mfa creative writing ontario

Writing (MFA)

As one of three programs in Canada offering an MFA in Writing, this program emphasizes both how to write and how to teach creative writing. You’ll focus on developing and perfecting your work in one of five genres: fiction, creative nonfiction, playwriting, screenwriting or poetry. We also encourage you to explore new forms, like the graphic novel or interactive media.

You’ll work with internationally published writers and a small cohort of peers in a supportive environment. When you leave our program, you’ll take a polished body of work with you and skills that will help you to get published or produced, to sustain a career in the creative arts and to find a job as a writer, editor or post-secondary instructor.

Quick facts

Students in this program will:

• develop the ability to give and receive creative and constructive editorial feedback in a workshop setting
• develop critical reading skills and a familiarity with a diverse range of contemporary creative works across multiple genres
• understand how to use literary and/or dramatic techniques to create compelling and original creative compositions
• acquire the skills and experience to teach creative writing at the post-secondary level and for community groups
• write a major creative capstone project in your chosen genre

Find a supervisor

All graduate students will be assigned a faculty member who will serve as their academic supervisor.

You don’t need to confirm a supervisor before applying to this program. However, we encourage you to take a look at the faculty contacts to see whose creative work complements yours.

Danielle Geller

Assistant Professor, Graduate Advisor Creative nonfiction, memoir, speculative fiction, documentary studies, archives.

[email protected]

David Leach

Professor Creative nonfiction, literary journalism, the nonfiction novel, adventure travel, ecological literacy, magazine publishing, teaching with technology, sports writing, memory and creative writing, interactive narrative, video games, digital storytelling, extended reality (XR) technologies and generative AI. Note: I am interested in recruiting MFA or Interdisciplinary graduate students in the fields of interactive narratives and digital storytelling.

[email protected]

Deborah Campbell

Associate Professor, Director of Professional Writing, Lansdowne Chair in Fine Arts Creative nonfiction, literary journalism, memoir, biography, travel writing.

[email protected]

Diane Dakers

Assistant Teaching Professor Journalism, media studies, fiction for young adults, nonfiction for children.

[email protected]

Gregory Scofield

Associate Professor Poetry, memoir.

[email protected]

Kathryn Mockler

Assistant Professor Short film writing, feature film writing, TV writing, poetry, short fiction, experimental writing, hybrid genres, editing and publishing, climate/eco writing, small press publishing.

[email protected]

Chair, Associate Professor Stage, screen, collaborative creation, site-specific theatre, multimedia performance.

[email protected]

Lee Henderson

Associate Professor Fiction, creative nonfiction, the graphic novel.

[email protected]

Marita Dachsel

Assistant Teaching Professor Poetry, drama, installations, hybrid genres, fiction.

[email protected]

Maureen Bradley

Professor Film production, experimental film, drama, documentary, Canadian and queer media arts.

[email protected]

Sean Holman

Associate Professor, Wayne Crookes Professor of Environmental and Climate Journalism Environmental journalism, investigative journalism, solutions journalism, community building journalism, government and corporate secrecy, freedom of information, and more.

[email protected]

Associate Professor Poetry, filmmaking, screenwriting, fiction, nonfiction, film/literature/visual art/music/dance of the African diaspora, poetics, philosophy, hip hop culture, and more.

[email protected]

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Your program details

Application deadlines, admission requirements, program specific requirements.

As part of your application, you must submit:

• a portfolio
• a 400-word statement of purpose, which includes a description of the manuscript you want to work on and your specific area of expertise
• your references should be able to give an assessment of your academic standing, talent as a writer, critical ability, capacity for doing self-directed work and teaching potential

Typically, we only accept one applicant per genre per year.

Please submit a portfolio of writing samples in your preferred genre of study. You may submit one of the following:

• 10-15 pages of poetry
• 20-30 pages of playwriting, screenwriting, fiction or creative nonfiction

If applicable, summarize your professional experience and publications in one to three pages for additional consideration.

Submissions in poetry, fiction and creative nonfiction must have a minimum 1.5 line spacing.

Submissions in playwriting and screenwriting should follow their industry-standard formats.

Completion requirements

Funding & aid, tuition & fees.

Estimated minimum program cost*

* Based on an average program length. For a per term fee breakdown view the tuition fee estimator .

Estimated values determined by the tuition fee estimator shall not be binding to the University of Victoria.

Ready to apply?

You can start your online application to UVic by creating a new profile or using an existing one.

Apply now     How to apply

Faculties & departments

• Faculty of Fine Arts
• Department of Writing

Contact Valerie Tenning at [email protected] or 250-721-7306 .

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Scriptwriting and Story Design, MFA

The MFA in Scriptwriting & Story Design is a new, interdisciplinary two-year graduate program offered by the School of Performance, the School of Image Arts, and the RTA School of Media at Ryerson University.

The program grows out of the need to incubate emerging creative voices across media, venues and platforms and a desire for greater interdisciplinary learning and teaching across the University. The new MFA program builds upon Ryerson’s outstanding reputation in film, television, theatre and digital media and further enhance Ryerson’s growing role within the Canadian and International creative industries.

The MFA is unique and innovative: the first of its kind in Canada, and only one of among a handful graduate programs globally that teaches writing for dramatic forms spanning stage, television, film and various forms of new and expanding media.

All three contributing undergraduate programs — the schools of Image Arts, Performance and RTA Media — are recognized as national (and international) leaders in their fields. Each of these schools provides expertise to this new, shared graduate program in Scriptwriting & Story Design.

CREATIVE WRITING

Unlike any other creative writing program in Ontario, it enables students to hone their craft while exploring multiple art and design practices.

Collaborative by nature, our transdisciplinary and transcultural approach enriches imaginations, broadens perspectives and helps to develop each individual writer’s voice.

Our program includes the study of living literary culture and literary art practices and production, and emphasizes the practice, craft and production of spoken, written, visual and verbal texts as well as experimental language forms that exist both inside and outside established genres. We welcome ‘attitude’ translated on the page and off, through performance texts and other media.

This program combines written, performance and visual expression. You’ll participate in:

• An online and print journal
• Symposia, workshops
• Showcasing and public performances
• A book, zine and publications fair
• Field trips to local readings, conferences and festivals
• A digital and analog writing lab and access to sound studio
• A reading series featuring established, emerging and student writers
• Mentorships, as both mentees and later as mentors
• University slam team
• A nurturing and supportive emerging literary community
• Mentorship by faculty

This program is for both new and emerging writers. You’ll become part of a nurturing and supportive literary community. By the end of your degree, you’ll complete a body of work aimed at publication or exhibition to launch your career.

Program Highlights

Admissions requirements.

• For Ontario high school students, a minimum overall average of 70%
• Statement of Intent
• Official transcripts
• Portfolio requirements here
• see detailed academic requirements here

Internships & Experiential learning

OCAD U offers so much more than co-ops because creative careers take many forms. Our career services help you build a professional community, valuable experience and skills you need for a meaningful career. Get access to:

• Short experiential learning placements from among hundreds of organizations
• Creative in-class projects with real-world industry partners
• Exclusive summer internships
• Gallery exhibitions of your work
• Freelance creative opportunities
• Jobs after graduation

At the End of this Program...

At the end of this four-year program, you will earn a Bachelor of Fine Arts (BFA) degree.

