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Cultural Heritage of Sri Lanka

sri lankan cultural heritage essay

Greeting with a friendly smile and a cup of tea, the people of Sri Lanka represent their 25,000 years of rich cultural heritage. The South Asian Island nation in the Indian Ocean offers awe-inspiring views of contrasting landscapes. Religions like Buddhism, Hinduism, Christianity, Islam, and Zoroastrianism mould the culture and demonstrate a rich blend of the interaction of diverse cultural patterns, both indigenous and derived from trade as well as western colonisation. The Cultural Triangle encompassing the relics of the Sinhalese Kingdom from Anuradhapura, the later capital of Polonnaruwa , and the revered cave temples of Dambulla are a testament to the country’s rich history and cultural diversity.  

Cultural Heritage of Sri Lanka - Sheet1

Tangible Cultural Heritage

1. ancient cities.

Sri Lanka is home to many ancient cities declared UNESCO World Heritage Sites. These cities were once centers of political and religious power, and their ruins offer a glimpse into the country’s glorious past.

sri lankan cultural heritage essay

i) Anuradhapura- It is the oldest capital of Sri Lanka which lasted for an extended period as the country’s capital. It swiftly emerged into one of Asia’s great cities, with prosperous monastic complexes, hundreds of temples, and an advanced irrigation system when king Pandukabhaya chose it as the capital for the Sinhalese people. It flourished due to the Silk Road, the ancient trade route that connected South and Central Asia with the Middle East and Europe.

ii) Polannaruwa – King Vijayabahu I, who defeated the Chola invaders, declared Polannaruwa its capital city. It is one of the finest examples of a planned archaeological relics site.

iii) Sigiriya – Situated on the flat top of the rock are the remains of an upper sky palace, considered the world’s eighth wonder. It has a mid-level terrace that includes the Lion Gate and a lower palace that holds onto the slopes below the rock, and the gardens that extend from the base of the rock.                                                                                                                        iv)Kandy – The last capital of the Sinhala kings is now an important pilgrimage site.

Cultural Heritage of Sri Lanka - Sheet3

2. Religious Sites

Cultural Heritage of Sri Lanka - Sheet4

Influential in spreading Buddhism, Sri Lanka has attracted Burmese, Thai, Japanese, and other primarily Mahayanist countries for millennia. The Temple of Tooth (Dalada Maligawa) enshrines the upper canine tooth of Lord Buddha. The sacred relic is worshipped daily, and the entire temple front is lightened up during the Perahera festival. The Golden Temple of Dambulla, one of the world heritage sites , has around 80 caves containing statues and paintings related to the life of Lord Buddha. Though Buddhism is paramount, the charm of the transcendental island known as “Lanka” for Hindu pilgrims cannot be underrated. The Seetha Amman temple is a typical Tamil temple where Sita was held captive and the circular depressions on the rock face are regarded as Lord Hanuman’s footprints.

3. Colonial Buildings

Cultural Heritage of Sri Lanka - Sheet5

Sri Lanka was colonised by the Portuguese , Dutch, and British, and their influence is seen in the country’s colonial-era architecture. Galle was the main port at the southwestern tip of Sri Lanka, having 14 monumental bastions. Even today, the fort bustles with life as visitors look at the Dutch bungalows in the street grid system. A world heritage site, it houses a multi-ethnic and multi-religious population. Another fine example of a colonial structure is the Old Parliament Building. Built-in the neo- Baroque style, it housed the Presidential secretariat during British Rule. Facing the sea, the building astounds viewers with its magnanimity.

4. Intangible Cultural Heritage

sri lankan cultural heritage essay

Predominantly dependent on agriculture and the tourism industry, Sri Lanka has its own tribal, ethnic, and modern social groups with their cultural trait of language, food, art, music, and festivals. Beginning with the Yaksha and Naga tribes, the culture of Sri Lanka is evolving over centuries.

Deeply linked to Sri Lankan folklore, the masks take on a functional role when they are used in healing rites and rituals. Mask carving and painting are hence revered art forms. Fabricated entirely on cotton or silk, crafted by hand, the intriguing designs and combination of hues on batik offer an in-depth look into the picturesque landscapes of Sri Lanka. The wood carving and coir products display skill and attention to detail. The making of traditional drums (Bera) and lacquer products are unique to this region. The Kandyan dance form performed by males focuses on vigor, powerful footwork, whirls, and leaps.

sri lankan cultural heritage essay

 Sri Lanka has a rich literary tradition, with ancient Buddhist texts in Pali and recent works in Sinhala and Tamil. The country has produced several internationally renowned writers. Culminating the use of various spices integrates the exotic taste of the country. It also has a long tradition of traditional medicine, including Ayurveda, based on natural remedies and holistic healing practices. The Sinhala, Tamil New Year, Vesak, and Diwali are the most celebrated festivals among many other colourful festivals celebrated throughout the year. From the bustling markets to the tranquil countryside, the sights and sounds of Sri Lankan life are a feast for the senses, each moment imbued with unique beauty. The people are a vibrant tapestry of diverse cultures and traditions woven into a rich and colorful society.

