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Creative Writing at Harvard University

Creative writing degrees available at harvard, harvard creative writing rankings, popularity of creative writing at harvard, harvard creative writing students, harvard creative writing master’s program.

Of the 17 creative writing students who graduated with a master's degree in 2020-2021 from Harvard, about 29% were men and 71% were women.

The following table and chart show the ethnic background for students who recently graduated from Harvard University with a master's in creative writing.

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Harvard's museums house astonishing collections with millions of objects that illuminate a wide range of disciplines.

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Home to such architectural marvels as Le Corbusier's  Carpenter Center  and a  Graduate School of Design  that has produced many influential architects of the last century, Harvard has had a long conversation with the built environment. The conversation continues with courses in the  Department of History of Art and Architecture  and increasing connections between students in the GSD, the College, and across the University.

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Courses in the English Department's  Creative Writing Program  that allow students to reach high levels of technical artistry, acclaimed student publications that overflow with the next generation's writers, the  Woodberry Poetry Room 's unparalleled collection of 20th and 21st century poetry, and the deep electronic resources provided on  Poetry@Harvard , all elevate the written word across Harvard's campus.

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Growing up, I wanted nothing more than to be a writer. 

The plan was to publish a book by age fourteen and be a New York Times bestselling author by age eighteen. I’m twenty-one now, with admittedly no books published, but I still love writing just as much as I did back then.

However, coming to Harvard, writing was a passion I kept tucked away from my college experience. I was nervous about sharing my writing with the sea of incredibly talented peers I found myself in. I felt the ever-present imposter syndrome of my creative skills and vowed that for the time being, I would keep my plethora of Word Document pages hidden away in a nondescript folder on my desktop. 

Last summer, following the end of my sophomore year, I realized that I had to start critically thinking about thesising. As a joint concentrator in English and Theater, Dance, & Media, a thesis would be required to graduate with honors. As I was sifting through various ideas and themes I would be interested in spending my senior year diving headfirst into, I kept returning to the idea of writing a play. No matter how many ideas for a critical thesis, I couldn't shake the excitement at the prospect of completing a creative thesis instead. 

There was only one problem. 

In order to be eligible for a creative writing thesis in my departments, I had to have taken at least one creative writing workshop. This would mean actively, and repeatedly, putting my work out there to my fellow classmates  and receiving feedback on the work I did. I was terrified, but I knew what I had to do to write the thesis I wanted. 

So, before the start of junior fall, I suppressed my inhibitions and applied for the introductory playwriting course. It was a small, seminar-style course with less than a dozen students and our professor. We had a large span of class years, Harvard affiliations, interests, goals, and writing backgrounds. Though I was entering the class as someone wanting to pursue writing in future projects, several people in the class were taking it as a fun elective to flex their creative muscles. Through a series of imaginative writing prompts, generative exercises, and longer form projects, our semester culminated in a finished one act play with a plot entirely of our own choosing.

The playwriting workshop is easily one of my favorite classes I’ve ever taken at Harvard. Having a creative outlet in one of my classes felt fulfilling, and each assignment was something I looked forward to rather than dreading. Furthermore, because of the intimacy of the workshop setting, I learned so much about and from my fellow writers in the class. Everyone was supportive, and it was inspiring to watch everyone grow over the course of the semester. Looking at my writing from the beginning of the course to the end, I can see a noticeable difference in my style, craft, and approach to writing. 

My workshop experience was so rewarding, in fact, that I decided to take the advanced playwriting course in the spring with the same professor! At the end of the semester, a new short play that I wrote in the class premiered virtually at the Harvard Playwright’s Festival, which was a highlight of my junior year. I recruited many of my peers to read my work in the festival and bring it to life. Having so many friends so willing to give up their time and creativity to perform my work was so fulfilling, and the feedback I received from the audience afterwards encouraged me to continue working on the play and refining it. 

After these experiences, I feel more than ready to begin work on my playwriting thesis in the semesters to come, and I am confident that I will have a series of creative works I can be proud of once I graduate.  

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The graduate program in English provides you with a broad knowledge in the discipline, including critical and cultural theory and literary history. This solid foundation enables you to choose your own path based on the wide variety of areas of concentration. Our flexible program allows you to take courses outside the department to further explore your chosen field(s). Our program emphasizes excellence in writing, innovative scholarship, and eloquent presentations—important skills you will need in your future profession. The program and its faculty are committed both to diversity in its student body and in the diversity of thought and scholarship.

Examples of student theses and dissertations include “The Write to Stay Home: Southern Black Literature from the Great Depression to Early Twenty-first Century,” “Profaning Theater: The Drama of Religion on the Modernists Stage,” and “Sentimental Borders: Genre and Geography in the Literature of Civil War and Reconstruction.”

Graduates have secured faculty positions at institutions such as Brown University, Columbia University, and University of California, Los Angeles. Others have begun their careers with leading organizations such as Google and McKinsey & Company.

Additional information on the graduate program is available from the Department of English and requirements for the degree are detailed in Policies .

Areas of Study

Unspecified | Medieval | Renaissance/Early Modern | 18th Century/Enlightenment | 19th Century British/Romantics/Victorian | Early American (to 1900) | 20th Century British | 20th Century American | Criticism and Theory | The English Language | Transnational Anglophone/Postcolonial | African American Literature | Drama | Poetry

Admissions Requirements

Please review admissions requirements and other information before applying. You can find degree program-specific admissions requirements below and access additional guidance on applying from the Department of English .

Writing Sample

The writing samples (one primary and one secondary) are highly significant parts of the application. Applicants should submit 2 double-spaced, 15-page papers of no more than 5,000 words each, in 12-point type with 1-inch margins. The writing samples must be examples of critical writing (rather than creative writing) on subjects directly related to English. Applicants should not send longer papers with instructions to read an excerpt or excerpts but should edit the samples themselves so that they submit only 15 pages for each paper. Applicants who know the field in which they expect to specialize should, when possible, submit a primary writing sample related to that field.

Statement of Purpose

The statement of purpose is not a personal statement and should not be heavily weighted down with autobiographical anecdotes. It should be no longer than 1,000 words. It should give the admissions committee a clear sense of applicants’ individual interests and strengths. Applicants need not indicate a precise field of specialization if they do not know, but it is helpful to know something about a candidate’s professional aspirations and sense of their own skills, as well as how the Harvard Department of English might help in attaining their goals. Those who already have a research topic in mind should outline it in detail, giving a sense of how they plan their progress through the program. Those who do not should at least attempt to define the questions and interests they foresee driving their work over the next few years.

