literary analysis essay brave new world

Brave New World

Introduction to brave new world.

Aldous Huxley ’s dystopic novel , Brave New World , was published in 1932. It became an instant hit for the way it presented the futuristic world as amazing and stunning at that time when WWII was still not on the horizon and the people were technologically not as advanced as presented in this novel. On account of the ingenious presentation of that social fabric, the novel was ranked as the best English novel of the century. Huxley wrote sequels in essay form Brave New World Revisited (1958), and with his final novel, Island (1962). The story revolves around the World State where people have been put into hierarchical order after they come out of hatcheries and are graded on the basis of their functions and performance duly monitoring and surveilled.

Summary of Brave New World

The story starts from the Hatching and Conditioning Centre, located in London where its director and assistants are lecturing the touring boys. They learn about processes Bokanovsky and Podsnap used for creating identical human beings through the embryonic processes in which different human beings are produced in factories into separate castes of Alpha and Beta at the top. The Alpha takes up the higher positions in the World States and other positions go to other castes in hierarchical order. The last race, the Epsilons, are occupying the final stage at the bottom of the hierarchy for doing labor. One of the employees also informs the boys about the vaccination procedure. From there, they visit the Nursery and see the programming of the infants through different techniques. Such as the use of ‘Soma’ drugs to escape unpleasant experiences.

When the students come into the open, they see games and sexual acts where a World Controller, Mustapha Mond, delivers a lecture to the touring students about history, the State’s narrative , and the nation’s ideology. Simultaneously, Lenina talks to Fanny about her intimacy with Henry Foster at which Fanny rebukes her for becoming too intimate and not being promiscuous. However, Lenina also informs her that she has already met Bernard Marx, a short and funny-looking guy for an Alpha caste and different than his peers.

Meanwhile, Bernard becomes furious about Lenina’s mention in the conversation of Henry and one of the assistants. Engaged in work, Lenina then informs Bernard that she would be gladdened to have the trip to the Savage Reservation. Meanwhile, Bernard meets his friend, Helmholtz Watson, for having disenchanted from the World Estate on account of their shortcomings. When Bernard applies for permission to visit the reservation, he has to go through the rigors of listening to the director’s tales before winning it. The director becomes nostalgic by mentioning his own trip to Reservation twenty years ago with a woman who was never to be recovered. He also learns about his exile and reviles at it but then moves to the reservation.

When he is on the reservation, he and Lenina are surprised to see its aging population contrary to the youth of the World State. They also watch religious rituals going on and they meet John, who narrates the story of Linda, his mother having met years back. Bernard senses Linda associated with his director in the past and learns about her ostracization from the village because of her willingness to sleep with various men and her book reading habit developed by Pope, her former lover. When Bernard agrees to take John to his world, he also asks him to take Linda with him.

Then Bernard promises him and asks Mustapha for permission to take Linda back. All of them fly back to London where the Director is waiting to confront Bernard, but he brings John and Linda instead and forces the Director to resign. So, John becomes a big hit in the society of London on account of his alienated look. However, he does not fit well in this world and with Lenina. Although Bernard becomes promiscuous, John hardly touches Lenina who becomes confused over his self-control and tries to seduce him on many occasions but fails. Despite Bernard’s insistence, John stays reclusive and refuses to meet important guests. Bernard, then, introduces him to Helmholtz and others and ridicules the reading of Romeo and Juliet by John for these ideas being foreign to the World State and its existing cultural milieu.

Lenina soon takes to John, visiting his apartment and taking soma. She confesses her feelings for him and he reciprocates. Hearing this she offers herself to him but ridiculed by the promiscuity of the World state he curses by using the lines from Shakespeare. However, John rebuffs her every effort. During this time, he comes to know about the death of Linda while Lenina was in the bathroom. He, later, says goodbye to her at the Hospital for the Dying. John is left to meet the clones having their soma ration. He tries to raise a rebellion among them but only causes riots which attract the attention of Helmholtz and Bernard.

However, the police arrive and arrest them all to bring them to Mustapha Mond. There they hold a debate on the policies, leading to John argue his cause and Mond responding to his arguments . While John argues in the favor of art and religion, Mond rejects his claims , adding these are useless things. Soon he exiles Helmholtz and throws Bernard out, threatening to reassign him to Iceland. Meanwhile, John says goodbye to them and stays far away in an abandoned lighthouse to purify himself by starving and flagellating. This catches the attention of a photographer leading many sight viewers to visit John. Meanwhile, Lenina arrives at which John calls her ‘strumpet’ and whipping her and himself. He cries out at her ‘Kill it, kill it’. The intensity of emotion leads the crowd to engage a party in which John participates. At the final realization, he commits suicide for submitting to the World State after that.

Major Themes in Brave New World

• Commodification: The novel shows the commodification of life in that human beings are being hatched, brought up, taught, and eliminated as if they are commodities. When the touring students come to know about hatcheries, they also learn how they are run. Thomas is monitoring Hatcheries and Conditioning Centers where Marx and Foster have been born to lead others. Crowne and Linda, too, show commodified human beings. When John visits the World State, he comes to know the application of this commodification by the upper class to keep on ruling the lower class. The purpose of commodification has been shared by Bokanvosky’s process in which it has been ensured that the new generation conforms to the social structure they are going to live in.
• Dystopian Society: The novel presents a dystopian society where human beings have lost not only their freedom but also their independence. Emotionless, they are being marked in the D.H.C. assembly line. Even if they have some common sense , they keep it to themselves such as Thomas and Marx. Human natural conditioning and mental preparation have also created a dystopia where human beings have become subservient to machines and mechanical behavior. That is why Lenina fails in hooking John who questions this very culture of the World State.
• Utilitarianism: The novel shows utilitarianism through the efforts of Big Brother to establish the Hatcheries for human production as well as conditioning. The savage, John, who visits the World State, comes to know this mechanical routine and detests it. He thinks that Soma food does not fit human beings. Instead of appreciating, he rather berates it and debates it with Mustapha. However, John preaches that though this system utilizes human beings, it is not akin to nature such as taking soma to experience human emotions is unnatural. Lenina’s engagement in promiscuity and her suicide points to the absence of this natural element she could not brook.
• Misuse of Science: brave new world shows the thematic strand of the misuse of science in that human engineering through hatching and conditioning has created desired characters. However, they do not conform to the new ethical framework of the World State. The director briefs the student about the paid voluntary work and conditioning of the Alpha males. The characters of Helmholtz and Bernard Marx have been conditioned, yet they are independent in their thinking most of the time. When Marx does not conform to the standards set by the World State, he is exiled. Similarly, hypnopedia for children and soma food point to this misuse of science.
• Dehumanization: The novel presents the dehumanization of its characters through different strategies adopted by the political elite. Human engineering and scientific techniques have successfully changed the behavior of some characters, yet humanity emerges from Lenina who does not find peace or Helmholtz and Marx who do not conform to the existing rules. Although soma has done its job well, yet the use of Bokanvosky’s process has, to some extent, makes dehumanization possible.
• Consumer Society: The theme of consumerism is significant in the novel in that human beings in the World State are primarily consumers who are fed with specific conditioning and specific food, soma, in order for them to conform to the social fabric created by the World State. That is why John does not become its consumer and shows other characters independence of thinking beyond marketing mechanism.
• Human Emotions: The novel sheds light on human emotions that though they could be engineered, robbed, taken away, and even subverted, yet human beings have the capability to feel empathy, sympathy and realize the dearth of these emotions. That is why when Lenina does not feel soma resolving her problems, she commits suicide and Bernard Marx has shown his desire to control his emotions.
• Genetic Engineering: The production line of the Hatchery and Conditioning center shows that the genetic engineering of humanity and its threat to the natural life cycle is not a figment of imagination. The creation of Alpha males or even the best human beings as argued by Mustapha does not seem a far-fetched idea. The subversion of the thoughts of Lenina and Bernard Marx and the surprising arguments of John show that humanity is facing this threat now .
• New Totalitarianism: The theme of new totalitarianism is significant. It is seen through characters like Mustapha Mond or Bernard Marx, as they are being controlled by the center. The World State has produced a culture where individuals have lost their individuality. Thomas views this as an “inescapable social identity” of every individual that conforms to the social structure engineered by the World State.

