how to write a essay middle school

How to write a perfect essay

Need to write an essay? Does the assignment feel as big as climbing Mount Everest? Fear not. You’re up to the challenge! The following step-by step tips from the Nat Geo Kids Almanac will help you with this monumental task. 

Sometimes the subject matter of your essay is assigned to you, sometimes it’s not. Either way, you have to decide what you want to say. Start by brainstorming some ideas, writing down any thoughts you have about the subject. Then read over everything you’ve come up with and consider which idea you think is the strongest. Ask yourself what you want to write about the most. Keep in mind the goal of your essay. Can you achieve the goal of the assignment with this topic? If so, you’re good to go.

WRITE A TOPIC SENTENCE

This is the main idea of your essay, a statement of your thoughts on the subject. Again, consider the goal of your essay. Think of the topic sentence as an introduction that tells your reader what the rest of your essay will be about.

OUTLINE YOUR IDEAS

Once you have a good topic sentence, you then need to support that main idea with more detailed information, facts, thoughts, and examples. These supporting points answer one question about your topic sentence—“Why?” This is where research and perhaps more brainstorming come in. Then organize these points in the way you think makes the most sense, probably in order of importance. Now you have an outline for your essay.

ON YOUR MARK, GET SET, WRITE!

Follow your outline, using each of your supporting points as the topic sentence of its own paragraph. Use descriptive words to get your ideas across to the reader. Go into detail, using specific information to tell your story or make your point. Stay on track, making sure that everything you include is somehow related to the main idea of your essay. Use transitions to make your writing flow.

Finish your essay with a conclusion that summarizes your entire essay and 5 restates your main idea.

PROOFREAD AND REVISE

Check for errors in spelling, capitalization, punctuation, and grammar. Look for ways to make your writing clear, understandable, and interesting. Use descriptive verbs, adjectives, or adverbs when possible. It also helps to have someone else read your work to point out things you might have missed. Then make the necessary corrections and changes in a second draft. Repeat this revision process once more to make your final draft as good as you can.

Download the pdf .

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A Quick Guide to Teaching Any Middle School Academic Essay

Using the six traits of writing as common language for teaching any academic essay.

Whenever I met with my middle school English department, sat down with a colleague to collaborate, or simply talked to other others that teach any type of writing, the question would always come up: “So, how do you teach the essay anyway?” The academic essay is often largely subjective in terms of skill sequence and design involved in a unit plan. As I get the opportunity to work with more and more teachers, I find that this type of assignment is largely assigned based on the teacher’s own personal learning experiences, the teacher’s experiences with their mentor teacher, or a commonly known set of skills that everyone thinks is accurate. I am not saying that my way to teach any academic essay is better than anyone else’s method of teaching the essay. This post serves as a starting point for a larger discussion about how the genre of academic essays is implemented throughout the various grade levels. The goal should always be consistent. For the sake of this post, I am going to use the Six Traits of Writing as a common language to talk about how writing is taught in a classroom. I like the six traits of writing because all of the terms used can apply to many different types of writing. Throughout this post, you will find examples and tips on how to approach each part of the academic essay.

What do I mean by academic essay?

An academic essay boils down to an essay that is assigned with a specific prompt and has a particular structure. There is a common expectation for how the assignment will be graded whether that involves teacher feedback, rubrics, or other evaluation tools. This could include many different types of writing including, but not limited to:

Narrative (Personal, descriptive, viewpoint, historical, linear, non-linear)

Expository (Informational, cause & effect, problem & solution, compare & contrast, definition, classification, process)

Argumentative (Persuasive, research, analysis, personal)

Literary Analysis (8th-grade and higher) Note: Literary Analysis is not included in this post.

The expectation is that everyone completes a similar assignment under a number of specified guidelines and a certain set of skills are included in the objectives of the assignment.

Why the Six Traits of Writing?

Use your writing voices.

VOICES is an acronym to remember each part of the Six Traits of Writing. The Six Traits of Writing is a writing framework made largely popular with the books created by Ruth Culham. Often, they are also called Six +1 Traits of Writing when you add the element of Presentation into the equation. Again, this framework applies to all types of writing, so as we move throughout the blog post, you will see how I apply the ideas of the Six Traits of Writing to the academic essay. I also use this framework to help guide my feedback. This is a bonus if you are a newer or pre-service teacher and you are asked, “How are you going to grade this assignment?” Some of these feedback points can be great places to start when it comes to assessing student work.

While it is called VOICES as a way to help you remember what the Six Traits of Writing are called, the order they should be taught is the following:

Organization

Word Choice

Sentence Fluency

Conventions

In middle school, the majority of the time spent on teaching material is on ideas and organization; however, I find many teachers get caught up with teaching and assessing conventions and word choice. While they are important, it is more important to make sure that the awesome ideas that kids have in their minds are getting down on the page. There are some classes that never move on from ideas and organization. As long as you are meeting students where they are, you are able to help move them forward.

The goal is to balance all of the Six Traits of Writing in any given writing piece.

The Six Traits of Writing Explanation and Examples

Voice -the tone and presentation of the piece.

Voice will be determined by the genre of writing. When we start the year with narrative writing, students are introduced to points of view and the first-person, second-person, and third-person. Often, for more informal writing, first-person narration and pronouns are used quite often. In more formal papers like an argument paper or a research paper, a teacher might specify to use third-person narration and pronouns only. This would take the many “I think that…” out of a student’s writing piece and replace them with more direct examples.

Some standards to go by if stuck:

Narrative Writing uses first-person and second-person

Expository Writing uses first-person and third-person depending on the assignment

Argumentative Writing uses third-person depending on the assignment

Example Voice Teacher Feedback Comments:

Third person pronouns only 

Too informal of a tone, writing sounds like a casual conversation 

Robot writing. Writing does not sound like you. 

Remove narration of your own writing. Example: I’m going to show you an example of...

Organization -How the writing is presented to the reader, what goes where

The organization of an academic essay largely depends on who is teaching the setup. All teachers should include examples and give a lesson on how they think an essay should be organized before assigning a paper. Many teachers start with the five-paragraph model as a beginning point on how to show students what a piece of writing should look like. Some people despise the five-paragraph essay. For the sake of this post, I am going to show you the setup that worked for me for over 10+ years of teaching for both a paragraph with evidence and an overall essay. The organization will change depending on genre and assignment, but these are two examples to get you started.

Paragraph Setup:

Topic Sentence

Supporting Detail-Introduces Evidence

Supporting Detail-States and Cites Evidence

Supporting Detail-Explains Evidence (This part may be more than 1 sentence depending on the amount of evidence presented)

Concluding Sentence/Transition

Essay Setup:

Introduction

Hook/Attention Grabber

Summary of Issue/Topic

Claim Statement/Position Statement/Thesis Statement

Body Paragraph (Similar to Paragraph Setup Above)

Topic Sentence (Goes back to claim reason)

**Repeat for each body paragraph**

Restate Claim

Review Reasons

Call-to-Action

Example Organization Teacher Feedback Comments:

Hook missing. 

Topic sentences need to go back to reason in the claim 

Introduce evidence with a signal phrase 

Needs transition words between paragraphs 

Needs to restate the claim in the conclusion 

The conclusion needs to have a call-to-action 

New idea=new paragraph! 

Needs a creative title. 

Paragraph off-topic 

Missing evidence to support reasons

Ideas- The main idea, supporting details, evidence, and explanation

Ideas are the heart of any good paper. This is where you get the argument, the main idea, or the details that really bring the paper to life. Ideas should be the first thing discussed and brainstormed in the writing process. I often recommend using a graphic organizer to help students get their ideas down in a logical way.

Example Ideas Teacher Feedback Comments:

Claim is missing 

More background information/summary needed in the introduction

Provide more explanation of evidence in your paragraphs. State why the evidence matters and how it relates to the reason. 

Counter-claim is not present/not clear

A repeat of ideas already stated before. 

Remove personal opinion 

Stating the obvious. 

Remove retell of a book or story

Conventions -Editing process involving grammar, punctuation, spelling, and capitalization

Conventions are the typical copy-editing marks that get circled or corrected on a draft. The use of computers has largely made spelling errors an easy conventions mistake to fix before draft turn-in day. Capitalization is also easily corrected. The ideas around grammar and punctuation may require more direct teaching or lessons to help kids learn the rules around these areas.

Example Conventions Comments:

Spelling. Misspelled word. 

Comma usage. Insert or delete a comma. 

Period usage: Insert or delete a period. 

Capitalization error(s) 

Missing quotation marks. 

Punctuation with quotation marks. Periods and commas always go inside quotation marks. 

Cite evidence with quotation marks and page number 

Indent paragraphs. 

Title formatting. Italicize book titles! 

Excellent Word Choice -Vivid word selections to help with meaning, clarity, and interest

This is where the revision and editing process can get more fun! Helping students learn about vivid verbs and swapping out the general “things” and “stuff” for more interesting words is half the fun when working with students on an academic essay. Perhaps, if you have a group of students who use a ton of boring words over and over again, you can have a sort of “word funeral” to outlaw them from some drafts. I did this around Halloween one year, and the kids loved it. You can also have them doing brainstorms on posters for words that are better to use in their papers. Kids love synonyms. Show them how awesome words are on paper and in real life.

Example Word Choice Comments:

Unnecessary words. This section is fluff, filler, or material that just takes up space without saying anything new. 

Overused word (s). You seem to use the same word over and over again. 

Switch out the word for a more interesting word. Find a synonym. 

Needs powerful and active verbs. 

Include more adjectives to help your writing with description. 

Write out the number. Example 2=two. 

Write in present tense. You are talking ABOUT the text now. 

Vague pronoun

Sentence Fluency -How the writing SOUNDS, the rhythm and pace

This is one of the more advanced traits to teach, and also the reason why it is second to last on my priority list when I am looking at the Six Traits of Writing. In middle school, you will be focusing on sentence fragments and run-ons. These can also be helped with lessons on punctuation. The goal is to help kids realize that their writing has a particular sound, and the bigger goal is to help them realize that their writing should sound like them-no matter the voice they are using in their writing.

Example Sentence Fluency Comments:

Awkward phrasing/choppy. Avoid choppiness in your writing. You likely have stacked several short sentences together or repeatedly used the same sentence starter. Combine sentences together to connect your ideas and make your writing flow. 

Vary how you start sentences. Start sentences with different words. 

Vary your sentence length. A lot of your writing sounds the same because the sentences are the same length. 

Sentence fragment. A sentence must have a complete thought. Your sentence is missing a piece. 

Run-on sentence. Break up your longer sentence into two or three.

Grab an Example Essay Guide in the Digital Downloads Shop!

Want more examples? Want to check out grading best practices for assignments like these?

Read more >>.