References:

Citations for websites:

UNESCO World Heritage Centre (2010). Sri Lanka– UNESCO World Heritage Centre. [online] Unesco.org. Available at: https://whc.unesco.org/en/statesparties/lk

Embassy of Sri Lanka-France-World Heritage Sites in Sri Lanka [Online]Available at World Heritage Sites in Sri Lanka | Embassy of Sri Lanka – Paris (srilankaembassy.fr)

SriLanka.travel[online].Available at: https://srilanka.travel/cultural_heritage#:~:text=Sri%20Lanka’s%20cultural%20depth%20is,The%20golden%20temple%20of%20Dambulla

Citations for Magazine Articles – Print or Online:

Hansika Sachini. -Cultural Tourism in Sri Lanka[online]Available at: http://fhss.sjp.ac.lk/publication-committee/2022/04/06/cultural-tourism-in-sri-lanka/

  • Images/visual mediums

1 Kruse Joana. (2018) A Mahut with his elephant at Sigiriya, Matale, Central Province, Sri Lanka, Asia

2_Anuradhapura_https://traveltriangle.com/blog/places-to-visit-in-anuradhapura-bdp/

3_Shaw Dylan_Sigriya_https://unsplash.com/photos/smUAKwMT8XA

4_Billard Eddy(2019)_Buddha Statues_ https://unsplash.com/photos/d6EuGZs41SI

5_Galle Fort_©https://www.elitehavens.com/magazine/author/emma-boyle/

6_Celebration of festivals in Sri Lanka_©http://fhss.sjp.ac.lk/publication-committee/2022/04/06/cultural-tourism-in-sri-lanka/

Apartment No. 05 by Shaaroffice - Sheet5

Ishwari is a budding Architect who loves to explore spaces , cultures, and people. With the countless stories they express, she wishes to unfold them through her writings.

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Cultural Heritage

sri lankan cultural heritage essay

Sri Lanka’s cultural depth is recognized by UNESCO, which has declared six archaeological World Heritage Sites in the country:

  • The sacred city of Anuradhapura
  • The ancient city of Polonnaruwa
  • The golden temple of Dambulla
  • The ancient city of Sigiriya
  • The sacred city of Kandy
  • The old town of Galle and its fortifications
  • (The seventh World Heritage Site in Sri Lanka is an ecological example, The Sinharaja Forest Reserve.)

From enormous dagobas (dome-shaped structures) and remains of ancient buildings in the ruined cities of Anuradhapura and Polonnaruwa, to the awesome stairway to the temple at Dambulla and the sensual frescoes of heavenly maidens at the palace at the rock of Sigiriya, visitors can experience these World Heritage Sites within a compact area called the Cultural Triangle.

In the hill country lies the former royal capital of Kandy, home to the Dalada Maligawa or Sacred Temple of the Tooth, which houses the sacred tooth relic of the Buddha. With its distinctive architecture, art and music, Kandy is a bastion of traditional culture.

In contrast, experience the colonial heritage of the country by heading south to the mid-17 th c. Dutch fort at Galle, the best preserved in Asia. With 14 massive bastions, a grid system of streets, and some original Dutch bungalows, the fort bustles with life just as it did when Galle was the country’s main port. It’s simply one of the most unique attractions in Sri Lanka.

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Revisiting Cultural Heritage in Sri Lanka: The Vedda (Vanniyaletto)

Profile image of David Blundell

2013, Bulletin of the Indo-Pacific Prehistory Association

Related Papers

David Blundell

This paper addresses potential folk life cultural heritage in Sri Lanka as a continuum in a country of magnificent UNESCO listed sites. If the Vedda (Vanniyaletto) of Sri Lanka are the heirs of an existence dating back to the Mesolithic of Southern Asia to the present, then this community represents a sphere of cultural expression that requires world attention in conserving a folk diver-sity that is rapidly disappearing. These Vanniyaletto, continue living in a land of significant ancient world heritage, are struggling for years to have a museum or community center dedicated to their existence. While some critics proclaim they don’t exist as a people, I ar-gue the Vedda are not a primitive or non-existent ‘tribe’; they are an important heritage community in Sri Lanka laying a foundation, in part, for a plural nation (Blundell 2008). They are a people wrapped in the ma-trix of the Sinhala and Tamil communities from earliest times, yet since the 19th century relegated as a fringe people, curiosities at best, without acknowledgement as significant contributors in today’s ‘national program’.

sri lankan cultural heritage essay

De Silva Premakumara

Melathi Saldin

The surge in conflicts on a global scale has resulted in protection and reconstruction of heritage emerging as an important but highly challenging concept in the 21st century. Post-war nations such as Sri Lanka, therefore, are at a critical juncture both in terms of post-conflict recovery and reconciliation. As a country emerging from civil war, heritage constitutes a vital aspect of the island’s national identity as well as its emotional, political, and economic landscape. Sri Lanka’s post-war period however, has witnessed an escalation in violence against other ethno-religious minorities, particularly the island’s Muslim community, with heritage-centred contestations questioning their legitimacy, belonging and citizenship. These developments are particularly significant as the Lessons Learnt and Reconciliation Commission (LLRC)2 identified heritage contestation between different ethnic groups as an obstacle to the path of reconciliation. To date, much of the popular and scholarly ...

