Jack London
The Call of the Wild | ||||
Book Companion The Call of the Wild is a novel by Jack London published in 1903. The story is set in the Yukon during the 1890s Klondike Gold Rush—a period when strong sled dogs were in high demand. The novel's central character is a dog named Buck, a domesticated dog living at a ranch in the Santa Clara valley of California as the story opens. Stolen from his home and sold into the brutal existence of an Alaskan sled dog, he reverts to atavistic traits. Buck is forced to adjust to, and survive, cruel treatments and fight to dominate other dogs in a harsh climate. Eventually he sheds the veneer of civilization, relying on primordial instincts and lessons he learns, to emerge as a leader in the wild. The novel’s great popularity and success made a reputation for London. Much of its appeal derives from the simplicity with which London presents the themes in an almost mythical form. Characters: 30. Amazon rating: 4 1/2 stars. Genre: Fiction. |
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Harrison Ford made me believe he was talking to Greedo and Jabba the Hutt in the early " Star Wars " films and those characters were as low-tech as Gumby and Pokey compared to the technology used to create Ford's canine co-star in "The Call of the Wild." And yet, I never bought it. Instead of getting caught up in the story, I kept wondering how they achieved the effects, like the interactions between the CGI dog with the real-life people and props around him. A lot of work clearly went into scanning a dog from every angle, and getting the muscles, fur, weight, and shape to look real. But the dog still seems synthetic compared to the animals in movies like " A Dog's Purpose " and Disney's own annual nature films (even compared to fully animated characters in the original "101 Dalmatians" and " Lady and the Tramp "). And so does the story.
The problem is less the technology, which is very impressive, than it is the uneven storyline, which zigzags from slapstick to poignance to action. The Alaskan and Canadian scenery is spectacular, the production design is exceptional, and Ford brings heart and dignity to his role, including the narration throughout the film. But the movie is uneven in tone and in its sense of its audience—it is too sad and violent for young children and too superficial for older audiences. The many-times-filmed story has here been sanitized a bit for modern audiences (less racism, for example), but it is rougher than the typical PG film, including animal abuse, and sad deaths of both canines and humans.
"The Call of the Wild" is based on the episodic Jack London classic published in 1903 about a pampered pooch who triumphs over abuse to find purpose and community, and then is increasingly drawn to the limitless world beyond civilization. Ford plays John Thornton, a grizzled loner living in the Yukon who drinks to numb the pain of the loss of his son. His grief was so devastating it caused the end of his marriage. John is surrounded by prospectors seeking gold, but all he wants is to be left alone. He somehow knows everything that has happened to Buck, even when he was nowhere near, and everything Buck is feeling, too. He has a couple of encounters with Buck before they end up together out in the wilderness.
Buck, a St. Bernard/Scotch Shepherd mix, lives in a northern California community in the late 19th century. He has the run of the town because he is the spoiled pet of the local judge ( Bradley Whitford ). When someone breaks off a piece of bread from a sandwich to offer it to him, Buck ignores the offer and grabs the rest of the sandwich instead. The judge's family and their servants patiently rearrange the chaos he creates throughout the house, righting the porcelain vase before it falls after Buck has moved on to knock over something else. Buck is uselessly warned by the judge not to go near the picnic table filled with delicious treats for a party. But it's not that Buck can't resist; he does not even try. Buck has never had to consider anyone but himself.
But then Buck is captured. The Klondike gold rush in the Yukon means that sled dogs are needed, and top dollar is paid. Buck is sold first to a cruel man who clubs him into submission, and then to a couple who delivers mail via dogsled, Perrault ( Omar Sy ) and Francoise ( Cara Gee ). At first, Buck has no idea how to be part of a team, but as he learns how to work with others for a purpose he begins to feel a sense of pride, accomplishment, and connection he never had before, especially after he undertakes a dangerous rescue. Caring for others helps Buck realize that the alpha dog at the head of the team is cruel and selfish, and so Buck challenges him, and takes over as leader. This episode is the highlight of the film, and could easily have filled a satisfying feature on its own.
The mail route is canceled, and in a jarring mood shift from a naturalistic style to melodrama so heightened we expect the villain to twirl his moustache, the dogs are sold to an arrogant, greedy city slicker named Hal ( Dan Stevens ). He has come to the Yukon with his sister Mercedes ( Karen Gillan ) and her husband to find riches and he will do anything for gold and suspects everyone else of being as much of a cheat as he is. They fill up their sled with a Victrola and a crate of champagne, and they think they can beat the dogs into risking their lives. Just as Buck was awakened to the idea of protecting lives, John finds that he is able to care and rescues Buck (but not the other dogs).
Once Buck and John are in a remote cabin together, Buck begins to identify with the wild wolves more than his human companion, especially when he sees a beautiful female white wolf in the woods. Just as he learned to adapt to the sled team and to living with John, he begins to adapt to life apart from humans. Or, maybe it is not adaptation or some sort of feral devolution; it is portrayed here as an evolution for Buck to become his truest self. "He was less attentive to his master's commands than to his own instincts," the narrator tells us about Buck early in the film. But what the movie shows is that Buck was acting on his own impulses, and it was understanding his truest instincts that led to nobility and accepting duty. That is the theme that has made this an enduring story for more than a century. Perhaps the next remake will tell it better.