Standardized Tests

GRE: Not Accepted

While there are no specific prerequisites for admission, a strong language background helps to strengthen the application, and students who lack it should be aware that they will need to address these gaps during their first two years of graduate study.

While a candidate's overall GPA is important, it is more important to have an average of no lower than A- in literature (and related) courses. In addition, while we encourage applications from candidates in programs other than English, they must have both the requisite critical skills and a foundation in English literature for graduate work in English. Most of our successful candidates have some knowledge of all the major fields of English literary study and advanced knowledge of the field in which they intend to study.

Theses & Dissertations

Theses & Dissertations for English

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APPLICATION DEADLINE

Questions about the program.

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Sat / act prep online guides and tips, the 12 best creative writing colleges and programs.

College Info

Finding a dedicated creative writing program at a school you're excited about can be a real challenge, and that's even before you start worrying about getting in. Nonetheless, there are some great options. In order to help you find the best school for you, this list rounds up some of the best colleges for creative writing in the United States .

The Best Creative Writing Programs: Ranking Criteria

You should never take college rankings as absolute truth —not even the very official-seeming US News ones. Instead, use these kinds of lists as a jumping-off place for your own exploration of colleges. Pay attention not just to what the rankings are but to how the rankings are determined.

To help with that, I'll explain how I came up with this highly unscientific list of great creative writing colleges. I started by narrowing my search down to schools that offered a specific creative writing major. (If you don't see a school you were expecting, it's likely because they only have a minor.)

In ranking the schools, I considered five major criteria:

• #1: MFA Ranking —If a school has a great graduate creative writing program, it means you'll be taught by those same professors and the excellent graduate students they attract. Schools with strong MFA programs are also more likely to have solid alumni networks and internship opportunities. However, many schools with great undergrad programs do not offer MFAs, in which case I simply focused on the other four options.
• #2: General School Reputation —The vast majority of your classes won't be in creative writing, so it's important that other parts of the school, especially the English department, are great as well.
• #3: Extracurricular Opportunities —One of the key advantages of majoring in creative writing is that it can provide access to writing opportunities outside the classroom, so I took what kind of internship programs, author readings, and literary magazines the school offers into consideration.
• #4: Diversity of Class Options —I gave extra points to schools with a variety of genre options and specific, interesting classes.
• #5: Alumni/Prestige —This last criterion is a bit more subjective: is the school known for turning out good writers? Certainly it's less important than what kind of education you'll actually get, but having a brand-name degree (so to speak) can be helpful.

The Best Creative Writing Schools

Now, let's get to the good stuff: the list of schools! The exact numbering is always arguable, so look at it as a general trend from absolutely amazing to still super great, rather than fixating on why one school is ranked #3 and another is ranked #4.

#1: Northwestern University

Northwestern's undergrad creative writing program boasts acclaimed professors and an unparalleled track record of turning out successful writers (including Divergent author Veronica Roth and short-story writer Karen Russell).

Outside the classroom, you can work on the student-run literary journal, intern at a publication in nearby Chicago, or submit to the Department of English's yearly writing competition . The university is also home to a top journalism program , so if you want to try your hand at nonfiction as well, you'll have plenty of opportunities to do so.

#2: Columbia University

Like Northwestern, Columbia is home to both a world-class creative writing program and a top journalism school (plus one of the best English departments in the country), so you have a wide range of writing-related course options. Columbia also benefits from its location in New York City, which is bursting at the seams with publishing houses, literary journals, and talented authors.

#3: University of Iowa

The University of Iowa's big draw is the infrastructure of its graduate Writers' Workshop, which is often considered the best MFA program in the country.

As an English and Creative Writing major here, you'll take classes from great young writers and established professors alike, and get to choose from a wide range of topics. This major provides transferable skills important for a liberal arts major with a creative focus. You'll also have access to the university's impressive literary community, including frequent readings, writing prizes and scholarships, and the acclaimed literary journal The Iowa Review .

#4: Emory University

Emory is renowned for its dedicated undergrad creative writing program , which draws the very best visiting scholars and writers. Students here have the chance to attend intimate question-and-answer sessions with award-winning authors, study a range of genres, compete for writing awards and scholarships, and work closely with an adviser to complete an honors project.

#5: Oberlin College

A small liberal arts school in Ohio, Oberlin offers very different advantages than the schools above do. You'll have fewer opportunities to pursue writing in the surrounding city, but the quality of the teachers and the range of courses might make up for that. Moreover, it boasts just as impressive alumni, including actress and writer Lena Dunham.

#6: Hamilton College

Hamilton is another small college, located in upstate New York. It's known for giving students the freedom to pursue their interests and the support to help them explore topics in real depth, both inside and outside the classroom. Hamilton's creative writing program takes full advantage with small classes and lots of opportunities to intern and publish; it also has one of the best writing centers in the country.

#7: Brown University

Brown's Literary Arts program offers one of the top MFAs in the US as well as an undergraduate major . For the major, you must take four creative writing workshops and six reading-intensive courses, which span an array of departments and topics, from music and literature to Middle East studies and Egyptology.

#8: Washington University in St. Louis

Washington University has an excellent creative writing MFA program, lots of super specific class options, and a number of scholarships specifically earmarked for creative writing students. This school’s undergraduate English program also offers a concentration in creative writing that allows students to specialize in a specific genre: poetry, fiction, or creative nonfiction. If you’re interested in exploring your potential in a specific writing genre, Washington University could be a great pick for you.

#9: Massachusetts Institute of Technology

MIT might not be a school you generally associate with writing, but it actually has an excellent program that offers courses in digital media and science writing, as well as creative writing, and provides plenty of guidance on how graduates can navigate the tricky job market.

Not to mention the school is located in Cambridge, a haven for book lovers and writers of all kinds. Though it probably isn’t a good fit for students who hate science, MIT is a great place for aspiring writers who want to build writing skills that are marketable in a wide range of industries.

#10: University of Michigan

University of Michigan is one of the best state universities in the country and has a top-notch MFA program. This school’s undergrad creative writing sub-concentration requires students to submit applications for admittance to advanced creative writing courses. These applications give students crucial practice in both building a writing portfolio and articulating their interest in creative writing to an audience who will evaluate their work. If you're looking to attend a big school with a great creative writing major, this is a fantastic choice.

