Passion, intimacy, and commitment explained.
  • Love as empathy: Building sympathetic connections in a cruel world.
  • Evolution of love. How people described it throughout history.
  • The role of love in mental and emotional well-being.
  • Love as a tool to look and find purpose in life.
  • Welcoming diversity in relations through love and acceptance.
  • Love vs. friendship: The intersection of platonic and romantic bonds.
  • The choices we make and challenges we overcome for those we love.
  • Love and forgiveness: How its power heals wounds and strengthens bonds.

Love Essay Examples: Choose Your Sample for Inspiration

Essays about love are usually standard, 5-paragraph papers students write in college:

  • One paragraph is for an introduction, with a hook and a thesis statement
  • Three are for a body, with arguments or descriptions
  • One last passage is for a conclusion, with a thesis restatement and final thoughts

Below are the ready-made samples to consider. They’ll help you see what an essay about love with an introduction, body, and conclusion looks like.

What is love essay: 250 words

Lao Tzu once said, “Being deeply loved by someone gives you strength while loving someone deeply gives you courage.” Indeed, love can transform individuals, relationships, and our world.

A word of immense depth and countless interpretations, love has always fascinated philosophers, poets, and ordinary individuals. This  emotion breaks boundaries and has a super power to change lives. But what is love, actually?

It’s a force we feel in countless ways. It is the warm embrace of a parent, filled with care and unwavering support. It is the gentle touch of a lover, sparking a flame that ignites passion and desire. Love is the kind words of a friend, offering solace and understanding in times of need. It is the selfless acts of compassion and empathy that bind humanity together.

Love is not confined to romantic relationships alone. It is found in the family bonds, the connections we forge with friends, and even the compassion we extend to strangers. Love is a thread that weaves through the fabric of our lives, enriching and nourishing our souls.

However, love is not without its complexities. It can be both euphoric and agonizing, uplifting and devastating. Love requires vulnerability, trust, and the willingness to embrace joy and pain. It is a delicate balance between passion and compassion, independence and interdependence.

Finally, the essence of love may be elusive to define with mere words. It is an experience that surpasses language and logic, encompassing a spectrum of emotions and actions. Love is a profound connection that unites us all, reminding us of our shared humanity and the capacity for boundless compassion.

What is love essay: 500 words

best essay on love

A 500-word essay on why I love you

Trying to encapsulate why I love you in a mere 500 words is impossible. My love for you goes beyond the confines of language, transcending words and dwelling in the realm of emotions, connections, and shared experiences. Nevertheless, I shall endeavor to express the depth and breadth of my affection for you.

First and foremost, I love you for who you are. You possess a unique blend of qualities and characteristics that captivate my heart and mind. Your kindness and compassion touch the lives of those around you, and I am grateful to be the recipient of your unwavering care and understanding. Your intelligence and wit constantly challenge me to grow and learn, stimulating my mind and enriching our conversations. You have a beautiful spirit that radiates warmth and joy, and I am drawn to your vibrant energy.

I love the way you make me feel. When I am with you, I feel a sense of comfort and security that allows me to be my true self. Your presence envelops me in a cocoon of love and acceptance, where I can express my thoughts, fears, and dreams without fear of judgment. Your support and encouragement inspire me to pursue my passions and overcome obstacles. With you by my side, I feel empowered to face the world, knowing I have a partner who believes in me.

I love the memories we have created together. From the laughter-filled moments of shared adventures to the quiet and intimate conversations, every memory is etched in my heart. Whether exploring new places, indulging in our favorite activities, or simply enjoying each other’s company in comfortable silence, each experience reinforces our bond. Our shared memories serve as a foundation for our relationship, a testament to the depth of our connection and the love that binds us.

I love your quirks and imperfections. Your true essence shines through these unique aspects! Your little traits make me smile and remind me of the beautiful individual you are. I love how you wrinkle your nose when you laugh, become lost in thought when reading a book, and even sing off-key in the shower. These imperfections make you human, relatable, and utterly lovable.

I love the future we envision together. We support each other’s goals, cheering one another on as we navigate the path toward our dreams. The thought of building a life together, creating a home filled with love and shared experiences, fills my heart with anticipation and excitement. The future we imagine is one that I am eager to explore with you by my side.

In conclusion, the reasons why I love you are as vast and varied as the universe itself. It is a love that defies logic and surpasses the limitations of language. From the depths of my being, I love you for the person you are, the way you make me feel, the memories we cherish, your quirks and imperfections, and the future we envision together. My love for you is boundless, unconditional, and everlasting.

A 5-paragraph essay about love

best essay on love

I’ve gathered all the samples (and a few bonus ones) in one PDF. It’s free to download. So, you can keep it at hand when the time comes to write a love essay.

best essay on love

Ready to Write Your Essay About Love?

Now that you know the definition of a love essay and have many topic ideas, it’s time to write your A-worthy paper! Here go the steps:

  • Check all the examples of what is love essay from this post.
  • Choose the topic and angle that fits your prompt best.
  • Write your original and inspiring story.

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Essay on Love:- Sample Essays for Students in 100, 200 and 300 words

best essay on love

  • Updated on  
  • Feb 2, 2024

Essay on love

Can a person live without love? Is it the essence of survival? Why do we fall for someone? What is the meaning of love?  Love is one of the most important feelings in human life. Humans are social animals and we have lived for centuries with this way of life where we take confidence in asking another person how our clothes fit us, or how we look. Those who love us, give us the most honest opinions and make our happiness paramount which means love is found in joy, fulfilment and a sense of purpose.

Also Read: 99+ Psychology Facts About Human Behaviour You Would Find Interesting

Table of Contents

  • 1 Essay on Love in 100 words
  • 2 Essay on Love in 200 words
  • 3 Essay on Love in 300 words

Essay on Love in 100 words

Love is the very essence of the human life. Without love, the world would become cold and bleak. God has gifted us different kinds of emotions and love is one the most beautiful of them all. It is an emotion that each of us has experienced at some point in our lives. When someone shows us their love, it makes us feel complete and special. It is like a divine energy that nourishes us throughout our lives. Love has a lot of positive aspects. It provides a foundation on which an individual builds, relishes, and nurtures. Furthermore, this intense feeling shows us how to deepen our emotions. We can say that giving love is a way of worshipping God.

Also Read:- Heart-Touching Mother’s Day 2023 Quotes

Essay on Love in 200 words

Love is a feeling of strong affection and bonding towards an individual. The very concept of love might become an unimaginable thing and also it may happen to each person in a particular way. 

Love comprises feelings, attitudes, and emotions. The feeling is more than just a physical attraction, emotional connection, and a soulful bond. The very basic meaning of love is to feel more than just liking someone. Expressing the same is a wonderful experience. Love is one of the most basic human needs. Everyone wants to feel loved. It is something that completes an individual and brings peace to them.

Love is important for the mind as well as for the body. The more connected you are, the healthier you will be especially emotionally. It is true that love even eradicates depression. It is that much powerful. It is one of the best antidepressants. Life without love would be unimaginable.

Love is something that ends conflicts, brings light into one’s life, gives hope, and makes life worth living. It brings warmth that is needed to nurture life and an individual too. Without love, the world would become a cold and bleak place for everyone. Love builds and heals.

Also Read:-   Speech on Love is More Powerful Than Hate

Essay on Love in 300 words

Love consists of a set of emotions, behaviors, and beliefs with strong feelings of affection. A person might say that they love their dog. The very concept of love is different for each individual as it may happen to each person in a particular way. We can say that it is more than just liking someone, it is an emotional attachment. 

Though love is important in every way still, let us have a look how this intense feeling relates to our bodies as well as to our relations:

1. Hormone of Love

Love helps our body to produce oxytocin, the feel-good hormone and is probably one of the best antidepressants. It makes any individual healthier especially emotionally.

2. Basic Necessity

Love is one of the most basic human needs. Expressing it to others benefits both, the person who delivers it as well as the recipient. One of the ways it can be shown to close ones is as contact comfort. Several experiments show that the babies who were not given contact comfort, especially during the first six months, grow up to be psychologically damaged. 

3. Makes Relations Healthy

In a relationship, Love is the binding element that keeps it strong and makes it grow. The individuals in love, are much more emotionally connected making them connected on a soulful level. The comfort in that is unparalleled. 

Love is the very essence of existence. Life without love is not worthy of being lived. Before we are even aware, love is showered on us each day by our mothers, fathers, siblings, etc. It is a unique gift that helps us shape our lives. Without it, the society would perish. Love motivates us in the darkest times, helps us to overcome negativity and gives us purpose in our lives with new perspectives. It is greater than anything else in life.

Also Read: Speech on Mother Daughter Relationship for School Students

Love is the very essence of the human life. Without love, the world would become cold and bleak. God has gifted us several different kinds of emotions and love is one the most beautiful of them all. It is one such emotion that each of us has experienced at some point in our lives. When someone shows us their love, it makes us feel complete, it makes us feel special. Like a divine energy, love nourishes us throughout our lives. It has a lot of positive aspects such as it provides a foundation on which an individual builds, relishes, nurtures, and heals, it shows us how to deepen our emotions. We can say that giving love is a way of worshipping god.

Love is a feeling of strong affection and bonding towards an individual. The very concept of love might become an unimaginable thing and also it may happen to each person in a particular way.

Love is the very essence of existence. Life without love is not worthy to be lived. Before we are even aware, love is showered on us each day by our mothers, fathers, siblings, etc. It is a unique gift that helps us shape our lives. Without it, the society would perish. Love gives us the motivation we need even in the darkest of times, it helps us overcome negativity and gives us purpose in our life and new perspectives. It is greater than anything else in life.

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Home — Essay Samples — Life — Family — Love

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Essays on Love

Hook examples for love essays, anecdotal hook.

Love, as I have come to understand, is more than a feeling; it's a force that has shaped the course of my life. Join me on a journey through the depths and complexities of this powerful emotion.