Sigiriya Managing Heritage with Community

Jagath Weerasinghe

The conditions that affect the heritage management of archaeological sites in Sri Lanka arise from two interrelated but distinct histories. One has its roots in the colonial legacy of Sri Lankan archaeology, and the other in the populist-nationalist politics that draw rhetorical strength from archaeology and history. In this setting, "heritage" 1 means religion and ethnic identity. In a word, ethnonationalist. Since its inception in the late 19th century and its engagement in Anuradhapura, the Archaeological Survey Department of Ceylon (now the Department of Archaeology) had to negotiate the idea of heritage and "sacred site." The demands by Buddhist devotees, led by Walisinha Harishchandra in the early 1900s, that confronted the Archaeological Survey Department in the historic city of Anuradhapura was a struggle between colonial archaeology and the idea of heritage. Buddhists urged that the living characteristics of historic Buddhist sites be taken into account in their preservation 2. These early-twentieth-century clashes with colonial archaeology had long-lasting consequences for the country's post-colonial politics. The ancient city of Anuradhapura, thus acquiring a wealth of historical truths through colonial archaeology, and having been co-opted in a nationalist discourse, pitched by Harishchandra, that showed a particular kind of anti-colonial sentiments 3 , became the treasured historical center for Sinhala-Buddhists in Sri Lanka. Anuradhapura became the ethnonationalist symbol of the ancient grandeur and political authority of modern Buddhist rulers 4. These two mutually inclusive histories effectively keep archaeology from becoming a critical social practice. For a significant majority of Sri Lankan archaeologists, archaeology remains a project to construct culture-historical narratives about the country's past, using a loosely positivist-empiricist and commonsense approach of knowledge production entangled in locating essences and origins in ethnic, geographical, and chronological categories in Sri Lanka's past 5. Finding such

Gamini Wijesuriya

The deliberate destruction of the Temple of the Tooth Relic in Sri Lanka (a World Heritage Site) in 1998 is seen as an attempt to destroy the identity of a group, the Singhalese Buddhist community. It is argued that the assault on group identity helped to justify the decision that was taken immediately to proceed to physical restoration of the shrine and its continuity as a place of worship. The author argues that the ‘cultural content’ of heritage lie in a place’s function, its community connection and its continuity; it is these that give a society identity. He describes the significance of the temple, the role of the local monastic community and its expectations regarding restoration, which led to a negotiated solution that reconciled local aspirations with the principles of international conservation practice.

Asian Ethnology

Steven C Bonta

Sri Lanka's small native population of "Ahikuntika" and "Kuravar" itinerant communities continues to be a very visible part of Sri Lankan society, with snake-charmers and monkey dancers a common sight in Sri Lanka's tourist areas. Sri Lanka's Ahikuntikas and Kuravars speak a highly idiosyncratic dialect of Telugu which has never been fully documented.

Jawhar Sircar

Ancient Lanka

Samanti Kulatilake

Sri Lanka's rich palaeoanthropological and archaeological record as well as the present demographic aspects have much to offer in aiding our understanding of the island's ancient past and recent population structure. Sri Lanka has yielded skeletal evidence for the earliest anatomically modern humans from South Asia indicating very early settlement of the region. Following early hunter-gatherer dispersals over 50,000 years ago, agricultural populations expanded to the region with historic settlements and urbanisation creating complex societies in the last three millennia. Through circum-Indian Ocean trade networks in historic times and colonial expansion in the last 500 years, population diversification has continued with groups of multiple genetic and ethno-linguistic backgrounds arriving and settling in the island. These early and later migrants share a gene pool that connects them to descendants of today, who form Sri Lanka's multi-ethnic, multicultural, and multireligious society. Using an anthropological perspective, this article investigates how complex societal and biological diversity would have developed over time in island Lanka. An appreciation of deep time, beyond historic records, helps us recognize that human evolution and diversification has been shaped over thousands of years, while an evidence-based, scientific approach is proposed to eliminate flawed ethnocentric interpretations.

Archaeology, Cultural Heritage Protection and Community Engagement in South Asia

Journal of the Royal Asiatic Society of Sri Lanka

Conservation of monuments and sites in its modern format was born as the principal concept of the Modern (Western) Conservation Movement in the mid-nineteenth century in Europe. Remarkably, Sri Lanka commenced its first conservation related activities shortly after this, in the late nineteenth century, in 1890 drawing on the contemporary knowledge introduced by the colonial administrators. Over the past 130 years, such activities have rendered an invaluable service to the country and established an intriguing history of preservation (the term used in the Antiquities Ordinance of 1940). The conservation discourse, however, has evolved substantially since its introduction, by nurturing a broader concept of 'heritage' rather than simply 'monuments and sites' and moving towards management. However, in Sri Lanka, continued reliance on national legislation dating back to 1940 has prevailed primarily embodied in the institution created under its power, namely the Department of Archaeology; a legacy of colonial rule that was heavily influenced by the aforementioned movement. In their current form, neither the legislation nor the institution have succeeded in grasping the concepts of conservation and management of heritage that have since evolved, which are global in their scope and directed towards the twenty-first century, addressing a wide variety of issues and challenges with the invention of new and innovative approaches and tools. This is discussed in the first part of the paper, while part two briefly examines the status of the heritage sector in Sri Lanka. The paper concludes with some suggestions for change: eliminating some of the misconceptions and erroneous interpretations currently dominating the sector, while emphasizing the need to complement existing management systems with evolving knowledge, to ensure a sustainable and effective future for the conservation of Sri Lanka’s heritage.