#11: Johns Hopkins University

Johns Hopkins is another school that's known more for engineering than it is for writing, but, like MIT, it has a dedicated writing program. As a major here, you must take not only courses in prose, poetry, and literature, but also classes on topics such as philosophy and history.

#12: Colorado College

Colorado College is a small liberal arts school known for its block plan , which allows students to focus on one class per three-and-a-half-week block. The creative writing track of the English major includes a sequence of four writing workshops and also requires students to attend every reading of the Visiting Writers Series.

Bonus School: New York University

I didn't include NYU in the main list because it doesn't have a dedicated creative writing major, but it's a great school for aspiring writers nonetheless, offering one of the most impressive creative writing faculties in the country and all the benefits of a Manhattan location.

How To Pick the Best Creative Writing School for You

Just because Northwestern is a great school for creative writing doesn't mean you should set your heart on going there. (The football fans are completely terrifying, for one thing.) So where should you go then?

Here are some questions to ask yourself when looking at creative writing programs to help you determine the best school for you:

Does It Have Courses You're Interested In?

Look at the course offerings and see whether they interest you. While you can't predict exactly what classes you'll love, you want to avoid a mismatch where what you want to study and what the program offers are completely different. For example, if you want to write sonnets but the school focuses more on teaching fiction, it probably won't be a great fit for you.

Also, don't forget to look at the English courses and creative writing workshops! In most programs, you'll be taking a lot of these, too.

What Opportunities Are There To Pursue Writing Outside of Class?

I touched on this idea in the criteria section, but it's important enough that I want to reiterate it here. Some of the best writing experience you can get is found outside the classroom, so see what kind of writing-related extracurriculars a school has before committing to it.

Great options include getting involved with the campus newspaper, working on the school's literary journal, or interning at the university press.

Who Will Be Teaching You?

Who are the professors? What kind of work have they published? Check teacher ratings on Rate My Professors (but make sure to read the actual reviews—and always take them with a grain of salt).

If you're looking at a big school, there's a good chance that a lot of your teachers will be graduate students. But that's not necessarily a bad thing: a lot of the best teachers I had in college were graduate students. Just take into consideration what kind of graduate program the school has. If there's a great creative writing MFA program, then the graduate students are likely to be better writers and more engaged teachers.

What Are the Alumni Doing Now?

If you have a sense of what you want to do after you graduate, see if any alumni of the program are pursuing that type of career. The stronger the alumni network is, the more connections you'll have when it comes time to get a job.

What About the Rest of the School?

Don't pick a school for which you like the creative writing program but dread everything else about it. Most of your time will be spent doing other things, whether hanging out in the dorms, exploring off campus, or fulfilling general education requirements.

Many schools require you to apply to the creative writing major, so make doubly sure you'll be happy with your choice even if you aren't accepted to the program.

What's Next?

Are you sure a creative writing major is the right fit for you? Read our post on the pros and cons of the major to help you decide what path to take in college.

For more general advice about choosing a college, check out our complete guide to finding the right school for you. Some major factors to consider include deciding whether you're interested in a small college or a big university , an in-state or out-of-state institution , and a public or private school .

Alex is an experienced tutor and writer. Over the past five years, she has worked with almost a hundred students and written about pop culture for a wide range of publications. She graduated with honors from University of Chicago, receiving a BA in English and Anthropology, and then went on to earn an MA at NYU in Cultural Reporting and Criticism. In high school, she was a National Merit Scholar, took 12 AP tests and scored 99 percentile scores on the SAT and ACT.

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Expos Studio 10

Listen to Expos Studio 10 students and faculty talk about the course:

Expos Studio 10 is designed to help students make the transition from the writing they’ve done before college to the writing that will be expected of them at Harvard. One of the most important goals of Expos Studio 10 is to help students approach their writing with confidence, both about what they have to say as well as about how best to communicate those ideas.

Good writing is a skill we develop by practicing it regularly, not just by putting thoughts on paper, but also by listening carefully to the reactions of our readers and opening ourselves to the suggestions and insights of dedicated teachers. These are capacities that themselves take practice to develop, and there is no better place to do so than in the “studio” writing course—one that uses a hands-on and intensive approach to writing and that emphasizes both individual and collaborative work. In the studio course, students try out their ideas in many short pieces of writing as well as in lively discussions. Each week they work in teams and on their own to generate and test their positions in debates and their interpretations of evidence, and to imagine alternative ways of understanding an issue. Every step of the way, preceptors are there to coach students in their development as thinkers and writers. They offer abundant feedback in one-on-one conferences and in paper comments. And they lead students through innovative exercises and assignments that draw on a variety of media and the diverse thinking found in disciplines like psychology, philosophy, sociology, political theory, anthropology, and art.

Students who choose to take Expos Studio 10 do so for a variety of reasons. Some are students who have less experience in writing, or whose writing preparation suggests that an additional term of coursework would support their transition to writing at Harvard. Some have strong writing experience in other areas (for example, journalism or creative writing) but have less experience in the kind of analytical writing that Harvard courses will require. Some students know that they haven’t written extensively in their previous courses and want practice, or feel unfamiliar with the conventions of the American academic essay. Others feel they have strengths in other academic areas and want to take this opportunity to develop their writing abilities as well.

Like Expos 20, Expos Studio 10 emphasizes analytical writing: engaging with important social, political, and ethical questions; developing ideas and structuring arguments; reading closely, analyzing evidence, and questioning sources; and communicating those ideas to readers in clear, effective prose. However, Expos Studio 10 differs significantly in its approach and structure.

• Expos Studio 10 assignments invite students to  investigate the diverse concerns, rich traditions, and live debates within the broader Harvard community and in our contemporary world , both by the subjects students explore as well as by the opportunity to learn from experiences and experts outside the classroom.
• Expos Studio 10 classes devote the first half of the course to shorter assignments in which students learn to recognize and practice the foundational elements of analytical argument. These briefer pieces ask students to learn, for example, the craft of summarizing another writer’s argument and developing a precise and arguable thesis of their own.
• In the second half of the course, students then  apply those fundamental elements of argument  to a longer essay.
• Throughout all those assignments, Expos Studio 10 courses also prioritize  an attention to writing and learning as a  process , introducing students to the practical benefits that discovery and revision bring to their writing in any course they will take at Harvard. From the beginning of each assignment, students learn how to develop ideas in brief reflections, responses, and exercises--all useful tools for meeting the challenges of writing assignments at Harvard.
• To ensure as much feedback and one-on-one attention to student’s writing as possible,  Expos Studio 10 courses are smaller : only 10 students per section. Students also meet more frequently in  individual conferences  with their preceptor.
• Expos Studio 10 sections also prioritize  practicing oral presentations , giving students the opportunity to develop skills in another important mode of communicating their ideas to others.