Jobs You Can Get

Graduates of this program can work in:

• Professional writing
• Artistic practice
• Performance art

What You'll Do in the Program

In first year, you will take art or design studio courses based on your interest as well as:

• Art history
• English class of your choice
• Introduction to History and Practice of Creative Writing
• Research, Reading and Editing for Creative Writers
• Writing in Community

In second year and third year, you will take art, design, social science and humanities courses based on your interest and:

• Creative Writing: Introduction to Four Genres
• Language and the Land
• Nano Publishing: Independent Publications
• Intro to Dub and Spoken Word

In third year you will have options to take classes in art and design that interest you but you’ll focus more on creative writing. Classes include:

• Poetry and Spoken Word
• Non-fiction
• Short Fiction
• Studies in Canadian Literature
• Indigenous Literature
• Publications: Editorial

In fourth year, all students will also have the opportunity to do an independent thesis project and showcase work at OCAD U’s  Graduate Exhibition , the biggest free art and design exhibition in Toronto with over 40,000 visitors.

In all undergraduate programs you can choose to take a minor alongside your major to explore and expand your practice. Minors give you the opportunity to pursue a focused secondary field of study in addition to or sometimes instead of taking electives in your program and can help you look better for employers or in grants or grad school applications.  You don’t need to choose a minor on your application – rather once you start at OCAD U, you’ll be able to choose from over 90 electives that can build towards one of our 25 focused minors.  Learn more about Minor Programs here .

Program Creative Writing Degree earned Bachelors of Fine Arts (Honours) (BFA) Faculty Faculty of Arts & Science Duration 4 years Portfolio required Yes More link View tuition fees and funding

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Student work.

Follow the Creative Writing program on Instagram @ocaducreativewriters.

Meet Creative Writing student Chris Markland

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Master of Fine Arts Program

MFA at the School of Creative Arts

Windsor’s School of Creative Arts has one of the longest-running MFA programs in Canada, founded in 1979. University of Windsor MFA graduates have gone on to establish significant careers as filmmakers, educators, curators, and arts professionals. 

Our faculty have established national and international reputations, exhibiting, performing, and screening films regularly in Canada and abroad. Currently, School of Creative Arts faculty members are working on a range of externally funded projects that explore fiction and non-fiction film and multimedia. We encourage applications from artists working in a wide variety of contemporary practices.

 The MFA in Film and Media Arts is a two-year course / thesis-based program. The curriculum balances a theoretical framework with practice-based courses that enable the independent production of a short film project with the support of an academic advisor. Graduate students create films and/or multimedia works over the course of their studies, culminating in a thesis film and written support document. 

 Our award-winning School of Creative Arts film production faculty screen films regularly at Academy award-qualifying festivals across the globe. University of Windsor Film MFA graduates have gone on to rewarding careers in film production and post-production and have accepted positions as full members of IATSE and the Directors Guild of Canada. 

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Find details about every creative writing competition—including poetry contests, short story competitions, essay contests, awards for novels, grants for translators, and more—that we’ve published in the Grants & Awards section of Poets & Writers Magazine during the past year. We carefully review the practices and policies of each contest before including it in the Writing Contests database, the most trusted resource for legitimate writing contests available anywhere.

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Whether you’re pursuing the publication of your first book or your fifth, use the Small Presses database to research potential publishers, including submission guidelines, tips from the editors, contact information, and more.

Research more than one hundred agents who represent poets, fiction writers, and creative nonfiction writers, plus details about the kinds of books they’re interested in representing, their clients, and the best way to contact them.

Every week a new publishing professional shares advice, anecdotes, insights, and new ways of thinking about writing and the business of books.

Find publishers ready to read your work now with our Open Reading Periods page, a continually updated resource listing all the literary magazines and small presses currently open for submissions.

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Our series of subject-based handbooks (PDF format; $4.99 each) provide information and advice from authors, literary agents, editors, and publishers. Now available: The Poets & Writers Guide to Publicity and Promotion, The Poets & Writers Guide to the Book Deal, The Poets & Writers Guide to Literary Agents, The Poets & Writers Guide to MFA Programs, and The Poets & Writers Guide to Writing Contests.

Find a home for your work by consulting our searchable databases of writing contests, literary magazines, small presses, literary agents, and more.

Poets & Writers lists readings, workshops, and other literary events held in cities across the country. Whether you are an author on book tour or the curator of a reading series, the Literary Events Calendar can help you find your audience.

Get the Word Out is a new publicity incubator for debut fiction writers and poets.

Research newspapers, magazines, websites, and other publications that consistently publish book reviews using the Review Outlets database, which includes information about publishing schedules, submission guidelines, fees, and more.

Well over ten thousand poets and writers maintain listings in this essential resource for writers interested in connecting with their peers, as well as editors, agents, and reading series coordinators looking for authors. Apply today to join the growing community of writers who stay in touch and informed using the Poets & Writers Directory.

Let the world know about your work by posting your events on our literary events calendar, apply to be included in our directory of writers, and more.

Find a writers group to join or create your own with Poets & Writers Groups. Everything you need to connect, communicate, and collaborate with other poets and writers—all in one place.

Find information about more than two hundred full- and low-residency programs in creative writing in our MFA Programs database, which includes details about deadlines, funding, class size, core faculty, and more. Also included is information about more than fifty MA and PhD programs.

Whether you are looking to meet up with fellow writers, agents, and editors, or trying to find the perfect environment to fuel your writing practice, the Conferences & Residencies is the essential resource for information about well over three hundred writing conferences, writers residencies, and literary festivals around the world.

Discover historical sites, independent bookstores, literary archives, writing centers, and writers spaces in cities across the country using the Literary Places database—the best starting point for any literary journey, whether it’s for research or inspiration.

Search for jobs in education, publishing, the arts, and more within our free, frequently updated job listings for writers and poets.

Establish new connections and enjoy the company of your peers using our searchable databases of MFA programs and writers retreats, apply to be included in our directory of writers, and more.

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Each year the Readings & Workshops program provides support to hundreds of writers participating in literary readings and conducting writing workshops. Learn more about this program, our special events, projects, and supporters, and how to contact us.

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Find information about how Poets & Writers provides support to hundreds of writers participating in literary readings and conducting writing workshops.

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MFA Programs Database

Our MFA database includes essential information about low- and full-residency graduate creative writing programs in the United States and other English-speaking countries to help you decide where to apply.