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A Celebration of Collaboration: The Launch of Ama H. Vanniarachchy’s ‘Essays on Sri Lanka’s Cultural Heritage’

Photo Credit: Manuka Samarathunga Photography

A Remarkable Evening of Learning and Collaboration at the Colombo National Museum

sri lankan cultural heritage essay

Lighting the Traditional Oil Lamp to Commemorate the Beginning

The evening began with a symbolic gesture, as Ama H. Vanniarachchy, Mr. Keerthi Jayasuriya, Prof. Dananjana Gamalath, Mr. Ranjith Hewage, Mr. Manoj Abhayadheera, and Anuradha Piyadasa lit the traditional oil lamp. This auspicious act signified the start of a night filled with insightful discussions, cultural exchange, and the spirit of collaboration.

sri lankan cultural heritage essay

A Closer Look at Ama H. Vanniarachchy’s Book

Sithani Jayatissa of the Institute of Archaeology and Heritage Studies served as the event’s compere, delivering a warm introduction to both Ama and her book. ‘Essays on Sri Lanka’s Cultural Heritage’ is a timely and important work that delves into the diverse facets of Sri Lankan cultural history, providing readers with a deeper understanding of the island’s rich past.

sri lankan cultural heritage essay

Exploring the Wider World of Cultural Preservation

Following the introduction, the event featured a message from Professor Brent E. Huffman and a screening of his documentary, “Saving Mes Aynak.” This eye-opening film captivated the audience, shedding light on the urgent need for cultural preservation efforts worldwide.

Professor Sahar Saleem then delivered an engaging online presentation, “Image the Past, See the Future,” in which she shared her experiences in paleo-radiology. Attendees were fascinated by her insights and the groundbreaking techniques used to uncover hidden secrets of the past.

A Lively Q&A Session and Distinguished Guests

The Q&A session that followed was highly engaging, with participants asking thought-provoking questions and sharing their perspectives on the topics discussed. Among the notable attendees were Ven. Vetara Mahinda Thero, General Daya Ratnayke, Prof. Gamini Ranasinghe, Prof. Dananjaya Padmapani Gamalath, Ambassador Sarath Wijesinghe, Prof. Rohan Gunarathne, Mr. Keerthi Jayasuriya, and Mr. Manoj Abhayadheera.

sri lankan cultural heritage essay

A Successful Collaboration for the Institute of Archaeology and Heritage Studies

The Institute of Archaeology and Heritage Studies was honored to be a part of this enriching, collaborative event. It served as an excellent platform for fostering dialogue and understanding, furthering the institute’s mission of promoting the study and preservation of Sri Lanka’s cultural heritage.

In conclusion, the launch of Ama H. Vanniarachchy’s ‘Essays on Sri Lanka’s Cultural Heritage’ was a resounding success, highlighting the power of collaboration and the importance of preserving our shared cultural history for future generations.

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sri lankan cultural heritage essay

Essays on Sri Lanka’s Cultural Heritage

sri lankan cultural heritage essay

Volume 1 (September 2020 – May 2022) By Ama H.Vanniarachchy

A Word from the Author

Essays on Sri Lanka’s Cultural Heritage, Volume 1 (September 2020 – May 2022) is a collection of 40 newspaper articles written by me for Ceylon Today Newspaper, between the time of September 2020 – May 2022.

Being a professional journalist and coming from an archaeology background, my interest was naturally directed toward the country’s cultural heritage and its protection. Until the year 2020, I did not have the right platform to voice my concern; in other words, an influential and credible professional platform to speak up on behalf of the country’s cultural heritage. Ceylon Today became my platform.

Journalism has always been a powerful tool for those who have a strong opinion and for those who are vocal about unjust happening around them. It is also the most fitting profession for those who want to be the voice of the voiceless. For me, journalism was the platform to be the voice of my heritage.

Before joining the wonderful family of Ceylon Today, I worked at the Central Cultural Fund, where I witnessed the miserable downfall of Dr.Roland Silva’s dream and vision with my own eyes.

Heritage: Ambassadors of peace (Part VIII)

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Culture - Sri Lanka

Culture Sri Lanka

Culture of Sri Lanka

Sri Lanka is one of the few countries with a very vast and rich cultural diversity. The culture is itself very unique and thereby contributes to the Sri Lankan identity. Sri Lankan culture includes a lot of customs and rituals, whish date to more than 2000 years which were handed down from generation to generation. The most prominent feature of the Sri Lankan is its colourful festivals , which is one of the main tourist attractions. Religion plays an important role in molding the Sri Lankan culture and traditions.

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Sri Lankan culture if often reflected by the use of art, architecture, sculptures ,and even food. Some people would say that Sri Lanka has a more conventional culture which is obviously influenced by the prominent religions prevailing the country such as buddhism, hinduism, islam , etc. The Sri Lankan way of life is very simple and filled with humility and happiness , this is one of the reasons why the Sri Lankans have a very great sense in appreciating the simple things in life such as nature.

One of the main features of the culture is its Indian and Europen influence. Since most of the time Sri Lankan kings married Indian princesses they incorporated Indian culture into ours but still preserving the unique Sri Lankan identity. The European influence was a result of invasion from the Dutch and Portugese and finally the British. Hospitality is also one of the prominent characteristics of the culture, making Sri Lankans one of the friendly nations in the world.

Indigenous medicine

Indigenous medicine ( ayuruvedic )

Indigenous medicine is also a huge part of the culture which even has said to be able to cure terminal diseases such as cancer. These days in Sri Lanka a lot of ayuruvedic spas and clinics are open for tourists who visit the country , which is also considered as one of the major tourist ( recreational ) attractions.