Expos Studio 10 is offered in the fall term only. Students who enroll in Expos Studio 10 must fulfill their writing requirement by taking either Expos Studio 20 or Expos 20 in the spring. Expos Studio 20 continues the intensive, small-group instruction found in Expos Studio 10.

A list of Expos Studio 10 courses offerings and meeting times can be found in my.harvard.

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• Guidelines for Admission

Application for admission to the Harvard English Graduate Program is completed through the  Graduate School of Arts and Sciences .  The application deadline for 2023-2024 admission is January 5th, 5:00 p.m. Eastern Time.  For a full list of application requirements and instructions for the application process, please see the  GSAS Application Instructions  and  GSAS Admissions Requirements .

The Harvard English Department does not discriminate against applicants or students on the basis of race, color, national origin, ancestry or any other protected classification.

The following is a set of general guidelines for the English Department’s admissions process. It should be noted that while several areas are emphasized here, the Admissions Committee carefully examines the overall profile of each applicant, taking these and other aspects of the application into consideration:

Writing Samples

The writing samples (one primary and one secondary) are highly significant parts of the application. Candidates should submit two double-spaced, 15-page papers of no more than 5,000 words each, in 12-point type, and with 1-inch margins. The writing samples must be examples of critical writing (rather than creative writing) on subjects directly related to English. Applicants should not send longer papers with instructions to read an excerpt or excerpts, but should edit the samples themselves so that they submit only fifteen pages for each paper. Candidates who know the field in which they expect to specialize should, when possible, submit a primary writing sample related to that field.

While candidates’ overall GPA is important, it is more important to have an average of no lower than A- in literature courses (and related courses). In addition, while we encourage applications from candidates in programs other than English, they must have both the requisite critical skills and a foundation in English literature for graduate work in English. Most of our successful candidates have some knowledge of all the major fields of English literary study and advanced knowledge of the field in which they intend to study.

Three Letters of Recommendation

It is important to have strong letters of recommendation from professors who are familiar with candidates’ academic work. Applicants who have been out of school for several years should try to reestablish contact with former professors. Additional letters from employers may also be included. Recommenders should comment not only on the applicant’s academic readiness for our PhD program but also on the applicant’s future potential as teachers and scholars. 

Unfortunately, Interfolio does not work well with Harvard’s online application system. We ask that your recommenders upload their letters directly to the online application, with upload tool provided.

Statement of Purpose

The Statement of Purpose is not a personal statement and should not be heavily weighted down with autobiographical anecdotes. It should be no longer than 1,000 words. It should focus on giving the admissions committee a clear sense of applicants’ individual interests and strengths. Applicants need not indicate a precise field of specialization, if they do not know, but it is helpful to know something about a candidate’s professional aspirations and sense of their own skills, as well as how the Harvard English department might help in attaining their goals. Those who already have a research topic in mind should outline it in detail, giving a sense of how they plan their progress through the program. Those who do not should at least attempt to define the questions and interests they foresee driving their work over the next few years.

While there are no specific prerequisites for admission, a strong language background helps to strengthen the application, and students who lack it should be aware that they will need to address these gaps during their first two years of graduate study. For more details, please see the “Language Requirements” section of the Program Description .

The GRE General and Subject Tests are not required as part of the English PhD application process. Students wishing to send in scores may do so, but they will not be factored into the admissions decision.

Areas of Study

Unspecified | Medieval | Renaissance/Early Modern | 18th Century/Enlightenment | 19th Century British/Romantics/Victorian | Early American (to 1900) | 20th Century British | 20th Century American | Criticism and Theory | The English Language | Transnational Anglophone/Postcolonial | African American Literature | Drama | Poetry

The Harvard English Department is committed to admitting and supporting a diverse community of graduate students. The Department encourages applications from students from all undergraduate institutions and backgrounds, including students of color and underrepresented minorities, queer and transgender students, first-generation students, foreign nationals, and veterans. The Department also encourages applications from students across a range of sub-fields, critical perspectives, and methodological orientations. You can browse current student research interests by going to “Graduate Students” under the “People” tab at the top of this page and sorting by field. For more information about issues of diversity at the Graduate School of Arts & Sciences, please review the resources and informations below:

Diversity at GSAS

Perspectives: Resources for Minority Applicants 

Smooth Transitions: Organizations and Resources

W.E.B. Du Bois Graduate Society

Graduate Admissions FAQ

How many people apply to the program, and how many are admitted.

The PhD program in English at Harvard is extremely competitive. We receive an average of 300-350 applications per year, and we admit approximately 10-15 students (acceptance rate of about 4-5%).

Does the Department of English offer an MA or MFA?

No; the Department of English only offers a PhD in English Literature. Students already in the doctoral program who have met certain curricular requirements are able to apply for a non-terminal AM degree, but no terminal Master's program exists. We do not offer a graduate program in creative writing.

Does the Department of English offer a degree in TEFL/TESOL/TESL

No, the Department of English does not offer these programs. Our graduate program leads to a PhD in English Literature.

Are international applicants encouraged?

The department welcomes international applicants, including non-native English speakers who have a strong command of the English language. Per GSAS:

"Adequate  command of spoken and written English  is essential to success in graduate study at Harvard. Applicants who are non-native English speakers can demonstrate English proficiency in one of three ways:

• Receiving an undergraduate degree from an academic institution where English is the primary language of instruction.*
• Earning a minimum score of 80 on the Internet based test (iBT) of the  Test of English as a Foreign Language  (TOEFL)**
• Earning a minimum score of 6.5 on the  International English Language Testing System  (IELTS) Academic test.**

A master’s degree or other graduate degree is not accepted as proof of English proficiency.