Writing Mindset Reflection: How do you teach the academic essay? What is your favorite part of the writing process?

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by Michelle Boyd Waters, M.Ed.  

A Plethora Of Writing Examples For Middle School (& High School)

October 14, 2014 in  Pedagogy

When I started my first job as a professional newspaper reporter (This job also served as an internship during my junior year in college — I just didn’t leave for about 6 years.), I quickly realized that all my experience, and all my years of journalism education had not been enough to help me write stories about drug busts, fatal car accidents and tornadoes. All the theoretical work I’d done, and all of the nifty little scholastic and collegiate stories I had done, did not prepare me for real world writing.

At that point, I had to find a solution quickly. After all, I had a deadline to meet, and it was only a few hours away.

One of my colleagues, who also served as a mentor, had the solution. She introduced me to the newspaper’s “morgue.” This was a room filled with filing cabinets in which we kept old — dead — stories arranged by reporter. Whenever I wasn’t’ sure how to write a story, all I had to do was check the morgue for similar stories. If I needed to write a story about a local drug bust, for example, I’d find another story on a similar incident, study its structure, and mentally create a formula in which to plugin the information I’d gathered.

Once I’d gained more experience, and had internalized the formula for that particular type of story, I felt free to branch out as the situation — and my training — warranted.

I do the same thing when I want to write a type of letter, brochure, or report that I’ve never written before.

This is what writing looks like in the real world.

Of course, if you’re a new teacher like me, there is one problem with providing mentor texts to my students: I have a dearth of middle school level writing sitting around in my file cabinets.

Fortunately, the Internet is full of sources, so I scoured the bowels of Google to find examples. I know how busy you are, so I’m sharing.

Expository writing examples for middle school

Below are several sources of expository writing samples for middle school students.

• The Write Source Expository Writing Samples
• Holt, Rinehart, Winston Expository Essay Models

Finally, here is an article in the New York Times that will help you teach your students  real-world expository writing skills .

Descriptive writing examples for middle school

• Descriptive Writing Samples from Novels
• Milwaukee Public Schools Descriptive Essay Samples (p. 137)
• Holt, Rinehart, Winston Descriptive Essay Models

Narrative writing examples for middle school

• Writing Samples by Steve Peha (PDF)
• The Write Source Narrative Writing Samples
• Oregon Department of Education Scored Writing Samples (Ideas and Organization)
• Oregon Department of Education Scored Writing Samples (Sentence Fluency and Conventions)
• Oregon Department of Education Scored Writing Samples (Voice and Word Choice)
• Oregon Department of Education High School Scored Narrative and Argumentative Writing Samples
• Holt, Rinehart, Winston Narrative Essay Models

Argumentative/persuasive writing examples for middle school

• The Write Source Persuasive Writing Samples
• Holt, Rinehart, Winston Persuasive Essay Models

Reflective writing examples for middle school

• Reflective essay examples from Lake Washington Girls Middle School

If you know of any other online writing example sources, please feel free to share them in the comments below.

Related topics: Argumentative Writing , Informative Writing , Mentor Texts , Narrative Writing

About the author 

Michelle Boyd Waters, M.Ed.

I am a secondary English Language Arts teacher, a University of Oklahoma student working on my doctorate in Instructional Leadership and Academic Curriculum with an concentration in English Education and co-Editor of the Oklahoma English Journal. I am constantly seeking ways to amplify students' voices and choices.

This is very, very helpful. Thank you for sharing!

As a new middle school teacher (coming from elementary) this was very helpful and encouraging.

Thank you very much for letting me know. I’m glad that I was able to help you!

Thank you! I’m glad I can help.

Your welcome

This is super helpful. Thank you!

These links are a fantastic help. Thank you!

This helped me BUNCHES! Thanks so much!

thanks so much!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!!! XD

These links are now dead 🙁

Thank you for notifying me! I have updated the post to include new (live!) links. Some of them are geared towards high school, but I think we can still use them as exemplars of what we want our students to aim for.

Comments are closed.

Essay Writing: A complete guide for students and teachers

P LANNING, PARAGRAPHING AND POLISHING: FINE-TUNING THE PERFECT ESSAY

Essay writing is an essential skill for every student. Whether writing a particular academic essay (such as persuasive, narrative, descriptive, or expository) or a timed exam essay, the key to getting good at writing is to write. Creating opportunities for our students to engage in extended writing activities will go a long way to helping them improve their skills as scribes.

But, putting the hours in alone will not be enough to attain the highest levels in essay writing. Practice must be meaningful. Once students have a broad overview of how to structure the various types of essays, they are ready to narrow in on the minor details that will enable them to fine-tune their work as a lean vehicle of their thoughts and ideas.

In this article, we will drill down to some aspects that will assist students in taking their essay writing skills up a notch. Many ideas and activities can be integrated into broader lesson plans based on essay writing. Often, though, they will work effectively in isolation – just as athletes isolate physical movements to drill that are relevant to their sport. When these movements become second nature, they can be repeated naturally in the context of the game or in our case, the writing of the essay.

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Planning an essay

The Boys Scouts’ motto is famously ‘Be Prepared’. It’s a solid motto that can be applied to most aspects of life; essay writing is no different. Given the purpose of an essay is generally to present a logical and reasoned argument, investing time in organising arguments, ideas, and structure would seem to be time well spent.

Given that essays can take a wide range of forms and that we all have our own individual approaches to writing, it stands to reason that there will be no single best approach to the planning stage of essay writing. That said, there are several helpful hints and techniques we can share with our students to help them wrestle their ideas into a writable form. Let’s take a look at a few of the best of these:

BREAK THE QUESTION DOWN: UNDERSTAND YOUR ESSAY TOPIC.

Whether students are tackling an assignment that you have set for them in class or responding to an essay prompt in an exam situation, they should get into the habit of analyzing the nature of the task. To do this, they should unravel the question’s meaning or prompt. Students can practice this in class by responding to various essay titles, questions, and prompts, thereby gaining valuable experience breaking these down.

Have students work in groups to underline and dissect the keywords and phrases and discuss what exactly is being asked of them in the task. Are they being asked to discuss, describe, persuade, or explain? Understanding the exact nature of the task is crucial before going any further in the planning process, never mind the writing process .

BRAINSTORM AND MIND MAP WHAT YOU KNOW:

Once students have understood what the essay task asks them, they should consider what they know about the topic and, often, how they feel about it. When teaching essay writing, we so often emphasize that it is about expressing our opinions on things, but for our younger students what they think about something isn’t always obvious, even to themselves.

Brainstorming and mind-mapping what they know about a topic offers them an opportunity to uncover not just what they already know about a topic, but also gives them a chance to reveal to themselves what they think about the topic. This will help guide them in structuring their research and, later, the essay they will write . When writing an essay in an exam context, this may be the only ‘research’ the student can undertake before the writing, so practicing this will be even more important.

RESEARCH YOUR ESSAY

The previous step above should reveal to students the general direction their research will take. With the ubiquitousness of the internet, gone are the days of students relying on a single well-thumbed encyclopaedia from the school library as their sole authoritative source in their essay. If anything, the real problem for our students today is narrowing down their sources to a manageable number. Students should use the information from the previous step to help here. At this stage, it is important that they:

●      Ensure the research material is directly relevant to the essay task

●      Record in detail the sources of the information that they will use in their essay

●      Engage with the material personally by asking questions and challenging their own biases

●      Identify the key points that will be made in their essay

●      Group ideas, counterarguments, and opinions together

●      Identify the overarching argument they will make in their own essay.

Once these stages have been completed the student is ready to organise their points into a logical order.

WRITING YOUR ESSAY

There are a number of ways for students to organize their points in preparation for writing. They can use graphic organizers , post-it notes, or any number of available writing apps. The important thing for them to consider here is that their points should follow a logical progression. This progression of their argument will be expressed in the form of body paragraphs that will inform the structure of their finished essay.

The number of paragraphs contained in an essay will depend on a number of factors such as word limits, time limits, the complexity of the question etc. Regardless of the essay’s length, students should ensure their essay follows the Rule of Three in that every essay they write contains an introduction, body paragraphs, and a conclusion.

Generally speaking, essay paragraphs will focus on one main idea that is usually expressed in a topic sentence that is followed by a series of supporting sentences that bolster that main idea. The first and final sentences are of the most significance here with the first sentence of a paragraph making the point to the reader and the final sentence of the paragraph making the overall relevance to the essay’s argument crystal clear. 

Though students will most likely be familiar with the broad generic structure of essays, it is worth investing time to ensure they have a clear conception of how each part of the essay works, that is, of the exact nature of the task it performs. Let’s review:

Common Essay Structure

Introduction: Provides the reader with context for the essay. It states the broad argument that the essay will make and informs the reader of the writer’s general perspective and approach to the question.

Body Paragraphs: These are the ‘meat’ of the essay and lay out the argument stated in the introduction point by point with supporting evidence.

Conclusion: Usually, the conclusion will restate the central argument while summarising the essay’s main supporting reasons before linking everything back to the original question.

ESSAY WRITING PARAGRAPH WRITING TIPS

●      Each paragraph should focus on a single main idea

●      Paragraphs should follow a logical sequence; students should group similar ideas together to avoid incoherence

●      Paragraphs should be denoted consistently; students should choose either to indent or skip a line

●      Transition words and phrases such as alternatively , consequently , in contrast should be used to give flow and provide a bridge between paragraphs.

HOW TO EDIT AN ESSAY

Students shouldn’t expect their essays to emerge from the writing process perfectly formed. Except in exam situations and the like, thorough editing is an essential aspect in the writing process. 

Often, students struggle with this aspect of the process the most. After spending hours of effort on planning, research, and writing the first draft, students can be reluctant to go back over the same terrain they have so recently travelled. It is important at this point to give them some helpful guidelines to help them to know what to look out for. The following tips will provide just such help: 

One Piece at a Time: There is a lot to look out for in the editing process and often students overlook aspects as they try to juggle too many balls during the process. One effective strategy to combat this is for students to perform a number of rounds of editing with each focusing on a different aspect. For example, the first round could focus on content, the second round on looking out for word repetition (use a thesaurus to help here), with the third attending to spelling and grammar.

Sum It Up: When reviewing the paragraphs they have written, a good starting point is for students to read each paragraph and attempt to sum up its main point in a single line. If this is not possible, their readers will most likely have difficulty following their train of thought too and the paragraph needs to be overhauled.

Let It Breathe: When possible, encourage students to allow some time for their essay to ‘breathe’ before returning to it for editing purposes. This may require some skilful time management on the part of the student, for example, a student rush-writing the night before the deadline does not lend itself to effective editing. Fresh eyes are one of the sharpest tools in the writer’s toolbox.