Major Characters Brave New World

• Bernard Marx: Bernard Marx is one of the protagonists along with John as they meet during the trip of the students to the hatchery. His special task is to teach sleep learning. Belonging to Alpha plus class has blessed him to think independently, a feature that makes him unfit for the World State society. It is, however, attributed to his stunted growth due to alcohol addiction. His mental independence has given him a feature that makes him empathetic toward others. Most of his character traits show that his condition is not executed properly and that his indifference lies in this. That is why he does not enjoy taking soma and feels a grudge against Lenina for enjoying her life. He leaves the World State by the end after his meeting with Helmholtz as he does not seem to fit into the society where his life constantly faces threats.
• John the Savage: Despite his supposed savageness, John is an important character in the novel. He was brought up on the Savage Reservation where he has learned sympathy and empathy, his two manly traits. Despite his otherness in the World State, he seems supposedly unethical except when he comes to know about Malpais. He could not understand the promiscuity of his mother and the enjoyment of the Malpasian males. His poetic rendering stays with him despite his tour of the World State and giving priority to freedom and not reconciling with existing contradictions, he ends his life.
• Helmholtz Watson: The character of Helmholtz Watson is equally important when starts to involve in the building of a new culture through engaging himself in emotional engineering. Befriending Bernard Marx has given him a point to vie for his attractiveness and intelligence despite his efforts to rationalize his dislike for him. Surprisingly, he loves poetry and lashes out at the wrong cultural engineering at the World State policy though he has been brought upon in a culture different from that of John the Savage. When he helps John to throw away soma by the end, he is exiled from the World State, considering his assistance an act of rebellion.
• Lenina Crowne: A teenager of just 19, Lenina Crowne is a female character of the novel who is working in the hatchery as a technician. Despite her being a lucky figure in the World State, she is promiscuous and becomes easy-going with almost everyone. Being in a relationship with Henry Foster does not impact her. She often uses soma to support her emotional state and goes to the reservation to enjoy life with Marx. When John spurns her advances by the end, she disappears from the novel.
• Mustapha Mond: As the controller in the country, Mond presides over the administration of one zone to consolidate the reins of the government. He controls the people about their do’s and don’ts in this connection and knows what to put on the pedestal of sacrifice for the greater good of the state. Although he is a physicist, he loves to please the public by proving that history is just a bunk and nothing else. He has evolved his own concepts about different social and individual values and finally lets John go to his mother by the end of the novel.
• Henry Foster: As an Alpha male, Foster musters the courage to flirt with Lenina, though, he quits immediately sensing his own future going to dogs. His casual behavior angers Bernard who warns him after which he moves on with the conventions, not showing his waywardness.
• Linda: Belonging to Beta-minus class, Linda is another significant female character who has a savage son, has brought upon on the reservations, yet she works in the Fertilizing Room. Having become a prostitute, Linda shows her other side that she cannot tolerate the type of life. Not able to bear it anymore, she takes too much soma to take her life.
• Thomas: Working as a D. H. C., Thomas is well-known in his circle as Tomakin and only appears in the initial chapters of the story. He briefs the students about the working of the hatchery and its role in the World State. Having a pedantic persona , Tomakin keeps a close watch on rebellious people like Bernard to whom he dispatches to Iceland as punishment. He resigns after Bernard confronts him about John to whom he fathered on the Reservation.
• Fanny Crowne: A friend of Lenina, Fanny presents herself as a typical lady in the World State. She is not her relative, yet she has a strong impact on Lenina in ruining her life by asking her to become promiscuous. Despite her own conditioning, she advises others to go wayward which is rather a surprising thing about her.
• Benito Hoover: A minor character, Hoover loves Lenina despite belonging to the Alpha class in the state. His name signifies two great dictators of the WWII era.

Writing Style of Brave New World

The writing style of Brave New World is known for highly detailed and technologically loaded diction . The characters are conditioned to live in that technologically modified world where the use of emotions is considered an abomination. The overall ironic style is called a mocking style in which the most vital information is held to be disclosed quite late in the text. It happens not only in the case of Bernard but also in Lenina. However, in terms of language, Huxley is highly precise to the point of clinical accuracy. He knows how to use diction appropriately to convey suitable meanings. For figurative language and literary devices , the author mostly turned toward metaphors , similes, irony , and sarcasm .