*Special note for applicants with an undergraduate degree from a US institution where English was not the primary language of instruction: if a portion of your program was conducted in English, you may petition for a waiver of the TOEFL/IELTS requirement. Contact  [email protected]  for details.

**Some degree programs may require a higher score on either the TOEFL or IELTS. Visit your  degree program  page of interest for more information."

Many international students inquire about non-degree granting program. Information for Special Student, Visiting Fellow, and other programs can be found here .

Can accepted students enroll on a part-time basis?

No, our graduate program is full-time, and requires residency at Harvard. The majority of our students take five or six years to obtain their PhD. If you are interested in taking graduate courses part-time, online, and/or at night, you may want to look into the offerings of the Harvard Extension School .

Can accepted students pursue a secondary field of study?

Yes. For a list of fields and more information, please visit the secondary field of study page on the GSAS website . Students who choose to pursue courses for a secondary field remain under GSAS time limits and must meet all milestones and deadlines in the English PhD program.

Does the department offer financial aid?

Admissions decisions are made without knowing the financial need of the applicants, so that financial status (including availability of supplemental funding) plays no role in the assessment of one's suitability for admission. All students (including international students) who are admitted to the PhD program receive full and equal funding, through tuition waivers and modest living stipends. Teaching fellowships are made available to graduate students starting in their third year. You may want to review the "Tuition and Fees" section of GSAS's website for details about other fees and the approximate cost of living in Cambridge.

Can you provide a list of required documents for application?

-  Two writing samples  (one primary and one secondary) 15-pages in length each, double-spaced (bibliographies do not count toward the page limit).

-  A Statement of Purpose  of 1000 words, which gives a clear sense of your strengths and interests and which details what you wish to pursue in a doctoral program.

-  Transcripts  from each college/university attended. The Graduate School requires that you upload your transcript(s) with your online application. Please do not send paper transcripts.

-  Three recommendations  from faculty members who can speak to your academic capabilities.  All recommendations should be uploaded via the GSAS online application system.  Please do not send paper recommendations. We do not recommend the use of Interfolio.

- A minimum score of 80 on the TOEFL iBT (internet-based test) is required for all non-native English speakers who have not received a degree from a university or college in which English is the language of instruction.

What if I am missing any of the required components?

An incomplete application will still be reviewed in its entirety, but it will not be seen as competitive as applications considered "complete."

What if I did not major in English as an undergraduate?

Students admitted to our program have not always been English majors as undergraduates; however, applicants must have both the requisite critical skills and a foundation in English literature for graduate work. This is generally demonstrated by substantial undergraduate coursework and recommendations from faculty in the field. Applicants from other disciplines will sometimes pursue a Master’s degree (or other graduate coursework) in English Literature first – before applying to the PhD program – to obtain a stronger background in the subject.

What if I already have a Master's Degree in English?

If you already have an MA, a maximum of four graduate-level courses may be transferred from the other institution, at the discretion of the Director of Graduate Studies. Transferred courses will count as 100-level courses toward your PhD requirements. Please note that an MA is not required for admission to the PhD Program – and indeed, the majority of our applicants do not have one.

Is proficiency in languages other than English required?

There are no specific language prerequisites for admission, but a solid background in languages other than English, particularly those that would be useful for scholarly research, will strengthen your application. Demonstrated reading knowledge of two languages (usually Latin, Greek, French, German, Spanish, and Italian) is required by the beginning of the third year in the program. You can view examples of past language exams on our  Resources for Grad Students page.

Can I meet with a professor?

Appointments to meet with faculty members must be made by contacting them directly. You can find their contact info on the faculty page .

Where should I mail supplemental application materials?

The entire application system is conducted online. Please do not send any paper materials to the English Department. GSAS admissions also no longer accepts paper materials. 

I'm having a technical problem with the GSAS online application.

The Department of English is not able to troubleshoot or provide help for technical issues with the online application tool. Please click the “Technical Support” link on the application login screen to notify tech support.

When will I hear back about application decisions?

GSAS Admissions sends out letters containing application decisions in early- to mid-March. Please note that the English Department is not able to answer questions about a candidate’s application status over the phone or via email.

Can I study as a visiting fellow at Harvard?

The Graduate School of Arts and Sciences offers the option of enrolling as a Special Student or Visiting Fellow. See here for more details. Please note that the Department of English does not play a role in the administration of this program.

I have another question that hasn't been answered here.

Please email questions to [email protected] .

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Students from all disciplines in Yale College enroll in the department’s creative writing courses. For students who wish to try their hand at learning basic elements of craft, the department recommends  English 123, Introduction to Creative Writing . This course, combining the small workshop format with lectures and readings by distinguished writers, offers hands-on experience in fiction, poetry, and drama. It is open to all undergraduates, without prerequisite or application.  Read more …

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10 Best Creative Writing Courses for 2024: Craft Authentic Stories

Learn how to tell your story and engage your readers with great storytelling.

As a lifelong literature enthusiast, I decided to challenge myself in 2010 by participating in NaNoWriMo (National Novel Writing Month), which tasks participants with writing a 50,000-word draft within a month. Although I’ve only achieved this goal twice since then, the experience has been invaluable. I’ve connected with a wonderful community of writers, both online and in person.

Through my experience, I can confidently say that creative writing is a skill that can be developed and honed, just like any other. While traditionally associated with literature, creative writing is increasingly being recognized as a powerful tool in various forms of writing, from copywriting and storytelling to novels and poetry. It has the ability to captivate readers and elevate the impact of written expression.

If you’re searching for the best online Creative Writing courses and resources, you’ve come to the right place. This Best Courses Guide (BCG) is built from Class Central’s catalog of over 300 Creative Writing courses and selected according to a methodology that you can check below.

Click on the shortcuts for more details:

What is Creative Writing?

Courses overview, why you should trust us, how we made our picks and tested them, here are our top picks.

Click on one to skip to the course details:

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Creative writing is a genre of writing that seeks to evoke emotions and feelings in its readers. It surpasses the limits of traditional forms of literature and emphasizes narrative craft, character development, and the use of literary tropes and poetic traditions. Creative writing finds application in various forms of writing, including screenplays, plays, novels, poems, and other written works. In this guide, I will delve into some of its most popular facets.

Enhancing resilience and creativity through writing

Research shows that the brains of professional writers work differently from those of novice writers. Moreover, creative writing has been found to boost resilience in students . If you want to enjoy the benefits of writing, it’s important to develop the habit of jotting down your thoughts and words. Doing so can help you overcome writer’s block.