Adelphi University

Poetry: Jan-Henry Gray, Maya Marshall Prose: Katherine Hill, René Steinke, Igor Webb

Albertus Magnus College

Poetry: Paul Robichaud Fiction: Sarah Harris Wallman Nonfiction: Eric Schoeck

Alma College

Poetry: Leslie Contreras Schwartz, Jim Daniels, Benjamin Garcia Fiction: Karen E. Bender, Shonda Buchanan, Dhonielle Clayton, S. Kirk Walsh Creative Nonfiction: Anna Clark, Matthew Gavin Frank, Donald Quist, Robert Vivian

American University

Poetry: Kyle Dargan, David Keplinger Fiction: Dolen Perkins-Valdez, Stephanie Grant, Patricia Park Nonfiction: Rachel Louise Snyder

Antioch University

Poetry: Victoria Chang Prose: Lisa Locascio

Arcadia University

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith Literature: Matthew Heitzman, Christopher Varlack, Elizabeth Vogel, Jo Ann Weiner

Poetry: Genevieve Betts, Michelle Reale Fiction: Stephanie Feldman, Joshua Isard, Tracey Levine, Eric Smith

Arizona State University

Poetry: Sally Ball, Natalie Diaz, Alberto Álvaro Ríos, Safiya Sinclair Fiction: Matt Bell, Jenny Irish, Tara Ison, Mitchell Jackson, T. M. McNally Creative Nonfiction: Sarah Viren

Ashland University

Poetry: Dexter Booth, Marcelo Hernandez Castillo, Adam Gellings, Tess Taylor, Vanessa Angélica Villareal Fiction: Kirstin Chen, Edan Lepucki, Sarah Monette, Nayomi Munaweera, Vi Khi Nao, Naomi J. Williams, Kyle Winkler Nonfiction: Cass Donish, Kate Hopper, Lauren Markham, Thomas Mira y Lopez, Lisa Nikolidakis, Terese Mailhot

Augsburg University

Poetry: Michael Kleber-Diggs Fiction: Stephan Eirik Clark, Lindsay Starck Nonfiction: Anika Fajardo  Playwriting: Carson Kreitzer, TyLie Shider, Sarah Myers Screenwriting: Stephan Eirik Clark, Andy Froemke

Ball State University

Poetry: Katy Didden, Mark Neely Fiction: Cathy Day, Sean Lovelace Nonfiction: Jill Christman, Silas Hansen Screenwriting: Rani Deighe Crowe, Matt Mullins

Bard College

Jess Arndt, Shiv Kotecha, Mirene Arsanios, Hannah Black, Trisha Low, Christoper Perez, Julian Talamantez Brolaski, Simone White

Bath Spa University

Poetry: Lucy English, Carrie Etter, Tim Liardet, John Strachan, Samantha Walton, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Alexia Casale, Lucy English, Nathan Filer, Aminatta Forna, Maggie Gee, Samantha Harvey, Philip Hensher, Steve Hollyman, Emma Hooper, Claire Kendal, Kate Pullinger, C.J. Skuse, Gerard Woodward Nonfiction: Celia Brayfield, Richard Kerridge, Stephen Moss Scriptwriting: Robin Mukherjee

Poetry: Lucy English, Carrie Etter, Tim Liardet, Gerard Woodward Fiction: Gavin James Bower, Celia Brayfield, Nathan Filer, Aminatta Forna, Maggie Gee, Samantha Harvey, Philip Hensher, Claire Kendal, Kate Pullinger, Gerard Woodward Nonfiction: Richard Kerridge, Stephen Moss

Bay Path University

Mel Allen, Leanna James Blackwell, Jennifer Baker, Melanie Brooks, María Luisa Arroyo Cruzado, Shahnaz Habib, Susan Ito, Karol Jackowski, Yi Shun Lai, Anna Mantzaris, Meredith O’Brien, Mick Powell, Suzanne Strempek Shea, Tommy Shea, Kate Whouley

Bennington Writing Seminars at Bennington College

Poetry: Jennifer Chang, Michael Dumanis, Randall Mann, Craig Morgan Teicher, Mark Wunderlich Fiction: Peter Cameron, Jai Chakrabarti, Stacey D’Erasmo, Monica Ferrell, Rebecca Makkai, Stuart Nadler, Téa Obreht, Moriel Rothman-Zecher, Katy Simpson Smith, Taymour Soomro Nonfiction: Garrard Conley, Sabrina Orah Mark, Spencer Reece, Lance Richardson, Shawna Kay Rodenberg, Hugh Ryan, Greg Wrenn

Binghamton University

Poetry: Tina Chang, Joseph Weil Fiction: Amir Ahmdi Arian, Thomas Glave, Leslie L. Heywood, Claire Luchette, Liz Rosenberg, Jaimee Wriston-Colbert, Alexi Zentner Nonfiction: Amir Ahmdi Arian, Leslie L. Heywood

Bluegrass Writers Studio at Eastern Kentucky University

Poetry: Julie Hensley, Young Smith Fiction: Julie Hensley, Robert Dean Johnson Nonfiction: Robert Dean Johnson, Evan J. Massey Playwriting: Young Smith

Boise State University

Poetry: Martin Corless-Smith, Sara Nicholson, Taryn Schwilling Fiction: Mitch Wieland (Director), Anna Caritj Creative Nonfiction: Chris Violet Eaton, Clyde Moneyhun

Boston University

Poetry: Andrea Cohen, Karl Kirchwey, Robert Pinsky Fiction: Leslie Epstein, Jennifer Haigh, Ha Jin

Boston University—MFA in Literary Translation

Odile Cazenave, Yuri Corrigan, Margaret Litvin, Christopher Maurer, Roberta Micaleff, Robert Pinsky (advising), Stephen Scully, Sassan Tabatabai, J. Keith Vincent, William Waters, Dennis Wuerthner, Cathy Yeh, Anna Zielinska-Elliott

Bowling Green State University

Poetry: Abigail Cloud, Amorak Huey, Sharona Muir, F. Dan Rzicznek, Larissa Szporluk, Jessica Zinz-Cheresnick Fiction: Joe Celizic, Lawrence Coates, Reema Rajbanshi, Michael Schulz

Brigham Young University

Poetry: Kimberly Johnson, Lance Larsen, Michael Lavers, John Talbot Fiction: Chris Crowe, Ann Dee Ellis, Spencer Hyde, Stephen Tuttle Nonfiction: Joey Franklin, Patrick Madden

Brooklyn College

Poetry: Julie Agoos, Ben Lerner Fiction: Joshua Henkin, Madeleine Thien Playwriting: Dennis A. Allen II, Elana Greenfield

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Creative Writing

About this program.

Have you longed to explore your creative potential?

Embrace the unknown and start your journey here. As part of one of the largest Creative Writing programs in Canada, you can learn the essentials of excellent writing and put them into practice. Whether you aspire to write a novel or short story, explore poetry, pen a script or screenplay, or explore other writing styles, we have the courses you need to improve your skills.

Class sizes and writers workshops are kept small to ensure you receive the individual attention you need to help your writing thrive, whether you take your class in-class or online. 

Courses in the genres listed below can be applied to the Certificate in Creative Writing

• Creative Non-Fiction
• Escritura Creativa en Español
• Literary Fiction
• Multi-genre
• Poetry and Songwriting
• Popular Fiction
• Stage and Screenwriting
• U of T Summer Writing School
• Writing for Children

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Writing & Publishing

Master of fine arts in creative nonfiction, we’ve got your book..

Whether you are a mid-career writer, a journalist, or an aspiring author, King’s MFA is designed for you. Bring us your idea for a novel, a collection of short stories, a narrative nonfiction book, a collection of essays, or a biography or memoir and we can help you turn it into a manuscript that’s on the road to publication.

We’ll help you learn the craft and practice of being an author as you hone your skills under the mentorship of award-winning writers and editors. With the additional help of top publishing professionals in Canada and the United States, you’ll do all this and more in just two years. The bonus, of course, is that you earn a prestigious MFA degree along the way.

