write book review academic

Organizing Your Social Sciences Research Assignments

• Annotated Bibliography
• Analyzing a Scholarly Journal Article
• Group Presentations
• Dealing with Nervousness
• Using Visual Aids
• Grading Someone Else's Paper
• Types of Structured Group Activities
• Group Project Survival Skills
• Leading a Class Discussion
• Multiple Book Review Essay
• Reviewing Collected Works
• Writing a Case Analysis Paper
• Writing a Case Study
• About Informed Consent
• Writing Field Notes
• Writing a Policy Memo
• Writing a Reflective Paper
• Writing a Research Proposal
• Generative AI and Writing
• Acknowledgments

A book review is a thorough description, critical analysis, and/or evaluation of the quality, meaning, and significance of a book, often written in relation to prior research on the topic. Reviews generally range from 500-2000 words, but may be longer or shorter depends on several factors: the length and complexity of the book being reviewed, the overall purpose of the review, and whether the review examines two or more books that focus on the same topic. Professors assign book reviews as practice in carefully analyzing complex scholarly texts and to assess your ability to effectively synthesize research so that you reach an informed perspective about the topic being covered.

There are two general approaches to reviewing a book:

• Descriptive review: Presents the content and structure of a book as objectively as possible, describing essential information about a book's purpose and authority. This is done by stating the perceived aims and purposes of the study, often incorporating passages quoted from the text that highlight key elements of the work. Additionally, there may be some indication of the reading level and anticipated audience.
• Critical review: Describes and evaluates the book in relation to accepted literary and historical standards and supports this evaluation with evidence from the text and, in most cases, in contrast to and in comparison with the research of others. It should include a statement about what the author has tried to do, evaluates how well you believe the author has succeeded in meeting the objectives of the study, and presents evidence to support this assessment. For most course assignments, your professor will want you to write this type of review.

Book Reviews. Writing Center. University of New Hampshire; Book Reviews: How to Write a Book Review. Writing and Style Guides. Libraries. Dalhousie University; Kindle, Peter A. "Teaching Students to Write Book Reviews." Contemporary Rural Social Work 7 (2015): 135-141; Erwin, R. W. “Reviewing Books for Scholarly Journals.” In Writing and Publishing for Academic Authors . Joseph M. Moxley and Todd Taylor. 2 nd edition. (Lanham, MD: Rowan and Littlefield, 1997), pp. 83-90.

How to Approach Writing Your Review

NOTE:   Since most course assignments require that you write a critical rather than descriptive book review, the following information about preparing to write and developing the structure and style of reviews focuses on this approach.

I.  Common Features

While book reviews vary in tone, subject, and style, they share some common features. These include:

• A review gives the reader a concise summary of the content . This includes a description of the research topic and scope of analysis as well as an overview of the book's overall perspective, argument, and purpose.
• A review offers a critical assessment of the content in relation to other studies on the same topic . This involves documenting your reactions to the work under review--what strikes you as noteworthy or important, whether or not the arguments made by the author(s) were effective or persuasive, and how the work enhanced your understanding of the research problem under investigation.
• In addition to analyzing a book's strengths and weaknesses, a scholarly review often recommends whether or not readers would value the work for its authenticity and overall quality . This measure of quality includes both the author's ideas and arguments and covers practical issues, such as, readability and language, organization and layout, indexing, and, if needed, the use of non-textual elements .

To maintain your focus, always keep in mind that most assignments ask you to discuss a book's treatment of its topic, not the topic itself . Your key sentences should say, "This book shows...,” "The study demonstrates...," or “The author argues...," rather than "This happened...” or “This is the case....”

II.  Developing a Critical Assessment Strategy

There is no definitive methodological approach to writing a book review in the social sciences, although it is necessary that you think critically about the research problem under investigation before you begin to write. Therefore, writing a book review is a three-step process: 1) carefully taking notes as you read the text; 2) developing an argument about the value of the work under consideration; and, 3) clearly articulating that argument as you write an organized and well-supported assessment of the work.

A useful strategy in preparing to write a review is to list a set of questions that should be answered as you read the book [remember to note the page numbers so you can refer back to the text!]. The specific questions to ask yourself will depend upon the type of book you are reviewing. For example, a book that is presenting original research about a topic may require a different set of questions to ask yourself than a work where the author is offering a personal critique of an existing policy or issue.

Here are some sample questions that can help you think critically about the book:

• Thesis or Argument . What is the central thesis—or main argument—of the book? If the author wanted you to get one main idea from the book, what would it be? How does it compare or contrast to the world that you know or have experienced? What has the book accomplished? Is the argument clearly stated and does the research support this?
• Topic . What exactly is the subject or topic of the book? Is it clearly articulated? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? Can you detect any biases? What type of approach has the author adopted to explore the research problem [e.g., topical, analytical, chronological, descriptive]?
• Evidence . How does the author support their argument? What evidence does the author use to prove their point? Is the evidence based on an appropriate application of the method chosen to gather information? Do you find that evidence convincing? Why or why not? Does any of the author's information [or conclusions] conflict with other books you've read, courses you've taken, or just previous assumptions you had about the research problem?
• Structure . How does the author structure their argument? Does it follow a logical order of analysis? What are the parts that make up the whole? Does the argument make sense to you? Does it persuade you? Why or why not?
• Take-aways . How has this book helped you understand the research problem? Would you recommend the book to others? Why or why not?

Beyond the content of the book, you may also consider some information about the author and the general presentation of information. Question to ask may include:

• The Author: Who is the author? The nationality, political persuasion, education, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the author is affiliated with a particular organization? What difference would it make if the author participated in the events they wrote about? What other topics has the author written about? Does this work build on prior research or does it represent a new or unique area of research?
• The Presentation: What is the book's genre? Out of what discipline does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or other contextual standard upon which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know this. Keep in mind, though, that declarative statements about being the “first,” the "best," or the "only" book of its kind can be a risky unless you're absolutely certain because your professor [presumably] has a much better understanding of the overall research literature.

NOTE: Most critical book reviews examine a topic in relation to prior research. A good strategy for identifying this prior research is to examine sources the author(s) cited in the chapters introducing the research problem and, of course, any review of the literature. However, you should not assume that the author's references to prior research is authoritative or complete. If any works related to the topic have been excluded, your assessment of the book should note this . Be sure to consult with a librarian to ensure that any additional studies are located beyond what has been cited by the author(s).

Book Reviews. Writing@CSU. Colorado State University; Book Reviews. The Writing Center. University of North Carolina; Hartley, James. "Reading and Writing Book Reviews Across the Disciplines." Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207;   Motta-Roth, D. “Discourse Analysis and Academic Book Reviews: A Study of Text and Disciplinary Cultures.”  In Genre Studies in English for Academic Purposes . Fortanet Gómez, Inmaculada  et  al., editors. (Castellò de la Plana: Publicacions de la Universitat Jaume I, 1998), pp. 29-45. Writing a Book Review. The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University; Suárez, Lorena and Ana I. Moreno. “The Rhetorical Structure of Academic Journal Book Reviews: A Cross-linguistic and Cross-disciplinary Approach .” In Asociación Europea de Lenguas para Fines Específicos, María del Carmen Pérez Llantada Auría, Ramón Plo Alastrué, and Claus Peter Neumann. Actas del V Congreso Internacional AELFE/Proceedings of the 5th International AELFE Conference . Zaragoza: Universidad de Zaragoza, 2006.

Structure and Writing Style

I.  Bibliographic Information

Bibliographic information refers to the essential elements of a work if you were to cite it in a paper [i.e., author, title, date of publication, etc.]. Provide the essential information about the book using the writing style [e.g., APA, MLA, Chicago] preferred by your professor or used by the discipline of your major . Depending on how your professor wants you to organize your review, the bibliographic information represents the heading of your review. In general, it would look like this:

[Complete title of book. Author or authors. Place of publication. Publisher. Date of publication. Number of pages before first chapter, often in Roman numerals. Total number of pages]. The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American History . By Jill Lepore. (Princeton, NJ: Princeton University Press, 2010. xii, 207 pp.)

Reviewed by [your full name].

II.  Scope/Purpose/Content

Begin your review by telling the reader not only the overarching concern of the book in its entirety [the subject area] but also what the author's particular point of view is on that subject [the thesis statement]. If you cannot find an adequate statement in the author's own words or if you find that the thesis statement is not well-developed, then you will have to compose your own introductory thesis statement that does cover all the material. This statement should be no more than one paragraph and must be succinctly stated, accurate, and unbiased.

If you find it difficult to discern the overall aims and objectives of the book [and, be sure to point this out in your review if you determine that this is a deficiency], you may arrive at an understanding of the book's overall purpose by assessing the following:

• Scan the table of contents because it can help you understand how the book was organized and will aid in determining the author's main ideas and how they were developed [e.g., chronologically, topically, historically, etc.].
• Why did the author write on this subject rather than on some other subject?
• From what point of view is the work written?
• Was the author trying to give information, to explain something technical, or to convince the reader of a belief’s validity by dramatizing it in action?
• What is the general field or genre, and how does the book fit into it? If necessary, review related literature from other books and journal articles to familiarize yourself with the field.
• Who is the intended audience?
• What is the author's style? Is it formal or informal? You can evaluate the quality of the writing style by noting some of the following standards: coherence, clarity, originality, forcefulness, accurate use of technical words, conciseness, fullness of development, and fluidity [i.e., quality of the narrative flow].
• How did the book affect you? Were there any prior assumptions you had about the subject that were changed, abandoned, or reinforced after reading the book? How is the book related to your own personal beliefs or assumptions? What personal experiences have you had related to the subject that affirm or challenge underlying assumptions?
• How well has the book achieved the goal(s) set forth in the preface, introduction, and/or foreword?
• Would you recommend this book to others? Why or why not?

III.  Note the Method

Support your remarks with specific references to text and quotations that help to illustrate the literary method used to state the research problem, describe the research design, and analyze the findings. In general, authors tend to use the following literary methods, exclusively or in combination.

• Description : The author depicts scenes and events by giving specific details that appeal to the five senses, or to the reader’s imagination. The description presents background and setting. Its primary purpose is to help the reader realize, through as many details as possible, the way persons, places, and things are situated within the phenomenon being described.
• Narration : The author tells the story of a series of events, usually thematically or in chronological order. In general, the emphasis in scholarly books is on narration of the events. Narration tells what has happened and, in some cases, using this method to forecast what could happen in the future. Its primary purpose is to draw the reader into a story and create a contextual framework for understanding the research problem.
• Exposition : The author uses explanation and analysis to present a subject or to clarify an idea. Exposition presents the facts about a subject or an issue clearly and as impartially as possible. Its primary purpose is to describe and explain, to document for the historical record an event or phenomenon.
• Argument : The author uses techniques of persuasion to establish understanding of a particular truth, often in the form of addressing a research question, or to convince the reader of its falsity. The overall aim is to persuade the reader to believe something and perhaps to act on that belief. Argument takes sides on an issue and aims to convince the reader that the author's position is valid, logical, and/or reasonable.

IV.  Critically Evaluate the Contents

Critical comments should form the bulk of your book review . State whether or not you feel the author's treatment of the subject matter is appropriate for the intended audience. Ask yourself:

• Has the purpose of the book been achieved?
• What contributions does the book make to the field?
• Is the treatment of the subject matter objective or at least balanced in describing all sides of a debate?
• Are there facts and evidence that have been omitted?
• What kinds of data, if any, are used to support the author's thesis statement?
• Can the same data be interpreted to explain alternate outcomes?
• Is the writing style clear and effective?
• Does the book raise important or provocative issues or topics for discussion?
• Does the book bring attention to the need for further research?
• What has been left out?

Support your evaluation with evidence from the text and, when possible, state the book's quality in relation to other scholarly sources. If relevant, note of the book's format, such as, layout, binding, typography, etc. Are there tables, charts, maps, illustrations, text boxes, photographs, or other non-textual elements? Do they aid in understanding the text? Describing this is particularly important in books that contain a lot of non-textual elements.

NOTE:   It is important to carefully distinguish your views from those of the author so as not to confuse your reader. Be clear when you are describing an author's point of view versus expressing your own.

V.  Examine the Front Matter and Back Matter

Front matter refers to any content before the first chapter of the book. Back matter refers to any information included after the final chapter of the book . Front matter is most often numbered separately from the rest of the text in lower case Roman numerals [i.e. i - xi ]. Critical commentary about front or back matter is generally only necessary if you believe there is something that diminishes the overall quality of the work [e.g., the indexing is poor] or there is something that is particularly helpful in understanding the book's contents [e.g., foreword places the book in an important context].

Front matter that may be considered for evaluation when reviewing its overall quality:

• Table of contents -- is it clear? Is it detailed or general? Does it reflect the true contents of the book? Does it help in understanding a logical sequence of content?
• Author biography -- also found as back matter, the biography of author(s) can be useful in determining the authority of the writer and whether the book builds on prior research or represents new research. In scholarly reviews, noting the author's affiliation and prior publications can be a factor in helping the reader determine the overall validity of the work [i.e., are they associated with a research center devoted to studying the problem under investigation].
• Foreword -- the purpose of a foreword is to introduce the reader to the author and the content of the book, and to help establish credibility for both. A foreword may not contribute any additional information about the book's subject matter, but rather, serves as a means of validating the book's existence. In these cases, the foreword is often written by a leading scholar or expert who endorses the book's contributions to advancing research about the topic. Later editions of a book sometimes have a new foreword prepended [appearing before an older foreword, if there was one], which may be included to explain how the latest edition differs from previous editions. These are most often written by the author.
• Acknowledgements -- scholarly studies in the social sciences often take many years to write, so authors frequently acknowledge the help and support of others in getting their research published. This can be as innocuous as acknowledging the author's family or the publisher. However, an author may acknowledge prominent scholars or subject experts, staff at key research centers, people who curate important archival collections, or organizations that funded the research. In these particular cases, it may be worth noting these sources of support in your review, particularly if the funding organization is biased or its mission is to promote a particular agenda.
• Preface -- generally describes the genesis, purpose, limitations, and scope of the book and may include acknowledgments of indebtedness to people who have helped the author complete the study. Is the preface helpful in understanding the study? Does it provide an effective framework for understanding what's to follow?
• Chronology -- also may be found as back matter, a chronology is generally included to highlight key events related to the subject of the book. Do the entries contribute to the overall work? Is it detailed or very general?
• List of non-textual elements -- a book that contains numerous charts, photographs, maps, tables, etc. will often list these items after the table of contents in the order that they appear in the text. Is this useful?

Back matter that may be considered for evaluation when reviewing its overall quality:

• Afterword -- this is a short, reflective piece written by the author that takes the form of a concluding section, final commentary, or closing statement. It is worth mentioning in a review if it contributes information about the purpose of the book, gives a call to action, summarizes key recommendations or next steps, or asks the reader to consider key points made in the book.
• Appendix -- is the supplementary material in the appendix or appendices well organized? Do they relate to the contents or appear superfluous? Does it contain any essential information that would have been more appropriately integrated into the text?
• Index -- are there separate indexes for names and subjects or one integrated index. Is the indexing thorough and accurate? Are elements used, such as, bold or italic fonts to help identify specific places in the book? Does the index include "see also" references to direct you to related topics?
• Glossary of Terms -- are the definitions clearly written? Is the glossary comprehensive or are there key terms missing? Are any terms or concepts mentioned in the text not included that should have been?
• Endnotes -- examine any endnotes as you read from chapter to chapter. Do they provide important additional information? Do they clarify or extend points made in the body of the text? Should any notes have been better integrated into the text rather than separated? Do the same if the author uses footnotes.
• Bibliography/References/Further Readings -- review any bibliography, list of references to sources, and/or further readings the author may have included. What kinds of sources appear [e.g., primary or secondary, recent or old, scholarly or popular, etc.]? How does the author make use of them? Be sure to note important omissions of sources that you believe should have been utilized, including important digital resources or archival collections.