Question Hook

What is the true nature of love? Is it an unexplainable chemistry between two people or a profound connection that transcends words? Exploring the concept of love opens the door to a world of wonder.

Quotation Hook

""Love is an endless act of forgiveness. Forgiveness is the key to action and freedom."" These words from Maya Angelou remind us of the transformative power of love and forgiveness in our lives.

Types of Love Hook

Love wears many faces, from romantic love to platonic, familial, and self-love. Delve into the different types of love and their unique qualities that define our human experience.

Love and Relationships Hook

What is the secret to a lasting and meaningful relationship? Explore the dynamics of love in the context of relationships and the role it plays in our connections with others.

The Science of Love Hook

Peek into the fascinating world of neurochemistry and psychology to uncover the science behind love. How do our brains and bodies respond to this extraordinary emotion?

Love's Impact on Art and Culture Hook

Throughout history, love has inspired countless works of art, music, and literature. Analyze the profound influence of love on our cultural expressions and creative endeavors.

Personal Narrative: When I Fall in Love

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A Letter from The Girl Who Loves You

Where to: experience love at first sip, love and adultery in "the lady with the dog" by anton chekhov, nothing gonna change my love for you, true connection and essence of love, how sun love moon, the portrayal and role of the concept of love in the handmaid's tale, the meaning of family to me, my experience growing up from broken family, how does music communicate emotion, a letter to my mother, foundation and light of home, my ideal partner: a personal reflection on relationships, the relationship between science and love in tom stoppard’s "arcadia", elton john and david furnish: long-lasted love story, transcend boundary of time and space, mansoor ali khan and sharmila tagore - love story of lifetime, social status relation to love and chance in 'marivaux', not every lose is a lose, sex and sexuality in the unbearable lightness of being, relevant topics.

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best essay on love

Essay on Love

Love is the essence of human life. God has gifted humans with different kinds of emotions that they can feel to experience the various aspects of life. Love is one such kind of emotion that all human beings have. Everybody has felt it, be it for a person, pet, or even a non-living object. We feel special when someone shows their love for us. Love is a divine energy. It can heal the wound and can work as a medicine for a person. It can help people to reach new heights in their lives and fulfil their goals. Giving love is also a way of worshipping God. With the help of this essay on love, students will understand the meaning of love, its significance and its different aspects. This will help them to write an effective essay on love. Moreover, students can also go through the list of CBSE Essays to practise more essays on different topics.

500+ Words Essay on Love

Love is an emotion that we all yearn for. From the day we are born, we crave love. The little baby who arrives in this world is unaware of things. The only thing that they understand is love. The relationship of a mother with the child is said to be the strongest. The mother’s love is the purest because a mother does not have any expectations. It is selfless love as it only has the feeling of giving.

As we grow up, we make friends, and we have relatives, neighbours and many more people in our lives. But what is the one thing that draws or repels us from a person? It is their nature. A person with a kind and loving nature is loved by all.

Importance of Love

We create love out of strong, personal bonds. Love gives us the assurance that we are not alone in the world. In a larger aspect, love runs the world around us. On a smaller scale, we survive as children because our parents love and care for us. Love can tell a lot about ourselves. When we love someone, we accept them, forgive their small mistakes and patiently listen to them. Our preferences, tastes, morality, thought processes and instinctive feelings also change.

The feeling of love keeps us alive. We start enjoying our lives. We feel motivated and inspired all the time. We think of doing better in our lives and strive for the best. We fall in love with life and start living in the present moment. This makes us realise that we must be thankful for whatever we have in life.

Society and Love

A society or community functions well when they have the feeling of togetherness and lovingness. A society in which everyone hates each other and can’t see the development of others can never make progress. So, for the progress of any society or nation, it is very important that people love each other. Love will bind people of different castes, races, sex, community, religion, area, etc., in one thread of togetherness. Love is the deepest and most meaningful of all sentiments.

Basic Elements of Love

Love has basic three elements. The first one is understanding. People are said to love each other when they are willing to provide mutual understanding. When things do not go in our favour, it requires sacrifice. Trust is the second element. People must build trust in relationships to make stronger bonds. Cooperation is the last one. People must cooperate and help each other to achieve their goals.

Love is the lubricant of life, and without love, the machinery of life will overheat from friction and ‘seize up’; but love is no substitute for the other qualities which go to the making of the whole of human existence.

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60 love quotes for him that will warm his heart

Love is notoriously difficult to describe.

To borrow a line from “Persuasion” by Jane Austen, “If I loved you less, I might be able to talk about it more.”

If you struggle to find the words to express your love, you're far from alone. Many artists and writers have dedicated their entire careers to capturing that sentiment.

Luckily, that means you have a wealth of material to draw on for your next message to your husband , boyfriend, or beau.

From literature to song lyrics, you can find the perfect romantic quote that will make your sweetheart swoon.

Add a tender love song like Alicia Keys' “If I Ain’t Got You” to your shared playlist, or sing the lyrics live to your hubby. (He'll either love it, or laugh — either way you'll make his day.)

Impress your film buff boyfriend with famous love quotes from movies . Who doesn't adore the iconic line "When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible" from "When Harry Met Sally"?

Your beloved bookworm will cherish a sweet text from you with a quote from one of literature's greatest love stories.

Here are some of the best love quotes for him from books, movies , and music.

Best love quotes

  • “In all the world, there is no heart for me like yours. In all the world, there is no love for you like mine.” — Maya Angelou
  • “I hope it’s okay if I love you forever.” — Ally Maine, “A Star Is Born” 
  • “Nobody has ever measured, even poets, how much a heart can hold.” — Zelda Fitzgerald
  • “For it was not into my ear you whispered, but into my heart. It was not my lips you kissed, but my soul.” ― Judy Garland
  • “Love makes your soul crawl out from its hiding place.” — Zora Neale Hurston

Quotes For Him

  • “If I had a flower for every time I thought of you...I could walk through my garden forever.” — Alfred Tennyson, “Queen Mary” 
  • “If you remember me, then I don’t care if everyone else forgets.” ― Haruki Murakami, “Kafka on the Shore”
  • “If you find someone you love in your life, then hang on to that love.” —   Princess Diana
  • “Love is but the discovery of ourselves in others, and the delight in the recognition.” — Alexander Smith
  • “This is the miracle that happens every time to those who really love: the more they give, the more they possess.” — Rainer Maria Rilke

Quotes For Him

  • “Never mind. The self is the least of it. Let our scars fall in love.” — Galway Kinnell
  • “To love and be loved is to feel the sun from both sides.” — David Viscott
  • “A flower cannot blossom without sunshine, and man cannot live without love.” — Max Müller
  • “Love is our true destiny. We do not find the meaning of life by ourselves alone — we find it with another.” — Thomas Merton
  • “Love is that condition in which the happiness of another person is essential to your own.” — Robert A. Heinlein

Love quotes for him

Love quotes from movies

  • “You are my greatest adventure.” — Mr. Incredible, “The Incredibles”
  • “I like you very much, just as you are.” — Mark Darcy, “Bridget Jones’s Diary”
  • “That moment, when you kiss someone and everything around becomes hazy and the only thing in focus is you and this person and you realize that that person is the only person that you’re supposed to kiss for the rest of your life.” — Josie Geller, “Never Been Kissed”
  • “You had me at ‘hello.’” — Dorothy Boyd, “Jerry Maguire”
  •  “What do you want? You want the moon? Just say the word and I’ll throw a lasso around it and pull it down.” ― George Bailey, “It’s A Wonderful Life”

Quotes For Him

  • “When you realize you want to spend the rest of your life with somebody, you want the rest of your life to start as soon as possible.” — Harry Burns, “When Harry Met Sally”
  • “I’m just a girl, standing in front of a boy, asking him to love her.” — Anna Scott, “Notting Hill” 
  • “The heart is not like a box that gets filled up; it expands in size the more you love.” — Samantha, “Her” 
  • “To me, you are perfect.” — Mark, “Love Actually”
  • “I’m scared of walking out of this room and never feeling the rest of my whole life the way I feel when I’m with you.” — Baby Houseman, “Dirty Dancing”

Quotes For Him

Love quotes from books

  • “I fell in love the way you fall asleep: slowly, and then all at once.” — John Green, “The Fault in Our Stars”
  • “I swear I couldn’t love you more than I do right now, and yet I know I will tomorrow.” — Leo Christopher, “Sleeping in Chairs”
  • “In case you ever foolishly forget: I am never not thinking of you.” ― Virginia Woolf, “Selected Diaries”
  • “You should be kissed and often, and by someone who knows how.” ― Margaret Mitchell, “Gone with the Wind”
  • “Love is not just looking at each other, it’s looking in the same direction.” ― Antoine de Saint-Exupéry, “Wind, Sand and Stars”

Quotes For Him

  • “Who, being loved, is poor? Oh, no one. I hate my riches. They are a burden...” ― Oscar Wilde, “A Woman of No Importance”
  • “I am nothing special, of this I am sure. I am a common man with common thoughts and I’ve led a common life. There are no monuments dedicated to me and my name will soon be forgotten, but I’ve loved another with all my heart and soul, and to me, this has always been enough..” ― Nicholas Sparks, “The Notebook”
  • “I wish you to know you have been the last dream of my soul.” — Charles Dickens, “A Tale of Two Cities”
  • “You are my heart, my life, my one and only thought.” ― Arthur Conan Doyle, “The White Company”
  • “My heart is, and always will be, yours.” ― Jane Austen, “Sense and Sensibility”