Download our free ebook Mastering Nonfiction: Tips & Techniques from the Mentors and Faculty of the King’s MFA in Creative Nonfiction

The MFA is a two-year limited residency program. During annual June residencies on the campus at the University of King’s College in Halifax, Nova Scotia, students deepen their understanding of the art and craft of nonfiction writing through lectures, seminars, panels, workshops and readings as well as work intensively on their own projects with their mentors. During two online six-day January residencies, one featuring guests primarily from New York and one featuring guests from the Canadian publishing industry (most based in Toronto), students learn about the latest trends in the publishing industry and discuss their writing projects with editors, agents and publishers based in North America’s main publishing hubs. Between residencies, students take part in occasional online webinars and readings and continue to work off-campus on their two major projects—a book proposal and their book manuscript—with the support and guidance of their mentors. This low-residency feature, and the exclusive focus on creative nonfiction, make the King’s MFA the only program of its kind in Canada.

Director of Writing & Publishing, Gillian Turnbull , Cohort Directors Kim Pittaway ,  Stephen Kimber and Dean Jobb – along with the stellar group of writing mentors – are all published authors, award-winning journalists and highly successful writing instructors. Together they have written or edited more than fifty books and been nominated for at least a hundred national magazine or newspaper awards. So far, almost 50 graduates of the program have published or are under contract to publish nonfiction books , and our alumni have been finalists for and winners of numerous nonfiction book awards, including the Edna Staebler Award for Creative Non-Fiction, the Margaret and John Savage First Book Award (Non-Fiction), the Pottersfield Creative Nonfiction Contest and more.

We invite you to take the challenge. Join other talented writers and our award-winning faculty and turn your great idea into an equally great book.

Read about MFA book deals

The MFA is a limited-residency program, with one nine-day summer residency and an online one-week winter residency each year. Students will pursue independent writing and research in the interim, in collaboration with a project mentor. Students are free to live anywhere in these interim periods.

The summer residencies run for nine days in June, and are focused on the crafts of structure, research and writing. They aim to develop a strong narrative focus and scope for your work. The residency is a high-volume learning experience that comprises morning sessions with mentors, afternoon readings, lectures and guest lectures and evening sessions featuring student readings and talkback.

The winter residencies run online for one week in January, and are focused on the business of writing, and developing the skills necessary to be a working writer in nonfiction. Students will meet with literary agents, editors and publishers, and learn crucial skills like developing marketing plans for their book. In addition, they will meet with their mentors to continue development on their book proposal and manuscript.

In the interim terms, students work with a mentor to progress on their book proposal and manuscript. They will establish a contract of deliverables with their mentors to be reviewed and updated each summer and winter session. Students may have a variety of mentors over the course of the program. Mentors are assigned to help students develop specific skills vital to the progress of their project.

Explore courses

Summer/fall, nonfiction writing craft i, wpub6100.03, nonfiction mentorship i, wpub6101.06, nonfiction publishing i, wpub6102.03, nonfiction mentorship ii, wpub6103.06, nonfiction writing craft ii, wpub6200.03, nonfiction mentorship iii, wpub6201.06, nonfiction publishing ii, wpub6202.03, nonfiction mentorship iv, wpub6203.06, the king’s mfa is a combination mfa for writers and creative writing boot camp..

Havard Gould

CBC TV National Correspondent, MFA in Creative Non-Ficton, 2015

Faculty & Staff

Jessica j. lee, mfa mentor, creative nonfiction, gillian turnbull, director of writing & publishing, kim pittaway, cohort director, mfa in creative nonfiction, inglis professor, cohort director, mfa in creative nonfiction, dido devlin, administrative support, writing & publishing, cooper lee bombardier, david hayes, lezlie lowe, mfa mentor, creative nonfiction & instructor (part-time), lori a. may, ken mcgoogan, omar mouallem, lorri neilsen glenn, karen pinchin, carol shaben, kelly s. thompson, harry thurston, ayelet tsabari.

Students cover travel, meal and accommodation costs themselves for the summer residencies. These expenses are not covered by tuition. If you are in need of accommodation during the summer residency, contact King’s Conference Services .

Get more information about graduate-level writing and publishing programs

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MA in the Field of Creative Writing Program Adjunct Faculty (Mentor) Biographies

Current mentors.

Tamara Faith Berger  writes fiction, non-fiction and screenplays. She is the author of Lie With Me (2001), The Way of the Whore (2004), (republished together by Coach House Books as Little Cat in 2013), Maidenhead (2012) and Kuntalini (2016). Her fifth book, Queen Solomon , was published by Coach House Books in October 2018. Maidenhead was nominated for a Trillium Book Award and it won the Believer Book Award. Her work has been published in Apology, Canadian Art, Taddle Creek and Canadian Notes and Queries. She has a BFA in Studio Art from Concordia University and an MFA in Creative Writing from the University of British Columbia. 

Lynn Crosbie,  Montreal born, is a cultural critic, the author of four books of poetry: Miss Pamela's Mercy, VillainElle, Pearl and a collection of new and selected work, Queen Rat.  Her recent collection of poems, Pearl, was shortlisted for the Pat Lowther Memorial Award. She is also the author of the controversial book, Paul's Case and the editor of The Girl Wants To and Click. She lives in Toronto, and has a PhD in English literature (on the work of Anne Sexton). Crosbie teaches at the Ontario College of Art and the University of Toronto. 

Nathan Englander finalist for the 2013 Pulitzer Prize in Fiction, Nathan Englander is a celebrated voice in American literature who draws upon his Orthodox Jewish upbringing in both his writing and lectures. Englander's debut, For the Relief of Unbearable Urges , became an international bestseller and earned him the PEN/Faulkner Malamud Award. His latest work is kaddish.com, a novel that brilliantly highlights his wit and humor. 

Anne Michaels is a Canadian poet and novelist who won the Commonwealth Prize as well as the Trillium Book Award and the Orange Prize for Fiction (later the Baileys Women’s Prize for Fiction) and who is known internationally for the beauty and precision of her language and the depth of her philosophical themes. Her book Correspondences (2013), an elegy to her father with illustrations by Bernice Eisenstein, was short-listed for the 2014 Griffin Poetry Prize.

Michael Redhill  is a Giller Prize-winning novelist, poet and playwright. He is the author of the novels Consolation , longlisted for Man Booker Prize; Martin Sloane , a finalist for the Giller Prize; and most recently, Bellevue Squar e, winner of the 2017 Giller Prize. He has written a novel for young adults, four collections of poetry and two plays, including the internationally celebrated Goodness . He also writes a series of crime novels under the name Inger Ash Wolfe. He lives in Toronto, ON. 

Souvankham Thammavongsa  is the author of four poetry books, and the short story collection HOW TO PRONOUNCE KNIFE, winner of the 2020 Scotiabank Giller Prize and 2021 Trillium Book Award, finalist for the National Book Critics Circle Award and PEN America Open Book Award, out now with Little, Brown (U.S.), McClelland & Stewart (Canada), and Bloomsbury (U.K.), available in French, with foreign rights sold in China, Korea, Poland, and Turkey. Her stories have won an O. Henry Award and appeared in The New Yorker, Harper's Magazine, The Paris Review, The Atlantic, Granta , and NOON . She has also written book reviews for The New York Times , and edited the anthologies Best Canadian Poetry (2021) and The Griffin Poetry Prize (2021). She is known for her PowerPoint videos on Zoom about writing, most recently one titled "I Am Not That Interesting." Currently, she is working on her first novel. She was born in the Lao refugee camp in Nong Khai, and was raised, and educated at public schools, in Toronto. 