Sri Lankan Cuisine

Sri Lankan Cuisine

The most vital part ( for all the food –lovers ) that dominates our culture is our mouth-watering , exotic food. The recipes might have abit of Indian influence upon it but still it is very unique in its own way. Most of vegetable and fruits dat are used for cooking are sometimes only found in Sri Lanka. Sri Lankan food culminates a variety of spices which integrates the exotic taste of the food. Besides the fact that the food is delicious it is widely believed that the food is made in such a way that provides for a very heathly life style. The best part of the cuisine is that its very versatile, where there are a lot of ways to cook one particular dish, which is great for avoiding monotony.

Visual and Performance Arts

Visual and Performance Arts

Art, music, drama and even architectire also is a part of the cultural fusion. Art plays an integral part in the history of Sri Lanka providing a figurative gold mine to archeologists and anthropologists since art speaks a lot about the Sri Lankan way of life. From castles to frescoes art itself chronicles the history and culture leaving people filled with wonder , reverence and respect.

Tea

Sri Lanka is one of the biggest and best tea producers of tea. Tea is an integral part of the culture since it goes hand in hand with hospitality, every household offers tea to guests everytime, no exceptions. It has been said thet the British Royal Family drinks Sri Lankan Tea.

Education

Sri Lanka is one of the handful of countries that offers free education to children even upto higher education such as doctorates. Because of this reason Sri Lanka has a boasting literacy rate of 97%, a suprisingly high rate for a South-East Asian Country.

Sports

The national sport is volleyball however Sri Lanka has done extremely well in cricket bagging the ICC World Cup in 1996. Rugby , aquatic and motor sports follow next in popularity after the former two sports.

Sri Lankan Martial Arts

Sri Lankan Martial Arts

There are two styles of martial arts native to Sri Lanka, these are Cheena di and Angampora. Chenna Di is more popular of the two whereas Angampora shows a decline in students each year due to the fact of the length of time to master the art.

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Essay on Sri Lankan Culture

Students are often asked to write an essay on Sri Lankan Culture in their schools and colleges. And if you’re also looking for the same, we have created 100-word, 250-word, and 500-word essays on the topic.

Let’s take a look…

100 Words Essay on Sri Lankan Culture

Sri lanka: a tapestry of tradition.

Sri Lanka, an island nation nestled in the Indian Ocean, boasts a vibrant and diverse culture shaped by its rich history, geography, and ethnic diversity. Its people, warm and hospitable, celebrate life with zeal, embracing traditions passed down through generations.

A Symphony of Flavors

Sri Lankan cuisine is a harmonious blend of local and foreign influences, reflecting the island’s diverse history. Rice, the staple food, is accompanied by curries brimming with spices, coconut milk, and fresh vegetables. From fiery curries to delicate sweets, Sri Lankan dishes tantalize taste buds with an array of flavors.

Vibrant Festivals and Arts

Sri Lanka’s cultural heritage shines brightly during its many festivals and celebrations. Traditional dances, colorful costumes, and lively music fill the air as communities come together to honor their traditions. From the grandeur of Kandy Esala Perahera to the rhythmic beats of traditional drumming, Sri Lankan art forms captivate audiences with their beauty and energy.

A Legacy of Craftsmanship

Sri Lanka’s artisans possess remarkable skills, crafting exquisite works of art that reflect the island’s cultural heritage. From intricate wood carvings and delicate pottery to intricate handloom textiles, their creations showcase the dedication and skill that have been passed down through generations.

A Tapestry of Faiths

Sri Lanka is home to diverse religious traditions, including Buddhism, Hinduism, Christianity, and Islam. Temples, mosques, and churches stand side by side, representing the island’s long history of religious tolerance and harmony. The coexistence of different faiths enriches the cultural fabric of Sri Lanka, fostering a spirit of unity and understanding.

250 Words Essay on Sri Lankan Culture

The warm hospitality.

The people of Sri Lanka are known for their warmth and hospitality. They welcome visitors with open arms and go out of their way to make them feel at home. Sri Lankans are always willing to help others, and they are always happy to share their culture and traditions with visitors.

The Rich History

Sri Lanka is a country with a rich and diverse history. The island has been inhabited for thousands of years, and many different civilizations have left their mark there. Visitors can explore the ancient ruins of Anuradhapura and Polonnaruwa, or visit the historic city of Kandy.

The Stunning Natural Beauty

Sri Lanka is a land of stunning natural beauty. It is home to lush rainforests, pristine beaches, and towering mountains. The island is also home to a wide variety of plant and animal life. Visitors can go on safaris in the national parks, go hiking in the mountains, or simply relax on the beach.

The Diverse Culture

Sri Lanka is a diverse country, home to many different cultures and religions. The main ethnic groups are the Sinhalese and the Tamils, but there are also many other smaller groups. The various cultures of Sri Lanka are reflected in the country’s food, music, and dance.

The Conclusion

Sri Lanka is a fascinating and beautiful country with something to offer everyone. From its warm hospitality to its stunning natural beauty, Sri Lanka is a destination that will stay with you long after you leave.

500 Words Essay on Sri Lankan Culture

Sri lankan cuisine: a culinary symphony.

Sri Lankan cuisine is a delightful tapestry of flavors, textures, and aromas that embodies the country’s rich history and diverse influences. Rice is a staple, often served with spicy curries made from coconut milk, fresh vegetables, and an array of aromatic spices. Kottu Roti, a stir-fried flatbread with vegetables, meat, and eggs, is a popular street food. Lamprais, a Dutch-influenced dish, combines rice, meat, and vegetables wrapped in a banana leaf and steamed. And don’t forget the delectable sweet treats like Kavum, a coconut toffee, and Aluwa, a sweet made from rice flour and jaggery.