Analysis of the Literary Devices in Brave New World

• Action: The main action of the novel comprises the whole life and growth of the political landscape of the World State as shown through Mustapha Mond, John, Bernard, and Lenina. The falling action occurs John could not brook the situation, isolates himself, and engages in punishing himself. The rising action moment of the novel arrives when Marx and Lenina visit the Savage Reservation and meets John.
• Anaphora : The novel shows examples of anaphora such as, i. We slacken off the circulation when they’re right way up, so that they’re half starved, and double the flow of surrogate when they’re upside down. They learn to associate topsy-turvydom with well-being; in fact, they’re only truly happy when they’re standing on their heads. (Chapter-One) The example shows the repetitious use of “they’re.”
• Alliteration : brave new world shows the use of alliteration at several places as the examples given below, i. Government’s an affair of sitting, not hitting. You rule with the brains and the buttocks, never with the fists. For example, there was the conscription of consumption. (Chapter-3) ii. “As though I’d been saying something shocking,” thought Lenina. “He couldn’t look more upset if I’d made a dirty joke–asked him who his mother was, or something like that.” (Chapter-4) iii. But though the separating screen of the sky-signs had now to a great extent dissolved, the two young people still retained their happy ignorance of the night . (Chapter-5) Both of these examples from the novel show the use of consonant sounds such as the sound of /s/ occurring after an interval to make the prose melodious and rhythmic.
• Allusion : The novel shows good use of different allusions as given in the below examples, i. “Well, Lenina,” said Mr. Foster, when at last she withdrew the syringe and straightened herself up. (Chapter-I) ii. “O wonder!” he was saying; and his eyes shone, his face was brightly flushed. “How many goodly creatures are there here! How beauteous mankind is!” (Chapter-8) iii. He hated Popé more and more. A man can smile and smile and be a villain. Remorseless, treacherous, lecherous, kindless villain. What did the words exactly mean? (Chapter-8) iv. Did he dare? Dare to profane with his unworthiest hand that … No, he didn’t. The bird was too dangerous. His hand dropped back. How beautiful she was! How beautiful! (Chapter-9) The first example shows the reference to Lenin, the second to The Tempest by Shakespeare and the third to Hamlet , and the fourth to Romeo and Juliet both by Shakespeare.
• Antagonist : Mustapha Mond is the antagonist of the novel as he appears to have tried his best to spread the domination of the World State by working as the Controller.
• Conflict : The novel shows both external and internal conflicts. The external conflict is going on between John who has been bred up in the natural world and other characters who have been conditioned. There is also an internal conflict in the mind of Lenina who could not brook this controlling atmosphere .
• Characters: The novel shows both static as well as dynamic characters. The young boy, John, is a dynamic character as he shows a considerable transformation in his behavior and conduct by the end of the novel. However, all other characters are static as they do not show or witness any transformation such as Mustapha Mond, Bernard Marx, and Helmholtz Watson as well as Fanny.
• Climax : The climax in the novel occurs when Linda commits suicide and John vows to bring a revolution to change the system.
• Foreshadowing : The novel shows many instances of foreshadows. For example, i. A SQUAT grey building of only thirty-four stories. Over the main entrance the words, CENTRAL LONDON HATCHERY AND CONDITIONING CENTRE, and, in a shield, the World State’s motto , COMMUNITY , IDENTITY, STABILITY. (Chapter-1) ii. INFANT NURSERIES. NEO-PAVLOVIAN CONDITIONING ROOMS, announced the notice board. (Chapter-II) The mention of state, slogans, and nurseries show that this is some modern state set in the future. Therefore, this is an apt use of foreshadows.
• Hyperbole : The novel shows various examples of hyperboles such as, i. He was digging in his garden–digging, too, in his own mind, laboriously turning up the substance of his thought. Death–and he drove in his spade once, and again, and yet again. (Chapter-18) ii. The Savage nodded. “I ate civilization.” “What?” “It poisoned me; I was defiled. And then,” he added, in a lower tone , “I ate my own wickedness. (Chapter-18) Both examples exaggerate things as digging the mind and eating civilization are exaggerations .
• Imagery : brave new world shows the use of imagery . A few examples are given below, i. Hot tunnels alternated with cool tunnels. Coolness was wedded to discomfort in the form of hard X-rays. By the time they were decanted the embryos had a horror of cold. They were predestined to emigrate to the tropics, to be miner and acetate silk spinners and steel workers. Later on their minds would be made to endorse the judgment of their bodies. (Chapter-1) ii. There was a loud noise, and he woke with a start. A man was saying something to Linda, and Linda was laughing. She had pulled the blanket up to her chin, but the man pulled it down again. His hair was like two black ropes, and round his arm was a lovely silver bracelet with blue stones in it. (Chapter-8) iii. A moment later he was inside the room. He opened the green suit-case; and all at once he was breathing Lenina’s perfume, filling his lungs with her essential being. His heart beat wildly; for a moment he was almost faint. (Chapter-9) The above examples show images of feeling, sight, color, and sound.
• Metaphor : brave new world shows perfect use of various metaphors as given in the below examples, i. Two shrimp-brown children emerged from a neighbouring shrubbery, stared at them for a moment with large, astonished eyes, then returned to their amusements among the leaves. (Chapter-4) ii. Lenina did her best to stop the ears of her mind; but every now and then a phrase would insist on becoming audible. (Chapter-6) iii. The rock was like bleached bones in the moonlight. (Chapter-8) These examples show that several things have been compared directly in the novel as the first shows a comparison of children to fish, Lenina’s mind to a body, and rock to bones.
• Mood : The novel shows various moods; it starts with quite a dry and rocking mood and turns to be highly exciting at times and tragic when it reaches Linda’s suicide.
• Motif : Most important motifs of the novel, Brave New World, are sex, drugs, and consumerism.
• Narrator : The novel is narrated from the third-person point of view , which is the author himself.
• Personification : The novel shows examples of personifications such as, John began to understand. “Eternity was in our lips and eyes,” he murmured. (Chapter-11) ii. Pierced by every word that was spoken, the tight balloon of Bernard’s happy self-confidence was leaking from a thousand wounds. (Chapter-12) These examples show as if the eternity and balloon have feelings and lives of their own.
• Protagonist : Bernard Marx is the protagonist of the novel. The novel starts with his entry into the world and moves forward as he grows and transforms.
• Repetition : The novel shows the use of repetition as given in the below example, i. “ Silence , silence,” whispered a loud speaker as they stepped out at the fourteenth floor, and “Silence, silence,” the trumpet mouths indefatigably repeated at intervals down every corridor. The students and even the Director himself rose automatically to the tips of their toes. They were Alphas, of course, but even Alphas have been well conditioned. “Silence, silence.” All the air of the fourteenth floor was sibilant with the categorical imperative. (Chapter-2) This passage from the second chapter shows the repetition of “silence.”
• Setting : The setting of the novel is the dystopian future country of the World State showing events of 632AF.
• Simile : The novel shows good use of various similes as given in the below examples, i. The tropical sunshine lay like warm honey on the naked bodies of children tumbling promiscuously among the hibiscus blossom. (Chapter-4) ii. Like the vague torsos of fabulous athletes, huge fleshy clouds lolled on the blue air above their heads. (Chapter-4) iii. At Brentford the Television Corporation’s factory was like a small town. (Chapter-4) iv. Words can be like X-rays, if you use them properly–they’ll go through anything. (Chapter-4) These are similes as the use of the word “like” shows the comparison between different things. The first example shows sunshine compared to honey, the torsos of athletes to clouds, the factory to a town, and the words to X-rays.

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• Aldous Huxley

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Brave New World

By aldous huxley.

Aldous Huxley defies the typical dystopian narrative in 'Brave New World' by portraying a seemingly benign state, making it a unique and popular work of science fiction.