Sarah Yi-Mei Tsiang  is a poet, children’s writer and teacher. Her books of poetry include Status Update (2013), which was nominated for the Pat Lowther Award, and Sweet Devilry (2011), which won the Gerald Lampert Award. Her new book of poetry, Grappling Hook , is forthcoming with Palimpsest Press. She was shortlisted for the CBC poetry prize in 2019 and longlisted for the CBC poetry prize in 2018. Tsiang’s poetry has won the Arc Magazine Reader’s Choice for Poem of the Year, and was shortlisted for the Forward Awards, Nick Blatchford Occasional Verse contest, the Bliss Carmen Poetry Award, and the Re-lit Award. Her work has also been featured in Best of the Best Canadian Poetry and many other anthologies. She is the editor of the poetry collection, Desperately Seeking Susans (2013).

Phoebe Wang  is a first-generation Chinese Canadian writer and educator. She is the author of two collections of poetry, Admission Requirements (McClelland & Stewart, 2017), which was nominated for the Trillium Book Award, and Waking Occupations , (McClelland & Stewart, 2022). She was the Writer-In-Residence at the University of New Brunswick in 2021-2022, and currently is a poetry editor with The Fiddlehead and Brick Books . She works at OCAD University as a Writing and Learning Consultant and mentors in the University of Toronto MA in Creative Writing program. Her work employs a lyric mode and is concerned with the interrelation of place, time and identity. She seeks to heal the rifts of colonization with language.

Former Mentors

André Alexis       Ken Babstock       Dionne Brand       Trevor Cole        Kevin Connolly      Claudia Dey       Charles Foran       Camilla Gibb        Katherine Govier      Barbara Gowdy      Sheila Heti       Liz Howard      Kateri Lanthier        Guy Maddin       Pasha Malla      Anne Michaels       Michael Redhill       Leon Rooke        Rebecca Rosenblum       Karen Solie       Carmine Starnino       Susan Swan       Miriam Toews        Jane Urquhart       Phoebe Wang       Michael Winter        

Authors who have served as Adjunct Faculty (Mentors) in the MA CRW Program

Margaret Atwood  Linda Griffiths  Goldberry Long  Lee Maracle  David Adams Richards

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Canadian Immigration Updates

Applicants to Master’s and Doctoral degrees are not affected by the recently announced cap on study permits. Review more details

Go to programs search

Creative Writers are at the heart of our cultural industries. Poets, novelists, screenwriters, playwrights, graphic novelists, magazine writers: they entertain, inform and inspire. For more than 50 years, UBC’s Creative Writing program has been producing writers who’ve shaped Canadian and international culture. A studio program with the writing workshop at its heart, the MFA focuses on the work created by students as the primary text. Through intensive peer critique and craft discussion, faculty and students work together with the same goal: literary excellence. 

For specific program requirements, please refer to the departmental program website

What makes the program unique?

UBC’s Creative Writing program was the first writing program in Canada, and is the largest and most comprehensive in the country. It is highly ranked internationally, and draws students from around the world for its multi-genre approach to writing instruction. Students are required to work in multiple genres during the course of the degree. As a fine arts program rather than an English program, students focus on the practice of writing rather than the study of literature.

Small, intensive workshops characterize the program, as does our breadth of offerings: with 12 genres of writing available for study there are more opportunities for learning than at any other writing program in the world.

Faculty are distinguished, working writers. We have 12 professors, an additional 9 permanent instructors and regularly bring in a wide variety of writers in residence and adjunct instructors from the writing community.

While I was at an Explore Program, I managed to visit UBC for a few days. I really loved what I saw, and when I was applying for creative writing programs a few years later, UBC was top of my list. I was also drawn to the opportunities it gave students, such as editing for an internationally recognized journal.

Vivian (Xiao Wen) Li

Quick Facts

Program enquiries, admission information & requirements, program instructions.

The residency MFA program only has a September intake.

1) Check Eligibility

Minimum academic requirements.

The Faculty of Graduate and Postdoctoral Studies establishes the minimum admission requirements common to all applicants, usually a minimum overall average in the B+ range (76% at UBC). The graduate program that you are applying to may have additional requirements. Please review the specific requirements for applicants with credentials from institutions in:

• Canada or the United States
• International countries other than the United States

Each program may set higher academic minimum requirements. Please review the program website carefully to understand the program requirements. Meeting the minimum requirements does not guarantee admission as it is a competitive process.

English Language Test

Applicants from a university outside Canada in which English is not the primary language of instruction must provide results of an English language proficiency examination as part of their application. Tests must have been taken within the last 24 months at the time of submission of your application.

Minimum requirements for the two most common English language proficiency tests to apply to this program are listed below:

TOEFL: Test of English as a Foreign Language - internet-based

Overall score requirement : 90

IELTS: International English Language Testing System

Overall score requirement : 6.5

Other Test Scores

Some programs require additional test scores such as the Graduate Record Examination (GRE) or the Graduate Management Test (GMAT). The requirements for this program are:

The GRE is not required.

2) Meet Deadlines

3) prepare application, transcripts.

All applicants have to submit transcripts from all past post-secondary study. Document submission requirements depend on whether your institution of study is within Canada or outside of Canada.

Letters of Reference

A minimum of three references are required for application to graduate programs at UBC. References should be requested from individuals who are prepared to provide a report on your academic ability and qualifications.

Statement of Interest

Many programs require a statement of interest , sometimes called a "statement of intent", "description of research interests" or something similar.

Supervision

Students in research-based programs usually require a faculty member to function as their thesis supervisor. Please follow the instructions provided by each program whether applicants should contact faculty members.

Instructions regarding thesis supervisor contact for Master of Fine Arts in Creative Writing (MFA)

Citizenship verification.

Permanent Residents of Canada must provide a clear photocopy of both sides of the Permanent Resident card.

4) Apply Online

All applicants must complete an online application form and pay the application fee to be considered for admission to UBC.

Tuition & Financial Support

Financial support.

Applicants to UBC have access to a variety of funding options, including merit-based (i.e. based on your academic performance) and need-based (i.e. based on your financial situation) opportunities.

Scholarships & awards (merit-based funding)

All applicants are encouraged to review the awards listing to identify potential opportunities to fund their graduate education. The database lists merit-based scholarships and awards and allows for filtering by various criteria, such as domestic vs. international or degree level.

Graduate Research Assistantships (GRA)

Many professors are able to provide Research Assistantships (GRA) from their research grants to support full-time graduate students studying under their supervision. The duties constitute part of the student's graduate degree requirements. A Graduate Research Assistantship is considered a form of fellowship for a period of graduate study and is therefore not covered by a collective agreement. Stipends vary widely, and are dependent on the field of study and the type of research grant from which the assistantship is being funded.

Graduate Teaching Assistantships (GTA)

Graduate programs may have Teaching Assistantships available for registered full-time graduate students. Full teaching assistantships involve 12 hours work per week in preparation, lecturing, or laboratory instruction although many graduate programs offer partial TA appointments at less than 12 hours per week. Teaching assistantship rates are set by collective bargaining between the University and the Teaching Assistants' Union .

Graduate Academic Assistantships (GAA)

Academic Assistantships are employment opportunities to perform work that is relevant to the university or to an individual faculty member, but not to support the student’s graduate research and thesis. Wages are considered regular earnings and when paid monthly, include vacation pay.

Financial aid (need-based funding)

Canadian and US applicants may qualify for governmental loans to finance their studies. Please review eligibility and types of loans .

All students may be able to access private sector or bank loans.