Read It Aloud: This time-tested editing method is a great way for students to identify mistakes and typos in their work. We tend to read things more slowly when reading aloud giving us the time to spot errors. Also, when we read silently our minds can often fill in the gaps or gloss over the mistakes that will become apparent when we read out loud.

Phone a Friend: Peer editing is another great way to identify errors that our brains may miss when reading our own work. Encourage students to partner up for a little ‘you scratch my back, I scratch yours’.

Use Tech Tools: We need to ensure our students have the mental tools to edit their own work and for this they will need a good grasp of English grammar and punctuation. However, there are also a wealth of tech tools such as spellcheck and grammar checks that can offer a great once-over option to catch anything students may have missed in earlier editing rounds.

Putting the Jewels on Display: While some struggle to edit, others struggle to let go. There comes a point when it is time for students to release their work to the reader. They must learn to relinquish control after the creation is complete. This will be much easier to achieve if the student feels that they have done everything in their control to ensure their essay is representative of the best of their abilities and if they have followed the advice here, they should be confident they have done so.

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10 Steps to Teach Persuasive Writing

Kids are natural-born persuaders. They do it all the time. The trick as a teacher is to take their set of skills and help them use their power for good. And by good, I mean to channel these skills into writing effective persuasive pieces.

So, what exactly do we need to do to teach persuasive writing? I won’t lie to you…it’s not an easy task, but I’ll try to break it down here and simplify the steps to hopefully make this something that you can use in your classroom.

1. Teach Paragraph Writing FIRST

Before I even begin to think about teaching students to create an opinion piece, I make sure that my class has learned the basics of writing a good paragraph. We spend a lot of time with each component, and after they’ve mastered one paragraph, we move on to the five-paragraph essay.

Since I teach 4th/5th, this is one of the standards we need to reach. Once I know that students can write a reasonably good essay, then they can learn an opinion essay a little more easily.

2. Use Mentor Texts to Introduce Opinion Writing

I am a big fan of mentor texts. I just love how picture books easily capture the attention of my “big” kids, while quickly teaching them so many lessons.

When I teach opinion writing, I like to gather several of these persuasive mentor texts and share them with my class. We talk about how the character used persuasive techniques well, or how he/she didn’t.

3. Start With the Big Picture

Before we start to officially write, we talk about what an opinion essay is and isn’t. I like to give students three choices with similar topics and ask them which one is the opinion essay. For example, they might choose between these titles: The Magical Elephant, Elephants and Their Families, and How to Save the Elephants. Next, I have a handout that shows the structure of an opinion essay. Since we’ve written five-paragraph essays before, they have a good handle on the basic essay structure. Then I guide them step by step through each component. We absolutely do not write a single opinion essay until we’ve had the opportunity to have lots of mini-lessons, see many examples, and practice all parts of the essay in a very low-stakes environment.

4. The Introduction Paragraph is First

A. introduce hooks.

Now we spend some time focusing on how to start the essay. We start by using a hook (also called a lead).

I like to describe a writing “hook” using a fishing analogy. The fisherman puts a nice pink, juicy worm on the hook, hoping to attract the attention of the fish. If the fish bites, the fisherman’s happy. If the fish doesn’t bite, that means that it wasn’t interested in the hook, and there won’t be any fish caught.

Our goal as a writer is to get the reader interested by “hooking” them into reading our essay, from the very first sentence.

We go over six different types of hooks and practice these. I also love using opinion writing posters as I introduce each new opinion essay concept. They’re a great reference for students on the wall or printed in miniature for writing notebooks.

B. Review Topic Sentences 

For an opinion essay, the topic sentence is the opinion sentence. It is the author’s viewpoint. We do a lesson reviewing the five types of topic sentences we use for paragraph and essay writing, and I show students how to tweak these into opinion statements.

C. Time to Add the Three Reasons 

The last part of the introduction lists the three reasons for our opinion. I teach students that these can be listed as a single sentence with commas between them, or we can write three separate sentences, one for each reason.

For the first lesson on reasons, I give students a topic (cell phones or vending machines at school or which season is the best, etc.) and then ask students to write three bullet points on their whiteboards. Next to each one, they write a word to describe a reason they like/dislike this idea.

For example, if the topic was school uniforms, the child might write lack of individuality, gets boring, uncomfortable… I can quickly glance at their lists while we discuss a few of them, and then we’re ready to practice with the next topic.

Without writing a whole essay, this is teaching students to think about organization and how reasons help support their opinions. I think this kind of practice is great!

When we transition this activity to a full essay, these reasons would turn into the topic sentences for each body paragraph of a five-paragraph opinion essay! 

Btw.. if you don’t have whiteboards for your class, this is something you’ll really want to consider. They’re great for writing practice and so many things. I actually purchased shower boards at Home Depot for about $15 to make into whiteboards. They cut them into 12 x 12-inch squares for me for free!

5. Review, Review, Review

After we spend some time on each main section of the opinion essay (the introduction, the body paragraphs, and the conclusion), I like to give my students activities to really reinforce what they’ve learned. Besides review worksheets, we do games (like Stump the Expert), sorts, and color coding.

I really like to have students color code already-made paragraphs so they can see examples of quality writing, and they can master the structure of the paragraph . Once we’ve reviewed the introduction, it’s time to move on to the body paragraphs.

6. The Three Body Paragraphs are Next

There are three parts of each body paragraph, and I teach each part separately, one by one. The parts include a topic sentence that starts with a transition, three to five details to describe and explain the author’s reason for his/her viewpoint, and a conclusion sentence.

These three paragraphs are the meat of the essay. This is where students explain why they support or don’t support something.

We spend time doing activities like looking at three sentences and identifying which one is the topic sentence, which one is a detail, and which one is a conclusion sentence.

We look at pre-made topic sentences and related conclusion sentences and rate them as part of a great class discussion and then in pairs or independently. Then, we review with more color coding, games, and sorts.

7. Focus on the Conclusion Paragraph

Conclusions can be a little intimidating for some students. Maybe it’s because they’re tired from the heavy lifting of the other four paragraphs, but with practice, you can help take away some of their apprehension and replace it with confidence!

The conclusion paragraph is a shorter paragraph (in 3rd – 5th grade) than a body paragraph. It has three distinct parts, an opinion sentence that starts with a transition, the three reasons, and a final thought or call to action.

A. The Opinion Sentence Starting with a Transition

The opinion sentence is really a topic sentence. It reinforces the same idea presented in the introduction paragraph but uses synonyms and usually a different type of topic sentence than the introduction to add variety.

We go over specific transitions that can be used for conclusions. While students may not always use a transition for their conclusion later on, I think it gives students structure and helps them break the ice of crafting a strong conclusion paragraph.

B. The Three Reasons (again!)

Just like the introduction paragraph, the conclusion paragraph lists the three reasons, usually in a single sentence with commas. Like always, you’ll want students to reword the sentence using synonyms to add variety.

C. The Conclusion, The Ending, The VERY LAST SENTENCE!

This last sentence is another place students may feel apprehensive to write at first. We go over the difference between a final thought and a call to action and practice by seeing lots of exemplars and then creating our own.

By the time we’re finished, most students understand how to gracefully and effectively add the conclusion sentence to finish the opinion essay.

Just like we usually do, once we finish a section, we review that section carefully using handouts, sorts, color coding, games, and reviews.

8. Share an Opinion Essay Example

It’s one thing to talk about an opinion essay’s components and to even practice them. It’s another thing to see a really good example of an essay and to get to go through it and discuss what makes it work and why.

I have several great examples I’ve saved over the years (and I have two that I wrote and included in my opinion essay unit). We take time to color code the essay and then create a reverse outline for it. They save this essay as an example.

9. Make an Outline and an Essay as a Whole Class (Eeek!)

Okay, here’s where your perseverance has to kick in.

Trying to complete an essay as a whole class will drive even the most saintly of teachers to want to pull their hair out at times, but this hard part is crucial. There, I said it. It is that important that this is a step you shouldn’t miss.

Here’s how I do it. I break it down into two to four days. On the first day, we created an outline together. I have students write this outline in their Writer’s Notebooks as a model to refer to when they need to make their own outline later.

We always do school uniforms, because I find it to be a great topic and one that my students feel strongly about.

I tell them for the sake of continuity, we need to take a stand as a class for the essay, whether they really agree with that stand or not. We take a class vote and then stick with it, whether it’s for or against the uniform idea.

On the second day, when we have the outline in place, I make a deal with the kids…I tell them if they stick with me, stay on task, and participate…I’ll do the writing (this time), and they can just tell me what to write.

If they don’t stay focused, then they’ll have to write it themselves. This works like magic. I’ve never had a class that lost out on this “deal.”

So, using yesterday’s outline, we go step by step and write each paragraph together. Students feed me sentences (I write these on the SmartBoard), which I try to use or gently guide them a bit where needed.

Usually, we do about 2  paragraphs in one day. The attention spans of 8 – 11-year-olds can be a killer, so I find that breaking it into several days helps.

10. Before Students Write – Go over Expectations Using a Rubric

I really like to use rubrics for lots of assignments. It breaks down the activity into its components, and it also serves as a road map for students to know what is expected of them. I think the more we can explain to students exactly what we’re looking for, the more they can meet and sometimes exceed (hallelujah) our expectations.

There’s never a reason to hide what we want from students, in my opinion. So, we go over the rubric together, and it’s a kind of review for all the lessons leading up to this. You can three-hole punch it so they can store it in their binders, or you can print it in a smaller size to fit their Writer’s Notebooks if you wish.

BONUS #11. Practice Writing Opinion Essays…Over and Over and…

Once your students have practiced each part of the opinion essay and are very familiar with its structure, it’s their turn to write independently. I choose several different topics for them over the next few weeks, and we do about an essay a week in class. The students get better as time goes by, and usually, I let them choose a topic for the last essay or two. It’s interesting to see what they come up with.

Whew…such a huge unit and so many skills to fit in, but in my mind, it is an awesome unit. I love teaching it because of the great number of discussions it provides and because I see it as an important set of tools for them to have in their writing toolboxes.

If you’d like some resources for opinion writing , I love this unit I created. It’s a bundle with over 100 printable pages and includes a digital format too. It will take you through the entire process with teaching pages, and detailed teaching notes, student practice pages, activities, and posters for 3rd – 5th grade.

Sarah is a 4th Grade Teacher and uses this unit and process in her classroom. This is what she had to say. 

CLICK HERE TO FIND THE OPINION WRITING BUNDLE ON TPT! 

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5 Secrets for Helping Middle School Writers Succeed

Even though I spent 19 years as a middle school teacher, I frequently ask myself what makes a middle school writing classroom work. I know successful teaching is a series of flexible moving parts. I know it’s one part inspiration and a bigger part organization. I know that every middle school teacher struggles to achieve more good days than bad.