About the Book

Article written by Ebuka Igbokwe

Bachelor's degree from Nnamdi Azikiwe University.

‘ Brave New World ’ is set mostly in London in 2540CE, in a world where technology reigns, humans are manufactured in the lab and classified in a rigid caste system based on intelligence. It is Aldous Huxley’s fifth novel, published in 1932. Subjects treated in this dystopian novel include loss of individuality, social conditioning, and a technologically-controlled society.

Key Facts about Brave New World

• Title: ‘Brave New World ‘
• Published: 1932
• Literary Period: Modernism
• Genre: Dystopian Fiction
• Point of View: Third-Person
• Setting: most of the novel is set in London, 2540 CE
• Climax: The Savage and Mustapha Mond engage in a battle of opposing philosophical perspectives.

Aldous Huxley and Brave New World

Although it is Aldous Huxley’s fifth novel, ‘ Brave New World ’ is the first dystopian novel he wrote. In his other works, the author displays a keen sensitivity to social circumstances , and he often examines the conflict between the individual’s interests and social convention in satires. In this work, the author gives this examination the most exhaustive treatment of all his works.

Aldous Huxley was born in 1894 and witnessed the debilitating effects of the First World War, the technological and economic boom of the 1920s , and the crushing economic depression of the late 1920s. The upheavals of this period raised questions of what political orders one may expect to arise in the future.

With ‘ Brave New World ,’ Aldous Huxley countered a trend in imagining dystopias. While most dystopias are painted as oppressive and tyrannical, this work presents a seemingly benign state. Huxley so convincingly portrays this world that ‘ Brave New World ’ stands out as one of the most popular works of science fiction, and it is his most influential work.

Books Related to Brave New World

‘ The Sleeper Awakens ’ by H.G. Wells is a science fiction novel first published in 1899. The story follows the protagonist, Graham, who falls into a deep sleep in the late 19th century and awakens over two centuries later to a drastically transformed world. He discovers that he has become the de facto ruler of a dystopian society, ruled by an oppressive oligarchy, and he must grapple with the political intrigues in which he finds himself enmeshed. The novel explores themes of power, technology, and social inequality in a future that is both fascinating and nightmarish.

‘ The Handmaid’s Tale ’ by Margaret Atwood is a dystopian novel set in the near-future theocratic Republic of Gilead, where a theocratic regime has stripped away women’s rights and subjugated them to a system of reproductive servitude. The story follows Offred, a “handmaid” who is forced to bear children for the ruling class. The populace is under constant surveillance, among other strictures of an oppressive regime. Atwood’s novel is an exploration of gender, politics, and the dangers of extreme religious fundamentalism.

‘ 1984 ’ by George Orwell is a classic dystopian novel set in a totalitarian society under the oppressive rule of the Party and its leader, Big Brother. The story follows Winston Smith, a low-ranking Party member who becomes disillusioned with the regime’s thought control, surveillance, and historical manipulation. He embarks on a forbidden love affair and keeps a secret diary. However, Winston and his lover are exposed, and he is arrested and brainwashed to love Big Brother. The novel deals with the dangers of totalitarianism, propaganda, and the erosion of individual freedoms in a surveillance-dominated future.

‘ The Giver ’ by Lois Lowry. The protagonist Jonas is a twelve-year-old member of a society where children are chosen for their life tasks by a council of Elders. These roles are immutable and not to be questioned. Using genetic engineering, this society has eliminated pain and anxiety from the lives of the citizens, and in consequence, emotional depth as well. Jonas is picked for a special task which makes him different from everyone else, and the things he learns about his society raise disturbing questions about what is right or wrong in his world. Themes such as euthanasia, eugenics, and other moral questions of weight are explored in this novel.

‘ A Clockwork Orange ’ by Anthony Burgess is a dark and provocative novel set in a dystopian future, following the life of the delinquent and anti-hero, Alex. The story delves into the violent and morally turbulent world of Alex and his gang of “droogs,” as they commit acts of brutality and engage in ‘ultraviolence.’ However, Alex’s life takes a dramatic turn when he is arrested and subjected to a controversial psychological experiment that attempts to reform him but strips him of his free will. Burgess crafts a disturbing story that raises questions about the ethics of social engineering and personal choice.

The Lasting Impact of Brave New World

Aldous Huxley’s ‘ Brave New World ’ has had a profound and lasting impact on literature, science fiction, and our understanding of the potential consequences of rapid technological and social change. This dystopian masterpiece has left its mark on the literary world and beyond.

‘ Brave New World ’ stands as a seminal work within the science fiction genre. Huxley’s vision of a highly controlled, pleasure-driven society, where technology and government maintain order and suppress individuality, is a model example of dystopian literature. It has inspired countless subsequent authors and filmmakers to explore similar themes like the consequences of technological advancement , loss of personal freedom, and the manipulation of human nature.

The novel’s exploration of the dehumanizing effects of technology and consumer culture remains incredibly relevant in the 21st century. With the rise of social media and the developments in artificial intelligence and biotechnology, the questions raised by Huxley about the erosion of individuality, the impact of instant gratification, and the loss of privacy have gained even greater significance. As we navigate the complexities of a digital age, the story of ‘ Brave New World ’ stands as a canary in the mine before us, urging us to consider the ethical and societal implications of unchecked technological progress.

Moreover, the novel is a philosophical reflection on the nature of and relationship between happiness and freedom. Huxley’s World State offers a seductive vision of a society where suffering and conflict have been eliminated but at the cost of genuine human experience and individual choice. This tension between happiness and freedom continues when considering the trade-offs involved in modern life, as individuals balance convenience and comfort against personal autonomy and the quest for meaning in life.

In addition to its impact on literature and philosophical thought, ‘ Brave New World ’ has also influenced popular culture. Phrases like “soma,” the fictional drug used to pacify the population in the novel, have entered the lexicon as symbols of escapism and complacency. References to Huxley’s work can be found in music, films, and even political discourse, reflecting its enduring relevance. Also, a TV series based on the novel was released in 2020.

Brave New World Review ⭐️

Aldous Huxley skillfully blends social critique with philosophical inquiries on the cost of sacrificing individuality for stability and technological advancement.

Brave New World Quotes 💬

These quotes serve as a commentary on the essence of Huxley’s dystopian society, exploring the cost of sacrificing individual freedom and genuine human experience for societal control and technological progress.

Brave New World Historical Context 📖

Inspired by the tumultuous political events of the early 20th century, Aldous Huxley explored future political orders in his influential dystopian fiction.

Brave New World Character List 📖

Diverse characters populate a meticulously controlled society and become symbols of the dystopian narrative’s clash between individuality and conditioned conformity.

Brave New World Themes and Analysis 📖

‘Brave New World’ explores the perils of technological advancement, the consequences of sacrificing individuality for societal stability, and the ethical dilemmas of manipulating human nature.