Sri Lankan Dance: A Rhythmic Extravaganza

Sri Lankan dance is an expression of the country’s vibrant culture and heritage. Traditional dances like Kandyan Dancing, originating from the hill country, are characterized by elaborate costumes, intricate footwork, and graceful movements. They tell stories of mythology, history, and daily life. The energetic and colorful fire dance, known as Fire Devils, is a captivating spectacle, while the rhythmic beats of the drums accompany the mesmerizing movements of the dancers.

Sri Lankan Festivals: A Celebration of Life

Sri Lanka is known for its vibrant festivals that reflect the country’s diverse religious and cultural traditions. The Sinhala and Tamil New Year, celebrated in April, marks the beginning of the new year with feasts, music, games, and traditional rituals. Vesak, the festival of lights, commemorates the birth, enlightenment, and passing away of Lord Buddha and is celebrated with colorful lanterns, processions, and acts of kindness. Deepavali, the festival of lights, is celebrated by the Hindu community with oil lamps, fireworks, and traditional sweets.

Traditional Sri Lankan Dress: Elegance and Simplicity

Sri Lankan traditional dress showcases the country’s rich cultural heritage. For women, the Kandyan saree, made of fine cotton or silk, is meticulously draped and adorned with intricate embroidery and jewelry. The osariya, a colorful cloth worn over the shoulder, adds an elegant touch. Men wear the sarong, a long piece of fabric wrapped around the waist, often paired with a shirt or kurta. Both men and women wear elaborately designed jewelry, symbolizing their cultural and social status.

Sri Lankan Crafts: A Showcase of Skill and Creativity

Sri Lanka has a long tradition of skilled craftsmanship, evident in its diverse range of handicrafts. Intricate wood carvings, delicate handwoven textiles, and stunning batiks reflect the country’s rich artistic heritage. The intricate designs and motifs tell stories of Sri Lankan culture, history, and mythology. These crafts are not only beautiful but also serve a purpose, from clothing and household items to decorative pieces that adorn homes and temples.

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Colombo - democratic socialist republic of sri lanka, culture and heritage.

Sri Lanka is one of the few countries with a very vast and rich cultural diversity. The culture is itself very unique and thereby contributes to the Sri Lankan identity. Sri Lankan culture includes a lot of customs and rituals, which date to more than 2000 years which were handed down from generation to generation. The most prominent feature of the Sri Lankan culture is its colourful festivals, which is one of the main tourist attractions. Religion plays an important role in molding the Sri Lankan culture and traditions.

Sri Lankan culture if often reflected by the use of art, architecture, sculptures, and even food. Some people would say that Sri Lanka has a more conventional culture which is obviously influenced by the prominent religions prevailing the country such as Buddhism, Hinduism, Islam, etc. The Sri Lankan way of life is very simple and filled with humility and happiness; this is one of the reasons why the Sri Lankans have a very great sense in appreciating the simple things in life such as nature.

One of the main features of the culture is its Indian and European influence. Since most of the time Sri Lankan kings married Indian princesses they incorporated Indian culture into ours but still preserving the unique Sri Lankan identity. The European influence was a result of invasion from the Dutch and Portuguese and finally the British. Hospitality is also one of the prominent characteristics of the culture, making Sri Lankans one of the friendly nations in the world.

Sri Lankan culture is a rich blend of the interaction of diverse cultural patterns both indigenous and derived from, trade, religions, as well as, western colonization. The cultural patterns of Sri Lanka today show the lasting impact of a diverse range of cultures.

The overall culture is largely the result of the impact of the introduction of Buddhism, more than 2,300 years ago. This does not erase the heavy influence of Hinduism, together with the lesser impact of Islam, Zoroastrianism, and Christianity, in addition to the pre-Buddhist worship of deities and animism, some of which still remain in the traditions and rituals of the country.

At a time when other societies in the world were boasting of their martial prowess, Sri Lankan society had embraced a religious philosophy based on the rational, where tolerance played a most significant part. Buddhism as it developed in Sri Lanka was not an exclusive state religion, but was rich in its philosophical content to let other breezes too flow into the country. The close proximity to South India saw the impact of Hinduism in the country grows, but not diminishing the overall acceptance of Buddhism.

The movie Kadawunu Poronduwa (The broken promise), produced by S. M. Nayagam of Chitra Kala Movietone, heralded the coming of Sri Lankan cinema in 1947. Ranmuthu Duwa (Island of treasures, 1962) marked the transition cinema from black-and-white to color. In recent years, Sri Lankan cinema has featured subjects such as family melodrama, social transformation, and the years of conflict between the military and the LTTE. Their cinematic style is similar to Bollywood movies. In 1979, movie attendance rose to an all-time high, but a gradual downfall has been recorded since then. Undoubtedly, the most influential and revolutionary filmmaker in the history of Sri Lankan cinema is Lester James Peiris, who has directed a number of movies which received global acclaim, including Rekava (Line of destiny, 1956), Gamperaliya (The changing village, 1964), Nidhanaya (The treasure, 1970), and Golu Hadawatha (Cold Heart, 1968.)There are many cinemas in the city areas.

Literature  

Sri Lankan literature is the literary tradition of Sri Lanka. The largest part of Sri Lankan literature was written in the Sinhala language, but there is a considerable amount of works in other languages used in Sri Lanka over the millennia (including Pāli, Tamil, and English).However the language used for the ancient timing was much different to the language used in Sri Lanka now. 