In  Traits of Writing: The Complete Guide for Middle School , I share meaningful and practical ideas for using what I’ve learned about teaching writing in middle school. My aim is to validate what you already know and give you new ways to support students. I also point out obstacles to watch out for and ways around them, so you don’t sacrifice the integrity of your teaching or the writing lives of your students.

As teachers, our greatest challenge may not be understanding best practices, but implementing those practices in classrooms where writing skills vary, time is precious, and the demand for high test scores can smother even the most creative teaching. But take heart. Teaching writing well is not impossible. Here are 5 secrets I know work in middle school and will help your young writers succeed:

1.     The teacher must model how to learn.

If we want our students to write, we have to show them we are writers ourselves, which means opening ourselves up to scrutiny.

2.      Learning should be infectious.

Look for inspiration everywhere and revise you lesson plans accordingly to foster a fascination with language, not just an understanding of terms. Who knows where this might lead?

3.     Students must be active.

Engaging in lively activities, working in small groups, sitting on the floor, listening to music, using the computer, and talking about works in progress keep students moving, and therefore, learning.

4.     Students will work hard if we give them rigorous, relevant tasks.

Let students take a giant leap forward and come up with their own projects and use the skills they have learned over the years to accomplish it. What they write matters less than the fact that they choose to write with such passion and determination.

5.     Students deserve honest, detailed feedback.

Get serious about providing feedback. Students will appreciate your suggestions for making their writing smoother, clearer, and more interesting, and, like any serious writers, won’t always agree or follow them. But your students trust you to tell them the truth because they know your feedback, as difficult as it sometimes will be to convey, will help propel their work forward.

The secrets of writing, once locked away in the writing teacher’s vault, must be revealed and explored. How else will we sort out what works from what doesn’t? But you know this already. The writing lives of your middle school students depend on our getting it right.

To learn more about  Traits of Writing: The Complete Guide for Middle School , you can purchase the book  here.

About the author:

Ruth Culham, Ed.D.,  has published more than 40 best-selling professional books and resources with Scholastic and the International Literacy Association on the traits of writing and teaching writing using reading as a springboard to success. Her steadfast belief that every student is a writer is the hallmark of her work. As the author of  Traits Writing: The Complete Writing Program for Grades K–8 (2012), she has launched a writing revolution.  Traits Writing  is the culmination of 40 years of educational experience, research, practice, and passion.

4 Activities to Help Middle School Students Uncover New Ideas for Writing

No matter how old you are, no matter how much writing you do, no matter how much you improve over time, finding ideas and writing about them clearly and compellingly is a challenge. Small wonder, then, that middle school writers find the ideas trait difficult to master.

Writing must make sense, and that’s what the ideas trait is all about—choosing a topic, narrowing it down, and supporting it with enough details to make the message clear and engaging. In  Traits of Writing: The Complete Guide for Middle School , I outline the ideas trait’s 4 key qualities:

1.     Finding a topic

2.     Focusing the topic

3.     Developing the topic

4.     Using details

The following activities will help your students develop these qualities. Each is a creative, classroom-tested idea that allows students to try out skills and strategies that you share in warm-ups and focus lessons. These activities can take 5 minutes or 50, depending on your students’ needs and interest levels, and can be carried out by students independently or in small groups.

Finding a topic | Writer’s Notebooks

Often, the best topics are the ones students come up with themselves. As you work with students, encourage them to jot down in a notebook possible ideas for use in writing later—ideas that occur to them during science, social studies, health, fine arts, or English, or in everyday life. Let students select a notebook that makes them feel comfortable. Keep your own notebook and model how you jot down ideas for writing, words and phrases you like, intriguing information and observations, and questions to ponder.

Focusing the topic | The Best and the Worst Activity

Have your students brainstorm a list of real-world jobs that require a great deal of writing: a writer for a late-night talk show, a fund-raiser for a charity, a developer of video games, an author of children’s books, and so on. Write the jobs on a chart. Divide the class into small groups and assign one of the jobs to each group. Ask group members to prepare a panel presentation explaining the best and worst parts of the job and present it to the class, using some sort of visual aid that illustrates key points, such as a chart or diagram. Hang their creations in a prominent place for everyone to read and think about. This activity teaches students that writing is a big part of most professions—a lesson they will come to learn on their own soon enough.

Developing the topic | Top-Ten List

Ask students to write a top-ten list of things every adult should know about middle school students. Encourage them to develop each point in a fun, truthful, and interesting way. Here are examples of 2 developed points:

We don’t like to be told what to do. But if you don’t tell us, we won’t do it. And even when you do tell us, many times we don’t do it unless you get mean about it. We’re kinda flakey.

Remembering to put our names on our papers is harder than being blindfolded and sending a text message with our thumbs.

Using details | Getting Into the Details Activity

Give students a general statement, such as “I love Friday,” and ask them to work with a partner to brainstorm at least 10 details that explain why Friday is their favorite school day. Have pairs share those details with the whole class and make one long list. Now ask students to select their favorite details, at least 5 but no more than 10, and choose the one they consider the most important. From there, have pairs write a paragraph describing all the great things about Friday, emphasizing one detail they feel is most important. When they’re finished, ask students to put their paragraphs on their desks and invite their classmates to walk about and read them. Later, discuss the techniques students used to focus the reader’s attention on one detail more than others.

The time you spend teaching students where ideas come from and how to develop them effectively is critical to their success as writers. Finding a topic, focusing it, developing it, and using precise details to support it is where the writing begins.

Learn more about the ideas trait and other traits critical to writing success with  Traits of Writing: The Complete Guide for Middle School . You can purchase the book  here .

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Our 2020-21 Writing Curriculum for Middle and High School

A flexible, seven-unit program based on the real-world writing found in newspapers, from editorials and reviews to personal narratives and informational essays.

Update, Aug. 3, 2023: Find our 2023-24 writing curriculum here.

Our 2019-20 Writing Curriculum is one of the most popular new features we’ve ever run on this site, so, of course, we’re back with a 2020-21 version — one we hope is useful whether you’re teaching in person , online , indoors , outdoors , in a pod , as a homeschool , or in some hybrid of a few of these.

The curriculum detailed below is both a road map for teachers and an invitation to students. For teachers, it includes our writing prompts, mentor texts, contests and lesson plans, and organizes them all into seven distinct units. Each focuses on a different genre of writing that you can find not just in The Times but also in all kinds of real-world sources both in print and online.

But for students, our main goal is to show young people they have something valuable to say, and to give those voices a global audience. That’s always been a pillar of our site, but this year it is even more critical. The events of 2020 will define this generation, and many are living through them isolated from their ordinary communities, rituals and supports. Though a writing curriculum can hardly make up for that, we hope that it can at least offer teenagers a creative outlet for making sense of their experiences, and an enthusiastic audience for the results. Through the opportunities for publication woven throughout each unit, we want to encourage students to go beyond simply being media consumers to become creators and contributors themselves.

So have a look, and see if you can find a way to include any of these opportunities in your curriculum this year, whether to help students document their lives, tell stories, express opinions, investigate ideas, or analyze culture. We can’t wait to hear what your students have to say!

Each unit includes:

Writing prompts to help students try out related skills in a “low stakes” way.

We publish two writing prompts every school day, and we also have thematic collections of more than 1,000 prompts published in the past. Your students might consider responding to these prompts on our site and using our public forums as a kind of “rehearsal space” for practicing voice and technique.

Daily opportunities to practice writing for an authentic audience.

If a student submits a comment on our site, it will be read by Times editors, who approve each one before it gets published. Submitting a comment also gives students an audience of fellow teenagers from around the world who might read and respond to their work. Each week, we call out our favorite comments and honor dozens of students by name in our Thursday “ Current Events Conversation ” feature.

Guided practice with mentor texts .

Each unit we publish features guided practice lessons, written directly to students, that help them observe, understand and practice the kinds of “craft moves” that make different genres of writing sing. From how to “show not tell” in narratives to how to express critical opinions , quote or paraphrase experts or craft scripts for podcasts , we have used the work of both Times journalists and the teenage winners of our contests to show students techniques they can emulate.

“Annotated by the Author” commentaries from Times writers — and teenagers.

As part of our Mentor Texts series , we’ve been asking Times journalists from desks across the newsroom to annotate their articles to let students in on their writing, research and editing processes, and we’ll be adding more for each unit this year. Whether it’s Science writer Nicholas St. Fleur on tiny tyrannosaurs , Opinion writer Aisha Harris on the cultural canon , or The Times’s comics-industry reporter, George Gene Gustines, on comic books that celebrate pride , the idea is to demystify journalism for teenagers. This year, we’ll be inviting student winners of our contests to annotate their work as well.

A contest that can act as a culminating project .

Over the years we’ve heard from many teachers that our contests serve as final projects in their classes, and this curriculum came about in large part because we want to help teachers “plan backwards” to support those projects.

All contest entries are considered by experts, whether Times journalists, outside educators from partner organizations, or professional practitioners in a related field. Winning means being published on our site, and, perhaps, in the print edition of The New York Times.

Webinars and our new professional learning community (P.L.C.).

For each of the seven units in this curriculum, we host a webinar featuring Learning Network editors as well as teachers who use The Times in their classrooms. Our webinars introduce participants to our many resources and provide practical how-to’s on how to use our prompts, mentor texts and contests in the classroom.

New for this school year, we also invite teachers to join our P.L.C. on teaching writing with The Times , where educators can share resources, strategies and inspiration about teaching with these units.

Below are the seven units we will offer in the 2020-21 school year.

September-October

Unit 1: Documenting Teenage Lives in Extraordinary Times

This special unit acknowledges both the tumultuous events of 2020 and their outsized impact on young people — and invites teenagers to respond creatively. How can they add their voices to our understanding of what this historic year will mean for their generation?

Culminating in our Coming of Age in 2020 contest, the unit helps teenagers document and respond to what it’s been like to live through what one Times article describes as “a year of tragedy, of catastrophe, of upheaval, a year that has inflicted one blow after another, a year that has filled the morgues, emptied the schools, shuttered the workplaces, swelled the unemployment lines and polarized the electorate.”

A series of writing prompts, mentor texts and a step-by-step guide will help them think deeply and analytically about who they are, how this year has impacted them, what they’d like to express as a result, and how they’d like to express it. How might they tell their unique stories in ways that feel meaningful and authentic, whether those stories are serious or funny, big or small, raw or polished?

Though the contest accepts work across genres — via words and images, video and audio — all students will also craft written artist’s statements for each piece they submit. In addition, no matter what genre of work students send in, the unit will use writing as a tool throughout to help students brainstorm, compose and edit. And, of course, this work, whether students send it to us or not, is valuable far beyond the classroom: Historians, archivists and museums recommend that we all document our experiences this year, if only for ourselves.