VI.  Summarize and Comment

State your general conclusions briefly and succinctly. Pay particular attention to the author's concluding chapter and/or afterword. Is the summary convincing? List the principal topics, and briefly summarize the author’s ideas about these topics, main points, and conclusions. If appropriate and to help clarify your overall evaluation, use specific references to text and quotations to support your statements. If your thesis has been well argued, the conclusion should follow naturally. It can include a final assessment or simply restate your thesis. Do not introduce new information in the conclusion. If you've compared the book to any other works or used other sources in writing the review, be sure to cite them at the end of your book review in the same writing style as your bibliographic heading of the book.

Book Reviews. Writing@CSU. Colorado State University; Book Reviews. The Writing Center. University of North Carolina; Gastel, Barbara. "Special Books Section: A Strategy for Reviewing Books for Journals." BioScience 41 (October 1991): 635-637; Hartley, James. "Reading and Writing Book Reviews Across the Disciplines." Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207; Lee, Alexander D., Bart N. Green, Claire D. Johnson, and Julie Nyquist. "How to Write a Scholarly Book Review for Publication in a Peer-reviewed Journal: A Review of the Literature." Journal of Chiropractic Education 24 (2010): 57-69; Nicolaisen, Jeppe. "The Scholarliness of Published Peer Reviews: A Bibliometric Study of Book Reviews in Selected Social Science Fields." Research Evaluation 11 (2002): 129-140;.Procter, Margaret. The Book Review or Article Critique. The Lab Report. University College Writing Centre. University of Toronto; Reading a Book to Review It. The Writer’s Handbook. Writing Center. University of Wisconsin, Madison; Scarnecchia, David L. "Writing Book Reviews for the Journal Of Range Management and Rangelands." Rangeland Ecology and Management 57 (2004): 418-421; Simon, Linda. "The Pleasures of Book Reviewing." Journal of Scholarly Publishing 27 (1996): 240-241; Writing a Book Review. The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University.

Writing Tip

Always Read the Foreword and/or the Preface

If they are included in the front matter, a good place for understanding a book's overall purpose, organization, contributions to further understanding of the research problem, and relationship to other studies is to read the preface and the foreword. The foreword may be written by someone other than the author or editor and can be a person who is famous or who has name recognition within the discipline. A foreword is often included to add credibility to the work.

The preface is usually an introductory essay written by the author or editor. It is intended to describe the book's overall purpose, arrangement, scope, and overall contributions to the literature. When reviewing the book, it can be useful to critically evaluate whether the goals set forth in the foreword and/or preface were actually achieved. At the very least, they can establish a foundation for understanding a study's scope and purpose as well as its significance in contributing new knowledge.

Distinguishing between a Foreword, a Preface, and an Introduction . Book Creation Learning Center. Greenleaf Book Group, 2019.

Locating Book Reviews

There are several databases the USC Libraries subscribes to that include the full-text or citations to book reviews. Short, descriptive reviews can also be found at book-related online sites such as Amazon , although it's not always obvious who has written them and may actually be created by the publisher. The following databases provide comprehensive access to scholarly, full-text book reviews:

• ProQuest [1983-present]
• Book Review Digest Retrospective [1905-1982]

Some Language for Evaluating Texts

It can be challenging to find the proper vocabulary from which to discuss and evaluate a book. Here is a list of some active verbs for referring to texts and ideas that you might find useful:

• account for
• demonstrate
• distinguish
• investigate

Examples of usage

• "The evidence indicates that..."
• "This work assesses the effect of..."
• "The author identifies three key reasons for..."
• "This book questions the view that..."
• "This work challenges assumptions about...."

Paquot, Magali. Academic Keyword List. Centre for English Corpus Linguistics. Université Catholique de Louvain.

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How to Write a Book Review: Introduction

• Introduction

Steps to Write a Book Review

• Other Resources on Writing Reviews

Writing Book Reviews

Academic book reviews are helpful in enabling people to decide if they want to read a given book. A book review is not a book report, which you may hae done in elementary school. A book report describes the basic contents. Book reviews go far deeper than that. This guide will explain what an academic book review is and how to write one well.

Introduction to Writing Book Reviews

• What is a Book Review?
• Benefits of Writing Book Reviews

 What is a Book Review?

• Describes the purpose of the book
• Describes the contents of the book (subject of each chapter)
• Analyzes the approach/argument(s) of the book: Does it seem accurate? Does it make sense? Is the argument strong or weak?
• Assesses whether the book did what the author said it would do
• Suggests potential audiences for the book (pastors, students, professors, lay people) and potential uses, such as a textbook
• Based upon a careful reading of the entire book
• Uses a structured, formal, academic tone
• Most often appears in academic journals, though more informal versions may appear in magazines and blogs
• May include comparisons to other works in the same subject, e.g., if you are reviewing a book on Paul's theology, it would help to compare it briefly to another book on Paul's theology
• In an academic setting, a review assumes an academic audience

A book review requires the reviewer to read the book carefully and reflect on its contents. The review should tell a reader what the book seeks to do and offer an appraisal of how well the author(s) accomplished this goal. That is why this is a "critical" book review. You are analyzing the book, not simply describing it. A review assumes that the readers know the vocabulary of the discipline. For example, a reviewer of a book on the Gospel of Matthew could use "Q" and not need to explain it because it is assumed that the audience knows what Q is in the context of talking about the canonical gospels.

A book review does not

• Seek to be entertaining and/or engaging
• Describe your feelings regarding the book, e.g., “I loved it,” “it was terrible,” or “I disagree completely.”
• Superficial treatment similar to the blurb on the back of the book
• Offers an ad hominem (against the person) attack on the author

Here are two examples of typical academic book reviews:

https://search.ebscohost.com/login.aspx?direct=true&db=lsdar&AN=ATLAiFZU171223002713&site=eds-live&authtype=ip,sso&custid=s8984749

https://search.ebscohost.com/login.aspx?direct=true&db=lsdar&AN=ATLAi9KZ180630003303&site=eds-live&authtype=ip,sso&custid=s8984749

You may see non-academic book reviews that are more inform al or use humor but that is not appropriate for an academic book review.

Why would you write a book review? There are a few reasons.

• Meet a course requirement
• Understand a book better and grow as a scholar
• Write reviews for publications in the future, such as magazines

1. Your professor assigned it. You are probably reading this page because a professor gave you an assignment to write a review. This is straightforward. Your professor may have a specific set of requirements or directions and you need to follow those, even if they differ from what you read here. In either case, assume that your review is for a large audience. 

2. Writing a review will help you understand a book better. When you are going to write a good book review, you need to read the entire book carefully. By assigning a book review, the professor is seeking to help you understand the book better. A book review is a critical assessment of a book. “Critical” here means analytical. What did the author seek to do and how convincing was it? Your professor wants you to read the book carefully enough to explain both. A critical assessment recognizes that the status of an author/scholar is no guarantee that the book accomplishes its goal. The skill of critical assessment is valuable in all your research work, both now and after graduation.

3. You may have an opportunity in the future to write a book review for a denominational publication, a magazine like Christianity Today , a church newsletter, or in a blog post, which is very common.

So, a book review can fulfill a course requirement, make you better at critical assessment of the views of others, and create opportunities to use that skill for various publications.

Step 1: Read the book carefully.

Step 2: Write the basics.

Step 3: Fill in the details.

These steps are explained in the next tab of this research guide.

This is not for Book Reflections

If you have a (personal) reflection on a book assigned, what this guide says, besides step #1, likely does not apply to your assignment. You need to ask your professor for guidance on writing a reflection. There are two reasons.

1. A book reflection is not a standard, academic type of document. Therefore, general help based upon reading book reviews is not relevant.

2. Book reflections are heavily dependent upon exactly what a professor asks for. These frequently require comparing good and bad points of the book. That is not a feature of book reviews as such and reviews do not include your personal reflections.

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• Writing Tips

How to Write an Academic Book Review

4-minute read

• 13th September 2019

For researchers and postgraduates , writing a book review is a relatively easy way to get published. It’s also a good way to refine your academic writing skills and learn the publishing process. But how do you write a good academic book review? We have a few tips to share.

1. Finding a Book to Review

Before you can write a book review, you need a suitable book to review. Typically, there are two main ways to find one:

• Look to see which books journal publishers are seeking reviews for.
• Find a book that interests you and pitch it to publishers.

The first approach works by finding a journal in your field that is soliciting reviews. This information may be available on the journal’s website (e.g., on a page titled “Books for Review”). However, you can also email the editor to ask if there are book review opportunities available.

Alternatively, you can find a book you want to review and pitch it to journal editors. If you want to take this approach, pick a book that:

• Is about a topic or subject area that you know well.
• Has been published recently, or at least in the last 2–3 years.
• Was published by a reputable publisher (e.g., a university printing press).

You can then pitch the review to a journal that covers your chosen subject.

Some publishers will even give reviewers access to new books. Springer, for example, has a scheme where reviewers can access books online and receive a print copy once a review is published. So this is always worth checking.

2. Follow the Style Guide

Once you know the journal you want to write for, look for the publisher’s style guide. This might be called the “Author Instructions” or “Review Guidelines,” but it should be available somewhere on the publisher’s website. If it is not obviously available, consider checking with the editor.

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When you have found the style guide, follow its instructions carefully. It should provide information on everything from writing style and the word count to submitting your review, making the process much simpler.

3. Don’t Make It About You!

You’d be surprised how often people begin by summarizing the book they’re reviewing, but then abandon it in favor of explaining their own ideas about the subject matter. As such, one important tip when reviewing an academic book is to actually review the book , not just the subject matter.

This isn’t to say that you can’t offer your own thoughts on the issues discussed, especially if they’re relevant to what the author has argued. But remember that people read reviews to find out about the book being reviewed, so this should always be your focus.

4. Questions to Answer in a Book Review

Finally, while the content of a review will depend on the book, there are a few questions every good book review should answer. These include:

• What is the book about? Does it cover the topic adequately? What does the author argue? Ideally, you will summarize the argument early on.
• Who is the author/editor? What is their field of expertise? How does this book relate to their past work? You might also want to mention relevant biographical details about the author, if there are any.
• How does the author support their argument? Do they provide convincing evidence? Do they engage with counterarguments? Try to find at least one strength (i.e., something the book does well) and one weakness (i.e., something that could be stronger) to write about.
• As a whole, has the book helped you understand the subject? Who would you recommend it to? This will be the concluding section of your review.

If you can cover all these points, you should end up with a strong book review. All you need then is to have it proofread by the professionals .

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• J Chiropr Educ
• v.24(1); Spring 2010

How to Write a Scholarly Book Review for Publication in a Peer-Reviewed Journal

Alexander d. lee.

Canadian Memorial Chiropractic College

Bart N. Green

Naval Medical Center, San Diego, National University of Health Sciences

Claire D. Johnson

National University of Health Sciences

Julie Nyquist

University of Southern California

Alexander Lee is with the Department of Graduate Education and Research Programs, Canadian Memorial Chiropractic College. Bart Green is with the Chiropractic Division, Department of Physical and Occupational Therapy, Naval Medical Center, San Diego, the Department of Publications, National University of Health Sciences, and is Editor-in-Chief for The Journal of Chiropractic Education . Claire Johnson is with the Department of Publications, National University of Health Sciences. Julie Nyquist is with the Division of Medical Education, Keck School of Medicine, University of Southern California.

To describe and discuss the processes used to write scholarly book reviews for publication in peer-reviewed journals and to provide a recommended strategy and book appraisal worksheet to use when conducting book reviews.

A literature search of MEDLINE, EMBASE, CINAHL, and the Index to Chiropractic Literature was conducted in June 2009 using a combination of controlled vocabulary and truncated text words to capture articles relevant to writing scholarly book reviews for publication in peer-reviewed journals.

The initial search identified 839 citations. Following the removal of duplicates and the application of selection criteria, a total of 78 articles were included in this review including narrative commentaries ( n  = 26), editorials or journal announcements ( n  = 25), original research ( n  = 18), and journal correspondence pieces ( n  = 9).

Discussion:

Recommendations for planning and writing an objective and quality book review are presented based on the evidence gleaned from the articles reviewed and from the authors' experiences. A worksheet for conducting a book review is provided.

Conclusions:

The scholarly book review serves many purposes and has the potential to be an influential literary form. The process of publishing a successful scholarly book review requires the reviewer to appreciate the book review publication process and to be aware of the skills and strategies involved in writing a successful review.

Introduction

In the current publishing market, there is no shortage of books written for the busy health care practitioner or academic professional. 1 The scholarly book reviewer plays an important role in informing readers about new books and guiding their reading preferences as they explore the Internet and large catalogues provided by publishers. With the expectations of the many stakeholders in the book review process (readers, authors, journal editors, and publishers) mounted on the reviewer's shoulders, the production of a well balanced, engaging, and informative critique, within the confines of a predetermined word limit, is no simple task. Some book review editors describe book reviewing as a fine art. 2

The scholarly book review is considered by some to be a form of academic writing that serves to describe and critically evaluate the content, quality, meaning, and significance of a book. 3–6 A well constructed book review can provide a thoughtful perspective and will be appreciated by all; however, “…a bad review blows up in your face, not just in the author's.” 7 Many problems identified in poorly conducted book reviews can be attributed to the poor evaluative and writing skills of the reviewer. 8 However, sometimes these problems are rooted in the book reviewer's lack of understanding of portions of the book review process. 7 An appreciation of the purpose and significance of all aspects of the book review process can provide the book review author with a wider perspective to employ when crafting a book review.

In the biomedical literature, there are a number of expert opinion pieces that describe strategies for evaluating books and writing book reviews. 2 , 5 , 6 , 9–14 However, we were unable to find an evidence-based source to assist authors when writing a book review. Thus, we conducted a structured literature search and narrative review of the literature to equip the book reviewer with an evidence-based understanding of all aspects pertaining to the book review process. This article provides an amalgamation of recommendations and a helpful worksheet to use when conducting book reviews.

A literature search was conducted in June 2009 using the following databases: MEDLINE (1950– 2009) and EMBASE (1980–2009) through OVID Publishing, CINAHL Plus with Full Text (1937– 2009) through EBSCO Publishing, and the Index to Chiropractic Literature (2000–2009). The search strategy used a combination of controlled vocabulary from the respective databases and truncated text words. All terms from the controlled vocabularies were exploded and searched as major concepts when available. Reference lists of the retrieved studies were scanned to identify any articles that may have been missed from the literature search. A full search strategy is provided in Figure ​ Figure1 1 .

The search strategies used to obtain articles for this report.

Articles retrieved from the search were screened using abstracts and citations. In instances in which the article topic was unclear, the full text was retrieved. Article screening and selection was conducted by the primary author (ADL). Selection criteria for articles to be included in the review were that they must have been published in a peer-reviewed journal and reported on one or more of the following criteria: strategies for conducting scholarly book reviews, thematic issues related to the publication of scholarly book reviews, or recommendations on academic writing of which a section pertained to writing scholarly book reviews.

Articles that met the inclusion criteria were descriptively analyzed by the primary author (ADL) and the data extracted included: author(s), publication type, and narrative information concerning scholarly book reviews and their publication. To generate recommendations for conducting book reviews, the authors' personal experiences writing book reviews and acting as journal editors were used to supplement the evidence gleaned from the articles included in this review.