Foreign government scholarships

Many foreign governments provide support to their citizens in pursuing education abroad. International applicants should check the various governmental resources in their home country, such as the Department of Education, for available scholarships.

Working while studying

The possibility to pursue work to supplement income may depend on the demands the program has on students. It should be carefully weighed if work leads to prolonged program durations or whether work placements can be meaningfully embedded into a program.

International students enrolled as full-time students with a valid study permit can work on campus for unlimited hours and work off-campus for no more than 20 hours a week.

A good starting point to explore student jobs is the UBC Work Learn program or a Co-Op placement .

Tax credits and RRSP withdrawals

Students with taxable income in Canada may be able to claim federal or provincial tax credits.

Canadian residents with RRSP accounts may be able to use the Lifelong Learning Plan (LLP) which allows students to withdraw amounts from their registered retirement savings plan (RRSPs) to finance full-time training or education for themselves or their partner.

Please review Filing taxes in Canada on the student services website for more information.

Cost Estimator

Applicants have access to the cost estimator to develop a financial plan that takes into account various income sources and expenses.

Career Options

Graduates of the MFA program have found success in varied fields related to writing and communication. The MFA qualifies graduates for teaching at the university level and many graduates have gone on to teach at colleges and universities in Canada, the United States and overseas as well as holding writing residencies. Many publish books and win literary awards. Others go on to work in publishing, and graduates have become book and magazine editors.

Although the MFA is a terminal degree, some graduates go on to further study in PhD programs in the US, UK and Australia. 

Enrolment, Duration & Other Stats

These statistics show data for the Master of Fine Arts in Creative Writing (MFA). Data are separated for each degree program combination. You may view data for other degree options in the respective program profile.

ENROLMENT DATA

Completion rates & times.

• Research Supervisors

This list shows faculty members with full supervisory privileges who are affiliated with this program. It is not a comprehensive list of all potential supervisors as faculty from other programs or faculty members without full supervisory privileges can request approvals to supervise graduate students in this program.

• Belcourt, Billy-Ray (Fiction; Nonfiction; Poetry)
• Hopkinson, Nalo (Creative writing, n.e.c.; Humanities and the arts; Creative Writing: Speculative Ficton, Fantasy, Science Fiction, especially Other Voices)
• Irani, Anosh
• Koncan, Frances
• Leavitt, Sarah (Autobiographical comics; Formal experimentation in comics; Comics pedagogy)
• Lee, Nancy (Fiction; Creative Writing)
• Lyon, Annabel (Novels, stories and news)
• Maillard, Keith (Fiction, poetry)
• Marzano-Lesnevich, Alex (Nonfiction)
• McGowan, Sharon (Planning of film productions from concept to completion)
• Medved, Maureen (Fiction, writing for screen)
• Nicholson, Cecily (Languages and literature; Poetry)
• Ohlin, Alix (Fiction; Screenwriting; Environmental writing)
• Pohl-Weary, Emily (Fiction; Writing for Youth)
• Svendsen, Linda (Fiction, television)
• Taylor, Timothy (fiction and nonfiction)
• Vigna, John (Novels, stories and news; Fiction, Literary Non-Fiction, Creative Writing)

Related Programs

Same specialization.

• Master of Fine Arts in Creative Writing (Distance) (MFA)

Same Academic Unit

• Master of Fine Arts in Creative Writing and Theatre (MFA)
• Master of Fine Arts in Film Production and Creative Writing (MFA)

At the UBC Okanagan Campus

• Master of Fine Arts (MFA)

Further Information

Specialization.

Creative Writing combines the best of traditional workshop and leading-edge pedagogy. Literary cross-training offers opportunities in a broad range of genres including fiction, poetry, screenplay, podcasting, video game writing and graphic novel.

UBC Calendar

Program website, faculty overview, academic unit, program identifier, classification, social media channels, supervisor search.

Departments/Programs may update graduate degree program details through the Faculty & Staff portal. To update contact details for application inquiries, please use this form .

Brandi Bird

I only applied to UBC. I couldn’t justify upending my life with my partner and my cats for two years of schooling. I decided if I didn’t get in, I’d try again next year. But I was lucky! I just finished my undergraduate degree at UBC and so the familiarity of campus was and is comforting but the...

Fiona Revill

I have studied abroad in Australia, and at several local post-secondary institutions, but UBC has always felt like my academic home. The Creative Writing program is one of the best programs in the country, and I was really honoured to be accepted, as the competition is rigorous.

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Online MFA in Creative Writing Master of Fine Arts

Earn an MFA in Creative Writing Online

• $637/credit (48 credits total)
• Transfer up to 12 graduate credits
• 100% online – no residency required
• Four fiction genres to choose from
• Career-focused certificate included
• No application fee or GRE/GMAT scores required

Online MFA in Creative Writing Program Overview

Share your story with the world and let the power of storytelling take your career to new heights with an online Master of Fine Arts (MFA) in Creative Writing . As one of the only programs available that encourages a focus on genre fiction, our online MFA lets you hone your craft in an area specific to your strengths and interests. You'll also learn about the business side of creative writing, preparing you to market your work in the real world.

While most MFA programs require a residency, Southern New Hampshire University's online MFA in Creative Writing can be completed entirely online, with no travel necessary.

“Traditional MFA programs, whether full-time or low residency, are out of reach for many writers,” said Paul Witcover , associate dean of creative writing. “The SNHU online MFA was designed to make the MFA experience accessible to all fiction writers, opening the door to diverse voices excluded for too long from the literary conversation. Our program is dedicated to giving writers the tools to succeed on the page and beyond it.”

Graduates leave the program with a completed and revised novel in one of our four offered genres: Contemporary, Young Adult, Romance and Speculative. With the included certificates in either online teaching of writing or professional writing , you'll have the skills to support your writing career, no matter where it takes you.

.st0{fill:#21386D;} What You'll Learn

• The business and technical sides of professional writing
• How to navigate the publishing ecosystem, identify agents and editors, and market your work to appeal to decision-makers
• Using social media to gain a following and build your brand
• How to teach writing in a classroom setting

.cls-1 { fill: #21386d; } How You'll Learn

At SNHU, you'll get support from day 1 to graduation and beyond. And with no set class times, 24/7 access to the online classroom and helpful learning resources along the way, you'll have everything you need to reach your goals.

The Value of an Online MFA

Emily Jones ’20 embraced a transformational experience through the online MFA in Creative Writing program, which supported her in taking her writing career to the next level. “I can now say, without even a hint of imposter syndrome, that I am a writer,” said Jones. “And that is because of Southern New Hampshire University.”

Career Outlook

According to the U.S. Bureau of Labor Statistics, writers and authors made a median annual salary of $69,510 in 2021, while editors made $63,350. 1

“Our mission is to give students a degree and associated practical skills they can use to forge successful pathways in academia, business, or by blazing their own career trail,” said Paul Witcover , associate dean of creative writing.