Nell Minow is the Contributing Editor at RogerEbert.com.
Glenn kenny.
Peyton robinson.
Brian tallerico.
Robert daniels, film credits.
Rated PG for some violence, peril, thematic elements and mild language.
100 minutes
Harrison Ford as John Thornton
Dan Stevens as Hal
Colin Woodell as Charles
Karen Gillan as Mercedes
Omar Sy as Perreault
Raven Scott as Pastry Chef
Wes Brown as Mountie
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‘cull of the wild’ questions sacrificing wildlife in the name of conservation.
Ecologist Hugh Warwick finds nuanced perspectives on how to manage invasive species
In New Zealand, hedgehogs, like this one in Auckland, are invasive predators that hunt bird eggs, lizards and invertebrates. To protect native species, some conservationists support culling hedgehogs.
Yosuke Tanaka/iStock/Getty Images Plus
By Aaron Tremper
6 hours ago
Cull of the Wild Hugh Warwick Bloomsbury Wildlife, $28
In the late 1860s, European colonists started importing hedgehogs into New Zealand. The goal: to make the unfamiliar landscape feel a bit more like home. Over the next 100 years, hedgehogs settled in most of New Zealand’s available habitat — and developed a taste for native bird eggs, lizards and invertebrates. Now, the hedgehogs are among the millions of animals killed worldwide each year in culls intended to protect vulnerable species and habitats. Some say culling is essential to conservation; others say it robs animals of their right to live.
But for ecologist Hugh Warwick, the nuances of culling further complicate the already complex nature of conservation. In his latest book, Cull of the Wild , Warwick attempts to mediate between the wide-ranging approaches to culling ( SN: 8/19/20 ; SN: 4/11/14 ). Part travel memoir, part philosophical treatise, Cull of the Wild is an honest, surprisingly tame read that asks hard questions of its sources, author and audience.
“The essence of science is not that it knows everything, but that it continually challenges everything,” Warwick writes. “It is not just what we think, but how we think that needs challenging.”
Warwick opens the book ready to do just that, laying out his prejudices as an ecologist, hedgehog expert and someone who is “vaguely vegan.” Though a bit winding, the resulting 300-page quest finds the author readily challenging these biases. Whether he’s interviewing a gamekeeper or diving into animal ethics, Warwick eagerly searches for middle ground in the ongoing battle that is wildlife management.
The ecologist recruits an eclectic crew to highlight this middle ground. There’s Mike Swan, senior adviser to the Game & Wildlife Conservation Trust, who takes Warwick on a tour of the estate he manages for game bird shoots in Dorset, England. Swan culls foxes and crows to boost pheasant and partridge numbers for hunters. While Warwick is not a fan of hunting or culling, he recognizes Swan’s passion for nature, mind for conservation and desire to find humane ways to keep bird predators in check.
Warwick also interviews Monica Engel, a conservationist from Brazil who earns a seal hunting license to better understand Canadian seal hunters and, in turn, natural resource management. “When I am out there, listening, I find it so sad that the hunters and the animal rights activists enter into this debate with often so much hate,” Engel tells Warwick. “It drowns out moderate voices, it stops progress.”
These sources and their views make for the book’s most interesting parts. In one chapter, Warwick meets Tony Martin of the Waterlife Recovery Trust in East Anglia, England. Martin tracks American mink, imported into the British Isles in 1929 for the prized fur. Mink from fur farms soon started popping up in the British countryside; mink now prey on multiple riverside species, including the water vole, a rat-sized rodent already declining due to habitat loss. Using an armada of 800 floating traps, Martin’s team works to save the native species by culling this elusive predator.
These “mink rafts” are live traps. The mink are later euthanized with an air pistol. Though gruesome, Martin’s approach has hints of compassion; he refuses to cull mink on England’s islands for fear that they’d starve to death in traps before anyone could collect them. He coauthored a 2020 paper outlining essential questions that ensure exterminations aren’t needlessly drawn out or doomed to fail. “I don’t enjoy killing animals,” says Martin, whose father ran a mink farm. “And if there was another way to restore our riparian ecosystems without killing mink, then I would be all for it. But until then, it is important that we do it as humanely as possible.”
While much of the book focuses on species found in Warwick’s native United Kingdom, his pondering takes readers from a fenced-in preserve in New Zealand to the mouse-infested bird colonies of Gough Island in the South Atlantic.
Warwick also touches on famous characters in the invasive species saga: Australia’s toxic cane toads, Burmese python escapees in the Florida Everglades , the “cocaine hippos” of Columbian drug trafficker Pablo Escobar ( SN: 3/17/15 ). In many cases, eradication is either unfeasible or met with public opposition.