Quotes For Him

  • “Every atom of your flesh is as dear to me as my own: in pain and sickness it would still be dear. Your mind is my treasure, and if it were broken, it would be my treasure still.” ― Charlotte Brontë, “Jane Eyre”
  • “In vain I have struggled. It will not do. My feelings will not be repressed. You must allow me to tell you how ardently I admire and love you.” — Jane Austen, “Pride and Prejudice”
  • “To love or have loved, that is enough. Ask nothing further. There is no other pearl to be found in the dark folds of life.” ― Victor Hugo, “Les Misérables”
  • “The best love is the kind that awakens the soul and makes us reach for more, that plants a fire in our hearts and brings peace to our minds. And that’s what you’ve given me. That’s what I’d hoped to give you forever” ― Nicholas Sparks, “The Notebook”
  • “Whatever our souls are made of, his and mine are the same.” — Emily Brontë, “Wuthering Heights” 

Love quotes for him

Love quotes from songs

  • “Your love is better than ice cream.” — Sarah McLachlan, “Ice”
  • “I will be the one to kiss you at night / I will love you until the end of time.” — Beyoncé, “End of Time”
  • “Now, you’re lifting me up ’stead of holding me down / Stealing my heart ’stead of stealing my crown.” — Kacey Musgraves, “Butterflies” 
  • “I hope you don’t mind that I put down in words how wonderful life is while you’re in the world.” — Elton John, "Your Song"
  • “When you say you love me, know I love you more.” — Miley Cyrus, “Adore You” 

Quotes For Him

  • “Whenever I’m alone with you, You make me feel like I am home again.” — The Cure, “Lovesong” 
  • “Take me to your heart, for it’s there that I belong.” — Elvis Presley, “Love Me Tender” 
  • “When you put your arms around me, you let me know there’s nothing in this world I can’t do.” — Keith Urban, “Somebody Like You”
  • “You are the best thing, that’s ever been mine.” — Taylor Swift, “Mine” 
  • “If you fall I will catch you, I’ll be waiting, time after time.” — Cyndi Lauper, “Time After Time” 

Quotes For Him

  • “Some day, when I’m awfully low, when the world is cold, I will feel a glow just thinking of you and the way you look tonight.” — Frank Sinatra, “The Way You Look Tonight” 
  • “I can’t fall in love without you.” — Zara Larsson, “I Can’t Fall In Love Without You”
  • “But nothing’s greater than the rush that comes with your embrace / And in this world of loneliness, I see your face.” — Leona Lewis, “Bleeding Love” 
  • “You’re still the one I run to, the one that I belong to. You’re still the one I want for life.” — Shania Twain, “You’re Still The One” 
  • “It’s you, it’s you, it’s all for you, everything I do. I tell you all the time, Heaven is a place on Earth with you.” — Lana Del Rey, “Video Games” 

Quotes For Him

  • “And when you smile, the whole world stops and stares for a while…” — Bruno Mars, “Just The Way You Are” 
  • “And I’d give up forever to touch you, ’cause I know that you feel me somehow. You’re the closest to heaven that I’ll ever be and I don’t wanna go home right now.” — Goo Goo Dolls, “Iris” 
  • “Before the day I met you, life was so unkind. But you’re the key to my peace of mind.” — Aretha Franklin, “(You Make Me Feel Like) A Natural Woman"
  • “Some people want it all / But I don’t want nothin’ at all / If it ain’t you, baby / If I ain’t got you, baby.” — Alicia Keys, “If I Ain’t Got You”
  • “At last, my love has come along / My lonely days are over / And life is like a song.”— Etta James, “At Last”

Love quotes for him

More ways to express your love

  • 50 love quotes from movies that will have you at 'hello'
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  • 90 relationship quotes for every love story
  • 101 best Valentine’s Day quotes to put your feelings into words

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Sarah Fielding , MS, is an acclaimed journalist focusing on mental health, gender rights, and social issues. She's also the co-founder of  Empire Coven , a space for highlighting trailblazing women across New York. She has written for The Washington Post, The New York Times, Insider, Verywell, The Guardian and more. 

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13 Loving Phrases for Partner to Keep the Romance Alive

Dylan Banks

Dylan Banks offers sharp insights on relationships, love, and human connection. A leading expert, he's passionate about helping others build meaningful connections.

Happy loving couple

In This Article

“Words of affirmation are the lifeline of connection between couples,” once remarked Gary Chapman, author of The 5 Love Languages. Indeed, a simple, heartfelt expression can reignite the spark of romance and deepen intimacy. 

Psychologists believe that speaking to your partner with respect and appreciation regularly is important to keep your relationship strong.

In this regard, it is evident that couples who regularly use loving phrases for partner report higher satisfaction levels in their relationships. 

In the world of love, the words we choose play a crucial role. They have the power to uplift, reassure, and remind our significant other of their cherished place in our hearts. 

Whether it’s a daily “I appreciate you” or an occasional “You light up my world,” each love phrase carries a weight beyond its syllables. This exploration delves into how loving phrases for your partner and loving words to describe someone you love can continuously fuel the fires of affection and commitment.

13 simple phrases that keep you in love

The threads of communication weave the strongest connections in our life. Simple, loving phrases for partner are more than mere words; they are profound affirmations of your affection and commitment. 

Regularly incorporating these phrases into your daily interactions can strengthen bonds and keep the love vibrant and enduring. Here are thirteen loving phrases for partner that can help maintain a joyful, loving relationship.

1. “I appreciate everything you do”

Expressing gratitude is a cornerstone of a healthy relationship. When you tell your partner that you value their efforts and actions, it reinforces their importance in your life. This simple acknowledgment can make them feel seen and appreciated, deepening the bond between you.

2. “I love how you make me laugh”

Humor is a powerful connector in relationships. By acknowledging how your partner brightens your day, you celebrate the joy they bring into your life. This phrase highlights the special dynamic that laughter brings to your connection, making it both unique and cherished.

3. “You mean the world to me”

Using this love phrase conveys the profound impact your partner has on your life. It’s a heartfelt way to express that they are central to your happiness and well-being. This kind of affirmation can make your partner feel deeply loved and valued.

4. “I trust you completely”

Trust is the foundation of any strong relationship. By verbalizing your trust, you are affirming that your partner is reliable and worthy of your confidence. This assurance can reinforce the security and stability within your relationship.

5. “You make every day brighter”

This phrase emphasizes how your partner adds value to your everyday life. It’s a way of appreciating their positive influence and expressing how they enhance your daily experiences. Such loving phrases for partner nurture positivity and appreciation.

6. “I’m here for you, always”

Research indicates that individuals experience greater happiness and health when they feel more comprehended in their everyday social interactions.

Offering unwavering support is crucial in a loving relationship. This promise of solidarity assures your partner that you are a constant presence, ready to support them through both good times and bad. It’s a commitment that strengthens your bond.

7. “You inspire me”

Acknowledging your partner as a source of inspiration shows that you admire them and are motivated by their qualities and actions. This can boost their self-esteem and foster mutual admiration and growth in your relationship.

8. “Thank you for being you”

This simple thank you is a powerful way of accepting your partner just as they are. It celebrates their unique qualities and affirms that you love them for their authentic self, not just for what they do or provide.

9. “I’m proud of you”

Expressing pride in your partner’s achievements and character is a wonderful way to show your love and respect. It lets them know that you honor who they are and what they do, which can be incredibly affirming and encouraging.

10. “I love you more every day”

A must include in your loving phrases for partner! A classic among love phrases to say to your boyfriend, this line communicates that your feelings grow stronger over time. It reassures your partner that your commitment deepens as you continue to experience life together.

11. “Your happiness is important to me”

Prioritizing your partner’s happiness is a testament to your love and commitment. This phrase shows that you are attuned to their needs and well-being, reinforcing the idea that you are invested in their happiness as much as your own.

12. “We’re in this together”

Research indicates that intimate partners play a crucial role in providing support while achieving significant life objectives.

Loving phrases for partner should make them feel supported. A powerful reminder of teamwork and unity, this phrase reinforces that you face life’s challenges and celebrations as a pair. It’s a commitment to handling whatever comes your way collectively.

13. “You are my favorite person”

Show your undying affection with loving phrases for partner. This endearing statement is among the common love phrases that personalize your affection. It highlights your partner’s special place in your life, above all others, reinforcing their irreplaceable value to you.

Maintaining the warmth and intimacy in long-term relationships often boils down to the words we choose to express our feelings and thoughts. Here’s how certain phrases can play a vital role in keeping love strong, fostering trust, and expressing genuine apologies.

What phrases help keep the romance alive in long-term relationships?

Frequent use of phrases like “I still get butterflies because of you” or “You’re my forever love” can reignite romantic feelings. These expressions remind your partner that your attraction and commitment remain as strong as ever.

Eli J. Finkel, a professor at Northwestern University and the author of “The All-or-Nothing Marriage,” explains how to maintain passion in a long-term relationship. Watch here:

Why are phrases important in maintaining love in a relationship?

Phrases convey appreciation, respect, and affection, which are crucial for nurturing a loving relationship . Regularly using loving words ensures your partner feels valued and loved, reinforcing your bond continuously.

Are there phrases to use that help build trust in a relationship?

Phrases such as “I trust your judgment” or “You can count on me” help to build trust. These words show confidence in your partner’s decisions and reliability, establishing a foundation of mutual respect and security.

Can phrases help in expressing apologies genuinely?

Absolutely, phrases like “I was wrong, I’m sorry” or “Please forgive me, I understand how you feel” can express genuine remorse. They show that you acknowledge your mistakes and are committed to making amends, which is essential for healing and forgiveness.

The power of words in love

Words hold immense power in shaping the emotional landscape of our relationships. The 13 simple phrases we’ve explored are more than just words; they are keys to keeping the flame of love alive. By consciously using these expressions, you can deepen your connection, enhance understanding, and reinforce your commitment. 

A phrase spoken from the heart can do wonders for your relationship. Keep these loving phrases for your partner in your daily dialogue to nurture and sustain the beautiful bond you share. Love grows where kindness and appreciation flow.