October-November

Unit 2: The Personal Narrative

While The Times is known for its award-winning journalism, the paper also has a robust tradition of publishing personal essays on topics like love , family , life on campus and navigating anxiety . And on our site, our daily writing prompts have long invited students to tell us their stories, too. Our 2019 collection of 550 Prompts for Narrative and Personal Writing is a good place to start, though we add more every week during the school year.

In this unit we draw on many of these resources, plus some of the 1,000-plus personal essays from the Magazine’s long-running Lives column , to help students find their own “short, memorable stories ” and tell them well. Our related mentor-text lessons can help them practice skills like writing with voice , using details to show rather than tell , structuring a narrative arc , dropping the reader into a scene and more. This year, we’ll also be including mentor text guided lessons that use the work of the 2019 student winners.

As a final project, we invite students to send finished stories to our Second Annual Personal Narrative Writing Contest .

DECEMBER-January

Unit 3: The Review

Book reports and literary essays have long been staples of language arts classrooms, but this unit encourages students to learn how to critique art in other genres as well. As we point out, a cultural review is, of course, a form of argumentative essay. Your class might be writing about Lizzo or “ Looking for Alaska ,” but they still have to make claims and support them with evidence. And, just as they must in a literature essay, they have to read (or watch, or listen to) a work closely; analyze it and understand its context; and explain what is meaningful and interesting about it.

In our Mentor Texts series , we feature the work of Times movie , restaurant , book and music critics to help students understand the elements of a successful review. In each one of these guided lessons, we also spotlight the work of teenage contest winners from previous years.

As a culminating project, we invite students to send us their own reviews of a book, movie, restaurant, album, theatrical production, video game, dance performance, TV show, art exhibition or any other kind of work The Times critiques.

January-February

Unit 4: Informational Writing

Informational writing is the style of writing that dominates The New York Times as well as any other traditional newspaper you might read, and in this unit we hope to show students that it can be every bit as engaging and compelling to read and to write as other genres. Via thousands of articles a month — from front-page reporting on politics to news about athletes in Sports, deep data dives in The Upshot, recipes in Cooking, advice columns in Style and long-form investigative pieces in the magazine — Times journalists find ways to experiment with the genre to intrigue and inform their audiences.

This unit invites students to take any STEM-related discovery, process or idea that interests them and write about it in a way that makes it understandable and engaging for a general audience — but all the skills we teach along the way can work for any kind of informational writing. Via our Mentor Texts series, we show them how to hook the reader from the start , use quotes and research , explain why a topic matters and more. This year we’ll be using the work of the 2020 student winners for additional mentor text lessons.

At the end of the unit, we invite teenagers to submit their own writing to our Second Annual STEM writing contest to show us what they’ve learned.

March-April

Unit 5: Argumentative Writing

The demand for evidence-based argumentative writing is now woven into school assignments across the curriculum and grade levels, and you couldn’t ask for better real-world examples than what you can find in The Times Opinion section .

This unit will, like our others, be supported with writing prompts, mentor-text lesson plans, webinars and more. We’ll also focus on the winning teenage writing we’ve received over the six years we’ve run our related contest.

At a time when media literacy is more important than ever, we also hope that our annual Student Editorial Contest can serve as a final project that encourages students to broaden their information diets with a range of reliable sources, and learn from a variety of perspectives on their chosen issue.

To help students working from home, we also have an Argumentative Unit for Students Doing Remote Learning .

Unit 6: Writing for Podcasts

Most of our writing units so far have all asked for essays of one kind or another, but this spring contest invites students to do what journalists at The Times do every day: make multimedia to tell a story, investigate an issue or communicate a concept.

Our annual podcast contest gives students the freedom to talk about anything they want in any form they like. In the past we’ve had winners who’ve done personal narratives, local travelogues, opinion pieces, interviews with community members, local investigative journalism and descriptions of scientific discoveries.

As with all our other units, we have supported this contest with great examples from The Times and around the web, as well as with mentor texts by teenagers that offer guided practice in understanding elements and techniques.

June-August

Unit 7: Independent Reading and Writing

At a time when teachers are looking for ways to offer students more “voice and choice,” this unit, based on our annual summer contest, offers both.

Every year since 2010 we have invited teenagers around the world to add The New York Times to their summer reading lists and, so far, 70,000 have. Every week for 10 weeks, we ask participants to choose something in The Times that has sparked their interest, then tell us why. At the end of the week, judges from the Times newsroom pick favorite responses, and we publish them on our site.

And we’ve used our Mentor Text feature to spotlight the work of past winners , explain why newsroom judges admired their thinking, and provide four steps to helping any student write better reader-responses.

Because this is our most open-ended contest — students can choose whatever they like, and react however they like — it has proved over the years to be a useful place for young writers to hone their voices, practice skills and take risks . Join us!

How to Teach Argument Writing Step-By-Step

No doubt, teaching argument writing to middle school students can be tricky. Even the word “argumentative” is off-putting, bringing to mind pointless bickering. But once I came up with argument writing lessons that were both fun and effective, I quickly saw the value in it. And so did my students.

You see, we teachers have an ace up our sleeve. It’s a known fact that from ages 11-14, kids love nothing more than to fire up a good ole battle royale with just about anybody within spitting distance.

Yup. So we’re going to use their powers of contradiction to OUR advantage by showing them how to use our argument writing lessons to power up their real-life persuasion skills. Your students will be knocking each other over in the hall to get to the room first!

I usually plan on taking about three weeks on the entire argument writing workshop. However, there are years when I’ve had to cut it down to two, and that works fine too.

Here are the step-by-step lessons I use to teach argument writing. It might be helpful to teachers who are new to teaching the argument, or to teachers who want to get back to the basics. If it seems formulaic, that’s because it is. In my experience, that’s the best way to get middle school students started.

Prior to Starting the Writer’s Workshop

A couple of weeks prior to starting your unit, assign some quick-write journal topics. I pick one current event topic a day, and I ask students to express their opinion about the topic.

Quick-writes get the kids thinking about what is going on in the world and makes choosing a topic easier later on.

Define Argumentative Writing

I’ll never forget the feeling of panic I had in 7th grade when my teacher told us to start writing an expository essay on snowstorms. How could I write an expository essay if I don’t even know what expository MEANS, I whined to my middle school self.

We can’t assume our students know or remember what argumentative writing is, even if we think they should know. So we have to tell them. Also, define claim and issue while you’re at it.

Establish Purpose

I always tell my students that learning to write an effective argument is key to learning critical thinking skills and is an important part of school AND real-life writing.

We start with a fictional scenario every kid in the history of kids can relate to.

ISSUE : a kid wants to stay up late to go to a party vs. AUDIENCE : the strict mom who likes to say no.

The “party” kid writes his mom a letter that starts with a thesis and a claim: I should be permitted to stay out late to attend the part for several reasons.

By going through this totally relatable scenario using a modified argumentative framework, I’m able to demonstrate the difference between persuasion and argument, the importance of data and factual evidence, and the value of a counterclaim and rebuttal.

Students love to debate whether or not strict mom should allow party kid to attend the party. More importantly, it’s a great way to introduce the art of the argument, because kids can see how they can use the skills to their personal advantage.

Persuasive Writing Differs From Argument Writing

At the middle school level, students need to understand persuasive and argument writing in a concrete way. Therefore, I keep it simple by explaining that both types of writing involve a claim. However, in persuasive writing, the supporting details are based on opinions, feelings, and emotions, while in argument writing the supporting details are based on researching factual evidence.

I give kids a few examples to see if they can tell the difference between argumentation and persuasion before we move on.

Argumentative Essay Terminology

In order to write a complete argumentative essay, students need to be familiar with some key terminology . Some teachers name the parts differently, so I try to give them more than one word if necessary:

• thesis statement
• bridge/warrant
• counterclaim/counterargument*
• turn-back/refutation

*If you follow Common Core Standards, the counterargument is not required for 6th-grade argument writing. All of the teachers in my school teach it anyway, and I’m thankful for that when the kids get to 7th grade.

Organizing the Argumentative Essay

I teach students how to write a step-by-step 5 paragraph argumentative essay consisting of the following:

• Introduction : Includes a lead/hook, background information about the topic, and a thesis statement that includes the claim.
• Body Paragraph #1 : Introduces the first reason that the claim is valid. Supports that reason with facts, examples, and/or data.
• Body Paragraph #2 : The second reason the claim is valid. Supporting evidence as above.
• Counterargument (Body Paragraph #3): Introduction of an opposing claim, then includes a turn-back to take the reader back to the original claim.
• Conclusion : Restates the thesis statement, summarizes the main idea, and contains a strong concluding statement that might be a call to action.

Mentor Texts

If we want students to write a certain way, we should provide high-quality mentor texts that are exact models of what we expect them to write.

I know a lot of teachers will use picture books or editorials that present arguments for this, and I can get behind that. But only if specific exemplary essays are also used, and this is why.

If I want to learn Italian cooking, I’m not going to just watch the Romanos enjoy a holiday feast on Everybody Loves Raymond . I need to slow it down and follow every little step my girl Lidia Bastianich makes.

The same goes for teaching argument writing. If we want students to write 5 paragraph essays, that’s what we should show them.

In fact, don’t just display those mentor texts like a museum piece. Dissect the heck out of those essays. Pull them apart like a Thanksgiving turkey. Disassemble the essay sentence by sentence and have the kids label the parts and reassemble them. This is how they will learn how to structure their own writing.

Also, encourage your detectives to evaluate the evidence. Ask students to make note of how the authors use anecdotes, statistics, and facts. Have them evaluate the evidence and whether or not the writer fully analyzes it and connects it to the claim.

This is absolutely the best way for kids to understand the purpose of each part of the essay.

Research Time

Most of my students are not very experienced with performing research when we do this unit, so I ease them into it. (Our “big” research unit comes later in the year with our feature article unit .)

I start them off by showing this short video on how to find reliable sources. We use data collection sheets and our school library’s database for research. There are also some awesome, kid-friendly research sites listed on the Ask a Tech Teacher Blog .

Step-By-Step Drafting

The bedrock of drafting is to start with a solid graphic organizer. I have to differentiate for my writers, and I’ve found they have the most success when I offer three types of graphic organizers.

1- Least Support: This is your standard graphic organizer. It labels each paragraph and has a dedicated section for each part of the paragraph.

2- Moderate Support: This one has labels and sections, but also includes sentence stems for each sentence in the paragraph.

3- Most Support: This one has labels and sections and also includes fill-in-the-blank sentence frames . It’s perfect for my emerging writers, and as I’ve mentioned previously, students do NOT need the frames for long and soon become competent and independent writers.