The initial search yielded 839 citations. After duplicate citations were removed and selection criteria were applied, a total of 76 articles were identified as being relevant for this report. Scanning of reference lists within each article yielded an additional 10 articles. Despite efforts made to contact the sources of eight publications, these articles were irretrievable due to lost holdings from accessed libraries and cessation of journal publication. Therefore, a total of 78 articles 1–78 were included in this review. The articles included were classified into four groups according to their publication formats: 1) narrative commentaries ( n  = 26), 2 , 4–7 , 9–14 , 47–61 2) editorials or journal announcements ( n  = 25), 1 , 3 , 15–37 3) original research ( n  = 18), 8 , 62–78 and 4) journal correspondence ( n  = 9). 38–46

Stakeholders and Purpose of the Book Review

The scholarly book review serves many purposes and is best appreciated by understanding the perspectives of the stakeholders involved. The primary audience for a book review is the journal's readership. Book reviews are an excellent vehicle to inform readers about new books in the marketplace. 27 , 52 Books are relatively expensive and scholars have limited time to commit to reading. Thus, journal patrons may rely upon the book review's evaluative purpose to guide their reading preferences. 11 , 14 Readers need to be informed of new, innovative, and ground-breaking books while being warned of books of poor quality and those that may not relate to their area of interest. 2 The book review can also increase a reader's scope by introducing books that a reader may not otherwise consider reading. 2 , 14

Interestingly, the authors of the books under review may be the most avid readers of book reviews. 10 , 18 Authors have invested much time and effort into writing their books, and it is not surprising that an author would be curious about how other scholars perceive their books. The reviewer has the opportunity to provide the author with the recognition or appreciation they deserve or to provide suggestions for any faults identified in the final product. 23 , 43 Therefore, the book review can play a large role in influencing the development of future editions. 18

Publishers have a vested interest in book reviews because they are an indirect form of advertising and have the potential to influence book sales. 23 While this review did not identify a study that has evaluated the effect of book reviews on book sales, publishers continue to send review copies of their books to journal editors with the prospect of obtaining a book review. 50 In 1983, Morton 64 obtained survey data from 15 publishers. All publishers surveyed believed book reviews had a positive effect on sales to physicians, and each of the publishers in this study distributed review copies to medical journals in the hopes of having a review appear in one or more of the prestigious journals. Publishers may use book reviews to determine if a book is worthy of a future edition, whether changes need to be made for a future edition, and whether the author is worthy of another book contract. 10 , 58 The contents of a favorable review may be used in promotional materials and book reviews can be used for market research for the planning of future titles. 10 , 32

It has been suggested that librarians use book reviews in the selection process for acquiring library holdings. 10 , 60 , 64 , 65 , 68 , 77 Chen 68 cited an average time lag of 10.43 months from book release to book review publication, and Morton 64 identified publication time lag and inadequate book review indexing as limiting factors for the use of book reviews as selection tools. Book reviews may have an indirect effect on library selection by the recommendations of patrons and faculty for book selection. In 1986, Martin 65 surveyed 136 medical acquisition librarians and found that book reviews ranked seventh on a list of 10 selection aids used for book selection by medical librarians and concluded that reviews were often used in conjunction with other selection tools for book selection. Some experts have suggested that book reviews may serve more as aids against which librarians may check their holdings for titles missed or as a means for identifying very important or poor titles. 68 , 74 Whether book reviews are used to determine library holdings is debatable; however, librarians read them and may serve as book reviewers themselves. 77

Lastly, the book review serves several purposes for the reviewers. Publishing a scholarly book review allows the reviewer to contribute to the professional literature by acting as an entrusted critic with the responsibility of informing the readership of seminal works and warning it of inaccurate scholarship. 32 , 61 Publishing book reviews is also an exercise of self-education. Many reviewers welcome the opportunity to stay current by reading a newly released text and enjoy practicing their critical faculties. 50 Academic authorities have proposed that writing a book review may be an excellent first publication experience for the novice writer. 4 , 5 , 12 , 14 , 19 , 30 , 31 , 59 For experienced book reviewers, however, it may be their altruistic commitment to scholarship and the honor of being asked to review a book that may motivate them. 61

Book Review Publication Process

The book review process starts and is driven, to a large extent, by the publisher. 10 , 32 When review copies of new books are available, publishers send review copies to the staff of relevant journals in hopes that the book will be reviewed. Due to the overwhelming number of books sent to journals, not all books received are reviewed. Often the selection of books reviewed is made in accordance to a journal's aim, scope, and readership. 57 Once a book is selected for review, the book review editor must match the book with a qualified reviewer. 9 , 22

Most book reviews appearing in print are commissioned—meaning that book reviewers are invited by the book review editor to conduct the review. 11 , 22 , 36 Book reviewers are typically not paid for their work, but often get to keep the book once they have completed their review. 19 , 25 , 30 , 52 , 59 Therefore, editors tend to rely on a core group of book reviewers with different areas of expertise who have agreed to act in this capacity. Occasionally, the editor will invite a notable expert in the field to review a book. The ideal book reviewer has been described by Johnson 10 as someone who has published himself or herself in the field of concern. It is important that the author is familiar and well read on the topic. Being a specialist or an authority in one's field is an asset, but may not be a necessity. A few editorials and narrative commentaries mention that it is often advantageous to have reviews written by nonexperts who represent the intended audience of the book under review. 4 , 6 , 11 , 22 However, if the book is written for a specialist audience, sufficient knowledge is required to properly review the material. 9 , 11 , 12 , 30

Commissioned reviews are preferred by most editors because it is easier to ensure consistency with journal policy and safeguard from conflict of interest. 11 , 22 , 36 If the majority of reviews are invited, how does one become a reviewer? Occasionally journals will advertise for book reviewers. 6 , 10 , 12 , 26 The majority of experts on book reviewing recommend that interested potential book reviewers contact the book review editor of a journal to express their interest. This should be followed up by sending a curriculum vitae with a cover letter outlining one's area(s) of expertise and the area(s) in which one would like to serve as a reviewer. 11 , 12 , 30 It may be wise to send a portfolio of previously published book reviews and scholarly articles. 58 Unsolicited reviews, while not common, may be accepted by some journals if they are well written. 10 , 12 , 36 , 55 If one is interested in writing an unsolicited review, most authorities advocate contacting the editor(s) of the journal in question prior to writing a review. 10 , 12 , 36

Once an invitation has been extended by the journal editor, the reviewer must decide if he or she is an appropriate match for the book in question. 10 Professional ethics require that reviewers decline an invitation if their objectivity is compromised or if they are not qualified to conduct the review. 8 , 9 Reasons for declining the invitation may include instances when the reviewer has a personal relationship with the author, 2 is being published or is seeking to be published by the same publisher, is not representative of the intended audience, or will be unable to meet the deadline. 9 , 58 Certain journal editors mention that it is easier to handle an initial refusal than to navigate the ramifications of the aforementioned issues. 12 , 36 If the invitation is declined, it is common courtesy for the invited to suggest another potential reviewer and make arrangements to return the book if it is already in possession. 2 , 12

Accompanying the invitation to conduct the book review is a submission deadline that usually ranges from 1 to a few months. 4 , 14 , 19 Research on the time lag from book release to the publication of its review highlights the importance of conducting the review in a timely manner. 64 , 65 , 68 Book review editors have suggested that if the review cannot be completed by the deadline, the book should be sent back to the publisher so it can be reviewed promptly by another qualified individual. 4 , 12 Conducting a high-quality review within the allotted time frame will ensure subsequent invitations to conduct book reviews. 11 , 14

When the completed book review has been submitted, the editor reserves the right to edit or reject the review. 24 It should be noted that book reviews are edited but are not customarily peer reviewed. 50 , 60 Since many journals are not published monthly, it may take up to a year or longer for the review to appear in print. 58 Once published, the journal will sometimes send a copy of the book review to the book publisher.

Appraising the Book

Reading a book for the purposes of generating an informative critique necessitates a planned appraisal strategy. As a first step, the reviewer should research the author's qualifications and previous contributions to the topic area to determine the author's authority. 4 , 5 , 9 , 13 If it is obvious the author is not sufficiently qualified, it may be appropriate to comment on this in the review. Before reading the book in depth, one should briefly skim the book to orient oneself to the organization, layout, and visual appeal. Note the type of book one is reviewing because different methods may be used to review different works. 2 , 12 For example, the strategy for reviewing a new edition of a textbook will require an evaluation of any changes made from previous editions, whereas the assessment of a compilation of conference proceedings may focus on the organization and ease of locating abstracts. 2

The majority of articles included in this report highlight the importance of reading the preface and introduction of the book prior to reading its content. 2 , 4−6 , 9 , 12 , 14 , 52 These sections state the author's intentions, aims, and purpose for writing the book. Most importantly, these two sections will define the intended readership. It is important to judge the book by its aims and objectives and evaluate it from the perspective of the intended readership. 5 , 6 , 14 , 52 A key question to ask is whether the contents are appropriate for the readership level. 2 , 6 , 14 , 58 Book reviewers can error by judging a book by their own aims and objectives and by criticizing authors for something that was explained in the preface. 6 , 7 , 11

Another section of a book that warrants a book reviewer's attention is the table of contents. It provides the reviewer with information about the organization of the book, an overview of its contents, and the development of the topics to be discussed. 2 , 5 , 12 This section can be used to determine if all relevant topics were included or if any key topics were overlooked. 4 , 5

Once oriented to the preface, introduction, and table of contents, the reviewer now has a setting and perspective to appraise the book. The book should be read carefully, taking notes while reading, as any praise, arguments, criticisms, or conclusions made in the review should be substantiated. 5 , 52 The book should be evaluated on a variety of items such as accuracy, completeness, readability, and relevance. 3 , 5 , 11 A book appraisal worksheet is provided in the appendix (also online at www.journalchiroed.com ) and lists a variety of appraisal items to be evaluated when reading a book for review. It also functions as a notation sheet where a reviewer can make notes on any strengths or weaknesses, write comments, provide examples to support these remarks, and make suggestions for improvement. These notes will form the basis of the critique.

While it is important to assess the book on a variety of features, certain key questions should be considered. What makes the book unique? 5 , 11 , 58 , 61 Is the book useful to the intended readership? 5 , 10 , 58 Was the book successful in achieving its aims and objectives? 5 , 10 , 12 How does the book compare to its competitors? 5 , 6 , 10 , 19 What contribution does the book make to the field? 7 , 8 , 47 , 58 , 61 The answers to these questions will help the reviewer describe the distinguishing features of the book and place it within its field. Considering that a book review is a personal account of a book, it is important to note one's personal reactions to the book. 6 , 11

A recurring question in articles that discussed book appraisal strategies was whether the entire book must be read in order to write the review. All articles that answered this question made reference to the respect that must be given to an author's hard work. It would be disrespectful to the author(s) to write a review without carefully reading the entire book. 6 , 11 , 19 , 48 , 49 However, some articles noted exceptions. It may not be practical to read certain books from cover to cover, such as medical dictionaries, encyclopedias, and large multivolume texts. 6 , 52 In these instances, a method of sampling should be developed and these methods should be reported in the book review. 52

Writing the Book Review

Writing the review can be a challenge because there is a reluctance for journals to provide a prescriptive format for writing book reviews. 3 , 5 , 18 Book review editors often prefer reviews that are informative, engaging, and constructively opinionated. 6 , 11 Therefore, any attempt for a book review to be formatted to a strict preconceived style is “…stunting creativity and literary development.” 11 Critics of structured book reviews argue that such reviews are informative but dull. 23 , 28 Since each book is unique, reviews should be tailored to the uniqueness of the book under review and the writing style of the reviewer. Variety in book reviews helps maintain the reader's interest.

It should be noted that certain journals may have specific format requirements; for instance, the inclusion of the book's specifications (eg, author, publisher, ISBN, number of pages, etc.) and word limit. A reviewer should become familiar with the journal's book review policy before writing the review. Although most journals do not provide strict book review writing guidelines, most exhibit an underlying “house style.” 6 , 29 A perusal of book reviews appearing in the journal will orient the reviewer to the journal's informal house style. Word limits vary between journals and can be as short as 75 words to greater than 2000. 6 , 57 Chen's 67 study of 3347 biomedical book reviews found most reviews to be over 265 words. Kroenke 62 identified a mean limit of 373 words among 480 medical book reviews and found that tangential information and reviewer opinions on the subject of the book increased the length of reviews. The majority of sources consulted in this review reported word limits ranging from 250 to 500 words with editors' preferences toward shorter reviews. 5 , 6 , 10 , 20 , 24 , 57 Limited word counts necessitate a concise writing style. Methven 4 recommended combining several ideas into a single sentence to achieve the goal of being succinct. Many book review editors believe the quality of a book review is rarely associated with its length. 4 , 10 , 22 , 24 , 57

While there is no prescriptive style when writing a review, many experts outline a common strategy utilized to convey their critique, 3–5 which is summarized in Table ​ Table1. 1 . These recommendations are in line with Motta-Roth's 79 findings of four main rhetorical moves identified in scholarly book reviews. These four moves are: 1) introduce the book, 2) outline the book, 3) highlight parts of the book, and 4) provide a general evaluation of the book. These four moves were often associated with the start of a new paragraph. 79

A recommended strategy for crafting a book review

The reviewer must now decide which appraisal items to comment on in the review. Kroenke 62 surveyed 480 book reviews and found that the mean number of features commented on per review was 9.0 ± 2.7. With most reviews spanning 250 to 500 words, it is not possible to include a critique of all appraisal items evaluated. The reviewer must decide which items are most important to mention to provide a balanced and informative critique. The book appraisal worksheet found in the appendix is designed to assist the reviewer in compiling all appraisal notes into a single, efficient format for ease of identification of items to be included in the review.

Depending on the specific book under review, certain appraisal items may deserve more mention than others. For instance, a student textbook with an index of limited utility is an important finding; however, the same finding in a patient handbook may not deserve mention. Similarly, the importance of image quality differs for a radiology text compared to a medical dictionary. It is important to recognize that appraisal item selection is specific to the book under review. In addition to these book-specific items, many experts suggest that attempts should be made to place a book in a larger, broader context to allow judgment of the book against its competitors and to allow for the determination of the book's contribution to its field. 3–5 , 8 , 19 , 61 , 62

A final note regarding book review writing is on how to convey criticism. A book review is an evaluative critique. 4 Readers are interested in the book reviewer's opinions and a reviewer should not be afraid to state opinions. 4 Any factual mistakes, shortcomings, or weaknesses should be made known. 6 However, reviewers should be respectful to the authors and write in a professional manner. Book reviewers are not anonymous and the rules of basic courtesy and libel law apply. 25 , 31 , 32 Given that book authors are often readers of book reviews, any unwarranted criticism likely will be read by the book author. 10 , 18 Hill 14 and Boring 47 recommend using descriptive comments, and not conclusions, to describe problems identified in books to allow readers to arrive at their own conclusions. Any criticism should be substantiated with examples or a relevant explanation of the reasons for the criticism to avoid confusion about a reviewer's arguments. 14 , 33 Criticism should also be constructive. 10 , 18 , 33 The reviewer, where possible, should provide suggestions for improvement, because these suggestions may influence the crafting of a future edition. The book appraisal worksheet found in the appendix is designed to aid the reviewer in developing sound criticism by providing a template to document examples to be used to substantiate criticism and to provide suggestions for improvement to ensure constructive comments. Desirable and undesirable characteristics of book reviews are listed in Figure ​ Figure2 2 .

Desirable and undesirable characteristics of book reviews.