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Dylan Banks is a prolific writer, known for his sharp and insightful commentary on relationships, love, and human connection. With his extensive experience and infectious passion for all things love-related, he has become a leading Read more expert in the field of relationship advice. Dylan is a true romantic at heart, with a deep passion for helping others find love and build meaningful connections. When he’s not writing about love and relationships, Dylan can be found exploring the great outdoors or indulging in his other passion: music. As an accomplished musician and songwriter, he believes that music has the power to connect people in profound ways. Read less

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24/7 Tempo

The 50 Greatest Movie Love Stories of All Time

Posted: September 28, 2023 | Last updated: September 28, 2023

<p>Love is rarely tidy. It can provoke extreme behavior from the most unassuming of characters. Throughout history, people have performed both extraordinary and downright despicable acts in love’s name. The stories of their passion are great fodder for the big screen, as there is perhaps nothing more relatable in the human experience than our desire to love and be loved.</p> <p>24/7 Tempo has assembled a list of the 50 greatest movie love stories of all time, spanning almost 70 years of cinematic history, using a ranking created by the American Film Institute for its report “<a href="https://www.afi.com/afis-100-years-100-heroes-villians/"><span>AFI’s 100 Years...100 Passions.</span></a>”</p> <p><span>The list includes classics featuring such iconic romantic leads as Humphrey Bogart, Audrey Hepburn, Bette Davis, Lana Turner, Greta Garbo, and Cary Grant. Dramas, supernatural fantasies, mysteries, and screwball comedies are all represented. (<a href="https://247wallst.com/special-report/2023/09/26/the-30-greatest-love-triangles-in-film-history/?utm_source=msn&utm_medium=referral&utm_campaign=msn&utm_content=the-30-greatest-love-triangles-in-film-history&wsrlui=47194101">These are the greatest love triangles in film history</a>.)</span></p> <p>Not all these stories conclude with fairy tale endings; many end in tragedy or heartbreak. As in life, lovers can be forced apart by accidents, misunderstandings, illness, incarceration, or forced marriages to others. These films cover every one of those scenarios and more. Unrequited love, affairs, murder, and suicide are not uncommon themes.</p> <p>It should be noted that these cinematic love stories are overwhelmingly tailored to a heterosexual audience. As the strict Hays Code forbade explicit displays of homosexuality for three decades in early Hollywood, and prejudice has kept queer love stories off screen for even longer, this list of great romantic movies of the past represents only a fraction of the possibilities love offers. For films featuring LGBTQ characters, <a href="https://247wallst.com/special-report/2021/08/20/the-30-best-lgbtq-movies-of-all-time-2/?utm_source=msn&utm_medium=referral&utm_campaign=msn&utm_content=the-30-best-lgbtq-movies-of-all-time-2&wsrlui=47194102">check out the 30 best LGBTQ movies of all time.</a></p>

Love is rarely tidy. It can provoke extreme behavior from the most unassuming of characters. Throughout history, people have performed both extraordinary and downright despicable acts in love’s name. The stories of their passion are great fodder for the big screen, as there is perhaps nothing more relatable in the human experience than our desire to love and be loved.

24/7 Tempo has assembled a list of the 50 greatest movie love stories of all time, spanning almost 70 years of cinematic history, using a ranking created by the American Film Institute for its report “ AFI’s 100 Years...100 Passions. ”

The list includes classics featuring such iconic romantic leads as Humphrey Bogart, Audrey Hepburn, Bette Davis, Lana Turner, Greta Garbo, and Cary Grant. Dramas, supernatural fantasies, mysteries, and screwball comedies are all represented. ( These are the greatest love triangles in film history .)

Not all these stories conclude with fairy tale endings; many end in tragedy or heartbreak. As in life, lovers can be forced apart by accidents, misunderstandings, illness, incarceration, or forced marriages to others. These films cover every one of those scenarios and more. Unrequited love, affairs, murder, and suicide are not uncommon themes.

It should be noted that these cinematic love stories are overwhelmingly tailored to a heterosexual audience. As the strict Hays Code forbade explicit displays of homosexuality for three decades in early Hollywood, and prejudice has kept queer love stories off screen for even longer, this list of great romantic movies of the past represents only a fraction of the possibilities love offers. For films featuring LGBTQ characters, check out the 30 best LGBTQ movies of all time.

<p><strong>> Starring:</strong> Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom Wilkinson</p> <p>As a married playwright with writer's block attempts to find his muse, a woman in disguise takes a role in his next play. Despite her betrothal to a powerful nobleman, they begin a forbidden romance that inspires one of his greatest plays ever.</p>

50. Shakespeare in Love (1998)

> Starring: Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom Wilkinson

As a married playwright with writer's block attempts to find his muse, a woman in disguise takes a role in his next play. Despite her betrothal to a powerful nobleman, they begin a forbidden romance that inspires one of his greatest plays ever.

<p><strong>> Starring:</strong> Lana Turner, John Garfield, Cecil Kellaway, Hume Cronyn</p> <p>When a drifter begins an affair with a young woman whose husband owns a diner, they plot to murder her husband and take over his business. Multiple attempts are botched and eventually their fates catch up to them.</p>

49. The Postman Always Rings Twice (1946)

> Starring: Lana Turner, John Garfield, Cecil Kellaway, Hume Cronyn

When a drifter begins an affair with a young woman whose husband owns a diner, they plot to murder her husband and take over his business. Multiple attempts are botched and eventually their fates catch up to them.

<p><strong>> Starring:</strong> Marlon Brando, Maria Schneider, Maria Michi, Giovanna Galletti</p> <p>An erotic drama that drew controversy for its depiction of sexual violence, "Last Tango in Paris" follows the affair between an American widower in mourning and a young Parisian woman he meets at an apartment viewing. He insists that their relationship remain anonymous and strictly sexual, and tensions lead to disastrous results.</p>

48. Last Tango in Paris (1972)

> Starring: Marlon Brando, Maria Schneider, Maria Michi, Giovanna Galletti

An erotic drama that drew controversy for its depiction of sexual violence, "Last Tango in Paris" follows the affair between an American widower in mourning and a young Parisian woman he meets at an apartment viewing. He insists that their relationship remain anonymous and strictly sexual, and tensions lead to disastrous results.

<p><strong>> Starring:</strong> Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie</p> <p>Set in Kansas just prior to the stock market crash of 1929, "Splendor in the Grass" details the sexual repression and heartache of two high school sweethearts, Deanie and Bud, who plan to marry one another, as Bud struggles with his family's lofty expectations of him. </p>

47. Splendor in the Grass (1961)

> Starring: Natalie Wood, Warren Beatty, Pat Hingle, Audrey Christie

Set in Kansas just prior to the stock market crash of 1929, "Splendor in the Grass" details the sexual repression and heartache of two high school sweethearts, Deanie and Bud, who plan to marry one another, as Bud struggles with his family's lofty expectations of him.

<p><strong>> Starring:</strong> Cary Grant, Grace Kelly, Jessie Royce Landis, John Williams</p> <p>When a jewel thief begins robbing rich tourists on the French Riviera, reformed burglar John Robie decides to prove his innocence by catching the thief himself. Suspicions abound as he mixes with his old crew and falls for a wealthy American whose mother may be the burglar's next target. </p>

46. To Catch a Thief (1955)

> Starring: Cary Grant, Grace Kelly, Jessie Royce Landis, John Williams

When a jewel thief begins robbing rich tourists on the French Riviera, reformed burglar John Robie decides to prove his innocence by catching the thief himself. Suspicions abound as he mixes with his old crew and falls for a wealthy American whose mother may be the burglar's next target.

<p><strong>> Starring:</strong> Tom Hanks, Meg Ryan, Ross Malinger, Rita Wilson</p> <p>A romantic comedy that considers the concept of destiny, "Sleepless in Seattle" features a widower grieving his late wife, his young son -- who attempts to find a new partner for his father -- and a news reporter in Baltimore who finds herself infatuated with a man she's never met, despite already being engaged herself.</p>

45. Sleepless in Seattle (1993)

> Starring: Tom Hanks, Meg Ryan, Ross Malinger, Rita Wilson

A romantic comedy that considers the concept of destiny, "Sleepless in Seattle" features a widower grieving his late wife, his young son -- who attempts to find a new partner for his father -- and a news reporter in Baltimore who finds herself infatuated with a man she's never met, despite already being engaged herself.

<p><strong>> Starring:</strong> Cary Grant, Katharine Hepburn, James Stewart, Ruth Hussey</p> <p>"The Philadelphia Story" follows socialite Tracy Lord as she divorces her alcoholic husband, prepares to remarry, and ends up torn between her fiancé, who barely knows her; a news reporter named Mike, who is attempting to write a story on her wedding; and her ever-faithful ex-husband.</p>

44. The Philadelphia Story (1940)

> Starring: Cary Grant, Katharine Hepburn, James Stewart, Ruth Hussey

"The Philadelphia Story" follows socialite Tracy Lord as she divorces her alcoholic husband, prepares to remarry, and ends up torn between her fiancé, who barely knows her; a news reporter named Mike, who is attempting to write a story on her wedding; and her ever-faithful ex-husband.

<p><strong>> Starring:</strong> Judy Garland, James Mason, Jack Carson, Charles Bickford</p> <p>When an alcoholic film star whose career is winding down helps a young singer make connections in the industry, her career skyrockets as his continues to spiral. Her love and dedication may not be able to save him from himself. This is the second of four film versions of the same story.</p>

43. A Star Is Born (1954)

> Starring: Judy Garland, James Mason, Jack Carson, Charles Bickford

When an alcoholic film star whose career is winding down helps a young singer make connections in the industry, her career skyrockets as his continues to spiral. Her love and dedication may not be able to save him from himself. This is the second of four film versions of the same story.