Though culling is about invasive and native troublemakers, much of Cull of the Wild concerns itself with human exceptionalism. Dubbing us Homo occisor , or “man the killer,” Warwick likens humankind to “a fox in the chicken coop, instinctively driving the livable planet towards destruction.” Warwick reminds us that we often play “judge, jury and executioner — or at least supporters of those that are” when dealing with introduced species or damaged ecosystems. But to “play god” in the 21st century, Warwick warns, requires us to examine our prejudices about animal suffering and our motivations behind culling. “In its simplest form, this is head-versus-heart territory.”
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3.90. 433,928 ratings15,795 reviews. First published in 1903, The Call of the Wild is regarded as Jack London's masterpiece. Based on London's experiences as a gold prospector in the Canadian wilderness and his ideas about nature and the struggle for existence, The Call of the Wild is a tale about unbreakable spirit and the fight for survival ...
The Call of the Wild Review. The Call of the Wild is an unforgettable novel that pioneered the adventure genre. It follows Buck a privileged California dog who is stolen and sold as a sled dog in the Yukon. His struggle to survive leads to a newfound appreciation for the natural world and his own wild instincts. Pros.
Thrilling, violent tale of dog's survival in 1890s Alaska. Read Common Sense Media's The Call of the Wild review, age rating, and parents guide.
In his novel, London told the story of the un-taming of Buck — of his travels deeper and deeper into his primitive self until, in the end, he is joyously alive and full in his wildness. In my reading, The Call of the Wild seems to be — subtly and, perhaps for London, subliminally — a rejection of a human civilization that permits the ...
The Call of the Wild by Jack London has been reviewed by Focus on the Family's marriage and parenting magazine. ... Book reviews cover the content, themes and worldviews of fiction books, not their literary merit, and equip parents to decide whether a book is appropriate for their children. The inclusion of a book's review does not ...
The Call of the Wild at Wikisource. The Call of the Wild is a short adventure novel by Jack London, published in 1903 and set in Yukon, Canada, during the 1890s Klondike Gold Rush, when strong sled dogs were in high demand. The central character of the novel is a dog named Buck. The story opens at a ranch in Santa Clara Valley, California, when ...
The Lasting Impact of The Call of the Wild. ' The Call of the Wild ' is considered Jack London's best-known novel. At its heart, the novel is about civilization vs. the wild. As Buck contends with being thrust into the Klondike, so too does the reader experience a new understanding of true wilderness. For decades, readers have relished ...
Review: "The Call of the Wild" by Jack London. Jack London's "The Call of the Wild" is an old tale, a children's story told from a sled dog's point of view. And it is remarkable. Writing from the perspective of Buck, an impressive St. Bernard and Shepard mix, London gets readers to feel all the feels as he tells about the 1890s ...
"Man and dog are here together put back into prehistory, one of the moments of metaphorical abutment in which the book abounds. The law of the club and the law of the fang are one and the same, which is to say that in this primeval life of nature man and dog are morally indistinguishable-the call of the wild calls us all.
The Call of the Wild is a very short novel (fitting perfectly the definition of a novella), so you might feel even more inclined to give it a go, knowing that it'll be a relatively quick read.
In conclusion, "Call of the Wild" falls short of its reputation as a gripping and emotionally resonant classic. While it has moments of intrigue and a compelling premise, the lack of character depth, inconsistent pacing, and at times problematic content prevent me from fully embracing this novel. While it may resonate with some readers who ...
A 1903 Review of Jack London's. The Call of the Wild. He was mastered by the sheer surging of life, the tidal wave of being, the perfect joy of each separate muscle, joint, and sinew in that it was everything that was not death, that it was aglow and rampant, expressing itself in movement, flying exultantly under the stars.
The Wild. The wild is one of the most important themes in Jack London's literary work. The concept of the wild "calling" to Buck is important to his evolution as a character and revitalizing his natural instincts. It's not until the novel's end that he fully gives in to the "call of the wild" and joins a pack of wolves in the ...
The Call of the Wild has 16 reviews and 17 ratings. Reviewer noahsmith wrote: "I enjoyed book cause of how Buck changes and realizes the law of club and fang + the relationship and pure love with John Thornton.
"The Call of the Wild," written by Jack London, is a novel set in Yukon, Canada during the Klondike Gold Rush. Buck, a rather large, domesticated dog, is stolen from his comfortable life and sold into the brutal world of sled dog teams in the harsh wilderness.
The Call of the Wild by Jack London was published in 1903. The plot follows the life of Buck, a pet dog, as he is stolen and sold to be a sled dog in the midst of the Klondike gold rush. Buck is forced to adapt by giving in to his primitive instincts until he succumbs completely and becomes the leader of a wolf pack.
Reviews and discussion questions for The Call of the Wild are listed along with links to key places and things relevant to the story.
This is a quick book summary and analysis of Call of the Wild by Jack London. This channel discusses and reviews books, novels, and short stories through dra...
"The Call of the Wild" is based on the episodic Jack London classic published in 1903 about a pampered pooch who triumphs over abuse to find purpose and community, and then is increasingly drawn to the limitless world beyond civilization.
In his new book, ecologist Hugh Warwick seeks middle ground in the waging battle that is wildlife management.
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