Brave New World Summary 📖

The protagonist Bernard rebels against his conditioned conformity in a dystopian society of genetically engineered humans controlled by pleasure-driven distractions.

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Brave New World

By aldous huxley, brave new world study guide.

Aldous Huxley 's Brave New World , published in 1932, is a dystopian novel set six hundred years in the future. The novel envisions a world that, in its quest for social stability and peace, has created a society devoid of emotion, love, beauty, and true relationships.

Huxley's novel is chiefly a critique of the socialist policies that states had begun to advocate in the early twentieth century. Huxley, by 1932, had observed the increasing tendency of Western government to intrude upon people's lives. This intrusion, he believed, limited the expression of freedom and beauty that is integral to the human character. Through Brave New World and his other writings, he suggested that beauty is a result of pain and that society's desire to eliminate pain limits society's ability to thrive culturally and emotionally. Many readers initially found this difficult to accept, living as they did in the aftermath of World War I, when a lack of societal control had caused a war that inflicted great pain and death on an entire continent.

The novel also comments on humanity's indiscriminate belief in progress and science. Huxley had himself desired a scientific career before the near blindness that he suffered during childhood kept him from such pursuits. The Western world, Huxley believed, placed too much emphasis on scientific progress at the expense of a love for beauty and art. His novel attempts to show how such science, when taken too far, can limit the flourishing of human thought. In World War I, humanity had seen the great destruction that technology such as bombs, planes, and machine guns could cause. Huxley believed that the possibility for such destruction did not only belong to weapons of war but to other scientific advancements as well.

The reaction of society to the book ranged from acclaim to outrage. H.G. Wells, a famous writer of science fiction and dystopian literature, panned the book as alarmist. Other critics challenged Huxley's depictions of religion and ritual as well as his views of sexuality and drug use. The novel's stark depictions of sexuality and cruelty meant that it continues to incite controversy over whether or not it is an appropriate book for all ages and audiences. Nevertheless, as a social critique, Brave New World takes credit with Orwell's 1984 for advancing a new genre of literature that fuses science fiction, political allegory, and literary ambition.

Brave New World Questions and Answers

The Question and Answer section for Brave New World is a great resource to ask questions, find answers, and discuss the novel.

What is the purpose of depriving some embryos of adequate oxygen?

The world controller conditions the embryos so that the resulting children will fit into a desired category of people. Alphas are given more oxygen so that they develop into the intellectual and physical, except for Bernard, elite. People like...

chap 1 Explain the fertilization process used in Brave New World. How does the hatching and conditioning centre acquire the necessary ovum and spermatozoa?

Basically the hatching and conditioning centre is a place where people are genetically engineered. The students view various machines and techniques used to promote the production and conditioning of embryos. The scientists take an ovary, remove...

Summarize both sides of the debate that Mond and John have regarding God.

Mond explains that since society eradicated the fear of death and since science keeps everyone youthful until death, religion is unnecessary. He reads to John passages from The Imitation of Christ by Thomas à Kempis and from a work by Cardinal...

Study Guide for Brave New World

Brave New World study guide contains a biography of Aldous Huxley, literature essays, quiz questions, major themes, characters, and a full summary and analysis.

• About Brave New World
• Brave New World Summary
• Brave New World Video
• Character List

Essays for Brave New World

Brave New World essays are academic essays for citation. These papers were written primarily by students and provide critical analysis of Brave New World by Aldous Huxley.

• Methods of Control in 1984 and Brave New World
• Cloning in Brave New World
• God's Role in a Misery-Free Society
• Character Analysis: Brave New World
• Influences Behind Brave New World and Fahrenheit 451

Lesson Plan for Brave New World

• About the Author
• Study Objectives
• Common Core Standards
• Introduction to Brave New World
• Relationship to Other Books
• Bringing in Technology
• Notes to the Teacher
• Related Links
• Brave New World Bibliography

Wikipedia Entries for Brave New World

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Home — Essay Samples — Literature — Books — Brave New World

Essays on Brave New World

Brave new world essay topics and outline examples, essay title 1: dystopian themes in "brave new world": a critical analysis of social control, consumerism, and individuality.

Thesis Statement: This essay explores the dystopian themes in Aldous Huxley's "Brave New World," focusing on the concepts of social control, consumerism, and the suppression of individuality, and examines their relevance to contemporary society.

• Introduction
• Dystopian Elements: Defining Characteristics of "Brave New World"
• Social Control: The Role of Soma, Conditioning, and Surveillance
• Consumerism: The Pursuit of Pleasure and the Commodification of Life
• Suppression of Individuality: The Conformity of Citizens in the World State
• Relevance to Contemporary Society: Analyzing Parallels and Warnings
• Conclusion: Reflecting on the Ongoing Significance of Huxley's Vision

Essay Title 2: The Role of Technology in "Brave New World": Examining the Impact of Genetic Engineering, Conditioning, and Entertainment

Thesis Statement: This essay investigates the pervasive role of technology in "Brave New World," specifically genetic engineering, conditioning, and entertainment, and analyzes how these elements shape the society portrayed in the novel.

• Technological Advancements: Genetic Engineering and the Creation of Citizens
• Behavioral Conditioning: Shaping Beliefs and Social Roles
• Entertainment and Distraction: The Use of Soma, Feelies, and Escapism
• Impact on Social Order: Maintaining Stability Through Technology
• Critique of Technology: The Dangers and Ethical Questions Raised
• Conclusion: Reflecting on the Relationship Between Technology and Society

Essay Title 3: Character Analysis in "Brave New World": Exploring the Development of John "the Savage" and Bernard Marx

Thesis Statement: This essay provides a comprehensive character analysis of John "the Savage" and Bernard Marx in "Brave New World," examining their backgrounds, motivations, and the roles they play in challenging the societal norms of the World State.

• John "the Savage": Origins, Beliefs, and Struggle for Identity
• Bernard Marx: The Outsider and His Quest for Authenticity
• Comparative Analysis: Contrasting the Journeys of John and Bernard
• Impact on the World State: How These Characters Challenge the System
• Symbolism and Themes: Analyzing Their Roles in the Novel
• Conclusion: Reflecting on the Complex Characters of "Brave New World"

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The Relation of Brave New World to Our Society Today

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Ascertaining Whether The Brave New World is Actually Brave

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1932, Aldous Huxley

Science Fiction, Dystopian Fiction

Bernard Marx, Mustapha Mond, Helmholtz Watson, Lenina Crowne, John the Savage

The novel is based on a futuristic society that is heavily controlled and manipulated by a powerful government. It is inspired by Huxley's observations of the rapid scientific and technological advancements during the early 20th century, along with his concerns about the direction in which society was heading. Huxley's vision in "Brave New World" presents a world where individuality and personal freedoms are sacrificed in favor of stability and societal control. The novel explores themes of dehumanization, social conditioning, and the dangers of unchecked scientific progress. It serves as a critique of the emerging consumer culture, where people are distracted and numbed by mindless entertainment and shallow pleasures.