Writing the Introduction

The introduction has three parts and purposes.

First, it has a hook or lead. While it should be about the topic, it shouldn’t state the writer’s position on the topic. I encourage students to start with a quote by a famous person, an unusual detail, a statistic, or a fact.

Kids will often try to start with a question, but I discourage that unless their question also includes one of the other strategies. Otherwise, I end up with 100 essays that start with, “Do you like sharks?” Lol

Next, it’s time to introduce the issue. This is the background information that readers need in order to understand the controversy.

Last, students should state the claim in the thesis statement. I call it a promise to the reader that the essay will deliver by proving that the claim is valid.

Writing the Supporting Body Paragraphs

Each supporting body paragraph should start with a topic sentence that introduces the idea and states the reason why the claim is valid. The following sentences in the paragraph should support that reason with facts, examples, data, or expert opinions. The bridge is the sentence that connects that piece of evidence to the argument’s claim. The concluding sentence should restate the reason.

Writing the Counterclaim Paragraph

The counterclaim paragraph is a very important aspect of argument writing. It’s where we introduce an opposing argument and then confidently take the reader back to the original argument. I tell students that it’s necessary to “get in the head” of the person who might not agree with their claim, by predicting their objections.

It can be tough for kids to “flip the switch” on their own argument, so I like to practice this a bit. I give them several pairs of transitions that go together to form a counterclaim and rebuttal. I also switch up what I call this part so that they use the terminology interchangeably.

• It might seem that [ counterargument . ]However, [ turn-back .]
• Opponents may argue that [ counterargument .] Nevertheless, [ turn back .]
• A common argument against this position is [ counterargument .] Yet, [ turn-back .]

A great way for kids to practice this is to have them work with partners to write a few counterarguments together. I let them practice by giving them easy role-playing topics.

• Your cousins want to jump into a poison ivy grove for a TikTok challenge. Choose your position on this and write a counterargument and turn-back.
• Your friend wants to get a full-face tattoo of their boyfriend’s name. Choose your position on this and write a counterargument and turn-back.

This kind of practice makes the counterargument much more clear.

The concluding paragraph should remind the reader of what was argued in the essay and why it matters. It might also suggest solutions or further research that could be done on the topic. Or students can write a call to action that asks the reader to perform an action in regard to the information they’ve just learned.

My students write about local issues and then turn the essays into letters to our superintendent, school board, or state senators. It’s an amazing way to empower kids and to show them that their opinion matters. I’ve written about that here and I’ve included the sentence frames for the letters in my argumentative writing unit.

I hope this gives you a good overview of teaching argument writing. Please leave any questions below. Please also share your ideas, because we all need all the help we can give each other!

And one more thing. Don’t be surprised if parents start asking you to tone down the unit because it’s become harder to tell their kids why they can’t stay up late for parties. 🙂

Stay delicious!

Narrative Writing Workshop for Middle School ELA

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5 Ways to Help Middle Schoolers Write Beyond the Bare Minimum

Help students go beyond the required word count to create great work.

Teaching writing is not for the faint of heart—especially in middle school! By this age, it’s harder to trick students into thinking writing is fun, and that eagerness to please grown ups may be ancient history. For many students, there is no amount of cajoling, pleading, or threatening that will produce a response other than, “I don’t know what to write.” They seem to want to write the minimum word count and move on to the next task at hand.

It doesn’t have to be this way, though. There are ways to help kids slay the writing dragon while maintaining peace in your kingdom. Er, I mean, classroom.

1. Offer (lots of) word lists and graphic organizers.

This might seem obvious because we all know these supports make writing more accessible for students. But I’ve been in the classroom, and I know they aren’t used often enough. We need to do this as teachers, though. It’s our job to provide students with a battle plan (because writing is a battle for many kids). There are so many graphic organizers out there, and I recommend trying a few different ones to see what your students like. You also want to make word lists easily accessible. Don’t focus on big or fancy words. Instead, concentrate on offering alternatives to “dead” words like very, a lot, great, etc.

2. Embrace mentor texts.

This is a great way to spur reluctant writers into action because they aren’t starting with a blank slate. Mentor texts are a student’s armor as they attempt more sophisticated compositions, protecting students by giving them a guide to good writing while still requiring them to be creative and use their own words. Over the years I’ve used many mentor texts. One of my favorites is the first vignette from The House on Mango Street by Sandra Cisneros. The vignette holds the same title as the book itself, and it describes the different places the main character has lived in her life. Students can model their own writing after Cisneros’ vignette by describing the places they have lived and the people they’ve known in those places along the way.

3. Let the diversity of authors inspire your students.

4. incorporate current events..

Middle school students have lots of opinions, but they often don’t watch the news or get their information from reliable sources. Providing students with a current event article, pairing it with a video, (or song lyrics, or poem, or chapter from a novel or memoir) and then asking them to put down their thoughts really inspire some passionate writing. Current events texts can be paired with nearly any fictitious work to build students’ background knowledge, widen their world view, and yes, nudge them into broadening and deepening their writing lives.

5. Let them choose the adventure.

I know it’s not always possible to let students choose the type of writing they want to do, but when possible, it’s important to let them express themselves. This will definitely help them take ownership of their own work. Think about offering a menu so they have choices—for instance give options such as writing a poem, a chapter in their own memoir, song lyrics, a fictional short story, or even an informative nonfiction article using research (for your fact-loving students!). This will help students see that there are many ways to relate what they know.

Writing is hard, and for many students it can seem like an impossible feat that will never be conquered. However, having your own teacher arsenal of writing strategies and tools will help you lead your mighty army of authors to victory, time and time again. Now, go forth, and WRITE!

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Middle school narrative essays and middle school writing conferences.

Five years ago, I had just started my first year of teaching 7th and 8th grade English Language Arts. We were working on writing middle school narrative essays and I did a blog post on how I taught it here .

I have grown SO much since that time. My students definitely learned a lot, but especially because I teach the same kids in 8th grade as I do in 7th, I knew that I had to really up what we are doing this year.

Disclaimer: I don’t teach “personal narratives.” I know. Writing gods across the universe are gasping in shock, but it’s a decision I made a couple years ago, kind of on a whim, but has been the best thing I have ever done. 

WHY NOT PERSONAL NARRATIVES?

I just feel like kids have written 8-10 personal narratives by the time they get to me, and we are all over it. Plus, sometimes it’s REALLY hard for kids to write something meaningful about the first time they were stung by a bee… or whatever small moment I spend hours and days trying to help them come up with.

I found that when students have to use narrative elements to become a character from a narrative mentor text, they don’t spend days trying to figure out what to write. They truly use narrative craft because they have a complete and well done mentor text to constantly reference. Plus they’re final essay and their writing are just SO FREAKING GOOD.

My first year, we read Freak the Mighty in both seventh and eighth grade. Students had to write from Freak’s or from Killer Kane’s point of view. They were some of the best essay I’ve ever read.  

I used my Realistic Fiction and Literature Terms/Devices unit, along with Freak the Mighty.

I use the novels to teach literary elements and they use that knowledge to write their middle school narrative essays. We also focus a lot on thinking critically about the texts we read.

CHANGING IT UP EACH YEAR

My first year teaching middle school ELA, I taught a lot of the same lessons to both seventh and eight grade. It was honestly perfect as I learned two new grade levels, but that meant I changed things up a lot in the following years. 

I still did the same thing with my 7th graders this year, and we are just about done writing our rough drafts.

For 8th grade, I had the same students, so I decided we would read  The Outsiders . Even more so, instead of them just having to write from the point of view of a character, I actually wanted them to have to do some of that hard thinking that they might be missing out on by not doing a personal narrative.

With this in mind, my 8th graders had to continue Ponyboy’s narrative. Their middle school narrative essays still had to have a plot and climax that was completely developed. Essentially, I was asking them to write another chapter of the book.

It was REALLY HARD for all of us, especially in the planning stages, but I scaffolded and modeled A LOT. Now we’re on rough drafts too, and they’re seriously amazing.

I have since also added a sixth grade example for everything. We used Jason Reynolds novel, Ghost for their mentor text. Again, we used my realistic fiction unit and their novel study units. 

COMPLETE NARRATIVE WRITING UNIT

Each year, I changed how we did our narrative writing unit, and I continued to update my examples and lesson plans each year. 

I have since compiled all my middle school narrative writing lesson into one complete unit that you can get here. 

Since I do teach middle school narrative essays differently than a lot of teachers, I thought I would give you a better overview of what the complete units looks like, plus show you some freebies you can get to use today! 

NARRATIVE WRITING UNIT OVERVIEW

• Session 1: Elements of Narrative Essays Part one
• Session 2: Elements of Narrative Essays Part Two
• Session 3: Narrative Plot Diagrams
• Session 4: Using Sensory Details
• Session 5: Using Dialogue Correctly
• Session 6: Using Dialogue Effectively
• Session 7: Ways to Start a Narrative, Writing Rough Drafts, Writing Conferences
• Session 8: Using Narrative Transitions, Writing Rough Drafts, Writing Conferences
• Session 9: Pacing Narrative Writing, Writing Rough Drafts, Writing Conferences
• Session 10: Ways to End a Narrative, Writing Rough Drafts, Writing Conferences
• Session 11 : Consistent Verb Tenses, Peer Editing, Writing Conferences
• Session 12 : Editing vs. Revising Rough drafts, Writing Conferences
• Session 13-15: Publishing final drafts, Writing Conferences

Each lesson plan has standard alignment, lesson plans for learning period, interactive notebook pages when applicable, teacher prep, writing conference forms and examples, and more! 

INTERACTIVE NOTEBOOK PAGES

With middle school narrative essays I find that students need some front loading before drafting. Because of that, we do spend the first few days doing some interactive notebook lessons on elements of narrative. 

Personal narratives are all about teaching students to use the elements of narrative writing. Since we aren’t doing a personal narrative, I focus heavily on the elements of a narrative to start. We start by defining each of the elements but then look for examples in our mento texts. This is huge because they use their mentor text to write their essays. 

DIFFERENTIATED EXAMPLES BY GRADE LEVEL

As someone who taught all three grade levels of middle school at the same time, I always needed different examples. I like to be able to use the same units, but use different content. If there is an interactive notebook lesson, I made sure to differentiate examples by grade level. 

The same is done for all of the lesson plans when there are examples based on the mentor texts. I  use Ghost for sixth grade, Freak the Mighty seventh grade, and The Outsiders for eighth grades, so I make sure I have different examples for each. 

It drove me crazy when students would say things like, “I don’t get what to do.” So I made sure I had examples that were conceptualized for each grade level so there was no excuse. 

NARRATIVE ESSAY CHART PAPERS

I know I teach middle school ELA, but I still love using chart papers for students to reference. Most of my interactive notebook lessons were adapted and created based on the chart papers. 