<p><strong>> Starring:</strong> Greta Garbo, Fredric March, Freddie Bartholomew, Maureen O'Sullivan</p> <p>Based on the tragic Tolstoy novel of the same name, "Anna Karenina" concerns the personal and public repercussions when an unhappily married woman has an affair with a handsome military officer in 19th-century Russia. </p>

42. Anna Karenina (1935)

> Starring: Greta Garbo, Fredric March, Freddie Bartholomew, Maureen O'Sullivan

Based on the tragic Tolstoy novel of the same name, "Anna Karenina" concerns the personal and public repercussions when an unhappily married woman has an affair with a handsome military officer in 19th-century Russia.

<p><strong>> Starring:</strong> Barbra Streisand, Omar Sharif, Kay Medford, Anne Francis</p> <p>A biographical musical about the rise of comedian and Broadway star Fanny Brice, "Funny Girl" details her struggles with the industry's beauty standards and her marriage to professional con artist and gambler Nicky Arnstein.</p>

41. Funny Girl (1968)

> Starring: Barbra Streisand, Omar Sharif, Kay Medford, Anne Francis

A biographical musical about the rise of comedian and Broadway star Fanny Brice, "Funny Girl" details her struggles with the industry's beauty standards and her marriage to professional con artist and gambler Nicky Arnstein.

<p><strong>> Starring:</strong> Greta Garbo, Melvyn Douglas, Ina Claire, Bela Lugosi</p> <p>Love gets in the way when a Russian envoy in Paris, attempting to complete the sale of jewelry appropriated during the Russian Revolution, falls for the man whose mission is to retrieve the jewelry and return it to its owner.</p>

40. Ninotchka (1939)

> Starring: Greta Garbo, Melvyn Douglas, Ina Claire, Bela Lugosi

Love gets in the way when a Russian envoy in Paris, attempting to complete the sale of jewelry appropriated during the Russian Revolution, falls for the man whose mission is to retrieve the jewelry and return it to its owner.

<p><strong>> Starring:</strong> Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary</p> <p>Set to the music of George Gershwin and brimming with song and dance routines, this film follows three friends in Paris -- a painter, a pianist, and a singer -- as they pursue their artistic endeavors and eventually find that two of them are in love with the same woman.</p>

39. An American in Paris (1951)

> Starring: Gene Kelly, Leslie Caron, Oscar Levant, Georges Guétary

Set to the music of George Gershwin and brimming with song and dance routines, this film follows three friends in Paris -- a painter, a pianist, and a singer -- as they pursue their artistic endeavors and eventually find that two of them are in love with the same woman.

<p><strong>> Starring:</strong> Clark Gable, Claudette Colbert, Walter Connolly, Roscoe Karns, Jameson Thomas</p> <p>This screwball comedy follows the adventures of a runaway heiress who has just eloped with an aviator who is only after her family's fortune, and an out of work news reporter who is after a great story. Their cross-country trip gets the reporter his story, but what he truly wants is her.</p>

38. It Happened One Night (1934)

> Starring: Clark Gable, Claudette Colbert, Walter Connolly, Roscoe Karns, Jameson Thomas

This screwball comedy follows the adventures of a runaway heiress who has just eloped with an aviator who is only after her family's fortune, and an out of work news reporter who is after a great story. Their cross-country trip gets the reporter his story, but what he truly wants is her.

<p><strong>> Starring:</strong> Leonardo DiCaprio, Kate Winslet, Billy Zane, Kathy Bates</p> <p>Social classes collide on an ill-fated ocean liner when an artistic young drifter falls for a suicidal aristocrat who is being coerced into a loveless marriage. The story of their romance on the eve of a great tragedy became the most successful film of all time upon its release.</p>

37. Titanic (1997)

> Starring: Leonardo DiCaprio, Kate Winslet, Billy Zane, Kathy Bates

Social classes collide on an ill-fated ocean liner when an artistic young drifter falls for a suicidal aristocrat who is being coerced into a loveless marriage. The story of their romance on the eve of a great tragedy became the most successful film of all time upon its release.

<p><strong>> Starring:</strong> Ronald Colman, Greer Garson, Philip Dorn, Susan Peters</p> <p>A happily married woman faces an impossible task when her husband, a former soldier with amnesia, is struck by a car and regains the memories of his previous life of wealth, but forgets his years of marriage. When she takes on a job as his secretary, her patience and perseverance may pay off.</p>

36. Random Harvest (1942)

> Starring: Ronald Colman, Greer Garson, Philip Dorn, Susan Peters

A happily married woman faces an impossible task when her husband, a former soldier with amnesia, is struck by a car and regains the memories of his previous life of wealth, but forgets his years of marriage. When she takes on a job as his secretary, her patience and perseverance may pay off.

<p><strong>> Starring:</strong> Leslie Caron, Maurice Chevalier, Louis Jourdan, Hermione Gingold</p> <p>Set in upper-class Paris at the turn of the 20th century, this musical tells the story of Gigi, a precocious young tomboy who is being trained as a courtesan, and Gaston, an older family friend and womanizer who is bored with his superficial lifestyle. Their unlikely bond is threatened when Gigi's family offers her up as Gaston's new mistress.</p>

35. Gigi (1958)

> Starring: Leslie Caron, Maurice Chevalier, Louis Jourdan, Hermione Gingold

Set in upper-class Paris at the turn of the 20th century, this musical tells the story of Gigi, a precocious young tomboy who is being trained as a courtesan, and Gaston, an older family friend and womanizer who is bored with his superficial lifestyle. Their unlikely bond is threatened when Gigi's family offers her up as Gaston's new mistress.

<p><strong>> Starring:</strong> Paige O'Hara, Robby Benson, Jesse Corti, Rex Everhart</p> <p>In this animated musical, an arrogant prince who has been transformed into a beast imprisons a young townswoman in his castle. His cruelty eventually softens, but will the two come to love one another and break the prince's curse?</p>

34. Beauty and the Beast (1991)

> Starring: Paige O'Hara, Robby Benson, Jesse Corti, Rex Everhart

In this animated musical, an arrogant prince who has been transformed into a beast imprisons a young townswoman in his castle. His cruelty eventually softens, but will the two come to love one another and break the prince's curse?

<p><strong>> Starring:</strong> Greta Garbo, Robert Taylor, Lionel Barrymore, Elizabeth Allan</p> <p>This tragedy based on a novel and play by Alexandre Dumas follows a French courtesan with tuberculosis as she bounces between a wealthy baron and a charming young bachelor who lacks riches but makes up for it in devotion.</p>

33. Camille (1936)

> Starring: Greta Garbo, Robert Taylor, Lionel Barrymore, Elizabeth Allan

This tragedy based on a novel and play by Alexandre Dumas follows a French courtesan with tuberculosis as she bounces between a wealthy baron and a charming young bachelor who lacks riches but makes up for it in devotion.

<p><strong>> Starring:</strong> Bette Davis, George Brent, Humphrey Bogart, Geraldine Fitzgerald</p> <p>When a carefree socialite is diagnosed with an incurable brain tumor, she must decide whether to squander her last days carousing or be with the man she loves and face her fate with dignity.</p>

32. Dark Victory (1939)

> Starring: Bette Davis, George Brent, Humphrey Bogart, Geraldine Fitzgerald

When a carefree socialite is diagnosed with an incurable brain tumor, she must decide whether to squander her last days carousing or be with the man she loves and face her fate with dignity.

<p><strong>> Starring:</strong> Yul Brynner, Deborah Kerr, Rita Moreno, Martin Benson</p> <p>Loosely based on the memoirs of Anna Leonowens, a British woman who tutored the children of the King of Siam in the 1860s, this musical dramatizes the cultural differences between Anna and King Mongkut, and the respect and affection that develops between them.</p>

31. The King and I (1956)

> Starring: Yul Brynner, Deborah Kerr, Rita Moreno, Martin Benson

Loosely based on the memoirs of Anna Leonowens, a British woman who tutored the children of the King of Siam in the 1860s, this musical dramatizes the cultural differences between Anna and King Mongkut, and the respect and affection that develops between them.

<p><strong>> Starring:</strong> Fred Astaire, Ginger Rogers, Victor Moore, Helen Broderick</p> <p>Featuring many of the best Fred Astaire and Ginger Rogers dance routines, this musical comedy follows gambler Lucky Garnett as he misses his wedding, attempts to make $25,000 in order to win back his future bride, and falls in love with his dance instructor in the meantime.</p>

30. Swing Time (1936)

> Starring: Fred Astaire, Ginger Rogers, Victor Moore, Helen Broderick

Featuring many of the best Fred Astaire and Ginger Rogers dance routines, this musical comedy follows gambler Lucky Garnett as he misses his wedding, attempts to make $25,000 in order to win back his future bride, and falls in love with his dance instructor in the meantime.

<p><strong>> Starring:</strong> Richard Gere, Debra Winger, David Keith, Robert Loggia</p> <p>Despite warnings from his drill instructor that local girls are only looking to trap naval officers to escape their boring lives, naval aviation candidate Zack Mayo begins a relationship with a local factory worker named Paula, who sticks with him as he struggles through his training.</p>

29. An Officer and a Gentleman (1982)

> Starring: Richard Gere, Debra Winger, David Keith, Robert Loggia

Despite warnings from his drill instructor that local girls are only looking to trap naval officers to escape their boring lives, naval aviation candidate Zack Mayo begins a relationship with a local factory worker named Paula, who sticks with him as he struggles through his training.

<p><strong>> Starring:</strong> Margaret Sullavan, James Stewart, Frank Morgan, Joseph Schildkraut</p> <p>Based on the Hungarian play "Parfumerie" (which also inspired the modern film "You've Got Mail"), this romantic comedy follows two co-workers who can barely stand each other in person but fall in love with anonymous penpals -- who, of course, turn out to be each other.</p>

28. The Shop Around the Corner (1940)

> Starring: Margaret Sullavan, James Stewart, Frank Morgan, Joseph Schildkraut

Based on the Hungarian play "Parfumerie" (which also inspired the modern film "You've Got Mail"), this romantic comedy follows two co-workers who can barely stand each other in person but fall in love with anonymous penpals -- who, of course, turn out to be each other.