Issues Relating to Book Reviews

Three issues deserve special attention: conflicts of interest, reviewer bias, and time lag in publication of reviews. One issue that can affect the credibility of a book review is the influence of a conflict of interest, which exists in scholarly publication when an author, reviewer, or editor has financial or personal relationships that inappropriately influence his or her actions. 80 Conflicts of interest can occur when a book under review is published by the same publisher who publishes the journal that prints the review, 63 a book is reviewed by a journal and one of the author(s) or editor(s) of the book is an employee of the journal, 63 the reviewer is a personal friend of the author, 17 the reviewer is a competing researcher or author, 17 or there is financial gain that influences the outcome of the review. 17 Avoiding these conflicts when publishing book reviews can be difficult, especially in highly specialized fields of study, when the pool of qualified experts who contribute to scholarly activities is small. In these situations, the likelihood of book reviewers, book authors, publishers, and journal editors having preexisting relationships increases, potentially affecting one's objectivity. When these conflicts of interest exist, transparency and proper disclosure of conflicts of interest are essential. 17 , 63

In addition to conflicts of interest, reviewer bias can influence book reviews. Fairness, accuracy, and objectivity of a review remain a problematic issue in publishing book reviews. 18 , 20 For instance, book reviewers known to be overly critical may more likely produce negative reviews, enthusiastic reviewers may not scrutinize a literary work properly, and advocates for one opinion in a polarized field of study may not fairly judge a book about competing viewpoints. 18 Reviewer bias has the potential to provide an inaccurate representation of the book in question and may negatively influence a readership's perceived value of the book review process. To increase the objectivity of book reviewers, some authors suggest that journals should encourage printed communication between the reviewer and book author, 18 multiple reviews of the same title should be conducted, 40 and book reviews should be subjected to peer review. While some journals have implemented the former two suggestions, peer review of book reviews has not been widely accepted. 40

As mentioned earlier, the time lag of book review publication is an important issue affecting book reviews. For most academic works, the first year after publication is the period of greatest sales. On average, a book's use declines most rapidly in the early years following publication. 57 , 66 Part of the problem relating to the time lag of book review publication can be attributed to the publishers. Review copies of books are often not available early enough for people to review them in time to coincide with a book's release date. Even if review copies were available, by the time the review is completed, has passed the editing process, and has sat in line for publication, most experts and publishers believe the review would appear in print after the book publication anyway. 64

Future of Book Reviews

The future of the book review is uncertain. Recently, a perceived lack of utility of the book review has contributed to a fall in popularity of the literary form. In the past, the book review may have served more purpose in informing librarians and readers of new books. Currently, in the age of the Internet, librarians and readers are targeted more readily by publishers directly. 32 Also, book reviews do not rank high in the hierarchical scale of professional scholarship. Academic institutions often do not give their scholars credit for publishing book reviews. 23 From a journal's perspective, the book review makes no contribution to the journal's impact factor. 32 , 72 There is also an issue of journal space and limited page count. The publication of a few pages of book reviews implies the rejection or delay in publication of an original research paper, which negatively impacts journal content and timeliness to publication. 32 Currently, there is no evidence to suggest that the publication of book reviews helps sell books, increase readership of journal contents, or generate subscriptions to journals. 32

While some authors highlight issues detracting from the popularity of the scholarly book review, reforms have been proposed to contribute to the evolution of this literary form. Book review editors have proposed the exploration of different book review formats: specifically, the rejoinder, multidisciplinary, special issue, and integrated formats. 8 , 16 , 34 , 61

Rejoinders are reviews where the reviewer and author are given the opportunity to discuss the book and its review in the same journal issue, increasing the objectivity of the reviewer and providing the reader with a more balanced perspective of the book being evaluated. 16 , 52 The multidisciplinary format requires a book be reviewed by multiple reviewers, each coming from a different discipline, allowing a book to be reviewed in a broader disciplinary context. 16 While appearing periodically, the special issue format is used to review books that supplement the central theme of papers in a special journal issue and may allow for better evaluation of a book's contribution to its topic area. 16 The integrated review is a format conducted as an essay commissioned on a specific theme, and imbedded within the essay are reviews of books related to the paper's thesis. By merging book reviews within a treatise of a select topic, reviewers have the opportunity to utilize comparative analysis to extend reader understanding of writings on a topic, while publishing a substantial scholarly paper. 16 , 31 Readers of this format have the opportunity to be enlightened by the essay and will appreciate more the book's significance and contribution of each book to the specific theme under discussion. 16 , 31 , 34 , 35 While these alternative formats may seem appealing, they must demonstrate their usefulness in the framework of the dilemmas that journal editors face, including limited page space, impact factor, reader interest, and a priority to referee peer review of original manuscripts.

Another influential factor affecting the future of book reviews is information technology, which will influence how book reviews will be published as well as what is reviewed. There have been calls for book reviews to be published on the Internet to allow for immediacy and ease of discussion. 22 , 77 With online publication, competition for print space will lessen and reviews may be able to extend to larger word limits as well as expand to use “new” formats. 57 Also, journal editors are increasingly receiving various information technology media for review. 3 , 31 , 44 Book review sections of journals are slowly expanding their sections to include reviews of information technology media such as DVD, video, and websites. 3 , 22 , 31 , 44

Limitations and Research Directives

A limitation of this review is that the majority of literature used to formulate this report was based largely on expert opinion found in narrative commentaries, editorials, and journal correspondence. Original research constituted 23% of the articles included in this review; however, only three of the studies 8 , 72 , 77 were published within the past 5 years.

To improve the scholarly rigor in the book review literature, future efforts could investigate the validity of using expert opinion as a means for conducting book reviews, and formal studies could assess the impact of book reviews on book sales and journal subscriptions. Readership surveys could be conducted to assess reader interest in new book review formats and publishing venues, and more importantly, examine the impact of review formats on reader usage of information in their professional work. An exploration of these issues will contribute to the development of our understanding of writing and publishing scholarly book reviews.

The scholarly book review serves many purposes and has the potential to be an influential literary form. It can help guide a readership's reading practices, provide authors with constructive feedback, and help publishers plan and develop future books. However, due to the expectations of these same stakeholders, it is a challenging literary form to master. A reviewer must be aware of not just the strategies employed to conduct a review, but should be knowledgeable of the many issues affecting the entire book review process. An appreciation of this literary form in a broader context will allow the altruistic reviewer to publish a review more likely to be perceived as a valuable contribution to the literature.

Conflict of Interest

The second author of this article is also the Editor-in-Chief of The Journal of Chiropractic Education . To mitigate conflicts of interest, this paper was refereed by a guest editor, Dr. Robert Ward. The paper was reviewed by blinded peer reviewers and Dr. Robert Ward is the sole person responsible for decisions regarding the disposition of this manuscript and the only person who knows the identities of the reviewers.

Acknowledgments

The authors appreciate the assistance of Anne Taylor-Vaisey, MLS, with the literature searches.

Appendix: Book Appraisal Worksheet (Available as a free download in Microsoft Word from www.journalchiroed.com )

Contributor Information

Alexander D. Lee, Canadian Memorial Chiropractic College.

Bart N. Green, Naval Medical Center, San Diego, National University of Health Sciences.

Claire D. Johnson, National University of Health Sciences.

Julie Nyquist, University of Southern California.

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You might be asked to write a book review as a way to help you read actively and form an opinion on the author's views and the context in which the book was written. Book reviews are common ways for academics to evaluate each others' contributions to the field of research, especially in the arts and social sciences where publishing in books is more usual than publishing in journals.

A good review is more than just a summary of the contents. It should include your view on what the purpose of the book is and who it is intended for, and it should address the context (time and place) in which the book has been written,  an evaluation of the author's arguments for strengths and weaknesses, and your identification of any bias in their perspective on the topic. Your lecturer will probably give you some guidance on what they expect, and it is likely to involve you asking yourself some or all of the following questions:

• Who is the author? What is their disciplinary background? What have they published before? Is this building on their previous research or entering a new field?
• When was the book written? How might that affect the perspective taken? Is there, for example, a political, social or economic context that would impact on the writing?
• What is the book about? What is the main topic area and scope? How does it fit with other books that have been published in this area?
• What is the main argument in the book? Is it well argued? Are the author's assumptions valid? Is there any obvious bias in the source of evidence they use?
• Is the writing style appropriate? Is the book well structured and does it flow comfortably?
• What is your view on the book's strengths and weaknesses? Do you think it's a valuable contribution to the literature in the discipline?

All of this should be supported by reference to particular passages or chapters that provide evidence to support your views.

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Organizing Academic Research Papers: Writing a Book Review

• Purpose of Guide
• Design Flaws to Avoid
• Glossary of Research Terms
• Narrowing a Topic Idea
• Broadening a Topic Idea
• Extending the Timeliness of a Topic Idea
• Academic Writing Style
• Choosing a Title
• Making an Outline
• Paragraph Development
• Executive Summary
• Background Information
• The Research Problem/Question
• Theoretical Framework
• Citation Tracking
• Content Alert Services
• Evaluating Sources
• Primary Sources
• Secondary Sources
• Tertiary Sources
• What Is Scholarly vs. Popular?
• Qualitative Methods
• Quantitative Methods
• Using Non-Textual Elements
• Limitations of the Study
• Common Grammar Mistakes
• Avoiding Plagiarism
• Footnotes or Endnotes?
• Further Readings
• Annotated Bibliography
• Dealing with Nervousness
• Using Visual Aids
• Grading Someone Else's Paper
• How to Manage Group Projects
• Multiple Book Review Essay
• Reviewing Collected Essays
• About Informed Consent
• Writing Field Notes
• Writing a Policy Memo
• Writing a Research Proposal
• Acknowledgements

A book review is a decription, critical analysis, and/or evaluation of the quality, meaning, and significance of a book. Reviews generally range between 500-1000 words, but may be longer or shorter depending on the length and complexity of the book being reviewed, the overall purpose of the review, and whether the review is a comparative analysis examining two or more books that focus on the same topic. Professors assign book reviews as practice in carefully analyzing complex scholarly texts and to assess your ability in effectively synthesizing research to reach an informed perspective on an issue.

There are two general approaches to reviewing a book:

• D escriptive review: presents the content and structure of a book as objectively as possible, giving essential information about a book's purpose and authority. This is done with description and exposition by stating the perceived aims and purposes of the author, often incorporating passages quoted from the text that highlight key elements of the work. Additionally, there may be some indication of the reading level and anticipated audience.
• C ritical review: describes and evaluates the book in relation to accepted literary and historical standards and supports this evaluation with evidence from the text and, in most cases, in comparison to the research of others. It should include a statement about what the author has tried to do, evaluates how well [in the opinion of the reviewer] the author has succeeded, and presents evidence to support this evaluation. For course assignments, most professors want you to write a critical review.

Book Reviews. Writing Center. University of New Hampshire; Book Reviews: How to Write a Book Review. Writing and Style Guides. Libraries. Dalhousie University.

How to Approach Writing Your Review

I.  Common Features

While book reviews vary in tone, subject, and style, they share some common features. These include:

• A review gives the reader a concise summary of the content . This includes a relevant description of the research topic as well as an overview of its overall perspective, argument, or purpose.
• A review offers a critical assessment of the content , often in relation to related studies on the same topic. This involves your reactions to the work under review: what strikes you as noteworthy, whether or not the arguments made by the author(s) were effective or persuasive, and how the work enhanced your understanding of the research problem under investigation.
• In addition to analyzing a book's strengths and weaknesses, a scholarly review often suggests whether or not the reader would appreciate it for its authenticity and overall quality.

To maintain your focus, always keep in mind that most assignments ask you to discuss a book's treatment of its topic, not the topic itself . Your key sentences should, therefore, say "This book shows...,” "The study demonstrates...," or “The author argues..." rather than "This happened...” or “This is the case....”

II. Developing an Assessment Strategy

There is no definitive method to writing a book review in the social sciences, although it is necessary that you think critically about the research problem under study before you begin writing. Thus, writing a book review is a two-step process: 1) developing an argument about the work under consideration, and, 2) clearly articulating that argument as you write an organized and well-supported draft.

A useful strategy is to write the questions down and answer them as you read [remember to note the page numbers so you can refer back to the text!]. Which questions are most useful while evaluating what you read will depend upon the type of book are reading. Here are a series of questions to focus your thinking as you read a book.

• What is the thesis—or main argument—of the book? If the author wanted you to get one idea from the book, what would it be? How does it compare or contrast to the world you know? What has the book accomplished?
• What exactly is the subject or topic of the book? Does the author cover the subject adequately? Does the author cover all aspects of the subject in a balanced fashion? Can you detect any biases? What is the approach to the subject [e.g., topical, analytical, chronological, descriptive]?
• How does the author support his or her argument? What evidence does the author use to prove his or her point? Do you find that evidence convincing? Why or why not? Does any of the author's information [or conclusions] conflict with other books you've read, courses you've taken, or just previous assumptions you had about the research problem under study?
• How does the author structure his or her argument? What are the parts that make up the whole? Does the argument make sense to you? Does it persuade you? Why or why not?
• How has this book helped you understand the subject? Would you recommend the book to others? Why or why not?

Beyond the content of the book, you may also consider some information about the author and the circumstances of the text's production. Question to ask may include:

• Who is the author? The nationality, political persuasion, training, intellectual interests, personal history, and historical context may provide crucial details about how a work takes shape. Does it matter, for example, that the author is affiliated with a particular organization? What difference would it make if the author participated in the events he or she writes about? What other topics has the author written about? Does this work build on prior research or does it seem to represent a new area of research?
• What is the book's genre? Out of what discipline does it emerge? Does it conform to or depart from the conventions of its genre? These questions can provide a historical or other contextual standard upon which to base your evaluations. If you are reviewing the first book ever written on the subject, it will be important for your readers to know this. Keep in mind, though, that declarative statements about being the “first,” the "best," or the "only" book of its kind can be a risky unless you're absolutely certain because your professor [presumably] has a much better understanding of the overall research literature.

Book Reviews . Writing@CSU. Colorado State University; Book Reviews . The Writing Center. University of North Carolina; Hartley, James. Reading and Writing Book Reviews Across the Disciplines. Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207; Writing a Book Review . The Writing Lab and The OWL. Purdue University; Writing Book Reviews . Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University.

Structure and Writing Style

I. Bibliographic Information

Provide the essential information about the book using the writing style asked for by your professor [e.g., APA, MLA, Chicago, etc.]. Depending on how your professor wants you to organize your review, the bibliographic information represents the heading of your review. In general, it would look like this: The Whites of Their Eyes: The Tea Party's Revolution and the Battle over American History . By Jill Lepore. (Princeton, NJ: Princeton University Press, 2010. xii, 207pp.).

Reviewed by [your name].

II. Scope/Purpose/Content

In most scholarly works, the author(s) will state the purpose of their book in the preface or in an introductory chapter. Begin your review by telling the reader not only the overarching concern of the book in its entirety [the subject area] but also what the author's particular point of view is on that subject [the thesis statement]. If you cannot find an adequate statement in the author's own words or if you find that the thesis statement is not well-developed, then you will have to compose your own introductory thesis statement that does cover all the material. This statement should be no more than one paragraph and must be succinct, accurate, unbiased, and clear.

If you find it difficult to discern the overall aims and objectives of the book [and, be sure to point this out in your review if you believe it to be a deficiency], you may arrive at an understanding of the purpose by asking yourself the following questions:

• Scan the Table of Contents because it can help you understand how the book is organized and will aid in determining the author's main ideas and how they are developed [e.g., chronologically, topically, etc.].
• Why did the author write on this subject rather than on some other subject?
• From what point of view is the work written?
• Was the author trying to give information, to explain something technical, or to convince the reader of a belief’s validity by dramatizing it in action?
• What is the general field or genre, and how does the book fit into it? Review related literature from other books and journal articles to familiarize yourself with the field, if necessary.
• Who is the intended audience?
• What is the author's style? Is it formal or informal? You can evaluate the quality of the writing style by noting some of the following standards: coherence, clarity, originality, forcefulness, correct use of technical words, conciseness, fullness of development, and fluidity.
• How did the book affect you? Were any prior assumptions you had on the subject changed, abandoned, or reinforced due to this book? How is the book related to your own course or personal agenda? What personal experiences have you had that relate to the subject?
• How well has the book achieved its goal(s)?
• Would you recommend this book to others? Why or why not?

III.  Note the Method

Illustrate your remarks with specific references and quotations that help to illustrate the literary method used to state the research problem, describe the research design, and analyze the findings. In general, authors tend to use the following methods, exclusively or in combination.

• Description : The author depicts scenes and events by giving specific details that appeal to the five senses, or to the reader’s imagination. Description presents background and setting. Its primary purpose is to help the reader realize, through as many sensuous details as possible, the way persons, places, and things are within the phenomenon being described.
• Narration : The author tells the story of a series of events, usually thematically or in chronological order. In general, the emphasis in non-fiction books is on narration of the events. Narration tells what has happened and, in some cases, using this method to project what will happen. Its primary purpose is to draw the reader into a story and create a contextual framework for understanding the research problem.
• Exposition : The author uses explanation and analysis to present a subject or to clarify an idea. Exposition presents the facts about a subject or an issue clearly and as impartially as possible. Its primary purpose is to describe and explain, to document for the historical record an event or phenomenon.
• Argument : The author uses techniques of persuasion to establish the truth of a statement, often in the form of a research question, or to convince the reader of its falsity. The overall aim is to persuade the reader to believe something and perhaps to act on that belief. Argument takes sides on an issue and aims to convince the reader that the author's position is valid, logical, and/or reasonable.