Creative writing is so powerful that it’s used in prisons to give inmates a chance to express themselves in programs like PEN America . “By providing resources, mentorship, and audiences outside the walls, we help these writers to join and enrich the broader literary community.”

Creative writing is a skill that can be learned and practiced like any other. Techniques such as ABDCE structure, 1st or 3rd person point of view, “show don’t tell”, dialogues, and tropes can be easily learned through the online courses in this guide.

• Together, they account for over 1M enrollments
• Skillshare, with 2 courses, is the most featured provider
• The single most popular course has nearly 400k enrollments
• Three courses are entirely free or free-to-audit.

Best Fantasy And Short-Stories Writing Lessons For Beginners (Brandon Sanderson)

Besides being an awesome writer, Sanderson is an instructor with a very unique talent for keeping us engaged. He has also made available a full course in creative writing on YouTube , originally presented at Brigham Young University, which includes the most crucial tools for any beginner or even experienced writers. The course is comprehensive and rich in content, with great sound and video quality.

Each video discusses a specific tool or technique, so you can easily select the theme you want to explore next or watch it all in sequence. It’s up to you. I recommend you take your time, watch one video at a time and experiment with each concept, or even better, find a writing buddy or form a group to practice writing together.

What you’ll learn:

• Plot construction, character development, and engaging storytelling
• Techniques for crafting immersive worlds and believable viewpoints
• Insights into the publishing industry, tailored for emerging writers
• Strategies for writing compelling short stories and leveraging them for larger projects.

“Very informative! I’m a beginner writer looking to study writing for video games, and this class gave me a lot of helpful tools to start understanding how stories work/how to organize my ideas! Will definitely be returning to some of these lectures in the future for guidance 👍” – Paige Webster

Best University-level Creative Writing Course (Wesleyan University)

Creative Writing by Wesleyan University is a specialization for those looking for a way to improve their writing structure, scene and character creations and finding your style. Each course includes writing practice (for paying learners) and insightful interviews. It’s worth your time and effort if you are a disorganized writer like myself.

• Techniques for crafting a bracing story with memorable characters and an interesting setting
• How to employ a fresh descriptive style in your writing
• Skills for analyzing and constructively evaluating peer writing
• The ability to refine your writing, critique writing in general, and draw inspiration from existing literature
• The process of drafting, rewriting, and completing an original story in the genre of your choosing.

It should be noted that the peer-grading system often lacks depth. However, the assignments are well-crafted and can be easily evaluated with minimal effort, providing some insights from other participants in the form of feedback or inspiration from their submissions.

“Great information about plot and scene structure. The information about revision was entirely new to me – thank you! The exercises were good and difficult in a good way that helped me hone my writing.” – Laura B, Coursera learner

Best Course to Find Your Voice (Neil Gaiman)

Neil Gaiman is currently one the most prolific writers I know of: he’s written books , comics , movies and even TV shows . Even if you’re not a fan of his style, there is definitely something you can learn from him.

In Neil Gaiman Teaches The Art Of Storytelling you will discover Neil’s philosophy on what drives a story and learn to unlock new stories within yourself.

While MasterClass doesn’t sell single courses, a subscription provides access to their entire library, including other writing courses like Margaret Atwood Teaches Creative Writing , Dan Brown Teaches Writing Thrillers , Malcolm Gladwell Teaches Writing , and James Patterson Teaches Writing . If you are considering the purchase, you should definitely enjoy the rest of their catalog.

By the end of this course, you will be able to:

• Discover and develop your unique writing voice
• Generate and develop original ideas
• Create dynamic, well-rounded characters that come to life on the page.

This course includes a 94-page workbook that includes assignments and supplemental material.

Best Practical Writing Course With Support (Trace Crawford)

I love it when a passionate teacher like Trace Crawford puts the effort into creating a comprehensive curriculum. COMPLETE Creative Writing – All Genres is a 12-hour course with 145 downloadable resources. In this course, you will learn how to write engaging fiction, poetry, drama, and creative non-fiction, helping you become the successful writer you want to be.

• The four genres of creative writing: fiction, poetry, drama, and creative non-fiction
• How to discover, refine, and share your unique writing voice
• A series of authentic writing assignments designed to target the skills you need to develop
• Writing techniques, literary devices, and specialized skills to enhance your writing
• Opportunities for publishing, podcasts, and how to create a professional creative writing portfolio
• Discover multiple public outlets to share your writing with others as you gain confidence and experience success in your writing ability.

This is a practical creative writing course that includes assignments reviewed by the instructor, though response time may vary.

“The short snippets of theory in combination with the short assignments suits my learning style. I don’t remember the last time I’ve written anything creative, but this course gave me the incentive to set some foundation and its actually quite enjoyable if you stick to it.” – Nikolaos-Stylianos Z., Udemy learner

Best Course to Overcome Writer’s Block: 10-Day Journaling Challenge (Emily Gould)

I couldn’t resist adding Creative Writing for All: A 10-Day Journaling Challenge to this guide. Emily Gould is a delightful instructor, and her approach to inviting you to participate in the challenge is impossible to decline. It’s the perfect course to overcome writer’s block, which is exactly what she proposes. In this 10-day creative writing challenge, filled with inspiring examples, observation prompts, and clever revision tricks, writers and enthusiasts will be able to express their creativity in a personal and artful way.

This course is the shortest one on the list, and it’s more about the challenge of keeping a journal. If you decide to subscribe to Skillshare, you can also enjoy their entire library of courses. In addition to the other two recommended courses on this list, you can also check out these other Skillshare courses: Writing Suspense: How to Write Stories That Thrill in Any Genre and The Writer’s Toolkit: 6 Steps to a Successful Writing Habit .

Best Course to Create Fiction From Personal Experience (Shaun Levin)

Shaun’s approach to writing in Short Story Writing: Create Fiction from Personal Experience is an unusual one. It draws from your personal experience to create a compelling fictional story. I can say from experience that this technique will help you write with more depth and authenticity. Every time we bring our own life to the story, it becomes alive, believable and relatable. In a way, all fictional stories are based on the author’s life.

This course will help you with techniques and a series of practical exercises to start writing your scenes from a more philosophical point of view, creating compelling stories. You’ll learn how to delve into your imagination to find everything you’ll need to become a prolific writer, no matter where you are.