<p><strong>> Starring:</strong> Julie Andrews, Christopher Plummer, Eleanor Parker, Richard Haydn</p> <p>Set in Austria before the Nazi occupation, this musical highlights the charms and bouyancy that a young governess brings to an austere family, and the love that develops between her and the widowed father of the children in her charge.</p>

27. The Sound of Music (1965)

> Starring: Julie Andrews, Christopher Plummer, Eleanor Parker, Richard Haydn

Set in Austria before the Nazi occupation, this musical highlights the charms and bouyancy that a young governess brings to an austere family, and the love that develops between her and the widowed father of the children in her charge.

<p><strong>> Starring:</strong> Barbara Stanwyck, Henry Fonda, Charles Coburn, Eugene Pallette</p> <p>This hilarious screwball comedy follows con artist Jean Harrington as she attempts to defraud naive herpetologist Charles Pike. The two fall in love, however, only for Charles to uncover her initial motive. After being scorned, Jean will stop at nothing to remain in Charles's life.</p>

26. The Lady Eve (1941)

> Starring: Barbara Stanwyck, Henry Fonda, Charles Coburn, Eugene Pallette

This hilarious screwball comedy follows con artist Jean Harrington as she attempts to defraud naive herpetologist Charles Pike. The two fall in love, however, only for Charles to uncover her initial motive. After being scorned, Jean will stop at nothing to remain in Charles's life.

<p><strong>> Starring:</strong> Billy Crystal, Meg Ryan, Carrie Fisher, Bruno Kirby</p> <p>This romantic comedy follows two friends with opposing personalities as they navigate sex, relationships, and their eventual romance, while addressing the quesiton "Can a man and a woman be friends without sex getting in the way?"</p>

25. When Harry Met Sally (1989)

> Starring: Billy Crystal, Meg Ryan, Carrie Fisher, Bruno Kirby

This romantic comedy follows two friends with opposing personalities as they navigate sex, relationships, and their eventual romance, while addressing the quesiton "Can a man and a woman be friends without sex getting in the way?"

<p><strong>> Starring:</strong> Fay Wray, Robert Armstrong, Bruce Cabot, Frank Reicher</p> <p>The original "King Kong" tells not only the tale of Jack Driscoll, who saves his new love, actress Ann Darrow, from the grip of a giant gorilla, but also the story of the unreciprocated love that the beast develops for Ann -- a love that will lead to his demise.       </p>

24. King Kong (1933)

> Starring: Fay Wray, Robert Armstrong, Bruce Cabot, Frank Reicher

The original "King Kong" tells not only the tale of Jack Driscoll, who saves his new love, actress Ann Darrow, from the grip of a giant gorilla, but also the story of the unreciprocated love that the beast develops for Ann -- a love that will lead to his demise.

<p><strong>> Starring:</strong> Bette Davis, Paul Henreid, Claude Rains, Gladys Cooper</p> <p>After a neurotic spinster with a domineering mother spends some time in a sanitarium, she finds a new lease on life and the self-confidence she's been lacking. Aboard a cruise, she falls in love with a married man and eventually learns to appreciate what life has offered her.</p>

23. Now, Voyager (1942)

> Starring: Bette Davis, Paul Henreid, Claude Rains, Gladys Cooper

After a neurotic spinster with a domineering mother spends some time in a sanitarium, she finds a new lease on life and the self-confidence she's been lacking. Aboard a cruise, she falls in love with a married man and eventually learns to appreciate what life has offered her.

<p><strong>> Starring:</strong> Katharine Hepburn, Henry Fonda, Jane Fonda, Doug McKeon</p> <p>A story of love in the golden years, this heartwarming family drama depicts the marriage between a curmudgeon with memory problems and his optimistic wife as they navigate the healing of his relationship with their daughter by welcoming her new stepson to their summer abode.</p>

22. On Golden Pond (1981)

> Starring: Katharine Hepburn, Henry Fonda, Jane Fonda, Doug McKeon

A story of love in the golden years, this heartwarming family drama depicts the marriage between a curmudgeon with memory problems and his optimistic wife as they navigate the healing of his relationship with their daughter by welcoming her new stepson to their summer abode.

<p><strong>> Starring:</strong> Richard Gere, Julia Roberts, Jason Alexander, Laura San Giacomo</p> <p>When a powerful businessman who has no time for romance hires a Hollywood prostitute as his escort for a week of business events, her transformation into a charming companion begins to win him over.</p>

21. Pretty Woman (1990)

> Starring: Richard Gere, Julia Roberts, Jason Alexander, Laura San Giacomo

When a powerful businessman who has no time for romance hires a Hollywood prostitute as his escort for a week of business events, her transformation into a charming companion begins to win him over.

<p><strong>> Starring:</strong> Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed</p> <p>Set in Hawaii in the days leading up to the bombing of Pearl Harbor, this story of love and war follows a sergeant who starts a tangled affair with the wife of his commanding officer, as well as a private who falls in love with a social club hostess and considers marrying her.</p>

20. From Here to Eternity (1953)

> Starring: Burt Lancaster, Montgomery Clift, Deborah Kerr, Donna Reed

Set in Hawaii in the days leading up to the bombing of Pearl Harbor, this story of love and war follows a sergeant who starts a tangled affair with the wife of his commanding officer, as well as a private who falls in love with a social club hostess and considers marrying her.

<p><strong>> Starring:</strong> Patrick Swayze, Demi Moore, Whoopi Goldberg, Tony Goldwyn</p> <p>This supernatural romance, famous for its alluring pottery scene, follows the ghost of a murdered banker as he persuades a reluctant psychic to warn his girlfriend that the men who killed him are now after her. </p>

19. Ghost (1990)

> Starring: Patrick Swayze, Demi Moore, Whoopi Goldberg, Tony Goldwyn

This supernatural romance, famous for its alluring pottery scene, follows the ghost of a murdered banker as he persuades a reluctant psychic to warn his girlfriend that the men who killed him are now after her.

<p><strong>> Starring:</strong> James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore</p> <p>A psychological Hitchcock thriller, "Vertigo" follows a retired detective with acrophobia who is hired to trail his friend's hauntingly beautiful but mentally disturbed wife. He falls in love with her, only to witness her jump to her death from a church bell tower. The mystery deepens when he later runs into a woman who looks exactly like her.</p>

18. Vertigo (1958)

> Starring: James Stewart, Kim Novak, Barbara Bel Geddes, Tom Helmore

A psychological Hitchcock thriller, "Vertigo" follows a retired detective with acrophobia who is hired to trail his friend's hauntingly beautiful but mentally disturbed wife. He falls in love with her, only to witness her jump to her death from a church bell tower. The mystery deepens when he later runs into a woman who looks exactly like her.

<p><strong>> Starring:</strong> Cher, Nicolas Cage, Olympia Dukakis, Danny Aiello</p> <p>A romantic comedy about devout Italian-Americans in Brooklyn, "Moonstruck" explores temptation and redemption through the stories of Loretta, a widow who falls in love with her fiancé's estranged younger brother, and her parents, who encounter provocations of their own. </p>

17. Moonstruck (1987)

> Starring: Cher, Nicolas Cage, Olympia Dukakis, Danny Aiello

A romantic comedy about devout Italian-Americans in Brooklyn, "Moonstruck" explores temptation and redemption through the stories of Loretta, a widow who falls in love with her fiancé's estranged younger brother, and her parents, who encounter provocations of their own.

<p><strong>> Starring:</strong> Gene Kelly, Donald O'Connor, Debbie Reynolds, Jean Hagen</p> <p>Set in 1920s Hollywood during the transition from silent to talking films, this musical follows a silent film star as he attempts his first talking picture and falls in love with an ambitious chorus girl who provides the voice for his obnoxious screen partner.</p>

16. Singin' in the Rain (1952)

> Starring: Gene Kelly, Donald O'Connor, Debbie Reynolds, Jean Hagen

Set in 1920s Hollywood during the transition from silent to talking films, this musical follows a silent film star as he attempts his first talking picture and falls in love with an ambitious chorus girl who provides the voice for his obnoxious screen partner.

<p><strong>> Starring:</strong> Merle Oberon, Laurence Olivier, David Niven</p> <p>Based loosely on the novel by Emily Brontë, "Wuthering Heights" recounts the heartbreaking story of Cathy and Heathcliff, dear friends as children but eventually forced to live apart when her brother takes over the family estate. The two lovers, separated by class and power, may never find a way to be together.</p>

15. Wuthering Heights (1939)

> Starring: Merle Oberon, Laurence Olivier, David Niven

Based loosely on the novel by Emily Brontë, "Wuthering Heights" recounts the heartbreaking story of Cathy and Heathcliff, dear friends as children but eventually forced to live apart when her brother takes over the family estate. The two lovers, separated by class and power, may never find a way to be together.

<p><strong>> Starring:</strong> Humphrey Bogart, Katharine Hepburn, Robert Morley, Peter Bull</p> <p>After her brother is injured by German troops at the beginning of WW I, a snobbish British missionary escapes her burnt mission in German-occupied East Africa on the riverboat of a crude Canadian alcoholic. The unlikely pair fall in love and team up to assist the British war effort.</p>

14. The African Queen (1951)

> Starring: Humphrey Bogart, Katharine Hepburn, Robert Morley, Peter Bull

After her brother is injured by German troops at the beginning of WW I, a snobbish British missionary escapes her burnt mission in German-occupied East Africa on the riverboat of a crude Canadian alcoholic. The unlikely pair fall in love and team up to assist the British war effort.