IV.  Critically Evaluate the Contents

Critical comments should form the bulk of your book review . State whether or not you feel the author's treatment of the subject matter is appropriate for the intended audience. Ask yourself:

• Has the purpose of the book been achieved?
• What contribution does the book make to the field?
• Is the treatment of the subject matter objective?
• Are there facts and evidence that have been omitted?
• What kinds of data, if any, are used to support the author's thesis statement?
• Can the same data be interpreted to alternate ends?
• Is the writing style clear and effective?
• Does the book raise important or provocative issues or topics for discussion and further research?
• What has been left out?

Support your evaluation with evidence from the text and, when possible, state it in relation to other sources. If relevant, note of the book's format, such as, layout, binding, typography, etc. Are there tables, charts, maps, illustrations, text boxes, photographs, or other non-textual elements? Do they aid in understanding the research problem? Describing this is particularly important in books that contain a lot of non-textual elements.

NOTE: It is important to carefully distinguish your views from those of the author to ensure that you do not confuse your reader.

V.  Examine the Front Matter and Back Matter

Back matter refers to any information included after the final chapter of the book. Front matter refers to anything before the first chapter. Front matter is most often numbered separately from the rest of the text in lower case Roman numerals [i.e. i-xi ]. Critical commentary about front or back matter is generally only necessary if you believe there is something that diminishes the overall quality of the work or there is something that is particularly helpful in understanding the book's contents.

The following front matter may be included in a book and should be considered for evaluation when reviewing the overall quality of the book:

• Table of contents --is it clear? Is it detailed or general? Does it reflect the true contents of the book?
• Author biography --also found as back matter, the biography of author(s) can be useful in determining the authority of the writer and whether the book builds on prior research or represents new research. In scholarly reviews, noting the author's affiliation can be a factor in helping the reader determine the overall validity of work [i.e., are they associated with a research center devoted to studying the research problem under investigation].
• Foreword --in scholarly books, a foreword may be written by the author or an expert on the subject of the book. The purpose of a foreword is to introduce the reader to the author as well as the book itself, and to help establish credibility for both. A foreword does not contribute any additional information about the book's subject matter, but it serves as a means of validating the book's existence. Later editions of a book sometimes have a new foreword apended [appearing before an older foreword if there was one], which may be included to explain in what respects that edition differs from previous ones.
• Preface --generally describes the genesis, purpose, limitations, and scope of the book and may include acknowledgments of indebtedness to people who have helped the author complete the study. Is the preface helpful in understanding the study? Does it effectively provide a framework for what's to follow?
• Chronology --also may be found as back matter, a chronology is generally included to highlight key events related to the subject of the book. Does it contribute to the overall work? Is it detailed or very general?
• List of non-textual elements --if a book contains a lot of charts, photographs, maps, etc., they will often be listed in the front after the table of contents.

The following back matter may be included in a book and should be considered for evaluation when reviewing the overall quality of the book:

• Afterword --this is a short, reflective piece written by the author that takes the form of a concluding section, final commentary, or closing statement. It is worth mentioning in a review if it contributes information about the purpose of the book, gives a call to action, or asks the reader to consider key points made in the book.
• Appendix --is the supplementary material in the appendix or appendices well organized? Do they relate to the contents or appear superfluous? Does it contain any essential information that would have been more appropriately integrated into the text?
• Index --is the index thorough and accurate? Are elements used, such as, bold text to help identify specific parts of the book?
• Glossary of Terms --are the definitions clearly written? Is the glossary comprehensive or are key terms missing?
• Endotes/Footnotes --check any end notes or footnotes as you read from chapter to chapter. Do they provide important additional information? Do they clarify or extend points made in the body of the text?
• Bibliography/Further Readings --review any bibliography or further readings the author(s) may have included. What kinds of sources appear [e.g., primary or secondary, recent or old, scholarly or popular, etc.]? How does the author make use of them? Be sure to note important omissions.

VI.  Summarize and Comment

State your general conclusions succinctly. Pay particular attention to the author's concluding chapter. Is the summary convincing? List the principal topics, and briefly summarize the author’s ideas about these topics, main points, and conclusions. If appropriate and to help clarify your overall evaluation, use specific references and quotations to support your statements. If your thesis has been well argued, the conclusion should follow naturally. It can include a final assessment or simply restate your thesis. Do not introduce new information or ideas in the conclusion. If you've compared the book to any other works or used other sources in writing the review, be sure to cite at the end of your book review.

Book Reviews . Writing@CSU. Colorado State University; Book Reviews . The Writing Center. University of North Carolina; Gastel, Barbara. Special Books Section: A Strategy for Reviewing Books for Journals. BioScience 41 (October 1991): 635-637; Hartley, James. Reading and Writing Book Reviews Across the Disciplines. Journal of the American Society for Information Science and Technology 57 (July 2006): 1194–1207; Procter, Margaret. The Book Review or Article Critique . The Lab Report. University College Writing Centre. University of Toronto; Reading a Book to Review It . The Writer’s Handbook. Writing Center. University of Wisconsin, Madison; Scarnecchia, David L. Writing Book Reviews for the Journal Of Range Management and Rangelands. Rangeland Ecology and Management 57 (2004): 418-421; Writing a Book Review . The Writing Lab and The OWL. Purdue University; Writing Book Reviews. Writing Tutorial Services, Center for Innovative Teaching and Learning. Indiana University.  

Some Language for Evaluating Texts

It can be challenging to find the proper vocabulary in which to discuss and evaluate a book. Here is a list of some active verbs for referring to texts and ideas that you might find useful:

• account for
• demonstrate
• distinguish
• investigate

Examples of usage

• "The evidence indicates that..."
• "This work assesses the effect of..."
• "The author identifies three key reasons for..."
• "This book questions the view that..."

Paquot, Magali. Academic Keyword List . Centre for English Corpus Linguistics. Université Catholique de Louvain.  

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Writing a Book Review

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Book reviews typically evaluate recently-written works. They offer a brief description of the text’s key points and often provide a short appraisal of the strengths and weaknesses of the work.

Readers sometimes confuse book reviews with book reports, but the two are not identical. Book reports commonly describe what happens in a work; their focus is primarily on giving an account of the major plot, characters, and/or main idea of the work. Most often, book reports are a K-12 assignment and range from 250 to 500 words. If you are looking to write a book report, please see the OWL resource, Writing a Book Report.

By contrast, book reviews are most often a college assignment, but they also appear in many professional works: magazines, newspapers, and academic journals. They typically range from 500-750 words, but may be longer or shorter. A book review gives readers a sneak peek at what a book is like, whether or not the reviewer enjoyed it, and details on purchasing the book.

Before You Read

Before you begin to read, consider the elements you will need to included in your review. The following items may help:

• Author: Who is the author? What else has s/he written? Has this author won any awards? What is the author’s typical style?
• Genre: What type of book is this: fiction, nonfiction, romance, poetry, youth fiction, etc.? Who is the intended audience for this work? What is the purpose of the work?
• Title: Where does the title fit in? How is it applied in the work? Does it adequately encapsulate the message of the text? Is it interesting? Uninteresting?
• Preface/Introduction/Table of Contents: Does the author provide any revealing information about the text in the preface/introduction? Does a “guest author” provide the introduction? What judgments or preconceptions do the author and/or “guest author” provide? How is the book arranged: sections, chapters?
• Book Jacket/Cover/Printing: Book jackets are like mini-reviews. Does the book jacket provide any interesting details or spark your interest in some way? Are there pictures, maps, or graphs? Do the binding, page cut, or typescript contribute or take away from the work?

As You Read

As you read, determine how you will structure the summary portion or background structure of your review. Be ready to take notes on the book’s key points, characters, and/or themes.

• Characters: Are there characters in the work? Who are the principal characters? How do they affect the story? Do you empathize with them?
• Themes/Motifs/Style: What themes or motifs stand out? How do they contribute to the work? Are they effective or not? How would you describe this author’s particular style? Is it accessible to all readers or just some?
• Argument: How is the work’s argument set up? What support does the author give for her/findings? Does the work fulfill its purpose/support its argument?
• Key Ideas: What is the main idea of the work? What makes it good, different, or groundbreaking?
• Quotes: What quotes stand out? How can you demonstrate the author’s talent or the feel of the book through a quote?

When You Are Ready to Write

Begin with a short summary or background of the work, but do not give too much away. Many reviews limit themselves only to the first couple of chapters or lead the reader up to the rising action of the work. Reviewers of nonfiction texts will provide the basic idea of the book’s argument without too much detailed.

The final portion of your review will detail your opinion of the work. When you are ready to begin your review, consider the following:

• Establish a Background, Remember your Audience: Remember that your audience has not read the work; with this in mind, be sure to introduce characters and principles carefully and deliberately. What kind of summary can you provide of the main points or main characters that will help your readers gauge their interest? Does the author’s text adequately reach the intended audience? Will some readers be lost or find the text too easy?
• Minor principles/characters: Deal only with the most pressing issues in the book. You will not be able to cover every character or idea. What principles/characters did you agree or disagree with? What other things might the author have researched or considered?
• Organize: The purpose of the review is to critically evaluate the text, not just inform the readers about it. Leave plenty room for your evaluation by ensuring that your summary is brief. Determine what kind of balance to strike between your summary information and your evaluation. If you are writing your review for a class, ask your instructor. Often the ratio is half and half.
• Your Evaluation: Choose one or a few points to discuss about the book. What worked well for you? How does this work compare with others by the same author or other books in the same genre? What major themes, motifs, or terms does the book introduce, and how effective are they? Did the book appeal to you on an emotional or logical way?
• Publisher/Price: Most book reviews include the publisher and price of the book at the end of the article. Some reviews also include the year published and ISBN.

When making the final touches to your review, carefully verify the following:

• Double-check the spelling of the author name(s), character names, special terms, and publisher.
• Try to read from the vantage point of your audience. Is there too much/enough summary? Does your argument about the text make sense?
• Should you include direct quotes from the reading? Do they help support your arguments? Double-check your quotes for accuracy.

Wendy Laura Belcher

How to write an academic book review.

This article “Writing the Academic Book Review” was originally written by Belcher to aid participants in a workshop sponsored by the UCLA Chicano Studies Research Center in February 2003 and to encourage book review submissions to  Aztlán: A Journal of Chicano Studies . Book reviews in the field of Chicano studies can be sent to  the journal; for information, see the  new submissions page. The article was updated in 2015. Cite as Belcher, Wendy Laura. 2003. “Writing the Academic Book Review.” Los Angeles, CA: UCLA Chicano Studies Research Center. Last Modified 2015. Retrieved from https://www.wendybelcher.com/writing-advice/how-to-write-book-review/ on [month year]. See also the best-selling book of advice on writing, now in its second edition: Writing Your Journal Article in 12 Weeks: A Guide to Academic Publishing Success.

Why Write a Book Review?

Writing book reviews is not only the easiest and quickest route to publication, it is a good way to improve your writing skills, develop your analytical skills, learn how the journal publishing process works, and get to know editors. Since some libraries can’t buy books unless they have been reviewed and many individuals won’t buy books unless they have read a review, reviewing books can definitely advance your field. Indeed, scholars in smaller fields sometimes get together and assign books for review so that every book published in their field is reviewed somewhere. Just remember that book reviews do not “count” as much on a curriculum vitae as an academic essay. If you are doing more than two book reviews a year, you may be spending too much time on book reviews and not enough on your other writing.

Choosing a Book

Think about what kind of book would be most useful to you in writing your dissertation, finalizing a paper for publication, or passing your exams. Since book reviews do take time, like any writing, it is best to chose a book that will work for you twice, as a publication and as research. Alternatively, some recommend that graduate students focus on reviewing textbooks or anthologies, since such reviews take less background knowledge and editors can find it difficult to find people willing to do such reviews. Although the traditional book review is of one book, editors will often welcome book reviews that address two or more related books–called a review essay.

Choose a book that (1) is in your field, (2) is on a topic for which you have sound background knowledge, (3) has been published in the past two or three years, and (4) has been published by a reputable publisher (i.e., any press affiliated with a university or large commercial presses).

Books on hot topics are often of special interest to editors. It can also be rewarding to pick an obscure but useful book in order to bring attention to it. To avoid complications, it is best not to review books written by your advisor, spouse, or ex!

To identify a suitable book in your field:

• Look up the call number of the favorite book in your field and go to the stacks of your university library. Do a shelf search around the call number to see if anything similar or related has been published in the past couple of years.
• Go to any book database—your university library on-line, Worldcat , Amazon.com , the Library of Congress —and search using two or three keywords related to your field (e.g., Chicano fiction, Chicana politics, Latino demographics, Latina high school education) to find books in your area.
• Read magazines that review books before publication—such as Choice , Library Journal, or Kirkus Reviews —to get a sense for interesting books that will be coming out. You can get copies of books for review before they are published. Editors especially like reviews of just published books.
• Read those academic journals that list books recently received for review or recently published in their area. 
• Ask faculty members in your department for recommendations.

Once you have identified several books, locate copies and skim them. Pick the book that seems the strongest. Do not pick a book that has major problems or with which you disagree violently. As a graduate student, you do not have the protection of tenure and may one day be evaluated by the person whose book you put to the ax. If you really feel strongly that you must write a negative review of a certain book, go ahead and write the review. Academia is, after all, quite oedipal and young scholars do sometimes make their reputations by deflating those who came before them. Just realize that going on record in such a public way may have consequences.

Choosing a Journal

Identify several leading journals in your field that publish book reviews. One way to do this is to search an on-line article database or something like Book Review Digest , if your library has access. Using several key words from your field, limit your search to book reviews and note the journals where the results were published.

Before starting to write your review, contact the book review editor of one of the journals. This is important standard practice; in particular because most journals do not accept unsolicited reviews. You do not want to write an entire review of a book and send it to a journal, only to be told that they don’t accept unsolicited reviews or that a review of that very book is to appear in the next issue.

So, send a short e-mail to book review editors at prospective journals (most journals have websites with such information) identifying the book you would like to review and your qualifications for reviewing it. This e-mail need not be longer than two sentences: “I am writing to find out if you would welcome a review from me of [ Book Title ], edited by [editor] and published in 2012 by [pubisher]. I am currently writing my dissertation at Stanford on the history of the field of [name of a field related to book].”

Another reason why you want to contact the book review editor is that they often can get you the book for free. Publishers frequently send books for review straight to journals or, if the book editor directly contacts them, straight to you. Of course, you don’t need to wait for the book to start your review if you have access to a library copy. If you get a free book, make sure to write the review. A book review editor will never send you another book if you don’t deliver on the first.

If the book review editor says yes, they would like a review of the book from you, make sure to ask if the journal has any book review submission guidelines. In particular, you want to make sure you understand how long their book reviews tend to be.

If the book review editor says the book is already under review, move on to your next journal choice or ask the editor if they have any books on the topic that they would like reviewed. You are under no obligation to review a book they suggest, just make sure to get back to them with a decision. It is perfectly acceptable to say “Thanks for the suggestion, I’ve decided to focus on writing my prospectus/dissertation.”

Reading the Book

It is best, when writing a book review, to be an active reader of the book. Sit at a desk with pen and paper in hand. As you read, stop frequently to summarize the argument, to note particularly clear statements of the book’s argument or purpose, and to describe your own responses. If you have read in this active way, putting together the book review should be quick and straightforward. Some people prefer to read at the computer, but if you’re a good typist, you often start typing up long quotes from the book instead of analyzing it. Paper and pen provides a little friction to prevent such drifting.