Earning one of the included certificates in online teaching of writing or professional writing will also be an invaluable addition to your resume for part-time, full-time and freelance jobs in a variety of fields, including:

• Higher education. Instruct writing courses in higher education settings. In 2021, postsecondary teachers made a median annual wage of $79,640, and you can expect to see a 12% growth in available positions through 2031, according to the BLS. 1
• Advertising. Use your storytelling skills in a way that influences consumer action. As a copywriter, you could find yourself doing any number of writing projects from crafting emails and ads to writing entire commercials.
• Marketing. If you're more comfortable with long-form prose, many businesses have invested in content writers who create quality content such as blog posts, ebooks and podcasts to attract and retain customers.
• Entertainment. Good at building suspense or setting up punchlines? From movies and plays to comedy and podcasts, being a good storyteller and writer is important to finding success in the entertainment industry.
• History. Every person's life has a plot, but it takes writers like you to tell their stories in a compelling way. Help readers relive the experiences of historic figures and pop culture icons as a biographer.

Higher Education

Instruct writing courses in higher education at a college or university, either in-person or online.

Advertising

Influence consumer action through copywriting, from print ads to digital advertising and broadcast commercials.

Create written content such as blog posts, ebooks and podcasts to attract and retain customers.

Entertainment

From movies and plays to comedy and podcasts, writers often find success in the entertainment industry.

The U.S. Bureau of Labor Statistics (BLS) predicts favorable job growth in postsecondary education. And while statistics are not available for all job settings mentioned above, the BLS reports the following:

.cls-1 { fill: #21386d; } Job Growth

The BLS predicts an 8% growth in available postsecondary teaching positions through 2032. 1

.cls-1 { fill: #21386d; } Potential Salary

Writers and authors made a median annual salary of $73,150 in 2022, while editors made $73,080 and postsecondary teachers made $80,840. 1

Understanding the Numbers When reviewing job growth and salary information, it’s important to remember that actual numbers can vary due to many different factors — like years of experience in the role, industry of employment, geographic location, worker skill and economic conditions. Cited projections do not guarantee actual salary or job growth.

Start Your Journey Toward an Online MFA in Creative Writing

If you're looking to earn your Master of Fine Arts online, you've found the right program. Even though there are no residency requirements, you'll still interact frequently with other students and faculty members in asynchronous discussions, critique workshops and within our online writer’s community, where students come together to share industry news, extend writing tips and develop critique partnerships.

"I liked MFA-514 (Advanced Studies in Genre Literature) best," said student Jamilla Geter . "It was a great look into the different genres. It really helped me narrow down what genre I wanted to write in."

"Though it was not writing exactly, its connection to it – especially in our digital world – was made clear almost immediately," she said. "Writing is not just providing content of value to your readers, but also creating avenues of access so those readers can find your content. This course helped me to understand that and to learn how I can create those avenues."

Besides allowing you to focus on your own creative interests, part of our 48-credit online MFA curriculum requires you to choose from 2 certificate offerings designed to round out your education and better prepare you for a multitude of writing-related careers.

The first choice is a Graduate Certificate in Online Teaching of Writing , which is tailored to those who see themselves teaching in an online classroom setting as a supplement to their writing careers. Students practice approaches to editing and coaching, learning how to establish a virtual instructor presence and cultivate methods for supporting and engaging students within online writing communities.

Learn more about the online teaching of writing graduate certificate .

Students can also choose the Graduate Certificate in Professional Writing , which highlights the technical and business opportunities available to writers. Students will develop a range of skills, such as copywriting, social media, marketing principles and/or content generation, learning many of the freelancing skills integral to today’s project-driven economy.

Learn more about the professional writing graduate certificate .

All of our courses are taught by accomplished authors and industry professionals who know both the craft and business of creative writing. They will work closely with you to develop both your creative and professional skill set.

"All instructors within my program were extremely knowledgeable and helpful," Warden said. "I learned a lot about the different career paths my instructors chose. ... The course instruction, along with their anecdotal experiences, helped in offering knowledge in different areas of our field.

MFA Program Thesis

The thesis for the Online MFA in Creative Writing is required to be a novel of at least 50,000 words in one of the four genres the program offers: Contemporary, Young Adult, Romance, and Speculative.

Every Southern New Hampshire University online MFA student who graduates from the program will do so with a revised novel manuscript in their chosen genre, which is completed in a three-course thesis series. Throughout your tenure in the program, you can either work on a singular idea that you will develop during the three thesis courses, or you can begin a new project for your thesis. You can also combine elements of the four genres offered in the program for your thesis. For example, your thesis might be a YA Speculative Fiction novel.

"My three thesis classes for the MFA degree were the most helpful," said Kathleen Harris '21 . "I was actually writing a book as my thesis, so it was both enjoyable and advantageous for the degree. And it was the end of a very long milestone of accomplishments."

Minimum Hardware Requirements Component Type   PC (Windows OS)   Apple (Mac OS)   Operating System  Currently supported operating system from Microsoft.   Currently supported operating system from Apple.  Memory (RAM)  8GB or higher  8GB or higher  Hard Drive  100GB or higher  100GB or higher  Antivirus Software  Required for campus students. Strongly recommended for online students.  Required for campus students. Strongly recommended for online students.  SNHU Purchase Programs  Visit Dell   Visit Apple   Internet/ Bandwidth  5 Mbps Download, 1 Mbps Upload and less than 100 ms Latency  5 Mbps Download, 1 Mbps Upload and less than 100 ms Latency  Notes:   Laptop or desktop?   Whichever you choose depends on your personal preference and work style, though laptops tend to offer more flexibility.  Note:   Chromebooks (Chrome OS) and iPads (iOS) do not meet the minimum requirements for coursework at SNHU. These offer limited functionality and do not work with some course technologies. They are not acceptable as the only device you use for coursework. While these devices are convenient and may be used for some course functions, they cannot be your primary device. SNHU does, however, have an affordable laptop option that it recommends: Dell Latitude 3301 with Windows 10.  Office 365 Pro Plus  is available free of charge to all SNHU students and faculty. The Office suite will remain free while you are a student at SNHU. Upon graduation you may convert to a paid subscription if you wish. Terms subject to change at Microsoft's discretion. Review system requirements for  Microsoft 365 plans  for business, education and government.  Antivirus software:  Check with your ISP as they may offer antivirus software free of charge to subscribers.  if (typeof accordionGroup === "undefined") { window.accordionGroup = new accordion(); } accordionGroup.init(document.getElementById('f756dce5bd874c61855f6f6e92d88470')); University Accreditation

Tuition & Fees

Tuition rates for SNHU's online degree programs are among the lowest in the nation. We offer a 25% tuition discount for U.S. service members, both full and part time, and the spouses of those on active duty.

Tuition rates are subject to change and are reviewed annually. *Note: students receiving this rate are not eligible for additional discounts.

Additional Costs: Course Materials ($ varies by course). Foundational courses may be required based on your undergraduate course history, which may result in additional cost.

Frequently Asked Questions

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Related programs.

Creative Writing

Why creative writing.

The Power of Storytelling

Humans are natural storytellers; writing is how we discover ourselves, make sense of the world around us, and describe our place and the place of others within it. Each day brings us news of about cultural change, climate crisis, global pandemics, anti-black racism and protests, food insecurity, and so much more. Our professors understand the importance of telling these stories because they know that the written word can save the world, one story at a time.

Writing Starts With You

As you hone the skills needed to become an effective writer, you’ll also discover more about yourself and your personal identity. You will begin to ask questions, such as:

• What do I care about?
• Where is my place in the world?
• Where do I want to go?
• What is most important to me?

What You Will Learn

Think of every great movie, film, book, or play; they all have one thing in common - they started as an idea or script on a page.

In this program, you will learn how to construct stories, build characters, and create emotional connections with your readers that will leave a lasting impression.