In the futuristic society of "Brave New World," the world is governed by a totalitarian government that controls every aspect of people's lives. Humans are engineered in laboratories and categorized into different castes, each conditioned from birth to fulfill specific roles in society. Among them is Bernard Marx, an Alpha Plus with feelings of alienation and discontent. Bernard travels to a Savage Reservation with Lenina Crowne, his love interest, and encounters John, a young man born to a woman from the civilized world but raised by a native woman on the Reservation. John becomes a symbol of the old, natural ways of life that the World State has eradicated. Back in civilization, John's presence disrupts the rigid social order, leading to chaos and rebellion. However, the government suppresses the uprising and maintains its control. Ultimately, John becomes disillusioned with the superficiality and lack of humanity in the brave new world, leading to tragic consequences.

The setting of "Brave New World" is a dystopian future where the world is tightly controlled by a centralized government known as the World State. The story primarily takes place in London, which serves as the central hub of the World State's operations. London in this future society is a highly advanced city characterized by technological advancements, efficient transportation systems, and elaborate social conditioning. Beyond London, the novel also explores the Savage Reservations, which are isolated regions where people still live in a more primitive and natural state. These reservations are juxtaposed against the highly regulated and artificial world of the World State, highlighting the stark contrast between the two.

One of the central themes is the dehumanization of society in the pursuit of stability and control. The World State prioritizes uniformity and conformity, suppressing individuality and natural human emotions. This theme raises questions about the price of a utopian society and the loss of essential human qualities. Another theme is the manipulation of technology and science. In this dystopian world, advancements in genetic engineering and conditioning have been taken to extreme levels, resulting in the creation of predetermined social classes and the elimination of familial bonds. This theme highlights the potential dangers of unchecked scientific progress and the ethical implications of playing with human nature. Additionally, the novel explores the theme of the power of knowledge and the importance of intellectual freedom. The characters in "Brave New World" struggle with the limitations placed on their understanding of the world and the suppression of critical thinking. This theme emphasizes the importance of independent thought and the pursuit of knowledge in maintaining individuality and resisting oppressive systems.

One prominent device is symbolism, where objects or concepts represent deeper meanings. For example, the "Savage Reservation" symbolizes a world untouched by the World State's control, showcasing the contrasting values of individuality and natural human emotions. Another literary device employed is irony, which serves to highlight the disparity between appearances and reality. The World State's motto, "Community, Identity, Stability," is ironically juxtaposed with the lack of true community and individual identity. The citizens' pursuit of happiness and stability comes at the expense of their authentic emotions and experiences. A significant literary device used in the novel is foreshadowing, where hints or clues are given about future events. The repeated mention of the phrase "Everybody's happy now" foreshadows the disturbing truth beneath the facade of happiness and contentment. Additionally, the author employs satire to critique and ridicule societal norms and values. The exaggerated portrayal of consumerism, instant gratification, and the devaluation of art and literature satirizes the shallow and superficial aspects of the World State's culture.

One notable example is the television adaptation of the novel. In 2020, a television series titled "Brave New World" was released, bringing Huxley's dystopian world to life. The series delves into the themes of technology, social control, and individual freedom, exploring the consequences of a society built on conformity and pleasure. The novel has also inspired numerous references and allusions in music, literature, and film. For instance, the band Iron Maiden released a song called "Brave New World" in 2000, drawing inspiration from the novel's themes of societal manipulation and the loss of individuality. The song serves as a commentary on the dangers of an oppressive system. Furthermore, the concept of a technologically advanced but morally bankrupt society depicted in "Brave New World" has influenced science fiction works, such as "The Matrix" and "Blade Runner." These films explore themes of control, identity, and the implications of a society driven by technology, echoing the concerns raised in Huxley's novel.

"Brave New World" has had a significant influence on literature, philosophy, and popular culture since its publication. The novel's exploration of themes such as totalitarianism, technology, social conditioning, and individuality has resonated with readers across generations. One major area of influence is in dystopian literature. "Brave New World" established a blueprint for the genre, inspiring subsequent works such as George Orwell's "1984" and Margaret Atwood's "The Handmaid's Tale." These novels, among many others, have drawn upon Huxley's critique of societal control and the dangers of sacrificing individual freedom for stability and pleasure. The novel's influence also extends to the fields of psychology and sociology. The concept of social conditioning, exemplified by the conditioning techniques in the novel, has contributed to discussions on the influence of environment and societal norms on individual behavior. Additionally, "Brave New World" has made a lasting impact on popular culture, with its themes and phrases becoming embedded in the collective consciousness. References to the novel can be found in music, films, and even political discourse, highlighting its enduring relevance.

Brave New World is an important novel to write an essay about due to its enduring relevance and thought-provoking themes. Aldous Huxley's dystopian vision offers a powerful critique of the dangers of unchecked scientific and technological progress, as well as the potential consequences of a society driven by pleasure, conformity, and the suppression of individuality. By exploring complex topics such as social conditioning, consumerism, and the loss of human connection, Brave New World prompts readers to reflect on their own society and its values. It raises critical questions about the nature of happiness, free will, and the balance between individual freedom and societal control. Furthermore, the novel's literary techniques, such as its vivid imagery, symbolism, and satire, provide ample material for analysis and interpretation. Students can delve into Huxley's use of irony, character development, and narrative structure to deepen their understanding of the novel and engage in critical analysis.

"Words can be like X-rays if you use them properly -- they'll go through anything. You read and you're pierced." "Happiness is never grand." "Civilization has absolutely no need of nobility or heroism. These things are symptoms of political inefficiency. In a properly organized society like ours, nobody has any opportunities for being noble or heroic." "You can't make flivvers without steel, and you can't make tragedies without social instability." "But I don't want comfort. I want God, I want poetry, I want real danger, I want freedom, I want goodness. I want sin."