Take particular note of the title (does the book deliver what the title suggests it is going to deliver?), the table of contents (does the book cover all the ground it says it will?), the preface (often the richest source of information about the book), and the index (is it accurate, broad, deep?).

Some questions to keep in mind as you are reading:

• What is the book’s argument?
• Does the book do what it says it is going to do?
• Is the book a contribution to the field or discipline?
• Does the book relate to a current debate or trend in the field and if so, how?
• What is the theoretical lineage or school of thought out of which the book rises?
• Is the book well-written?
• What are the books terms and are they defined?
• How accurate is the information (e.g., the footnotes, bibliography, dates)?
• Are the illustrations helpful? If there are no illustrations, should there have been?
• Who would benefit from reading this book?
• How does the book compare to other books in the field?
• If it is a textbook, what courses can it be used in and how clear is the book’s structure and examples?

It can be worthwhile to do an on-line search to get a sense for the author’s history, other books, university appointments, graduate advisor, and so on. This can provide you with useful context..

Making a Plan

Book reviews are usually 600 to 2,000 words in length. It is best to aim for about 1,000 words, as you can say a fair amount in 1,000 words without getting bogged down. There’s no point in making a book review into a 20-page masterpiece since the time would have been better spent on an academic essay that would count for more on your c.v.

Some say a review should be written in a month: two weeks reading the book, one week planning your review, and one week writing it.

Although many don’t write an outline for an essay, you should really try to outline your book review before you write it. This will keep you on task and stop you from straying into writing an academic essay.

Classic book review structure is as follows:

• Title including complete bibliographic citation for the work (i.e., title in full, author, place, publisher, date of publication, edition statement, pages, special features [maps, color plates, etc.], price, and ISBN.
• One paragraph identifying the thesis, and whether the author achieves the stated purpose of the book.
• One or two paragraphs summarizing the book.
• One paragraph on the book’s strengths.
• One paragraph on the book’s weaknesses.
• One paragraph on your assessment of the book’s strengths and weaknesses.

Writing the Review

Once you’ve read the book, try to spend no more than one or two weeks writing the review. Allowing a great deal of time to fall between reading the book and writing about it is unfair to you and the author. The point of writing something short like a book review is to do it quickly. Sending a publication to a journal is always scary, sitting on the review won’t make it less so.

Avoiding Five Common Pitfalls

• Evaluate the text, don’t just summarize it. While a succinct restatement of the text’s points is important, part of writing a book review is making a judgment. Is the book a contribution to the field? Does it add to our knowledge? Should this book be read and by whom? One needn’t be negative to evaluate; for instance, explaining how a text relates to current debates in the field is a form of evaluation.
• Do not cover everything in the book. In other words, don’t use the table of contents as a structuring principle for your review. Try to organize your review around the book’s argument or your argument about the book.
• Judge the book by its intentions not yours. Don’t criticize the author for failing to write the book you think that he or she should have written. As John Updike puts it, “Do not imagine yourself the caretaker of any tradition, an enforcer of any party standards, a warrior in any ideological battle, a corrections officer of any kind.”
• Likewise, don’t spend too much time focusing on gaps. Since a book is only 200 to 500 pages, it cannot possibly address the richness of any topic. For this reason, the most common criticism in any review is that the book doesn’t address some part of the topic. If the book purports to be about ethnicity and film and yet lacks a chapter on Latinos, by all means, mention it. Just don’t belabor the point. Another tic of reviewers is to focus too much on books the author did not cite. If you are using their bibliography just to display your own knowledge it will be obvious to the reader. Keep such criticisms brief.
• Don’t use too many quotes from the book. It is best to paraphrase or use short telling quotes within sentences.

For further advice about writing for publication, see Writing Your Journal Article in Twelve Weeks: A Guide to Academic Publishing Success by Wendy Laura Belcher (University of Chicago Press, 2019).

Writing the Academic Book Review

I no longer teach this course , but you might want to think about teaching it, so I provide the information here.

This workshop aids students in actually writing and publishing a book review for a peer-reviewed journal. At the first session, students receive instruction on why graduate students should (or should not) write book reviews, how to choose a book for review, how to chose a journal for submission, how to read a book for review, how to plan and structure a book review, and five common pitfalls of reviewing. Students also form small groups to discuss the book each plans to review.At the second meeting, students bring a draft of their book review for exchange and feedback. At the third meeting, students arrive with a final version of their essay to submit to an editor for publication.

This workshop is sometimes offered by a particular journal with the editors serving on a panel the first night to provide students with specific advice for submitting reviews to their journal. I did such a workshop for Aztlán: A Journal of Chicano Studies , with the editors Chon A. Noriega and Alicia Gaspar de Alba.

Session 1, Week 1

• Introduction to book reviewing
• Selecting an appropriate book to review
• Five essential elements of any book review
• Typical errors graduate student reviewers make

Session 2, Week 10

• Assignment: First draft due
• Discussion of the writing process and challenges
• Exchanging and critiquing first drafts
• Some instructions on revising

Session 3, Week 16

• Assignment: Final draft due
• Working with editors and the publication process
• Refreshments

Academic Book Review: Guidelines, Template & Structure

When it comes to writing a book review it is important to be extraordinarily perceptive. Book reviews usually share some important insights that goes into the broad system of academic publishing that benefits the people in the academic profession.  

Hence, writing an academic book review carries a lot more responsibility and weightage that what it actually seems to have.  

What Is A Book Review?

What isn’t an academic book review, how do you structure a book review, phase i – assess, understand and plan before you write, phase ii – prepping to write, phase iii – writing, helpful writing tips for reviewers.

Talking about book review many people think that it is merely offering their opinion on a specific book. However, reviewing a book has a much wider scope than that. An effective book review involves assessing a book and then giving a descriptive criticism based on it.  

In general, book review involves evaluating the content, analyzing the characters, information about the author’s background and summarizing the book in short. While writing you can cover the important ideas and topics given in the book assuming that the readers have not read the book.  

While academic book reviews are written by scholars to be read by their fellow scholars. This is the reason it is also called as scholarly reviews. That being said, book reviews are useful for the researchers and readers to decide if they should go for the book or not.  

So, when outlining the academic book review structure make sure it serves the relevant purposes. This includes making the fellow scholars familiar with the objective, quality and reasoning represented by the book’s content. Also, make sure to explain how the content is suitable and valuable for the present-day literature.  

Writing an academic book review is definitely not a very easy or quick job, but it surely oils the wheels of the historians and professional book reviewers. So, if you are wondering how to write a good academic book review, it’s important to understand the prominent parts of academic book review.  

Sometimes readers confuse it with literature review but there is an evident difference between the two.  

Literature review usually focuses on providing a short summary of fellow scholar’s research, blending the present-day content on a particular current topic, and stating the limitations in their research.  

Whereas, the academic book review template appears like an entry done in the annotated bibliography. It lays the entire focus on the evaluation and summary of the published material.  

Reviewing a book means helping fellow scholars in deciding whether or not to purchase the book. It doesn’t cover any hypothesis as academic book review is not a research paper.  

Furthermore, you can’t compare it with a book report even when there might be a few similarities. A book report presents a larger outline of the book contents. The clear-cut goal of an academic book review is to analyze what the author what wanted to convey, how well have they done that, and what are your original thoughts on it (both positive and negative).  

In order to write a successful review it is important to have an excellent academic book review structure. Generally, there is a fairly easy and simple structure for most book reviews.  

• It starts with a brief introduction to summarizing the individual argument of the author and concluding it with helpful suggestions. Don’t forget to share your fair and impersonal response while writing the review.
• The right way how to write an academic book review, is to first make sure to perform some critical thinking and brief research. It will help you to write a well-structured and well-supported review in a logical manner.   In simple words, you can start with an introduction that explains the prominence of the book in relation to the current developments in the field. Understand why is it important to study about the selected topic. That way, you can quickly explain about the main argument of the author and share your insights about the content’s quality.
• In the middle section you can add summarised paragraphs for different parts of the book. Just like most reviewers you can either do it topic-wise or chapter-wise. While evaluating the author’s individual arguments make sure to analyze them based on your personal thinking and opinion.Just make sure to understand if they appropriately relate to the central ides of the book. Although, most reviewers like to share their opinions in the end of the review. But it is better to introduce your thoughts going with the flow as you analyze each element of the book.
• Lastly, give a helpful conclusion summing up the review by telling how valuable the book is. Here you need to explain the readers why they should buy and read the book and why they should not. While sharing your final evaluation make sure to be considerate and generous about the originality of the book.

Wondering How To Write A Good Academic Review?

Just go through the easy to follow academic book review guidelines discussed below.  

Sometimes reviewers or writers might not find any creative insight or research behind a published book or article . It deprives them of the motivation and they keep on thinking how to write an academic book review. Well! It is best for the scholar reviewers to take their sweet time to think it through before beginning to write.   They should plan and analyze the other theories within the subject area. Based on it, they should provide critical assessment, evaluation of the author’s methodology and relevance to other published literature.   Some points review writer must have at the back of their head includes:   What was the author’s purpose in writing the book? Remember that it is really important to highlight the content that shares the author’s objective in writing the book. That way you can provide your opinions of whether the readers or other scholars should give it a try or not.  

Understand the main argument of the book Be thorough while going through the academic book so you can understand the author’s main argument highlighted in the book.  

What sources does the author use to support her arguments? In order to provide an accurate summation of the book’s content, find out the main sources used by author to support the argument. It will help you in understanding whether or not the author was able to provide relevant and accurate summary of the content.  

Is the book well written? Just read and analyse the book thoroughly to decide if it is well-written and concise. Remember the book should be able to provide significant knowledge to the learners.  

Intended audience While doing your research make sure the book connects well with the intended readers.  

When was the book written? A crucial aspect of writing a book review is to find out the timing when it was written. You should know if it is in accordance with progressive ideas or not.  

Does the argument persuade you? Check whether the book was able to convince you with what it was trying to tell.  

Authors background and book genre Since you need to write limited words while assessing the book make sure to understand the genre and the background of the book.  

The next important phase is to master the skill of writing a successful book review. Before you actually start writing it is very important to do some prepping and thinking fundamental for writing a valuable review. Ponder upon the questions we listed above and then move ahead.  

You might even need to understand the book’s connection with similar literature. It will help you develop a personal logic and argument about the work at hand. This way you can come up with an well-organized and supported academic book review.  

Feel free to check some other relevant reviews in your subject area. After some thorough research you can collectively sum up your thoughts into a statement describing the objective of your review.  

Do you want to know how to write an academic book review? Read on to know the various elements of the book that should be covered.  

A. Introduction Start by choosing a suitable citation style of your field and then mention the book. Also, mention about the current rates of book in the market. Provide a summary of the important arguments made by the author all through their work.  

Read the book thoroughly and give an outline of the content organization in the book. Also, look out for the arguments and mention about them with relevant context.  

You should be able to allure the readers by providing relevant statements about why the book is suitable for their subject area. Here you can state some main points on author’s thesis and importance of studying it. Let’s not forget to mention about the quality of content and share some general evaluation.  

B. Body When it comes to the body of your academic book review template, you can share the main ideas mentioned in the book. Just start by writing a brief summary since there is a set word count for writing book review.  

Based on your convenience you can either write a summary chapter by chapter or topic by topic. After performing a thorough assessment of the book compare it with other literature on the same subject area. Mention how it has contributed to the previous and current literature and research.  

Talking about how to write an academic book review, a reviewer should always provide their opinion about the relevance of the book for target readers. This means you should  mention who should read the book and who should not. For example, mention if it will be useful for the college students, fellow scholars, teachers, or researchers.  

An important part of academic book review guidelines are anaylzing the research methods of the author.  

C. Conclusion While giving your concluding evaluation just try to be thoughtful with the words. Remember writing an academic book review is incomplete without reliable recommendations and criticism.  

Your scholarly views will definitely play a crucial role in helping fellow scholars and readers to decide if they should put their money in getting the book. Make sure to mention suitable reasons about why you recommend the book. This includes covering the benefits and drawbacks of the book.  

For instance, you can mention whether or not the book was interesting, concise and well-written. You should explain why readers should spend their valuable time in reading this book.  

If you are thinking how to write an academic book review effectively, go through some useful tips discussed below.  

Related : How to write a lyric poem?  

Here, take a glance at some important tips for writing a book review that is valuable for the readers.

• Just avoid being pedantic and focus on picking the major details for a successful review. This includes originality of the content, factual mistakes, relevance for the readers, focusing on each chapter and other crucial elements.
• While writing an academic book review, keep the language easy to understand, your thoughts clear, and the writing concise.
• Make sure to be careful with the tone and words that you pick while writing the review. Do not keep your tone peculiarly impersonal.
• Go through the reviews presented on some prominent studies in the chosen subject area for academic review.
• Read the academic content thoroughly to figure out the unpredictability in the writer’s argument.
• Avoid any conflicting ideas and thoughts associated with the writer of the selected academic book.
•  Be sure to provide a clear and concise summary of the book. Feel free to present your argument about the book while being respectful.
• Always dig into the references and quotations of the author to understand if the interpretation is unbiased.

Related : Best Grammar Courses Online , Online Business Writing Courses , How to write a synopsis?  

Q. What academic writing is both an evaluation and descriptions of a book?

A . A book review is a piece of academic writing that is both a concise description and evaluation about the major elements of the book. This mainly involves the critical evaluation of the meaning, importance, quality and authenticity of the book’s content. It should clearly highlight the objective and authority of the book’s matter.  

Q. How do you write a book review for a PhD?

A . Providing a book review is surely a great option to make your way in the academic profession world. While different people share different perspectives when it comes to writing a book review for a PhD.  

You just have to make sure to cover the following points: give a summary of the book’s important aspects written with kindness, provide a detailed summary for each chapter and highlight the important elements you found in the book.  

Also, give complete citation and be honest with your thoughts. Don’t forget to meticulously mention about the strengths and weakness of the book.  

Q. What are the 4 stages in writing a book review?

A . Writing an academic book review involves giving a critical analysis about prominent parts of a book to the readers. This goes for the material, advantages, layout and the importance of the book. Reviewers valuable inputs help readers to understand the benefits and limitations of the book’s matter.  

Just make sure your academic book review structure has these 4 stages: a short introduction, defining its contents, choosing specific themes or chapters and highlighting important parts and finally providing a comprehensive concluding evaluation.  

Q. How long should a book review be?

A . Generally, reviews are written in brief. Whether they are published in academic journals or newspapers, reviews are usually 600 -2000 words long.  

But it is best to summarize your review in about 1000 words. Keeping your academic book reviews concise and short is the key even when you encounter some broadened commentaries and lengthy assignments. It would be pointless to write a lengthy review since it won’t drag any special attention, instead make it troublesome for the readers to read.

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Chaos to Clarity: Structuring Your Literature Review Format

Master literature review format! Learn key sections, effective citation & analysis tips to write a strong academic review.

Ever wondered how to dive into a mountain of books and articles and come up with something that not just makes sense but shines new light on a topic? What if there was a way to neatly tie together all that information, spot what’s missing, and maybe even pave the way for discoveries? 

That’s what you are going to learn in this article, literature reviews—a place where chaos meets order, and where your insights could set the stage for the next big thing. Let’s break down the literature review format , your essential guide to properly writing a literature review.

Dissecting Literature Review Format 

There are 6 main sections to make a note of while writing a literature review. Those are:

The Introduction Section

Topic background, conceptual framework.

• Synthesis and Evaluation in Literature Reviews
• Conclusion for Your Literature Review
• Reference List in Your Literature Review

Also Read: Essential Components of a Literature Review

The introduction of your literature review is where you set the stage for the entire document. It’s your first opportunity to engage your readers and provide a clear blueprint of what your review will cover and why it matters. This section does more than merely introduce the topic; it establishes the context, defines the scope, and outlines the purpose and objectives of your literature review.