<p><strong>> Starring:</strong> Meryl Streep, Robert Redford, Klaus Maria Brandauer, Michael Kitchen</p> <p>Based on the life of Danish author Karen Blixen, who wrote under the pen name Isak Dinesen, "Out of Africa" recounts the time that Blixen spent in Kenya, married to a man she didn't love, attempting to run a farm, and eventually falling for a freewheeling hunter whose plans for the future could never mesh with her own.</p>

13. Out of Africa (1985)

> Starring: Meryl Streep, Robert Redford, Klaus Maria Brandauer, Michael Kitchen

Based on the life of Danish author Karen Blixen, who wrote under the pen name Isak Dinesen, "Out of Africa" recounts the time that Blixen spent in Kenya, married to a man she didn't love, attempting to run a farm, and eventually falling for a freewheeling hunter whose plans for the future could never mesh with her own.

<p><strong>> Starring:</strong> Audrey Hepburn, Rex Harrison, Stanley Holloway, Wilfrid Hyde-White</p> <p>In this charming musical, a phonetics professor makes a bet that he can transform the speech of a Cockney flower seller in order to fool high society into believing that she's an aristocrat. Their work pays off but their tumultuous connection is threatened when another upper-class man falls for her.</p>

12. My Fair Lady (1964)

> Starring: Audrey Hepburn, Rex Harrison, Stanley Holloway, Wilfrid Hyde-White

In this charming musical, a phonetics professor makes a bet that he can transform the speech of a Cockney flower seller in order to fool high society into believing that she's an aristocrat. Their work pays off but their tumultuous connection is threatened when another upper-class man falls for her.

<p><strong>> Starring:</strong> Woody Allen, Diane Keaton, Tony Roberts, Carol Kane</p> <p>Considered one of the best movies ever made, this bittersweet and comedic love story is narrated by a stand-up comedian on a bare stage, who reflects on the failure of his romance with a struggling nightclub singer.</p>

11. Annie Hall (1977)

> Starring: Woody Allen, Diane Keaton, Tony Roberts, Carol Kane

Considered one of the best movies ever made, this bittersweet and comedic love story is narrated by a stand-up comedian on a bare stage, who reflects on the failure of his romance with a struggling nightclub singer.

<p><strong>> Starring:</strong> Charles Chaplin, Virginia Cherrill, Florence Lee, Harry Myers</p> <p>A silent romantic comedy, "City Lights" follows a derelict as he falls in love with a blind flower vender and attempts to improve her family's condition by taking odd jobs and asking his friend, an alcoholic millionaire, for money.</p>

10. City Lights (1931)

> Starring: Charles Chaplin, Virginia Cherrill, Florence Lee, Harry Myers

A silent romantic comedy, "City Lights" follows a derelict as he falls in love with a blind flower vender and attempts to improve her family's condition by taking odd jobs and asking his friend, an alcoholic millionaire, for money.

<p><strong>> Starring:</strong> Ali MacGraw, Ryan O'Neal, John Marley, Ray Milland</p> <p>In this romantic drama, Oliver, an upper class pre-law student, falls in love with Jenny, a working class musician, and marries her despite his father's opposition. Although the couple struggle financially without the support of Oliver's parents, their love remains true until tragedy threatens the life they've built.</p>

9. Love Story (1970)

> Starring: Ali MacGraw, Ryan O'Neal, John Marley, Ray Milland

In this romantic drama, Oliver, an upper class pre-law student, falls in love with Jenny, a working class musician, and marries her despite his father's opposition. Although the couple struggle financially without the support of Oliver's parents, their love remains true until tragedy threatens the life they've built.

<p><strong>> Starring:</strong> James Stewart, Donna Reed, Lionel Barrymore, Thomas Mitchell</p> <p>In this Christmas fantasy film, a kind-hearted businessman who has given up his dreams in order to serve his community attempts suicide on Christmas Eve. Only the love and prayers of his wife and family can save him -- in the form of a guardian angel.</p>

8. It's a Wonderful Life (1946)

> Starring: James Stewart, Donna Reed, Lionel Barrymore, Thomas Mitchell

In this Christmas fantasy film, a kind-hearted businessman who has given up his dreams in order to serve his community attempts suicide on Christmas Eve. Only the love and prayers of his wife and family can save him -- in the form of a guardian angel.

<p><strong>> Starring:</strong> Omar Sharif, Julie Christie, Geraldine Chaplin, Rod Steiger</p> <p>Although panned by critics upon its release, this epic love story set during the Russian Revolution won five Oscars and five Golden Globes. It follows the life of a young orphan as he becomes a doctor, marries his cousin, falls in love with another woman, and struggles to remain faithful to each of them as the world around them is torn by civil war.</p>

7. Doctor Zhivago (1965)

> Starring: Omar Sharif, Julie Christie, Geraldine Chaplin, Rod Steiger

Although panned by critics upon its release, this epic love story set during the Russian Revolution won five Oscars and five Golden Globes. It follows the life of a young orphan as he becomes a doctor, marries his cousin, falls in love with another woman, and struggles to remain faithful to each of them as the world around them is torn by civil war.

<p><strong>> Starring:</strong> Barbra Streisand, Robert Redford, Bradford Dillman, Lois Chiles</p> <p>Spanning the decades that encompass the Spanish Civil War, World War II, and the Red Scare, "The Way We Were" follows an unlikely couple with radically different personalities -- she a liberal, Jewish political activist and he a Waspy writer who couldn't care less about politics -- as their differences put immense strain on their relationship.</p>

6. The Way We Were (1973)

> Starring: Barbra Streisand, Robert Redford, Bradford Dillman, Lois Chiles

Spanning the decades that encompass the Spanish Civil War, World War II, and the Red Scare, "The Way We Were" follows an unlikely couple with radically different personalities -- she a liberal, Jewish political activist and he a Waspy writer who couldn't care less about politics -- as their differences put immense strain on their relationship.

<p><strong>> Starring:</strong> Cary Grant, Deborah Kerr, Richard Denning, Neva Patterson</p> <p>A remake of the popular 1939 film "Love Affair," this romance follows a notorious playboy and a nightclub singer, both engaged, as they fall in love on an ocean liner heading to New York City. They agree to end their other relationships and meet on top of the Empire State Building in exactly six months, but fate may have other plans.</p>

5. An Affair to Remember (1957)

> Starring: Cary Grant, Deborah Kerr, Richard Denning, Neva Patterson

A remake of the popular 1939 film "Love Affair," this romance follows a notorious playboy and a nightclub singer, both engaged, as they fall in love on an ocean liner heading to New York City. They agree to end their other relationships and meet on top of the Empire State Building in exactly six months, but fate may have other plans.

<p><strong>> Starring:</strong> Gregory Peck, Audrey Hepburn, Eddie Albert, Hartley Power</p> <p>When a chance encounter brings together an errant princess in disguise and a disillusioned reporter, he realizes who she is and decides to write a clandestine news story about her to save his career. As the two explore Rome, however, the affection they develop for each other may thwart the reporter's plans.</p>

4. Roman Holiday (1953)

> Starring: Gregory Peck, Audrey Hepburn, Eddie Albert, Hartley Power

When a chance encounter brings together an errant princess in disguise and a disillusioned reporter, he realizes who she is and decides to write a clandestine news story about her to save his career. As the two explore Rome, however, the affection they develop for each other may thwart the reporter's plans.

<p><strong>> Starring:</strong> Natalie Wood, George Chakiris, Richard Beymer, Russ Tamblyn</p> <p>A modern adaptation of "Romeo and Juliet," "West Side Story" follows two feuding gangs in New York City and the lovers from opposite sides who defy their friends and family to be together and attempt to negotiate peace.</p>

3. West Side Story (1961)

> Starring: Natalie Wood, George Chakiris, Richard Beymer, Russ Tamblyn

A modern adaptation of "Romeo and Juliet," "West Side Story" follows two feuding gangs in New York City and the lovers from opposite sides who defy their friends and family to be together and attempt to negotiate peace.

<p><strong>> Starring:</strong> Clark Gable, Vivien Leigh, Thomas Mitchell, Barbara O'Neil</p> <p>Following the trials of a willful and manipulative Southern socialite as she endures death, loss, and the threat of poverty during the Civil War and Reconstruction, this epic story of unrequited love is one of the highest grossing films of all time.</p>

2. Gone with the Wind (1939)

> Starring: Clark Gable, Vivien Leigh, Thomas Mitchell, Barbara O'Neil

Following the trials of a willful and manipulative Southern socialite as she endures death, loss, and the threat of poverty during the Civil War and Reconstruction, this epic story of unrequited love is one of the highest grossing films of all time.

<p><strong>> Starring:</strong> Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains</p> <p>Set and released during World War II, this iconic film portrays a love triangle involving a bar owner in Morocco who is reluctant to participate in the war until a woman he loves shows up with her husband -- a wanted resistance leader -- and requests his help escaping from the Nazis.</p> <p><span><strong><a href="https://247wallst.com/special-report/2021/06/04/best-romantic-comedies-of-all-time/?utm_source=msn&utm_medium=referral&utm_campaign=msn&utm_content=best-romantic-comedies-of-all-time&wsrlui=47194103">ALSO READ: Best Romantic Comedies of All Time</a></strong></span></p>

1. Casablanca (1942)

> Starring: Humphrey Bogart, Ingrid Bergman, Paul Henreid, Claude Rains

Set and released during World War II, this iconic film portrays a love triangle involving a bar owner in Morocco who is reluctant to participate in the war until a woman he loves shows up with her husband -- a wanted resistance leader -- and requests his help escaping from the Nazis.

ALSO READ: Best Romantic Comedies of All Time

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ETCC42 - GCSE English Text Guide - A Christmas Carol includes Online Edition & Quizzes

GCSE English Text Guide - A Christmas Carol includes Online Edition & Quizzes

  • Product code: ETCC42
  • ISBN: 9781782943099

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Do you wish it could be Christmas every day? This smashing Text Guide is the next best thing — it contains everything students need to write brilliant essays about  A Christmas Carol  by Charles Dickens, and it’s suitable for all major GCSE English exam boards!