1. Huxley, A. (2007). Brave New World (1932). Reading Fiction, Opening the Text, 119. (https://link.springer.com/book/9780333801338#page=128) 2. Woiak, J. (2007). Designing a brave new world: eugenics, politics, and fiction. The Public Historian, 29(3), 105-129. (https://online.ucpress.edu/tph/article/29/3/105/89976/Designing-a-Brave-New-World-Eugenics-Politics-and) 3. Kass, L. R. (2000). Aldous Huxley Brave new world (1932). First Things: A Monthly Journal of Religion and Public Life, 51-51. (https://go.gale.com/ps/i.do?id=GALE%7CA60864210&sid=googleScholar&v=2.1&it=r&linkaccess=abs&issn=10475141&p=AONE&sw=w) 4. Meckier, J. (2002). Aldous Huxley's Americanization of the" Brave New World" Typescript. Twentieth Century Literature, 48(4), 427-460. (https://www.jstor.org/stable/3176042) 5. Feinberg, J. S., & Feinberg, P. D. (2010). Ethics for a Brave New World, (Updated and Expanded). Crossway. (https://www.crossway.org/books/ethics-for-a-brave-new-world-second-edition-ebook/) 6. Buchanan, B. (2002). Oedipus in Dystopia: Freud and Lawrence in Aldous Huxley's Brave New World. Journal of Modern Literature, 25(3), 75-89. (https://muse.jhu.edu/article/46720) 7. McGiveron, R. O. (1998). Huxley's Brave New World. The Explicator, 57(1), 27-30. (https://www.tandfonline.com/doi/abs/10.1080/00144949809596803?journalCode=vexp20) 8. Higdon, D. L. (2002). The Provocations of Lenina in Huxley's Brave New World. International Fiction Review, 29(1/2), 78-83. (https://journals.lib.unb.ca/index.php/IFR/article/download/7719/8776?inline=1)

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Brave New World Literary Analysis

In the dystopian novel Brave New World by Aldous Huxley, a major issue is displayed over the extreme obsession with society’s stability created by fear of humanity’s flaws. Huxley’s novel shows that a government controlled society often becomes too controlling, resulting in loss of freedom in the people. This control can only be prevented by awareness and free-thinking. Huxley develops this political issue through tone, symbolism, and metaphor.

Related Papers

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This paper emphasizes on the themes of Brave New World by Aldous Huxley and how these themes are interconnected with the critical theories like Marxism,Feminism,Consumerism etc.

Aline Ferreira

Exchanges between Literature and Science from the 1800s to the 2000s: Converging Realms. Ed. by Márcia Lemos and Miguel Ramalhete Gomes. Newcastle upon Tyne: Cambridge Scholars Publishing, 2017, 136-154. This article investigates the concept of ectogenesis or extracorporeal gestation and the debate that accrued around it in Britain in the 1920s and 1930s, especially as it was discussed in the “Today and Tomorrow” series of books and the circle of intellectuals associated with it. I will look in particular at British geneticist J. B. S. Haldane’s Daedalus, or Science and the Future (1923), which launched the series, Anthony Ludovici’s Lysistrata, or Woman’s Future and Future Woman (1924) and Vera Brittain’s Halcyon, or the Future of Monogamy (1929). I will also briefly examine some contemporary fictional depictions of ectogenesis, which were clearly influenced by the books mentioned above, and which directly intervened in the debate around the development of fetuses in artificial wombs. Although Aldous Huxley’s Brave New World (1932) was the most famous fictional rendition of the notion of extra-uterine gestation there were many other, less well-known texts. Victorian Journalist Fred T. Jane’s “The Incubated Girl” (1896) is an earlier example as is Charlotte Haldane’s Man’s World (1926), a novel that also discusses the concept of ectogenesis. Rebecca West’s “Man and Religion” (1932), in turn, ends with a version of a sex-role reversal society, brought about by a number of scientific discoveries that have provided women with great physical vigour, a longer life span and allowed gestation to take place outside the womb. Neil Bell’s The Seventh Bowl (1934) also toys with the idea of ectogenesis while in August Anson’s When Woman Reigns (1938), another sex-role reversal utopia where women rule the world, ectogenesis has played a fundamental role in bringing about this dominance. All of these texts can be seen as centrally engaged in a critical dialogue with some of the books of the “Today and Tomorrow” series. While ectogenesis stands at the root of a fantasy which could be equated with masculine womb envy, the dream of becoming a male mother and thus dispensing almost totally with women, for women, on the other hand, extra-uterine pregnancy, combined with cloning techniques, could constitute an enabling vision of autonomy from the male, but also a potentially threatening one, as Ludovici propounds. I propose thus to examine some of the vexed issues surrounding the fantasy of extra-uterine gestation.

Ronja R Bodola (Tripp)

In: E. Voigts, A. Boller (Hg.): Dystopia, Science Fiction, Post-Apocalypse : Classic – New Tendencies – Model Interpretations. Trier: WVT 2015: 29-46.