You don’t have to do both the chart papers and the interactive notebook lessons, but I did include images of all my chart papers. I honestly just made them as I came up with elements that I knew we need to dig deeper into throughout the unit. 

When I was in a pinch some year, I honestly could just print the chart papers on 8×10 paper so students could glue them into their notebooks. I don’t think it is as effective as student taking their own notes, but sometimes you’re short on time. 

INDIVIDUAL WRITING CONFERENCES

I strongly believe that my students write really strong narrative essays because of how I do writing conferences with students. 

I have a separate blog post all about how I do writing conference in my middle school ELA classroom , because there was a time when I did them like I “thought” I needed to do writing conferences. 

I thought I needed to spend time training them, making them be prepared for them, and then trying to come up with discussion points. I’ve since learned that that just isn’t reality when you have 100+ middle school ELA students. 

Check out my blog post all about this here. 

I also have since made tons of editable middle school narrative essays rubrics and writing conference forms for teachers and students. 

FREE NARRATIVE REFERENCE NOTEBOOKS

One of the biggest updates I made while redoing my narrative writing unit was making a narrative reference notebook.

It’s perfect for students to create at the beginning of the units and to reference while creating their narrative essays. 

• Read more about: Back to School , Middle School ELA Assessment , Middle School Writing , Organization , Printables for Teachers

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• Oct 25, 2022

Personal Narrative Writing in Middle School: Digging Deeper

Updated: Oct 25, 2022

For years, I didn't do personal narrative writing in middle school. In fact, I wrote an entire blog post about why I didn't do it . Main reason...it's been done before in many years prior to when those students came to you, especially if teachers prior use writing workshop.

However, I've grown to embrace it again. The biggest reason why is because I think it helps build a classroom community. I decided to go with personal narrative instead of my usual fiction writing in response to reading during the pandemic. I felt, since the kids were remote, this was a good way to get to know each other a little better.

I did peruse Lucy Calkins' Personal Narrative unit for the digital notebook, however, as I went through the unit, I changed a lot.

I like to have the students do a quick narrative based on a person in their lives . The idea of writing about a special moment with a person has been done a lot up until this point so I feel it's an easy way to get a sense of where they are. I have them start with listing moments with an important person. They pick one of those moments to write about.

I don't necessarily need an entire story; I just want them to show me what they can do.

Getting Started

If you don't know already, a personal narrative focuses on a small moment , not an entire day, trip, game, etc. In the earlier grades, teachers spend a lot of time on this (think less watermelon, more seed). At this point, I feel that students just need a refresher.

I like to do this through mentor texts . I provide students with actual written student narratives from my past students. (Here are two you can use. These are by actual students, so definitely not perfect examples. Student Narrative #1 and Student Narrative #2 ).

Students go in to highlight specifically the small moment components of the stories. We discuss how these stories are small moments (or not) and they also start analyzing what the stories did well (or not).

I think it is super valuable to see other students' stories to give students perspective of what's expected or what can be improved.

Brainstorming

Students begin to brainstorm by thinking of a place that is important to them. I tell them to be as specific as possible.

Their idea may be big, but then they make a map of the place. The map is more focused on the moments that happened in the place. They then pick one of those moments in the place and write long about it.

Next, I have students write about moments that mattered. For this, I like to do Show and Tell . I tell students a few days before to bring in an item that is important to them. This should symbolize something or someone that is important in their lives. This goes so well! It goes beyond just what the objects are, but also what they can represent.

They use that object to brainstorm ideas within the topics of "first times", "last times", and "moments I learned something" . For example, I showed a picture of my husband and me at my brother's wedding. This was important to me because it was the first time I had left my son with another babysitter. I was dealing with post-partum anxiety. This stemmed lots of ideas: first time I left my son with a babysitter, first time I had an anxiety attack, the LAST time I had an anxiety attack, the first time I changed a diaper, the moment I learned it's important to enjoy small things, etc.

I start with students focusing on story structure . I have them look at short stories to do this. I really like "Eleven" and "Fish Cheeks". They are short and sweet and are great models for personal narrative.

They fill out the chart for those stories. We discuss, then they plan their own stories on a story structure chart.

The next day we focus on internal and external . This is something we cover in our unit prior. I do a Deep Study of Character before this and we often get into internal and external characteristics of characters. For writing, they focus on what they could be thinking (internal) in each part of their chart and what they could be doing (external) in each part.

Like everything else, we look at short stories first to see how these mentor authors do the same.

Before getting into the actual writing, I spend a day on Show Don't Tell . There are so many things you can do with this, but here's how I do it .

I usually break down each part of the story structure chart by day. So, I will do exposition one day, rising action another, etc. I will start each day with them looking at mentor expositions, etc. Each year, I've done different things. I also share MY PERSONAL NARRATIVE. This is so important; you HAVE to write what the students are expected to write .

A few things I've done:

I would share a Doc with a page or two out of a shared read aloud. I'd give them specific questions that focus on that part of the story map; for example, "how did Jason Reynolds introduce the characters in this chapter?".

I'd have them go back into whatever books they are reading and answer similar questions ("how did the author introduce setting/problem/solution?" "how did the author show feelings/thoughts/actions?").

I always share with them MY exposition, rising action, etc. Sometimes I just read it to them, other times I have them work with partners to look for similar things mentioned in the bullets before this.

It's important to look at mentors. I don't just have them go and write the whole story in a day. It's so important to break it up.

There are so many different lessons you can do. I always have to remind myself that you don't have to teach them EVERY thing. I try to keep revision pretty straightforward.

Of course, there is editing; focusing on grammar, punctuation, spelling. I like to tie in anything I do with mentor sentences or vocabulary . It's a good idea to connect it to anything you do for grammar or word study.

Four major areas of revision as per the Lucy Calkins' unit:

Looking at mentor sentences and trying it out with their own writing.

Finding the heart of the story.

Stretching out scenes (finding a moment that can use more detail and stretching it).

Slowing down the problem scene.

I don't always commit to these exactly. I do like to spend time on dialogue and elaboration . I really get into how important it is to punctuate it properly and how to tag it so it shows more description.

I also revisit their showing and not telling slides and have them apply it to their writing.

One of the very last things I do in the revision stage is have them do critique groups . This is a bit different than just them swapping Docs with each other and commenting. It's more of a dialogue.

Lastly, they finalize their draft and put it on a Padlet . This is used for lots of things. Guardians are able to see their writing. They can see each other's writing. And I have a spot with ALL of their stories.

Bottom Line

While personal narrative has been done, there is always room to grow. I really feel it depends on the group you have. It's a nice way to start the year to get to know each other. I usually spend about a month on the entire unit.

Click below to get my digital notebook for the unit!

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Can You Convince Me? Developing Persuasive Writing

• Resources & Preparation
• Instructional Plan
• Related Resources

Persuasive writing is an important skill that can seem intimidating to elementary students. This lesson encourages students to use skills and knowledge they may not realize they already have. A classroom game introduces students to the basic concepts of lobbying for something that is important to them (or that they want) and making persuasive arguments. Students then choose their own persuasive piece to analyze and learn some of the definitions associated with persuasive writing. Once students become aware of the techniques used in oral arguments, they then apply them to independent persuasive writing activities and analyze the work of others to see if it contains effective persuasive techniques.

Featured Resources

From theory to practice.

• Students can discover for themselves how much they already know about constructing persuasive arguments by participating in an exercise that is not intimidating.  
• Progressing from spoken to written arguments will help students become better readers of persuasive texts.

Common Core Standards

This resource has been aligned to the Common Core State Standards for states in which they have been adopted. If a state does not appear in the drop-down, CCSS alignments are forthcoming.

State Standards

This lesson has been aligned to standards in the following states. If a state does not appear in the drop-down, standard alignments are not currently available for that state.

NCTE/IRA National Standards for the English Language Arts

• 4. Students adjust their use of spoken, written, and visual language (e.g., conventions, style, vocabulary) to communicate effectively with a variety of audiences and for different purposes.
• 5. Students employ a wide range of strategies as they write and use different writing process elements appropriately to communicate with different audiences for a variety of purposes.

Materials and Technology

• Computers with Internet access  
• PowerPoint  
• LCD projector (optional)  
• Chart paper or chalkboard  
• Sticky notes  
• Persuasive Strategy Presentation
• Persuasion Is All Around You  
• Persuasive Strategy Definitions  
• Check the Strategies  
• Check the Strategy  
• Observations and Notes  
• Persuasive Writing Assessment

Preparation

Student objectives.

Students will

• Work in cooperative groups to brainstorm ideas and organize them into a cohesive argument to be presented to the class  
• Gain knowledge of the different strategies that are used in effective persuasive writing  
• Use a graphic organizer to help them begin organizing their ideas into written form  
• Apply what they have learned to write a persuasive piece that expresses their stance and reasoning in a clear, logical sequence  
• Develop oral presentation skills by presenting their persuasive writing pieces to the class  
• Analyze the work of others to see if it contains effective persuasive techniques

Session 1: The Game of Persuasion

Home/School Connection: Distribute Persuasion Is All Around You . Students are to find an example of a persuasive piece from the newspaper, television, radio, magazine, or billboards around town and be ready to report back to class during Session 2. Provide a selection of magazines or newspapers with advertisements for students who may not have materials at home. For English-language learners (ELLs), it may be helpful to show examples of advertisements and articles in newspapers and magazines.

Session 2: Analysis of an Argument

Home/School Connection: Ask students to revisit their persuasive piece from Persuasion Is All Around You . This time they will use Check the Strategies to look for the persuasive strategies that the creator of the piece incorporated. Check for understanding with your ELLs and any special needs students. It may be helpful for them to talk through their persuasive piece with you or a peer before taking it home for homework. Arrange a time for any student who may not have the opportunity to complete assignments outside of school to work with you, a volunteer, or another adult at school on the assignment.

Session 3: Persuasive Writing

Session 4: presenting the persuasive writing.

• Endangered Species: Persuasive Writing offers a way to integrate science with persuasive writing. Have students pretend that they are reporters and have to convince people to think the way they do. Have them pick issues related to endangered species, use the Persuasion Map as a prewriting exercise, and write essays trying to convince others of their points of view. In addition, the lesson “Persuasive Essay: Environmental Issues” can be adapted for your students as part of this exercise.  
• Have students write persuasive arguments for a special class event, such as an educational field trip or an in-class educational movie. Reward the class by arranging for the class event suggested in one of the essays.