Inside, you’ll find clear, thorough notes on the novel’s context, plot, characters, themes and the writer’s techniques - plus quick warm-up activities, in-depth exercises and realistic exam-style questions at the end of sections, alongside challenging questions for students aiming for Grades 8-9. Not only is this book packed with essay advice and engaging activities, it’ll also gives you access to our online Sudden Fail quizzes — ideal for putting your skills to the test! To round it all off, we’ve rustled up a classic CGP cartoon-strip summary of the text to help remind you of all the important plot points.

What’s more, there's a free Online Edition with even more activities for specific exam boards — ideal if you’re on the move!

For even more practice, a matching  Workbook and  Revision Cards are also available.

This book can also be bought as a standalone Online Edition — we'll send you a code to redeem immediately.

See all GCSE English Literature Text Guides

  • Key Stage: KS4
  • Subject: English
  • Years Covered: 10-11
  • Level: 9-1 (GCSE)
  • Media: Book
  • Colour: Full Colour
  • Publication Date: 2021
  • No of Pages: 80

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IMAGES

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  1. 25 Modern Love Essays to Read if You Want to Laugh, Cringe and Cry

    Brian Rea. By Ada Calhoun. It's unrealistic to expect your spouse to forever remain the same person you fell in love with. 13. After 264 Haircuts, a Marriage Ends. Brian Rea. By William Dameron ...

  2. Essays About Love: 20 Intriguing Ideas For Students

    Here are 20 of the best essays about love. Writers have often explored the subject of love and what it means throughout history. In his book Essays in Love, Alain de Botton creates an in-depth essay on what love looks like, exploring a fictional couple's relationship while highlighting many facts about love. This book shows how much there is ...

  3. 50 Great Articles and Essays about Love and Relationships

    A Guide to Friendship, Schmoozing, and Social Advancement by Glenn O'Brien. Finding the best others we can is part of the natural-selection mechanism, and it's far safer than rock climbing. The Man Date by Jennifer 8. Lee.

  4. 250-500 Word Example Essays About Love and Romance

    Introduction. Love is a powerful and transformative emotion that can bring immense joy and fulfilment to our lives. But Love can also turn dark and dangerous when it crosses the line into obsession. This essay will examine the fine line between Love and obsession, exploring how Love can become unhealthy and dangerous.

  5. Essays About Love And Relationships: Top 5 Examples

    5 Essay Examples. 1. Love and Marriage by Kannamma Shanmugasundaram. "In successful love marriages, couples have to learn to look past these imperfections and remember the reasons why they married each other in the first place. They must be able to accept the fact that neither one of them is perfect.

  6. 'Modern Love' Starter Pack: 8 Of The Best NYT Essays On Love

    5. One Bouquet of Fleeting Beauty, Please. This stunning and lyrical essay will make you smell tulips and lilies as you're reading. Written by Alisha Gorder, it tells the story of Gorder's time at ...

  7. 7 "Modern Love" Essays You Need to Read

    7 "Modern Love" Essays You Need to Read. February 12, 2020. Shelby Kluver. This article is written by a student writer from the Her Campus at LUC chapter. The beloved New York Times column, "Modern Love," has been publishing weekly essays for 15 years. The personal writings deal with heartbreak, revelations and feelings…all in 1,800 ...

  8. How We Write About Love

    Good writing about love features the same virtues that define a good relationship: honesty, generosity, open-mindedness, curiosity, humor and self-deprecation. Bad writing about love suffers from ...

  9. The 10 Best Modern Love Columns Ever

    2. "Those Aren't Fighting Words, Dear," Laura Munson, July 31, 2009. "I don't love you anymore," my husband said. "I'm not sure I ever did.". His words came at me like a speeding ...

  10. How to Write an Essay About Love: Tips and Topic Ideas

    Check out How to Write a Literary Analysis That Works and 15 Literary Terms You Need to Know to Write Better Essays. Here are a few topic ideas: Explain various types of love portrayed in Romeo and Juliet. Compare and contrast how different characters experience love. (See the example essay Women's Experiences of Love in Tess of the D ...

  11. Essay on Love for Students and Children

    500+ Words Essay on Love. Love is the most significant thing in human's life. Each science and every single literature masterwork will tell you about it. Humans are also social animals. We lived for centuries with this way of life, we were depended on one another to tell us how our clothes fit us, how our body is whether healthy or emaciated.

  12. Love

    Love. First published Fri Apr 8, 2005; substantive revision Wed Sep 1, 2021. This essay focuses on personal love, or the love of particular persons as such. Part of the philosophical task in understanding personal love is to distinguish the various kinds of personal love. For example, the way in which I love my wife is seemingly very different ...

  13. 14 Modern Literary Passages That Beautifully Describe Every Part Of Love

    The rest of the world falls away on either side.". - Delirium, Lauren Oliver. 10. "Differences of habit and language are nothing at all if our aims are identical and our hearts are open.". — Harry Potter and the Goblet of Fire, J.K. Rowling. 11. "Passion makes a person stop eating, sleeping, working, feeling at peace.

  14. Narrative Essay About Love: [Essay Example], 777 words

    Published: Mar 14, 2024. Love is a universal theme that has captivated writers, poets, and artists for centuries. From Shakespeare's tragic tale of Romeo and Juliet to modern-day romantic comedies, love has always been a central focus in storytelling. In this narrative essay, we will explore the complexities of love, examining its different ...

  15. 18 Of The Most Illuminating Literary Passages On Love, Life, And

    11. " The single greatest thing about love, in my experience, is the way it is doomed to pain and loss from its onset. Whether it is the spouse that outlives their lover, or loses them to another, there is no escaping that most solemn of inevitabilities. That two people can commit themselves to all this sadness and heartache in the name of such brief happiness, the warm touch of familiar ...

  16. The Many Faces of Love: [Essay Example], 533 words

    The Many Faces of Love. Love is a complex and multifaceted emotion that has been the subject of countless poems, songs, and stories. It is an emotion that is central to human life and has the power to change our lives completely. In this essay, we will explore the different stages of love, the obstacles that come with it, the power it holds ...

  17. Essay on Love

    500 Words Essay on Love The Concept of Love. Love, a four-letter word that encapsulates a plethora of emotions, is a universal concept that transcends all barriers. It is a deeply personal and subjective experience, yet it also serves as a communal bond that ties societies together. The complexity of love is such that it can be viewed from ...

  18. Essay on Love: Definition, Topic Ideas, 500 Words Examples

    A 500-word essay on why I love you. Trying to encapsulate why I love you in a mere 500 words is impossible. My love for you goes beyond the confines of language, transcending words and dwelling in the realm of emotions, connections, and shared experiences. Nevertheless, I shall endeavor to express the depth and breadth of my affection for you.

  19. Essay on Love:- Sample Essays for Students in 100, 200 and 300 words

    It brings warmth that is needed to nurture life and an individual too. Without love, the world would become a cold and bleak place for everyone. Love builds and heals. Also Read:- Speech on Love is More Powerful Than Hate. Essay on Love in 300 words. Love consists of a set of emotions, behaviors, and beliefs with strong feelings of affection.

  20. Essay on Love

    The long essay on love is for students of classes 7,8,9, and 10 and competitive exam aspirants. Short Essay on Love is suitable for students of Classes 1,2,3,4,5 and 6. ... You make the best memories and have the most fun. Most of all, a friend is someone you can count on; that is love. Sometimes, these relationships may not work out. Rather ...

  21. Essays on Love

    2 pages / 806 words. Introduction In the realm of human experience, love stands as one of the most enigmatic and profound emotions. Love is a choice. Universally cherished, yet uniquely interpreted by each individual, love has been a subject of perpetual fascination, reflection, and artistic expression.

  22. Essay on Love

    Go through 500+ Words Essay on Love and know a better way of writing the essay. Organise your thoughts and practise writing essays in your own words. Score high marks in the writing section of the English exam. ... We think of doing better in our lives and strive for the best. We fall in love with life and start living in the present moment ...

  23. Love & Relationships

    Love & Relationships. For Paper 2, Section B, you will study a cluster of 15 poems which are thematically linked. This page will provide an overview of the Love and Relationships anthology. This cluster of poems is dealt with in Question 25 of Paper 2, Section B. This page includes: This should help you identify which poem you should compare a ...

  24. 60 Best Love Quotes for Him & Romantic Sayings

    Best love quotes. "In all the world, there is no heart for me like yours. In all the world, there is no love for you like mine.". — Maya Angelou. "I hope it's okay if I love you forever ...

  25. 13 Loving Phrases for Partner to Keep the Romance Alive

    2. "I love how you make me laugh". Humor is a powerful connector in relationships. By acknowledging how your partner brightens your day, you celebrate the joy they bring into your life. This phrase highlights the special dynamic that laughter brings to your connection, making it both unique and cherished. 3.

  26. The 50 Greatest Movie Love Stories of All Time

    50. Shakespeare in Love (1998) > Starring: Gwyneth Paltrow, Joseph Fiennes, Geoffrey Rush, Tom Wilkinson. As a married playwright with writer's block attempts to find his muse, a woman in disguise ...

  27. The Cuckoo (song)

    According to Thomas Goldsmith of The Raleigh News & Observer, "The Cuckoo" is an interior monologue where the singer "relates his desires — to gamble, to win, to regain love's affection." [3] The song is featured in the E.L. Doctorow book The March. A soldier suffering from a metal spike stuck in his head sings verses from the song.

  28. GCSE English Text Guide

    This smashing Text Guide is the next best thing — it contains everything students need to write brilliant essays about A Christmas Carol by Charles Dickens, and it's suitable for all major GCSE English exam boards! Inside, you'll find clear, thorough notes on the novel's context, plot, characters, themes and the writer's techniques ...

  29. Insights

    The Record: U.S. audio listening trends powered by Nielsen and Edison Research. The Record from Nielsen delivers a quarterly look at how U.S. audiences spend their time with ad-supported audio media. Load More. Discover the latest Nielsen insights based on our robust data and analytics to connect and engage with today's audiences.