By the end of the course, you will have a final project that will receive feedback from Shaun and other learners as well. Actually, if you want to check it out, in the course page on Domestika you can open the submitted projects and read the comments.

Shaun’s other courses: Creative Writing for Beginners: Bringing Your Story to Life .

“A practical course. Shaun Levin talks about theory but also demonstrates his process, which was invaluable. The exercises got my creative juices flowing. Thinking about doing his other course in the future.” – Maya Dicheva

Best Course to Make Writing Less Stressful with Best Practices (Jennie Nash)

If you struggle to start or get stuck in your writing, Write Your Book: Start Strong and Get It Done can help. With good advice and emotional support, you’ll learn techniques to make writing less stressful. The accompanying workbook guides you to think methodically by asking the right questions to keep you focused on your story and not chasing your own tail.

In this class, you’ll learn how to:

• Design every element of your novel or memoir, including the protagonist, plot, story structure and a project success plan
• Define your narrator’s voice
• Determine where your story begins and where it ends
• Decide what point you’re making about human nature
• Make sure you’re giving your ideal reader exactly what they want
• Gain the confidence you need to push past any doubts and finish your book.

This course is more of a masterclass, so there are no assignments included but it teaches good practices and provides a very useful workbook.

Best Course to Create A Compelling Story (Lisa Cron)

Writing: The Craft of Story is a series of well-produced lectures covering the basic building blocks of a story. Taught by author Lisa Cron, you will learn how to create compelling stories based on the way the brain responds to storytelling. This course emphasizes the importance of capturing the reader’s attention through techniques such as suspense, exploring the protagonist’s inner issues and dreams, specificity, and cause and effect. Upon completion of the quizzes, you will receive a certificate for your LinkedIn profile. Additionally, you can watch all the videos without subscribing to the course.

“Learning the fundamentals of crafting a story was and is a fascinating experience. And yes, I would highly recommend writing to anyone interested in learning how to express the communication of feeling.” – Nicole Gillard, LinkedIn learner.

Best Course to Write Personal Essays with Impact (Roxane Gay)

Discover the art of crafting powerful personal essays with best-selling author Roxane Gay in her course, Creative Writing: Crafting Personal Essays with Impact . Through her honest and thoughtful approach, Roxane will help you find your story, craft your truth, and write to make a difference.

This master class offers eight video lessons that are filled with practical guidance, actionable tactics, and example essays to guide you from the first idea to a final, publication-ready work.

You’ll learn how to:

• Find a specific purpose for telling your story
• Connect your work to larger conversations and timely themes
• Conduct crucial research to support your work
• Navigate personal memories to write your truth
• Write and revise your final work, and submit your work for publication.

Additionally, the class provides a downloadable worksheet to support your ongoing creative nonfiction writing practice, as well as links to additional resources.

If you enjoy creative nonfiction writing, you might consider this course that’s also on Skillshare: Creative Nonfiction: Write Truth with Style (Skillshare Original) by Susan Orlean

Best Course to Develop Your Ideas And Research for Characters (The Open University)

Start Writing Fiction explores the writing process, from journaling and idea development to reflection and editing. It features insights from established writers such as Louis de Bernières, Patricia Duncker, Alex Garland, Abdulrazak Gurnah, Tim Pears, Michèle Roberts, and Monique Roffey,  who share their approaches to research and turning events into plot. Led by Derek Neale, a novelist and short story writer, this course provides a comprehensive understanding of the writing rituals and techniques used by successful writers.

You’ll get to critique the work of other writers and receive feedback. This course is designed for individuals interested in starting or improving their fiction writing and does not require prior experience in the subject.

You’ll learn:

• Creation of characters in fiction
• Different sources and ways of presenting characters in stories
• Reading as a writer
• Writing practice including creativity, research, observation and editing
• Peer reviewing, workshops and the importance of feedback.

“This course takes learners through many aspects of writing such as developing characters, observing and describing details, finding inspiration, writing and editing. It includes some peer reviews which can be varying in quality. I was lucky enough to have some of my writing reviewed by a reviewer who gave very helpful and positive feedback.” – Pat Bowden

What’s Next

Scribophile is one of the largest online writing communities. You can get feedback on your writing and join writing groups. If you decide to join with a free plan, you need to collect points by reviewing other writers’ work before submitting your own work for review. They also developed some advanced tools for evaluating work and guidelines to make sure you give/receive feedback that is actually meaningful.

NaNoWriMo started out as a month-long challenge where you invite your friends and join other writers in your region, be it online in their forums or in person, to challenge yourself in writing your first draft. Nowadays, they run all-year round writing challenges (but November is still the biggest one in terms of participation). What is cool about it is you actually get to meet people in real life with various writing skills and backgrounds. I was able to make some great friends over the years and even met a few professional writers that decided to join our local group just to support us.

If you have any resources you would like to have added here, leave a comment below.

Class Central , a Tripadvisor for online education, has helped 60 million learners find their next course. We’ve been combing through online education for more than a decade to aggregate a catalog of 200,000 online courses and 200,000 reviews written by our users. And we’re online learners ourselves: combined, the Class Central team has completed over 400 online courses, including online degrees.

Trying to find “the best” can be daunting, even for those of us who live and breathe online courses. Here’s how I approached this task.

First, I combed through Class Central’s Catalog and the internet to find a variety of free and paid open courses, some with certificates. You don’t need to enroll in a university to learn about creative writing.

When choosing courses, I considered the following factors:

• Renowned Institutions : I looked for recognized institutions in creative writing
• Instructor experience : I sought instructors with extensive experience in creative writing and engaging presentation styles
• Popularity : I checked numbers of enrollments and views to find popular courses
• Course content : I examined courses that covered a range of topics and presentation styles, including the basics and more advanced topics. I watched some course videos to sample courses I hadn’t already taken
• Learner reviews : I read learner reviews (when available) to get a sense of the quality of each course, leveraging the Class Central database with its thousands of course ratings and reviews written by our users as well as available course provider reviews.

Then, I defined the scope for these recommendations. A creative writing course can cover various topics, so I chose top courses from a range of sub-fields.

Ultimately, I used a combination of data and my own judgment to make these picks. I’m confident these recommendations will be a reliable way to learn about creative writing.

Fabio Dantas

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Pre-College Program

An academically rigorous on-campus program for exceptional high school students.