Up to the present, short stories are a very important part of Sri Lankan literature; the output of Sinhalese short story writers is greater than that of the Tamil and English writers combined and has elicited a greater measure of critical analysis.

Sports play a very important part in Sri Lankan culture. Since the society is rich with educated people, the people find playing a sport to be an important aspect of life.

The most popular sport in Sri Lanka is cricket, and as such, there are many cricket fields scattered across the Island for children and adults to play the sport.

After the 1996 Cricket World Cup triumph of the Sri Lanka national cricket team, the sport became the most watched in the country. Also, Sri Lanka has won the T/20 World cup finals in 2014.

Volleyball is the national game of Sri Lanka but it is not as popular as cricket.

Olympic Games

Sri Lanka first participated at the Olympic Games in 1948, and has sent a delegation to every Summer Olympic Games since then, except for the 1976 Games. Sri Lanka has never participated in the Winter Olympic Games.

Sri Lankan athletes have won a total of two Olympic silver medals, both in athletics.

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Sri Lanka’s cultural heritage portrays the majestic beauty of the island’s bygone era, which has been influenced by Ceylonese kings, colonial rulers, and the country’s prominent religions, such as Buddhism, Hinduism, Islam, and Christianity. Its cultural richness has been recognized around the globe, with certain magnificent sites being declared as UNESCO World Heritage Sites.

Top 10 Cultural Heritage Sites

The island’s most sacred and significant temple, housing the Sacred Tooth Relic of Gautama Buddha.

Also known as the Lion Rock, Sigiriya was built in the 5th-century by King Kashyapa I. The fortress was the capital of the Sinhalese Kingdom until King Kashyapa I was defeated in A.D 495 by Moggallana, his own half-brother.

Walking through the streets of Galle is like walking into history when you soak in the past through its colonial splendor. This small town with a lot of historical buildings will give you a feel of an old European town.

Mihintale is the sacred place where Buddhism was first introduced to the ancient King Devanampiya Tissa.

After drafting Chola invaders who had been ruling Polonnaruwa for half a century, the medieval King Vijayabahu I chose Polonnaruwa as his capital.

A single most beautiful rock temple complex built on top of a 160 meter high rock with magnificent views of the surroundings, including Sigiriya.

Believed to be a miraculous shrine among many devotees, St. Anthony’s church is one of the most interesting shrines in Colombo.

Having produced many great rulers who invented what Sri Lanka is now, Anuradhapura is the one of the main destinations to visit on the island.

Also known as the Red Mosque or Rathu Palliya among locals, this is a unique piece of architecture with its red and white candy-striped brick work.

An amazing architectural masterpiece is the largest parish cathedral in Sri Lanka.

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sri lankan cultural heritage essay

A transcendent experience of sound and spirit awaits as the Muslim Choral Ensemble of Sri Lanka presents “An’Nur” at the Lionel Wendt Theatre on Sunday 2 June at 7 p.m. This ground-breaking musical revelation promises an evening of profound cultural resonance, celebrating the rich heritage, the symphony of devotion, and the transformative essence of Islamic spiritual tradition. From the ancient roots of Arab traders in the 7th century to the dynamic mosaic of modern society, the Muslims of Sri Lanka have long been stewards of a vibrant cultural legacy. An’Nur is a testament to their enduring influence, weaving together a mesmerising array of meticulously curated Islamic pieces, qasida, zikr recitations, and Sufi styles. Founded in 2017 by the visionary Haadia Galely, in collaboration with esteemed Artistic Director André de Quadros co-founder and Associate Artistic Director Manoj Sanjeewa, the ensemble emerged from humble beginnings to stand out as an undertaking working towards a plan beyond entertainment. Despite initial challenges and preconceived notions, their unwavering dedication to their mission has seen them flourish, transcending boundaries and stereotypes.

An’nur is more than just a performance; it is a celebration of meticulously curated renditions of ancient Islamic pieces, qasida, zikr recitations, and Sufi styles. The ensemble weaves a mesmerising collection that resonates with the soul of Islamic spirituality. Yet, the ensemble’s journey is not just about melodies. It’s about fostering a sense of unity and respect. With a firm commitment to inclusivity, the ensemble is a shining example of unity in diversity. Their dedication to preserving Islamic cultural traditions while embracing their members’ diverse backgrounds underscores their unwavering respect for heritage and mutual understanding, making everyone feel valued and respected. As the curtain rises on An’nur, the Muslim Choral Ensemble invites you to join them on a journey of discovery, enlightenment, and harmony. For those who have tirelessly dedicated themselves to this noble cause, their passion knows no bounds – driven by the soulful conviction through what they deliver, they promise to go beyond to unite hearts and minds.

An’Nur by the Muslim Choral Ensemble will be staged on Sunday, 2 June, at 7 p.m. Lionel Wendt Theatre, Colombo 7. Tickets priced at Rs. 2,500, Rs. 1,500, Rs. 500 are now available on Mytickets.lk For inquiries, please call Sajeda at: + 94 77 735 3002 or visit www.muslimchoralensemble.com

sri lankan cultural heritage essay

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He Brought Two Toothbrush Kits on Their First Date

Bryan Braswell knew crab curry could get a little messy on his first date with Caroline White at a Sri Lankan restaurant. So he came prepared.