You will complete writing assignments and exercises, short creative pieces, and peer critiques across three writing genres, including fiction, poetry, screenwriting, and creative nonfiction.

You will build upon this by engaging with our creative writing community through initiatives, such as:

• Gryphons Read - Canadian writers-in-residence
• Walls to Bridges program - Writing stories alongside inmates at correctional facilities

What You Will Do

As a graduate of this program, you will have strong skills in writing, communication, critical analysis, research, social awareness, empathy and imaginative problem-solving, skills that you can apply successfully in careers like journalism, education, brand management, book publishing, copywriting, reporting, and more. 

Students in the Creative Writing program may also be interested in studying English , History , Psychology , Music and Studio Art , other majors .

To see all courses offered in this degree, visit our 2023-2024 Academic Calendar .

Learn How to Tell Your Story

  write to change the world.

You will be inspired to write about big ideas and confront big issues; from social justice to environmental issues; you will unlock the power of words and use your voice to change the future.

  Join World Renowned Creative Writers

Meet our in-house professors:

• Lawrence Hill (The Book of Negroes)
• Catherine Bush (Blaze Island)
• Judith Thompson (Watching Glory Die)

They are nationally and globally recognized creative writers, playwrights, directors, and screenwriters, with decades of experience.

  Develop Your Own Portfolio of Work

Your in-class assignments will help you build expertise in two of your preferred creative writing genres. Use these experiences to complete a polished creative portfolio that you can use for graduate program admission or to start your career.

Hear From A Creative Writing Student

Studying creative writing at the University of Guelph taught me the importance of storytelling, and bearing witness to the stories of others. I learned how to craft my own experiences and present them persuasively, write with intention, and build a world with my words. These are skills I carry with me everywhere I go.

Laila El Mugammar Creative Writing Read Laila's story

Admission Requirements

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Are you ready to Improve Life?

Creative Writing Program Marks Three Decades of Growth, Diversity

By Luisa A. Igloria

2024: a milestone year which marks the 30 th  anniversary of Old Dominion University’s MFA Creative Writing Program. Its origins can be said to go back to April 1978, when the English Department’s (now Professor Emeritus, retired) Phil Raisor organized the first “Poetry Jam,” in collaboration with Pulitzer prize-winning poet W.D. Snodgrass (then a visiting poet at ODU). Raisor describes this period as “ a heady time .” Not many realize that from 1978 to 1994, ODU was also the home of AWP (the Association of Writers and Writing Programs) until it moved to George Mason University in Fairfax, Virginia.

The two-day celebration that was “Poetry Jam” has evolved into the annual ODU Literary Festival, a week-long affair at the beginning of October bringing writers of local, national, and international reputation to campus. The ODU Literary Festival is among the longest continuously running literary festivals nationwide. It has featured Rita Dove, Maxine Hong Kingston, Susan Sontag, Edward Albee, John McPhee, Tim O’Brien, Joy Harjo, Dorothy Allison, Billy Collins, Naomi Shihab Nye, Sabina Murray, Jane Hirshfield, Brian Turner, S.A. Cosby, Nicole Sealey, Franny Choi, Ross Gay, Adrian Matejka, Aimee Nezhukumatathil, Ilya Kaminsky, Marcelo Hernandez Castillo, Jose Olivarez, and Ocean Vuong, among a roster of other luminaries. MFA alumni who have gone on to publish books have also regularly been invited to read.

From an initial cohort of 12 students and three creative writing professors, ODU’s MFA Creative Writing Program has grown to anywhere between 25 to 33 talented students per year. Currently they work with a five-member core faculty (Kent Wascom, John McManus, and Jane Alberdeston in fiction; and Luisa A. Igloria and Marianne L. Chan in poetry). Award-winning writers who made up part of original teaching faculty along with Raisor (but are now also either retired or relocated) are legends in their own right—Toi Derricotte, Tony Ardizzone, Janet Peery, Scott Cairns, Sheri Reynolds, Tim Seibles, and Michael Pearson. Other faculty that ODU’s MFA Creative Writing Program was privileged to briefly have in its ranks include Molly McCully Brown and Benjamín Naka-Hasebe Kingsley.

"What we’ve also found to be consistently true is how collegial this program is — with a lively and supportive cohort, and friendships that last beyond time spent here." — Luisa A. Igloria, Louis I. Jaffe Endowed Professor & University Professor of English and Creative Writing at Old Dominion University

Our student body is diverse — from all over the country as well as from closer by. Over the last ten years, we’ve also seen an increase in the number of international students who are drawn to what our program has to offer: an exciting three-year curriculum of workshops, literature, literary publishing, and critical studies; as well as opportunities to teach in the classroom, tutor in the University’s Writing Center, coordinate the student reading series and the Writers in Community outreach program, and produce the student-led literary journal  Barely South Review . The third year gives our students more time to immerse themselves in the completion of a book-ready creative thesis. And our students’ successes have been nothing but amazing. They’ve published with some of the best (many while still in the program), won important prizes, moved into tenured academic positions, and been published in global languages. What we’ve also found to be consistently true is how collegial this program is — with a lively and supportive cohort, and friendships that last beyond time spent here.

Our themed studio workshops are now offered as hybrid/cross genre experiences. My colleagues teach workshops in horror, speculative and experimental fiction, poetry of place, poetry and the archive — these give our students so many more options for honing their skills. And we continue to explore ways to collaborate with other programs and units of the university. One of my cornerstone projects during my term as 20 th  Poet Laureate of the Commonwealth was the creation of a Virginia Poets Database, which is not only supported by the University through the Perry Library’s Digital Commons, but also by the MFA Program in the form of an assistantship for one of our students. With the awareness of ODU’s new integration with Eastern Virginia Medical School (EVMS) and its impact on other programs, I was inspired to design and pilot a new 700-level seminar on “Writing the Body Fantastic: Exploring Metaphors of Human Corporeality.” In the fall of 2024, I look forward to a themed graduate workshop on “Writing (in) the Anthropocene,” where my students and I will explore the subject of climate precarity and how we can respond in our own work.

Even as the University and wider community go through shifts and change through time, the MFA program has grown with resilience and grace. Once, during the six years (2009-15) that I directed the MFA Program, a State Council of Higher Education for Virginia (SCHEV) university-wide review amended the guidelines for what kind of graduate student would be allowed to teach classes (only those who had  already  earned 18 or more graduate credits). Thus, two of our first-year MFA students at that time had to be given another assignment for their Teaching Assistantships. I thought of  AWP’s hallmarks of an effective MFA program , which lists the provision of editorial and publishing experience to its students through an affiliated magazine or press — and immediately sought department and upper administration support for creating a literary journal. This is what led to the creation of our biannual  Barely South Review  in 2009.

In 2010,  HuffPost  and  Poets & Writers  listed us among “ The Top 25 Underrated Creative Writing MFA Programs ” (better underrated than overrated, right?) — and while our MFA Creative Writing Program might be smaller than others, we do grow good writers here. When I joined the faculty in 1998, I was excited by the high caliber of both faculty and students. Twenty-five years later, I remain just as if not more excited, and look forward to all the that awaits us in our continued growth.

This essay was originally published in the Spring 2024 edition of Barely South Review , ODU’s student-led literary journal. The University’s growing MFA in Creative Writing program connects students with a seven-member creative writing faculty in fiction, poetry, and nonfiction.

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