Saffeen Numan Arif

Alicia Perez

The novel opens in the Central London Hatchery and Conditioning Centre. The year is A.F. 632 (632 years " after Ford "). The Director of Hatcheries and Conditioning is giving a group of students a tour of a factory that produces human beings and conditions them for their predestined roles in the World State. He explains to the boys that human beings no longer produce living offspring. Instead, surgically removed ovaries produce ova that are fertilized in artificial receptacles and incubated in specially designed bottles. The Hatchery destines each fetus for a particular caste in the World State. The five castes are Alpha, Beta, Gamma, Delta, and Epsilon. Gamma, Delta, and Epsilon undergo the Bokanovsky Process, which involves shocking an egg so that it divides to form up to ninety-six identical embryos, which then develop into ninety-six identical human beings. The Alpha and Beta embryos never undergo this dividing process, which can weaken the embryos. The Director explains that the Bokanovsky Process facilitates social stability because the clones it produces are predestined to perform identical tasks at identical machines. The cloning process is one of the tools the World State uses to implement its guiding motto: " Community, Identity, Stability. " The Director goes on to describe Podsnap's Technique, which speeds up the ripening process of eggs within a single ovary. With this method, hundreds of related individuals can be produced from the ova and sperm of the same man and woman within two years. The average production rate using Podsnap's Technique is 11,000 brothers and sisters in 150 batches of identical twins. Called over by the Director, Mr. Henry Foster, an employee at the plant, tells the attentive students that the record for this particular factory is over 16,000 siblings. The Director and Henry Foster continue to explain the processes of the plant to the boys. After fertilization, the embryos travel on a conveyor belt in their bottles for 267 days, the gestation time period for a human fetus. On the last day, they are " decanted, " or born. The entire process is designed to mimic the conditions within a human womb, including shaking every few meters to familiarize the fetuses with movement. Seventy percent of the female fetuses are sterilized; they are known as " freemartins. " The fetuses undergo different treatments depending on their castes. Oxygen deprivation and alcohol treatment ensure the lower intelligence and smaller size of members of the three lower castes. Fetuses destined for work in the tropical climate are heat conditioned as embryos; during childhood, they undergo further conditioning to produce adults that are emotionally and physically suited to hot climates. The artificial process, says the Director, aims to make individuals accept and even like " their inescapable social destiny. " The Director and Henry Foster then introduce Lenina Crowne to the students. She explains that her job is to immunize the fetuses destined for the tropics with vaccinations for typhoid and sleeping sickness. In front of the boys, Henry reminds Lenina of their date for that afternoon, which the Director finds " charming. " Henry goes on to explain that future rocket-plane engineers are conditioned to live in constant motion, and future chemical workers are conditioned to tolerate toxic chemicals. Henry wants to show the students the conditioning of Alpha Plus Intellectual fetuses, but the Director, looking at his watch, announces that the time is ten to three. He decides there is not enough time to see the Alpha Plus conditioning; he wants to make sure the students get to the Nurseries before the children there have awakened from their naps. Analysis: Chapter 1 Huxley's Brave New World can be seen as a critique of the overenthusiastic embrace of new scientific discoveries. The first chapter reads like a list of stunning scientific achievements: human cloning, rapid maturation, and prenatal conditioning. However, the satirical tone of the chapter makes it clear that this technology-based society is not a utopia, but the exact opposite. Like George Orwell's 1984, Brave New World depicts a dystopia: a world of anonymous and dehumanized people dominated by a government made overwhelmingly powerful by the use of technology. The almost religious regard in which the World State holds technology is apparent from the start. The starting date for the calendar is Henry Ford's introduction of the Model T, an automobile cheaply and efficiently produced by the assembly line system. All dates are preceded by " A.F., " " After Ford, " just as today's calendar system begins with the birth of Jesus, A.D. (Anno Domini, meaning " in the year of the lord "). Other satirical hints of a warped religion are scattered throughout the text. The Predestinators, for example, are a farcical secular manifestation of the Calvinist religious belief that God predestines individuals for heaven or hell before birth. The World State's religious adherence to technology is far from innocent. In fact it becomes one of the pillars of stability for the totalitarian World State. As the Director says, " social stability " is the highest social goal, and through predestination and rigorous conditioning, individuals accept their given roles in society without question. The caste structure is created and maintained using specific tools, and it is technology that allows the most powerful members of the World State's ruling Alpha caste to solidify and justify the unequal distribution of power and status. Conditioning individuals genetically, physically, and psychologically for their " inescapable social destinies " stabilizes the caste system by creating servants who love and fully accept their servility. Moreover, conditioning makes them virtually incapable of performing any other function than that to which they are assigned. The satirical tone of the text makes it clear that, though social stability may sound like an admirable goal, it can be used for the wrong reasons toward the wrong ends. One theme emphasized repeatedly in this first chapter is the similarity between the production of humans in the Hatchery and the production of consumer goods on an assembly line. Everything about human reproduction is technologically managed to maximize efficiency and profit. Following the rule of supply and demand, the Predestinators project how many members of each caste will be needed, and the Hatchery produces human beings according to those figures. One of the keys of mass production is that every part is identical and interchangeable; a steering wheel from one Model T fits neatly onto the steering column of any other Ford. Similarly, in the Hatchery, human beings are standardized by the production of thousands of brothers and sisters in multiple groups of identical twins using the Bokanovsky and Podsnap Processes. The lower castes are more subject to these forces of anonymity and mechanization. Members of the higher castes are decanted one by one, without any artificial intervention. Thus the higher castes retain at least some level of the individuality and creativity that is denied completely to the lower castes. Summary: Chapter 2 The Director leads the group of students to the Nurseries. Posted on a notice board are the phrases, " Infant Nurseries. Neo-Pavlovian Conditioning Rooms. " The students observe a Bokanovsky group of eight-month-old babies wearing the Delta caste's khaki-colored clothes. Some nurses present the babies with books and flowers. As the babies crawl toward the books and the flowers, cooing with pleasure, alarms ring shrilly. Then, the babies suffer a mild electric shock. Afterward, when the nurses offer the flowers and books to the babies, they shrink away and wail with terror.

Ahmed Al-Rawi

Comparatismi

Nic Panagopoulos

• The essay asks whether Aldous Huxley's Brave New World (1932) is really a dystopia as its author presented it in his letters, or a utopia in which god-like men methodically arrange their own affairs, recreating Eden on Earth and bringing social harmony and stability to pass. We explore Huxley's elitist background, his eugenicist theories, and his personal tastes in drugs and sex to discover that there is nothing really in the futuristic society depicted in Brave New World that its author would have felt uncomfortable with; even the punishments it metes out to dissenters would have resembled rewards for intellectuals like Huxley. By comparing the novel with Huxley's later fiction and non-fiction, we conclude that Brave New World is one of many speculative narratives produced in the early twentieth century designed to covertly promote the idea of the World State and act as a vehicle for the social Darwinist agenda of the scientific elite.

Peter C. Herman

From its inception in Plato's Republic and revival in Thomas More's Utopia, the concept of a perfect (or as More originally put it in a qualification often lost, " best ") form of a republic has been dogged by the spectres of hypocrisy, contradiction, and authoritarianism. However, the matter is more complicated than a simple declaration that utopias provide a vehicle for totalitarian fantasy, that totalitarian governments inevitably portray themselves as creating a utopia. While today's readers, at a comfortable distance from the early sixteenth century, may bridle at the lack of privacy, or at the ideological coerciveness in More's Utopia, that does not eradicate how, in Walter Kendrick's words, " what for us are problems are for them solutions. " it can be argued that the negative elements are a response to social ills. The same goes for Aldous Huxley's Brave New World and Dave Eggers's The Circle. While the negatives in all three fictions undermine or put into question the positives, our realization that the authors also intended the negatives as genuine attempts at resolving genuine problems that cause untold misery invites us to complicate our judgments. The undermining is itself undermined. L'idée d'un gouvernement parfait (ou « meilleur » pour reprendre l' expression même de More), de son apparition dans la République de Platon jusqu' à son renouveau dans l'Utopie de Thomas More, a été traquée et mise à profit par les partisans de l'hypocrisie, de la contradiction et de l' autoritarisme. Toutefois, la question est plus complexe que la simple affirmation qui voudrait que les utopies favorisent les phantasmes totalitaires, ou que les gouvernements totalitaires se présentent inévitablement comme la réalisation d'une utopie. Ces éléments négatifs répondent en fait souvent à de véritables problèmes sociaux, et, bien que le lecteur d' aujourd'hui, dans la confortable distance qui le sépare du début du XVIe siècle, puisse s'indigner du manque de vie privée et de l'intransigeance idéologique de l'Utopie de More, cela ne change pas le fait que, pour emprunter la formule de Walter Kendrick, « ce qui pour nous sont des problèmes, sont pour eux des solutions ». Il en va de même pour le Brave New World de Aldous Huxley et The Circle de Daver Egger. Alors que les aspects négatifs dans ces trois fictions compromettent leurs aspects positifs, le fait de reconnaître que ces auteurs, par ces moyens discutables, ont sincèrement tenté de régler de vrais problèmes entraînant des misères infinies, amène le lecteur d' aujourd'hui à nuancer ses jugements. Et ainsi, les aspects compromettants de ces oeuvres sont eux-mêmes remis en question.

Allegra Geller

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Brave New World

Aldous huxley, ask litcharts ai: the answer to your questions.