Student Assessment / Reflections

• Compare your Observations and Notes from Session 4 and Session 1 to see if students understand the persuasive strategies, use any new persuasive strategies, seem to be overusing a strategy, or need more practice refining the use of a strategy. Offer them guidance and practice as needed.  
• Collect both homework assignments and the Check the Strategy sheets and assess how well students understand the different elements of persuasive writing and how they are applied.  
• Collect students’ Persuasion Maps and use them and your discussions during conferences to see how well students understand how to use the persuasive strategies and are able to plan their essays. You want to look also at how well they are able to make changes from the map to their finished essays.  
• Use the Persuasive Writing Assessment to evaluate the essays students wrote during Session 3.
• Calendar Activities
• Strategy Guides
• Lesson Plans
• Student Interactives

The Persuasion Map is an interactive graphic organizer that enables students to map out their arguments for a persuasive essay or debate.

This interactive tool allows students to create Venn diagrams that contain two or three overlapping circles, enabling them to organize their information logically.

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Student Writing Samples and Analysis for Elementary, Middle School, and High School: Complete Collection

How do you bring objectivity to teaching writing? Authentic student writing samples from state writing assessments are an excellent tool that helps teachers bring objectivity to teaching writing. Of course, it sure helps if the writing samples are accompanied by objective analysis, scoring, and commentary. You will find all of that and more on this page!

Many teachers evaluate their students’ writing progress by examining what they can get their students to produce as an end result. They look at what they can get their students to produce in a lesson, and they place great importance on what they can get their students to produce to place on a bulletin board. Certainly, I care about those things, too. But I primarily measure my students’ writing progress by examining and monitoring their independent writing. It’s not about what I can get them to do—it’s about what they do when left to their own devices.

We have three types of independent student writing:

1.   daily writing across the curriculum 2.   state and district writing assessments 3.   independent writing assignments

My purpose here is not to discuss independent student writing, but instead to explain why the following collection of objective, authentic student writing samples are so valuable and helpful. Usually, when we see samples of student writing (other than our own students’ writing), they are polished examples, and we have no idea of what went into creating them. How much time? How many drafts? Who guided the piece of writing? How much guiding? What forms of guidance?

In contrast, we all know exactly how these state writing assessment samples were created; we all know the exact writing situation in which these pieces of writing were created; we all know that no teacher had any influence on any of these pieces of writing once the assignment was given. This writing is what students produced when given plenty of time and left to their own devices.

An Awesome Collection of Released Student-Writing Samples with Analysis and Commentary

I have always linked to valuable collections of resources that I have come across that can help teachers teach writing and achieve success on writing assessments. Here are two of the best:

1.  Released Writing Prompts for State Testing

2.  State Writing Assessment Tools and Resources : This page contains links to all of these valuable resources from many state writing assessments: 1) released writing prompts, 2) scoring rubrics, 3) anchor papers, scoring commentary, student writing samples, 4) teacher guides and/or test directions, 5) and more!

Below you will find another collection of valuable resources—a collection of released student writing samples. Since creating Pattern Based Writing: Quick & Easy Essay , I’ve interacted with teachers from all over the country—and even the world. A kind teacher up in Oregon who is using Pattern Based Writing: Quick & Easy Essay sent me these links. She is thrilled that the number of her students scoring high on the Oregon State Writing Assessment has doubled since she began using the program.

This collection of released student writing samples has five great qualities:

1.   It includes writing samples for grades 3, 4, 5, 6, 7, 8, and 10.

2.   It includes scoring analysis for every single essay in grades 3, 4, 5, 6, 7, 8, and 10.

3.   It includes writing samples for four important genres: 1) expository, 2) narrative: personal, 3) narrative: imaginative, and 4) persuasive (starts in grade 5).

4.   It includes writing samples for five scoring levels: 1) low, 2) medium-low, 3) medium, 4) medium-high, and 5) high.

5.   In total, the collection contains about 325 pages of released student writing samples and scoring analysis!

Here’s the Collection!

Please Note: I used to link to the scoring guide and rubrics, but the files seem to have been moved. Truthfully, they are not necessary at all. Furthermore, you will find links to many excellent Six-Trait rubrics here , including the original Six Traits rubric from Oregon (where it all began).

This collection scores papers using the Six Traits of Writing: 1) Ideas and Content, 2) Organization, 3) Voice, 4) Word Choice, 5) Sentence Fluency, and 6) Conventions. Since the rise of the Common Core, Oregon has used a couple of different scoring models that use different traits, including a few genre-specific traits. However, this collection of student writing samples remains one of the best available.

•  Grade 3 Student Writing Samples and Scoring Analysis

•  Grade 4 Student Writing Samples and Scoring Analysis

•  Grade 5 Student Writing Samples and Scoring Analysis

•  Grade 6 Student Writing Samples and Scoring Analysis

•  Grade 7 Student Writing Samples and Scoring Analysis

•  Grade 8 Student Writing Samples and Scoring Analysis

•  Grade 9 There aren’t any.

•  Grade 10 Student Writing Samples and Scoring Analysis

Common Core Update: 686 Pages of K-12 Common Core Student Writing Samples

Are you interested in 686 pages of K-12 Common Core student writing samples? If you are, be sure to download this awesome collection! To be honest, I was surprised when I clicked on the link and discovered this wonderful bounty.

•  In Common: Effective Writing for All Students Collection of All Student Work Samples, K-12

Are You Interested in Paragraphs?

Now that you have your student writing samples, I pose this question to you: Do you want to understand how the best writers and the lowest scoring writers created their paragraphs on those writing samples? If you do, be sure to read the following two resources. The above collection of student writing samples played a role in both of these:

1.  Paragraph Length: How the Best Student Writers Create Paragraphs on State Writing Assessments   2.  The Ten Stages of Paragraph and Multi-Paragraph Mastery eBook

How to Use These Student Writing Samples to Teach Writing

“Habit #2: Start with the end in mind.” Stephen R. Covey – The Seven Habits of Highly Effective People

Primary Purpose: The primary purpose of these student writing samples is to help teachers become experts in analyzing student writing. Furthermore, these student writing samples help teachers figure out how to begin with the end in mind. Teachers must begin with the end in mind if they want their students’ writing to end up where they want it to be.

Furthermore, teachers can use these student writing samples in the classroom to teach students about creating, analyzing, and evaluating writing. Here are ten ideas to get you started:

1.   Choose and print out a few essays and commentary that you want to focus on.

2.   Examine the essays and commentary. What are your students doing correctly? What are your students not doing correctly? What do your students need to learn? Read the commentary and make a list of skills that you want to teach your students. Plan out how you are going to teach those skills.

3.   Use a Six-Trait rubric go over a number of essays with your students. (You will find links to many different Six-Trait rubrics here .) Teach your students what scorers are looking for. What makes for a high scoring essay and what makes for a low scoring essay? What went right with the high-scoring essays? What went wrong with the low-scoring essays?

4.   Create or find a few student-friendly rubrics . Have students score at least a few essays using these rubrics. Make sure your students understand the rubrics, and if you have the time, you may want to have your students help create a simple rubric.

5.   Compare and contrast the genres. This activity is a great way to show students different types of writing and different styles. Play the game, “Name the Genre.” What are the qualities and characteristics of the writing genre that you see in the sample essays? How can you tell it is a particular type of writing? (Note: “Name the Genre” is also an effective strategy to use with writing prompts, and in particular, with released writing prompts .)

6.   Have students compare and contrast essays that have different scores. Have students compare and contrast essays with the same scores but from different grades levels.

7.   Use the low scores to show your students how good their writing is. Use the high scores to show your students where they need to improve.

8.   Have students edit or build upon one of the sample essays. Take one of the low scoring essays and have your students transform it into a high scoring essay. You can do this with each genre of writing. Help your students see the similarities and the differences across different types of writing.

9.   Demonstrate how neatness matters. Some of the sample essays are messy. Even a few high scoring ones are messy. Discuss how difficult it can be for scorers to fairly assess messy writing. Note: Students will often see messy writing on a decent paper and think that the paper is a low scoring paper. Explain that while rubrics do help prevent this rush to judgment, they do not eliminate it. This exercise also helps illustrate how important rubrics are, and how students must, in one sense, write for the rubric.

10.   Show your students how all of the important writing skills that you have been teaching them are found in the high-scoring papers and are missing from the low-scoring papers.

Over 15 Years of Creating Writing Success for Beginning and Struggling Writers of All Ages!

The fastest, most effective way to teach students clear and organized multi-paragraph writing… guaranteed, create academic and professional success today by improving your critical thinking, logical arguments, and effective communication.

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‘Do The Write Thing’ more than just a slogan for these area middle-school students

• Oops! Something went wrong. Please try again later. More content below

Tah’Tionna Taylor is hoping an essay she wrote about the impact of violence in her community will make a difference.

>> I-Team: Teachers assaulted in their own classrooms

“There’s like a lot of kids at my school that go through violence that shouldn’t have to, and like they’re scared to speak their mind and stuff,” the seventh-grader said Thursday.

Her essay was selected from more than 100 that were entered as part of “Do The Write Thing,” a national program aimed at getting students to write about violence and its impact.

Tah’Tionna, one of 10 Springfield City School District finalists honored for their essays, also caught the attention of state Attorney General Dave Yost during the award ceremony at John Legend Theater.

Students in Springfield “tackled the difficult subject with candor, thoughtfulness and insight beyond their years,” Yost said.

“Do the Write Thing” originated in Ohio in 2021, when Springfield became the first district statewide to partner on the program with Yost’s office. Bolstered by that success, the program has since expanded to four other Ohio districts: Canton, Lima, Youngstown and Zanesville.

This year, more than 900 Springfield seventh- and eighth-graders participated in the program.

“I love this program because it helps students find their own voice,” Yost said, who noted that he was taken by this part of Tah’Tionna’s essay: “In this generation kids and teens can’t walk down one street without seeing an act of violence.”

Yost told News Center 7′s Xavier Hershovitz that the impact of growing up around violence is something he sees in his job all the time.

“You start to think that’s the way the world works and you want to try to either hide or become the strong one,” Yost said. “And that’s not a good way for our society or civilization to go.”

And Tracy Yates, whose husband, Clark County Sheriff’s Deputy Matthew Yates was killed in the line of duty by gun violence, also backed up the message of the event -- to encourage middle-schoolers to explain how youth violence affects them and what they can do to help stop it.

“The impact of violence, especially when it claims the life of someone like Deputy Yates, goes far beyond the incident itself,” she said.

Tah’Tionna said she hopes her essay will make a difference.

Her mother is hoping the same.

Growing up in Springfield can be rough, Pearla Taylor said.

“I hope that she grows into an adult that would stand in that for our community also that’s what I’m rooting for her for her life,” Mother Pearla said. “So I want this to be a lifelong thing, not just for a school essay.”

The two winners from Springfield will head to Washington, D.C., this summer to join other “Do the Write Thing” ambassadors from all across the country.

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