A bride and groom look at each other standing outside their wedding venue, and are holding hands. There is a weather vane atop a turret behind them.

By Rosalie R. Radomsky

Bryan Emil Braswell knew his favorite crab curry dish could get a little messy. So he came prepared on his first date with Caroline Octavia White in October 2020 at Sigiri, a Sri Lankan restaurant in the East Village of Manhattan.

He pulled out two toothbrush kits after he ordered the dish for them.

“She laughed when I gave it to her,” Mr. Braswell said. (In the end, he used the toothbrush and floss; she did not.)

In September, Ms. White had swiped right on Hinge, intrigued by a photo of him standing in front of a painting. She figured, like her, he could be an artist. Or, at the very least, interested in art.

“We had these side hustles,” said Ms. White, a ceramist. She was thrilled when he turned out to be a painter.

She runs Grayson White Ceramics in a studio in her parents’ converted garage in Montclair, N.J., making earthy tableware — mainly mugs and bowls — as well as her signature black ink splattered white stoneware.

Ms. White, who graduated with a bachelor’s degree in English from Wesleyan and received an M.B.A. from Simmons School of Management in Boston, is also a vice president of communications at Wells Fargo, the financial services company.

Mr. Braswell, who graduated with a bachelor’s degree in history from the University of North Carolina, Wilmington, where he also received a master’s of public administration, painted large acrylic-on-canvas portraits, influenced by pop art and street art, in his South Bronx apartment.

Mr. Braswell recently became the operations analyst at the Gateway Development Commission in New York, overseeing the expansion of the railway infrastructure from Penn Station to Newark, N.J.

As the two messaged on Hinge, Mr. Braswell, who had been catfished once, quickly got Ms. White’s phone number, and reached out in an “unsolicited” FaceTime to make sure she was real.

“I was pleasantly surprised,” he said. “She was warm and friendly.” Another surprise: He and Ms. White, who has a twin brother, share the same birthday — Aug. 15, 1986. (Her parents now call them “the triplets.”)

So he asked to see her driver’s license as proof. “She passed inspection,” he said with a laugh.

When they finally met in mid-October after work, “he had the kindest eyes,” she said, a feature emphasized by the fact that they were both wearing masks. After dinner, they stopped at a now-closed bar that was auspiciously called August, like their birthday month. They shared a dish of ice cream.

Later that evening, she pulled away when he tried to hold her hand. “It was a swing and a miss,” he said.

[Click here to binge read this week’s featured couples.]

They hugged goodbye, and he set up a surprise date for that weekend — a private D.J. lesson in Bushwick, Brooklyn. Later they had tacos and margaritas at a Mexican restaurant, and not only held hands, but also shared a first kiss.

As they chatted in her parked car, he mentioned that he would be moving to Denver for a job with a nonprofit organization in December.

“I was playing it cool,” she said, but was taken aback.

A few days later, while she was in the Poconos with her brother and his friends, he texted asking if she wanted to continue seeing him.

“If not, then that’s OK,” he added when there was a pause. “I’ve enjoyed getting to know you.”

She called him as soon as she saw that message, and cleared the air. The delays were “due to bad cell service,” she said.

They began dating seriously, and after Christmas she visited him in Denver, where she worked remotely for about a month and a half.

In January 2022, as she was about to move to Colorado, Mr. Braswell got a job in New York. So instead, they moved into a Harlem brownstone. They fell into a rhythm of visiting museums and galleries, and he ran in Central Park and along the Hudson River.

On April 1, 2022, with her father’s blessing, he proposed during her mother’s 70th surprise birthday party. “Bryan gets up to speak,” she recalled. “I see this line of people coming in. I see his cousin from Atlanta. His mom. Oh my gosh!”

After he got down on one knee, she said, “I do,” followed quickly by “Yes.”

On May 3, Jor-El Caraballo, a Universal Life minister and an Alpha Phi Alpha fraternity brother of the groom, officiated their wedding before 160 guests at Pleasantdale Château, an events venue in West Orange, N.J. The couple, both 37, jumped the broom in the African-American tradition, and their first dance was to the Isley Brothers’ “Voyage to Atlantis.”

“All my groomsmen got a travel toothbrush kit in their gift bags,” Mr. Braswell said.

Weddings Trends and Ideas

Keeping Friendships Intact: The soon-to-be-married couple and their closest friends might experience stress and even tension leading up to their nuptials. Here’s how to avoid a friendship breakup .

‘Edible Haute Couture’: Bastien Blanc-Tailleur, a luxury cake designer based in Paris, creates opulent confections for high-profile clients , including European royalty and American socialites.

Reinventing a Mexican Tradition: Mariachi, a soundtrack for celebration in Mexico, offers a way for couples to honor their heritage  at their weddings.

Something Thrifted: Focused on recycled clothing , some brides are finding their wedding attire on vintage sites and at resale stores.

Brand Your Love Story: Some couples are going above and beyond to personalize their weddings, with bespoke party favors and custom experiences for guests .

Going to Great Lengths : Mega wedding cakes are momentous for reasons beyond their size — they are part of an emerging trend of extremely long cakes .

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    A transcendent experience of sound and spirit awaits as the Muslim Choral Ensemble of Sri Lanka presents "An'Nur" at the Lionel Wendt Theatre on Sunday 2 June at 7 p.m. This ground-breaking musical revelation promises an evening of profound cultural resonance, celebrating the rich heritage, the symphony of devotion, and the transformative essence of Islamic spiritual tradition. From the ...

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