Things to keep in mind while writing an introduction:

• Craft a compelling opening
• Establish the Context and Justification
• Define the Scope and Objectives
• Lay out the Structure
• Give an overview of the Structure

The “Topic Background” section of a literature review serves as the cornerstone for understanding the evolution and current state of the subject matter. It is divided into two crucial sub-sections: Historical Context and Current State of the Topic . 

Delving into these areas provides you with a comprehensive backdrop against which the literature review is framed, enriching the reader’s understanding of why the topic is of interest and what has influenced its development to the current state.

Historical Context

The Historical Context is fundamental in setting the stage for the entire literature review. This section is not just a chronology of events or developments; it’s a curated narrative that highlights the key milestones and turning points that have significantly impacted the topic. 

By examining the historical evolution, the review establishes a timeline of how understanding and perspectives have shifted over the years.

Summary Of Key Historical Developments

This involves identifying and summarizing the major breakthroughs, shifts in thinking, or seminal works that have shaped the topic. It’s important to focus on developments that have a direct relevance to the current understanding and state of the subject. For example, if the topic is about the evolution of renewable energy technologies, this part would outline the initial discovery and use of renewable sources, significant technological innovations, and pivotal policy decisions that have influenced the field.

Relevance Of Historical Context To The Topic

After outlining the key historical developments, it’s crucial to connect these events to the present topic. This means discussing how past events have laid the groundwork for current theories, practices, or debates within the field. It involves analyzing the impact of historical milestones on the subject matter, and explaining how they have contributed to current knowledge, challenges, and research questions. This section makes it clear why understanding history is essential for anyone researching or studying the topic today.

Current State Of The Topic

Moving from the historical context, the review transitions to the present with the Current State of the Topic. This part assesses the latest research, trends, debates, and technological advancements that define the subject area at the moment.

Current Trends Or Updates

Here, the focus shifts to what is happening in the field right now. This could include recent research findings, emerging theories, new methodologies, or the latest technological innovations. The aim is to provide a snapshot of the current research landscape, identifying what themes, questions, or problems are being actively explored. For instance, in the context of digital marketing, this might involve discussing the rise of artificial intelligence in customer relationship management or the impact of social media trends on marketing strategies.

Impact Of These Trends On The Subject Matter

The final step is to assess the implications of these current trends for the topic. This includes considering how recent developments have advanced the field, the challenges they present, and the opportunities they open up for future research. It’s about connecting the dots between what’s happening now and what it means for the subject area moving forward. This not only helps to frame the research questions that the literature review will address but also sets the stage for identifying gaps in the current knowledge, thereby guiding the direction of future studies.

Also Read: What is a literature review? Get the concept and start using it

When doing a literature review, it’s essential to lay a solid foundation for your exploration through a well-defined conceptual framework. This framework acts as a compass, guiding your review’s direction by establishing the key concepts, theories, and perspectives that underpin your topic. 

Definitions And Descriptions

Before diving into the depths of your literature review, it’s crucial to start with the basics. This means clearly identifying and defining the key concepts related to your topic. Think of this as setting the stage for your readers, ensuring they have a clear understanding of the fundamental terms and ideas you will be exploring.

Key Concepts Related To The Topic

Begin by listing the essential concepts central to your review. These are the building blocks of your topic, the terms that will repeatedly appear throughout your exploration. 

Detailed Definitions And Their Relevance

Once you’ve identified these concepts, provide precise and comprehensive definitions for each. Don’t hesitate to explore different dimensions or interpretations of these terms, as this can enrich your readers’ understanding. More importantly, discuss why these concepts are crucial to your review. How do they shape the scope of your exploration? How do they relate to each other and to the broader topic? This step ensures that your readers are not just familiar with the terms but also understand their significance within your review’s context.

Theoretical Perspectives

With the key concepts clearly defined, it’s time to frame your literature review within relevant theoretical perspectives. This is where you align your exploration with existing theories, models, or frameworks that provide insights into your topic.

Important Theories Related To The Topic

Identify the theories that are foundational to your topic. These could range from well-established theories that have long guided research in your field to more contemporary models that offer new insights. For example, a review of organizational behavior might draw on theories of motivation, leadership styles, and organizational culture.

Evaluation Of These Theories And Their Influence On The Topic

After pinpointing the relevant theories, critically assess their contributions to the topic. Consider questions like: How have these theories shaped understanding of the topic? What insights do they offer, and where do they fall short? Are there controversies or debates surrounding these theories? This evaluation not only deepens your review’s analytical depth but also positions your work within the larger academic conversation.

Synthesis And Evaluation In Literature Reviews

The “Synthesis and Evaluation” section is where your literature review truly comes to life. Here, you’re not just summarizing what others have said; you’re weaving together diverse strands of research to present a cohesive picture of the topic at hand.

Comparison And Contrast Of Sources

Synthesizing the literature involves more than listing findings from various studies; it’s about drawing connections between them, highlighting areas of agreement and dispute, and weaving these into a narrative that adds depth and breadth to your understanding of the topic.

Comparative Analysis

Start by grouping your sources based on similarities in their findings, methodologies, or theoretical approaches. This clustering will help you identify trends and common themes across the literature. For example, if several studies have found similar outcomes under comparable conditions, these findings can be grouped to strengthen a particular argument or observation about the topic.

Contrasts Or Conflicts Among Sources

Equally important is the identification of discrepancies in the literature. Do some studies present findings that directly contradict others? Are there differences in how researchers have interpreted similar data? Highlighting these conflicts is crucial, as it can indicate areas where the topic is still evolving or where further research is needed. It also shows your ability to critically engage with the material, a hallmark of scholarly rigor.

Analysis Of Gaps In Literature

One of your primary tasks in the synthesis and evaluation section is to identify what’s missing in the current body of research. This requires a critical eye and a deep understanding of both your topic and the broader field in which it resides.

Identification Of Research Gaps

As you comb through the literature, ask yourself: What questions remain unanswered? Are there underexplored areas or populations? Perhaps certain methodologies have been overlooked, or theoretical perspectives have not been considered. Pinpointing these gaps is not a mere exercise in academic critique; it’s a vital step in advancing knowledge within the field.

Implications Of These Gaps For Future Research

Highlighting gaps in the literature sets the stage for future studies. It’s where you, as the reviewer, can suggest new research directions that could fill these voids or further explore the topic. Discussing the implications of these gaps not only enriches your review but also contributes to the ongoing scholarly conversation. 

Conclusion For Your Literature Review

The conclusion of your literature review is where you bring together all the strands of your argument, synthesizing the insights gained and highlighting the significance of your findings. It’s not just a summary of what has been discussed; it’s an opportunity to underscore the relevance of the review, reflect on the broader implications of your synthesis and evaluation, and suggest directions for future research. 

Summary Of Key Points

Start your conclusion by succinctly summarizing the main points and findings of your review. This isn’t about rehashing every detail but rather about distilling the essence of your exploration. Highlight the critical trends, themes, and conflicts you’ve uncovered, and remind your readers of the significance of these discoveries.

Relevance And Implications Of The Literature For The Topic

Next, focus on the relevance and implications of your findings. This involves stepping back to consider the bigger picture—how does your literature review contribute to the understanding of your topic? Discuss the impact of the trends and gaps you’ve identified on the field, and elaborate on how your synthesis of the literature advances or enriches existing knowledge.

Reflection On The Research Process

Reflecting on the research process itself can provide valuable insights. Consider discussing the challenges you encountered in navigating the literature, such as dealing with conflicting findings or the scarcity of research on certain aspects of your topic. 

Directions For Future Research

One of the most critical aspects of your conclusion is to suggest directions for future research. Be as precise as possible, whether suggesting new methodologies, theoretical frameworks, or specific topics that warrant deeper investigation.

Final Thoughts

End your conclusion with a strong closing statement that reiterates the value of your literature review. Emphasize the importance of continued research on your topic and the potential it holds for advanced understanding within your field. A compelling conclusion reaffirms the significance of your work, leaving your readers with a clear sense of its contribution and the urgent need for further exploration.

Reference List In Your Literature Review

The Reference List is the backbone of your literature review, providing a comprehensive compilation of all the sources you’ve cited throughout your exploration. It’s not merely a formality but a crucial component that lends credibility and rigor to your work.

Importance Of Accuracy And Consistency

The cornerstone of a reliable Reference List is accuracy and consistency in citation style. Whether you’re adhering to APA , MLA , Chicago , or another academic citation format, it’s vital to apply the rules with precision. This includes correctly formatting author names, publication dates, titles, and publication details. 

Organizing Your References

While different citation styles have their own rules for listing references, organizing them in a way that enhances readability and accessibility is universally beneficial. Alphabetical order by the author’s last name is the most common method, as it allows readers to easily locate sources.

Comprehensive Coverage

Your Reference List should be exhaustive, including every work you’ve cited in your review. This extends beyond journal articles and books to encompass reports, conference papers, online resources, and any other materials that have informed your analysis.

The Value Of Annotations

While not always required, providing brief annotations for key sources can add tremendous value to your Reference List. An annotated bibliography offers a succinct summary of each source’s main arguments, methodologies, and findings, as well as its relevance to your literature review.

Digital Accessibility

In today’s digital age, considering the accessibility of your referenced works can greatly enhance the utility of your Reference List. Whenever possible, include Digital Object Identifiers (DOIs) or stable URLs for online sources, ensuring readers can directly access the materials. 

Also read: What Is A DOI? Exploring The Purpose And Importance

Reflecting On Ethical Scholarship

Finally, your Reference List is a reflection of ethical scholarship. By accurately citing all the sources that have informed your work, you’re honoring the intellectual property of other researchers and upholding the academic community’s standards of integrity and respect. 

Crafting a meticulous Reference List is an essential aspect of your literature review that underscores the credibility, depth, and ethical foundation of your research. By adhering to the principles of accuracy, comprehensiveness, and accessibility, you not only facilitate further inquiry but also pay homage to the collective endeavor of knowledge advancement in your field.

Related Article: Navigating the AMA Citation Format: Best Tips for Referencing

In conclusion, writing a literature review involves meticulous structuring, beginning with an engaging introduction that sets the stage, followed by a detailed exploration of the topic’s background, including its historical context and current state. 

A robust conceptual framework lays the groundwork for analysis, leading to a critical synthesis and evaluation of relevant literature. 

The conclusion ties together the review’s key findings and implications, while the reference list meticulously catalogs all cited works. Mastering each section ensures a comprehensive and insightful review, essential for advancing academic understanding and contributing to scholarly discussions.

Related Article: Preliminary Literature Review: A Guide for Effective Research

Science Figures, Graphical Abstracts, And Infographics For Your Research

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About Sowjanya Pedada

Sowjanya is a passionate writer and an avid reader. She holds MBA in Agribusiness Management and now is working as a content writer. She loves to play with words and hopes to make a difference in the world through her writings. Apart from writing, she is interested in reading fiction novels and doing craftwork. She also loves to travel and explore different cuisines and spend time with her family and friends.

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Blog – Posted on Friday, Mar 29

17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

Are you interested in becoming a book reviewer? We recommend you check out Reedsy Discovery , where you can earn money for writing reviews — and are guaranteed people will read your reviews! To register as a book reviewer, sign up here.

Pro-tip : But wait! How are you sure if you should become a book reviewer in the first place? If you're on the fence, or curious about your match with a book reviewing career, take our quick quiz:

Should you become a book reviewer?

Find out the answer. Takes 30 seconds!

What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

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Literature Reviews

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What is a literature review?

Why conduct a literature review, stages of a literature review, lit reviews: an overview (video), check out these books.

• Types of reviews
• 1. Define your research question
• 2. Plan your search
• 3. Search the literature
• 4. Organize your results
• 5. Synthesize your findings
• 6. Write the review
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Definition: A literature review is a systematic examination and synthesis of existing scholarly research on a specific topic or subject.

Purpose: It serves to provide a comprehensive overview of the current state of knowledge within a particular field.

Analysis: Involves critically evaluating and summarizing key findings, methodologies, and debates found in academic literature.

Identifying Gaps: Aims to pinpoint areas where there is a lack of research or unresolved questions, highlighting opportunities for further investigation.

Contextualization: Enables researchers to understand how their work fits into the broader academic conversation and contributes to the existing body of knowledge.

tl;dr  A literature review critically examines and synthesizes existing scholarly research and publications on a specific topic to provide a comprehensive understanding of the current state of knowledge in the field.

What is a literature review NOT?

❌ An annotated bibliography

❌ Original research

❌ A summary

❌ Something to be conducted at the end of your research

❌ An opinion piece

❌ A chronological compilation of studies

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AI-assisted writing is quietly booming in academic journals. Here’s why that’s OK

Lecturer in Bioethics, Monash University & Honorary fellow, Melbourne Law School, Monash University

Disclosure statement

Julian Koplin does not work for, consult, own shares in or receive funding from any company or organisation that would benefit from this article, and has disclosed no relevant affiliations beyond their academic appointment.

Monash University provides funding as a founding partner of The Conversation AU.

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If you search Google Scholar for the phrase “ as an AI language model ”, you’ll find plenty of AI research literature and also some rather suspicious results. For example, one paper on agricultural technology says:

As an AI language model, I don’t have direct access to current research articles or studies. However, I can provide you with an overview of some recent trends and advancements …

Obvious gaffes like this aren’t the only signs that researchers are increasingly turning to generative AI tools when writing up their research. A recent study examined the frequency of certain words in academic writing (such as “commendable”, “meticulously” and “intricate”), and found they became far more common after the launch of ChatGPT – so much so that 1% of all journal articles published in 2023 may have contained AI-generated text.

(Why do AI models overuse these words? There is speculation it’s because they are more common in English as spoken in Nigeria, where key elements of model training often occur.)

The aforementioned study also looks at preliminary data from 2024, which indicates that AI writing assistance is only becoming more common. Is this a crisis for modern scholarship, or a boon for academic productivity?

Who should take credit for AI writing?

Many people are worried by the use of AI in academic papers. Indeed, the practice has been described as “ contaminating ” scholarly literature.

Some argue that using AI output amounts to plagiarism. If your ideas are copy-pasted from ChatGPT, it is questionable whether you really deserve credit for them.

But there are important differences between “plagiarising” text authored by humans and text authored by AI. Those who plagiarise humans’ work receive credit for ideas that ought to have gone to the original author.

By contrast, it is debatable whether AI systems like ChatGPT can have ideas, let alone deserve credit for them. An AI tool is more like your phone’s autocomplete function than a human researcher.

The question of bias

Another worry is that AI outputs might be biased in ways that could seep into the scholarly record. Infamously, older language models tended to portray people who are female, black and/or gay in distinctly unflattering ways, compared with people who are male, white and/or straight.

This kind of bias is less pronounced in the current version of ChatGPT.

However, other studies have found a different kind of bias in ChatGPT and other large language models : a tendency to reflect a left-liberal political ideology.

Any such bias could subtly distort scholarly writing produced using these tools.

The hallucination problem

The most serious worry relates to a well-known limitation of generative AI systems: that they often make serious mistakes.

For example, when I asked ChatGPT-4 to generate an ASCII image of a mushroom, it provided me with the following output.

It then confidently told me I could use this image of a “mushroom” for my own purposes.

These kinds of overconfident mistakes have been referred to as “ AI hallucinations ” and “ AI bullshit ”. While it is easy to spot that the above ASCII image looks nothing like a mushroom (and quite a bit like a snail), it may be much harder to identify any mistakes ChatGPT makes when surveying scientific literature or describing the state of a philosophical debate.

Unlike (most) humans, AI systems are fundamentally unconcerned with the truth of what they say. If used carelessly, their hallucinations could corrupt the scholarly record.

Should AI-produced text be banned?

One response to the rise of text generators has been to ban them outright. For example, Science – one of the world’s most influential academic journals – disallows any use of AI-generated text .

I see two problems with this approach.

The first problem is a practical one: current tools for detecting AI-generated text are highly unreliable. This includes the detector created by ChatGPT’s own developers, which was taken offline after it was found to have only a 26% accuracy rate (and a 9% false positive rate ). Humans also make mistakes when assessing whether something was written by AI.

It is also possible to circumvent AI text detectors. Online communities are actively exploring how to prompt ChatGPT in ways that allow the user to evade detection. Human users can also superficially rewrite AI outputs, effectively scrubbing away the traces of AI (like its overuse of the words “commendable”, “meticulously” and “intricate”).

The second problem is that banning generative AI outright prevents us from realising these technologies’ benefits. Used well, generative AI can boost academic productivity by streamlining the writing process. In this way, it could help further human knowledge. Ideally, we should try to reap these benefits while avoiding the problems.

The problem is poor quality control, not AI

The most serious problem with AI is the risk of introducing unnoticed errors, leading to sloppy scholarship. Instead of banning AI, we should try to ensure that mistaken, implausible or biased claims cannot make it onto the academic record.

After all, humans can also produce writing with serious errors, and mechanisms such as peer review often fail to prevent its publication.

We need to get better at ensuring academic papers are free from serious mistakes, regardless of whether these mistakes are caused by careless use of AI or sloppy human scholarship. Not only is this more achievable than policing AI usage, it will improve the standards of academic research as a whole.

This would be (as ChatGPT might say) a commendable and meticulously intricate solution.

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Interview highlights

Stephen king's new story took him 45 years to write.

Mary Louise Kelly

Courtney Dorning

Stephen King says finishing one of his stories decades after he started it felt like "calling into a canyon of time." Francois Mori/AP hide caption

Stephen King says finishing one of his stories decades after he started it felt like "calling into a canyon of time."

Stephen King is out with a new collection of short stories.

As you might expect from the reigning King of Horror, some are terrifying. Some are creepy. Others are laugh-out-loud funny. And one of them took him 45 years to write.

The book is a collection of 12 stories, called You Like it Darker .

Stephen King's legacy of horror

Over the course of his decades-long career as a writer, King has learned there's no taking a story too far.

"I found out – to sort of my delight and sort of my horror – that you can't really gross out the American public," King told NPR.

He spoke with All Things Considered host Mary Louise Kelly about the book, destiny and getting older.

This interview has been lightly edited for length and clarity.

Mary Louise Kelly: I want to start by asking you about the story, The Answer Man . You began it when you were 30. You finished it when you were 75. What the heck happened?

Stephen King: Well, I lost it. What happens with me is I will write stories and they don't always get done. And the ones that don't get done go in a drawer and I forget all about them. And about five years ago, these people started to collect all the stuff that was finished and all this stuff that was unfinished and put it in an archive. They were going through everything – desk drawers, wastebaskets underneath the desk, every place. I'm not exactly a very organized person. My nephew John Leonard found this particular story, which was written in the U.N. Plaza Hotel back in the '70s, I think. And he said, "You know, this is pretty good. You really ought to finish this." And I read it and I said, "You know, I think I know how to finish it now." So I did.

Kelly: Well give people a taste. The first six or so pages that you had written back in the hotel, it becomes a 50-page story. What was it that you decided was worth returning to?

King: Well, I like the concept: This young man is driving along, and he's trying to figure out whether or not he should join his parents' white shoe law firm in Boston, or whether he should strike out on his own. And he finds this man on the road who calls himself the Answer Man. And he says, "I will answer three of your questions for $25, and you have 5 minutes to ask these questions." So I thought to myself, I'm going to write this story in three acts. One while the questioner is young, and one when he's middle aged, and one when he's old. The question that I ask myself is: "Do you want to know what happens in the future or not?"

Kelly: This story, like many of your stories, is about destiny – whether some things are meant to happen no matter what we do, no matter what choices we make. Do you believe that's true?

King: The answer is I don't know. When I write stories, I write to find out what I really think. And I don't think there's any real answer to that question.

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Kelly: You do describe in the afterword of the book that going back in your seventies to complete a story you had begun as a young man gave you, and I'll quote your words, "The oddest sense of calling into a canyon of time." Can you explain what that means?

King: Well, you listen for the echo to come back. When I was a young man, I had a young man's ideas about The Answer Man . But now, as a man who has reached, let us say, a certain age, I'm forced to write from experience and just an idea of what it might be like to be an old man. So yeah, it felt to me like yelling and then waiting for the echo to come back all these years later.

Kelly: Are there subjects you shy away from, where you think about it and think, "You know what, that might be one step too creepy, too weird?"

King: I had one novel called Pet Cemetery that I wrote and put in a drawer because I thought, "Nobody will want to read this. This is just too awful." I wanted to write it to see what would happen, but I didn't think I would publish it. And I got into a contractual bind, and I needed to do a book with my old company. And so I did. And I found out – sort of to my delight and sort of to my horror – that you can't really gross out the American public. You can't go too far.

Kelly: It was a huge bestseller, as I recall.

King: Yeah, it's a bestseller and it was a movie. And yeah, the same thing is true with It , about the killer clown who preys on children

Kelly: Who still haunts my nightmares, I have to tell you. You've written how many books at this point?

King: I don't know.

King: Really? In our recent coverage of you, we've said everything from 50 to 70.

King: I think it's probably around 70, but I don't keep any count. I remember thinking as a kid that it would be a really fine lifetime to be able to write 100 novels.

Kelly: Oh my gosh. Well you sound like you're still having a lot of fun, so I hope you have quite a few more novels for us to come.

King: That'd be good.

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Write like a pro: 7 tools to master academic writing

Writing like a professional in academic writing is a challenging task. It demands organization, precision, and mastery of tools that encourage you to create compelling research papers, essays, and dissertations. 

This article has compiled a list of tools that will help you work smarter and better when writing an academic piece. 

What is academic writing?

Academic writing is a formal style of writing used by researchers and educators in publications. It focuses on logical reasoning and evidence-based arguments to reflect the  essay writers understanding of the subject. 

7 tools to master the art of academic writing

As mentioned above, academic writing can be daunting without access to key tools that can assist you in creating compelling academic essays and research papers. Check out the seven essential tools that will change your academic writing game.

1. Reference Management Systems: 

These reference management software are used for organizing, storing, and sharing reference collections. The key advantage of using these tools is to avoid endless trips to the online library and creating easy bibliographies. 

Features: 

• Get bibliographic data from journals, websites, books, and more
• Structured organization of references 
• Generate bibliographies and citations in different  academic styles , including MLA, APA, and Chicago. 
• Sync references across different devices for smooth access. 

Benefits: 

• Saves hours of manual citation formatting 
• Reduces the risk of inconsistencies and errors
• Integrates with other word processing tools and software for in-text citations
• Allows easy sharing of references with co-authors and collaborators. 

Popular Choices:

• Mendeley: Free, cloud-based software with a key focus on research collaboration.
• EndNote: Paid software that offers advanced features like group management references and citation analysis.
• Zotero: Free, open-source tool with eminent integration with word processors and search engines. 

2. Plagiarism checkers and Grammarly 

Unsurprisingly, even the best writers make grammatical errors and unintentional plagiarism mistakes while writing in a flow. It is always wise to go over your work using these tools to ensure clarity and originality. 

• Identify punctuation and grammar errors.
• Detects potential plagiarism by comparing your content to a vast digital database of resources. 
• Identifies overused phrases and words
• Suggests stylistic improvements in writing for conciseness and clarity.
• Ensures your writing is free of errors and polishes
• Minimizes risks of plagiarism, providing peace of mind to writers
• Offers valuable insights into improving sentence structure and writing style 
• Grammarly: One of the best grammar checkers out there, with a robust plagiarism checker and premium service that offers advanced writing suggestions powered by AI.
• ProWritingAid: This Paid tool focuses on style suggestions, vocabulary improvement, and sentence structure analysis.
• Turnitin: Famous plagiarism detector employed by educational institutions that offer comprehensive resource comparison.

3. Citation generators

Don’t let the burden of complex citations slow you down. Citation-generating tools provide a convenient and quick way to create accurate bibliographies and in-text citations.

• Generate citations in different academic styles of writing based on source information. 
• It offers varied options in citation formats, including MLA, APA, and Chicago.  
• Allows manual input for key reference details 
• Clubbing these tools with reference management tools provides seamless workflows 
• It saves time and effort for researchers in comparison to manual citation formatting 
• Minimizes the risk of making any citation errors.
• Offers the perfect helping hand for the starting point of complicated formatting.

Popular choices:

• BibMe: Free web-based tool that offers plagiarism checking, citation generator, and formatting tools. 
• EasyBIb: Popular online tool (also a mobile application) that quickly builds bibliographies and generates citations. 
• Citation Machine: This free online tool supports different citation styles while working in a user-friendly interface. 

Other tools to enhance your writing and readability 

Writing compelling academic content and ensuring its readability is up to the SEO standards is almost an impossible task (if you try to do it manually without years of experience). However, whether you have writer’s block or simply need impactful visuals to complement your writing, these writing tools are the best in the market.

4. Hemingway 

Hemingway is a tool that helps you to create captivating and impactful academic content. 

Features:  

• Highlights complex sentences and long paragraphs, encourages crisp and concise writing 
• Identifies overused passive voice and adverbs, promoting an active style of writing 
• Calculates the readability score of your content, ensuring your writing aligns with the audience’s needs.
• Streamline your writing by focusing on impact and clarity
• It makes your academic content more engaging and easier to grasp for readers 
• It helps you write a more direct style of writing

 5. Writer Igniter by diyMFA

Writer Igniter helps academic writers and researchers overcome writer’s block and create captivating content by igniting your creative side. 

• Provides a vast library of writing styles across genres, sparking inspiration and new ideas. 
• Offers setting descriptions and character generators to kickstart your creativity 
• Incorporates daily writing exercises to keep your mind fit to generate creative ideas 
• Overcomes writer’s block and gets your creative motor running
• Provides different prompts to explore new styles and themes 
• It gets you to practice writing regularly to improve your skills 

6. Flesh-kincaid grade level by text compare 

This modified readability tool analyzes your content and grades it according to how easy or difficult it is to read (fifth grader being the easiest and college being ‘difficult to read’). Experts in the field suggest that a content guide should be written around the eighth grade for the general public.

• Reliable measure of readability score
• Analyzes content based on readability in terms of how easy or difficult the content is
• It helps you to tailor the complexity of your writing style and align it with your specific audience. 
• Offers a gauge of your readability and how easily your readers will understand your essay 
• Optimizes readability by guiding you towards clearer and more accessible goals by indicating the U.S. school grading system required to understand the academic content. 

7. VisuWords

Visu Word is a tool that helps you to amplify your academic content by including compelling visuals that complement your writing. 

• It generates free mind maps and word clouds, giving a vision of your ideas. 
• Provides a library of royalty-free images to improve your articles
• Offers tools to create data visualizations and custom infographics
• It makes your academic content more visually appealing 
• Increases understanding and easier information retention using graphics
• Expands storytelling opportunities and delivers your unique message

Book academic writing service today

These tools help writers to create compelling content that is easy to comprehend and improves your writing skills. However, these are just the starting point of your journey to academic success. Use these tools for continuous learning to master academic writing. 

Bonus Tip: Remember to underestimate the power of practice. Take out specific time from your day to dedicate to academic writing without any distractions. 

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Shedding his Lemony Snicket persona, Daniel Handler lets off some steam

In his new book, “And Then? And Then? What Else?,” the author of “A Series of Unfortunate Events” explores the joys, frustrations and ironies of the writing life.

Writers lead messy lives, constantly condemned to days of lousy first drafts, failed ideas and chronic misstatements. Daniel Handler feels this deeply throughout his kinda-sorta memoir, “ And Then? And Then? What Else? ” Eventually it reaches a boiling point. Late in the book he abandons his quirky-cool demeanor — he’s best known as Lemony Snicket, author of the offbeat children’s books “A Series of Unfortunate Events” — and lets fly with an f-bomb-laden rant about cancel culture and the pressure writers feel to be everything to everyone.

It’s a fierce cri de coeur at a time when books — especially kids’ books — are targeted on the right and writers who misstep on the inclusivity front get targeted on the left. (Oddly, Handler doesn’t mention his own moment as a near-cancelee. Onstage while emceeing the 2014 National Book Awards, he directed a racist watermelon joke at Black author Jacqueline Woodson ; after a social media pile-on, he apologized.) Handler isn’t interested in wading far into the politics of writing today — elsewhere his prose tends toward the gentle, sprightly and personal. Still, it’s not hard to see why he made room for the tirade: He wants to encourage you to give up seeking easy answers about who writers are and how writing works.

“And Then?” — the title comes from a poem by Baudelaire, the namesake of the “Unfortunate Events” siblings — doesn’t have a subtitle to explain itself. But a good one might be “A Memoir of Writerly Confusions.” For Handler, the writing life means forever stepping into frustration and strange ironies. He recalls writing nine drafts for the “Unfortunate Events” movie before being fired from the job — and then being asked to consult on the script, without pay. “Previously I had considered these people innocent,” he says of the moviemakers, “and then maybe dumb, and then maybe a pack of vicious demons. I understood, too, that they were, at least obliquely, the reason I owned a house.”

Plainly, embracing the mess has made him a success: He recalls how some young Lemony Snicket fans were so excited to see him at readings that “bookstores began to have contingency plans for when a child, excited to meet me, threw up.” (The life of a reader can get messy, too.) So understandably, he’s fully embraced the idea of mess-as-process, that successful writing means wrestling with demons. On that front, he’s had a few. In one chapter, he recalls that during his college years he was stalked by visions of malevolent figures, accompanied by seizures that briefly sent him to a psych ward. Recovery wasn’t conquering those visions but making a kind of peace with them: “I still, to this day, see these figures, frequently but not frighteningly, not anymore,” he writes.

That experience has fueled a sensibility in which he does best when he’s open to strangeness. He takes inspiration from the melodrama of opera but also finds joy and insight in tacky kitsch like “Attack of the 50 Foot Woman.” His polestars as an artist are art-film figures like Guy Maddin, who tweaks silent-film conventions, and, most obviously, Edward Gorey, whose not-for-kids-but-really-they-are illustrated stories inspired the Lemony Snicket books’ mordant brilliance. Still, he keeps his heroes at arm’s length: Recalling sending Gorey a fan note, he writes: “I never heard back from Gorey, but shortly afterward he died. I like to think that I killed him.”

Lines like that reflect the sort of tone we want from writer’s guides — intimate, self-deprecating. But these days, we also want them to be practical. The most prominent modern example remains Stephen King’s memoir “On Writing,” and countless others since have borrowed its tone and intention. George Saunders’s “A Swim in the Pond in the Rain” invites us to study classic Russian short stories. In “Essays One,” Lydia Davis brilliantly dismantles her own stories like a car engine. Handler’s book belongs in that company, but he’s skeptical of how much he can offer in terms of practical tips: Whenever he hears the word “process,” he writes, “I wish I could lay my head down on a table.”

Yet there are moments when Handler warms to the role of advice giver. Like every author, he encourages you to read a lot — he recalls the teacher who introduced him to Muriel Spark, the perfect writer for him at just the right time. And he encourages writers to abandon bespoke notebooks and keep it simple; he describes his (yes) process for gathering and reshuffling notes into stories, and how he forgives his sloppy drafts. He’s taken a lesson from his occasional musical collaborator, Magnetic Fields frontman Stephin Merritt, who’s “a devout corraller of happy accidents, encouraging musicians to try the wrong approach, the bonkers note, anything to fill the blanks.”

But all this — Spark, Gorey, B-movies, weird troubling figures in the corner of your eye — doesn’t solve the problem of producing good writing. As for what does, Handler recalls working on a script for a director who sent his draft back pockmarked with the letters “DB,” short for “do better.” Handler was infuriated at the vague note, but he took the lesson: “Now I write it in my own margins all the time, shorthand for I don’t know what’s wrong here but it needs to improve. I want to write better, but I usually don’t know how. Nobody does, really.” For Handler, knowing there’s no right way to do it is the most liberating advice of all.

Mark Athitakis is a critic in Phoenix and the author of “ The New Midwest .”

And Then? And Then? What Else?

By Daniel Handler

Liveright. 240 pp. $26.99

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