The Pre-College Program is a non-credit two-week residential program designed to give high school students a glimpse of college life on the Harvard campus. Students take college-level courses alongside peers from around the world.

• Test your intellect without the pressure of letter grades.
• Live a balanced (college) life.
• Enjoy a range of co-curricular activities with academically-minded students from around the world.

This program is suitable for mature, academically motivated high school students interested in exploring a potential major or finding out what college is really like.

What Pre-College Program Students Have to Say

Discover the Transformative Summer Experience That’s Right for You

Which Harvard Summer Program is right for you?

While there are many similarities between the two programs, they are quite different. You can apply to only one, so you’ll need to understand what each program offers — and choose which one is right for you — before you submit your application.

The good news is that whatever program you choose, your summer at Harvard will be a truly special experience.

Benefits of taking a Secondary School or Pre-College Program

Harvard’s summer programs for high school students will help prepare you for success in college. Whether you participate in the Secondary School or Pre-College program, you will have the opportunity to build core life skills like time management, career planning, and living on your own.

Participating in either program will also help you expand your academic skills at the college level and to thrive outside your comfort zone.

Harvard’s Summer programs affords you the opportunity to learn from and be among top students from around the world — making connections and memories that will last a lifetime.

After only two weeks of classes, I feel much more knowledgeable and open to critical thinking. Through assigned readings, discussions, and projects, I got to taste what the college experience would look like.

Pre-College Program Student

I truly enjoyed having classes in a seminar style that encouraged asking questions to learn. I formed such a deep bond with those in my class through our shared passion for the topic as well as our learning journey that we shared.

Secondary School Program Student

Tuition, deposits, and fees for Harvard Summer School differ based on program and format.

The total cost of the Secondary School Program depends on the number of courses taken and in which format. Learn more about the cost of the Secondary School Program .

The total cost of the Pre-College program is $5,550, plus a $75 application fee. Learn more about the cost of the Pre-College Program .

What grades can take the summer school programs at Harvard?

For Summer 2024, students who will graduate from high school and enter college in 2025 or 2026 can apply to the 2-week, non-credit Pre-College Program; students who will graduate from high school and enter college in 2024, 2025 or 2026 can apply to the 4-week and 7-week, college-credit Secondary School Program.

How will these summer programs help me get into college?

Participating in both the Secondary School and Pre-College summer programs at Harvard demonstrates your ability to succeed in a rigorous college course to admissions committees.

Both programs also give you the tools to navigate the college admissions process:

• The Secondary Summer Program gives you the opportunity to meet admissions officers from a number of colleges and universities as well as to work on your admissions essays and application responses in in-person and online activities .
• The Pre-College Program includes activities like workshops on writing your college admissions essay, seminars on the financial aid process, and panels on choosing the right college.

How do I know if the Pre-College Program or the Secondary School Program is a better fit for me?

The program you choose will depend largely on the course-load you’re looking for. While all Harvard Summer School courses are college-level, the 2-week Pre-College program does not offer college credit so you don’t have the pressure of grades. The length of the program may also impact your decision, depending on how much time you are able to commit — the Pre-College Summer Program is only 2 weeks while the Secondary School Summer Program has 4 and 7 week options. During the 7 week option you may take two, full-term courses.

Harvard Division of Continuing Education

The Division of Continuing Education (DCE) at Harvard University is dedicated to bringing rigorous academics and innovative teaching capabilities to those seeking to improve their lives through education. We make Harvard education accessible to lifelong learners from high school to retirement.

Purdue Online Writing Lab Purdue OWL® College of Liberal Arts

Welcome to the Purdue Online Writing Lab

Welcome to the Purdue OWL

This page is brought to you by the OWL at Purdue University. When printing this page, you must include the entire legal notice.

Copyright ©1995-2018 by The Writing Lab & The OWL at Purdue and Purdue University. All rights reserved. This material may not be published, reproduced, broadcast, rewritten, or redistributed without permission. Use of this site constitutes acceptance of our terms and conditions of fair use.

The Online Writing Lab (the Purdue OWL) at Purdue University houses writing resources and instructional material, and we provide these as a free service at Purdue. Students, members of the community, and users worldwide will find information to assist with many writing projects. Teachers and trainers may use this material for in-class and out-of-class instruction.

The On-Campus and Online versions of Purdue OWL assist clients in their development as writers—no matter what their skill level—with on-campus consultations, online participation, and community engagement. The Purdue OWL serves the Purdue West Lafayette and Indianapolis campuses and coordinates with local literacy initiatives. The Purdue OWL offers global support through online reference materials and services.

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Admissions - MFA in Creative Writing

The 2023-2024 Graduate Admissions Application is now OPEN! https://grad.ucdavis.edu/apply  

The deadline to apply to our program is January 5, 2024

Graduate Studies'  Applications Page  covers most campus-level admissions questions, but feel free to contact our graduate program staff for more details and specific guidance. Applications are reviewed once all supporting materials have been received. For more information about your application status, please check online or contact our graduate program staff.

Application Requirements:

• Writing sample
• Statement of Purpose
• Personal History & Diversity Statement
• Three letters of recommendation
• TOEFL or IELTS scores, if applicable
• Copies of transcripts
• Application Fee (2023-2024 cycle): $135 for U.S. and $155 for international applicants
• Admissions Requirements and Eligibility  as set by UC Davis Graduate Studies
• Writing sample in your preferred genre 

Either ten to twelve poems or up to thirty pages (double-spaced) of prose. Hybrid-form work must not exceed thirty pages.

To apply for admission to our Creative Writing MFA program, you are encouraged to include, as a writing sample, your very best creative writing.  Typically, two—or at the most three—genres exist in a graduate Creative Writing program: Poetry, Fiction, and Nonfiction.  At UCD, we think of genre as a useful thing to consider… but we do not think of the various genres—however many you would like to list—as necessarily unmixable modes.    

For us, the value of a piece of writing is better gauged directly—by what it says to its readers, and by what that saying does to those readers—rather than by its successful or unsuccessful identification with one or another of the historically certified genres.  This is not to say that we don't believe in genre, or in the usefulness of plumbing each purported genre's history; it is to say, rather, or  to notice…  that the border between one genre and another is not so much a Great Wall as a small fence.

• Please highlight your academic preparation and motivation; interests, specialization and career goals; and fit for pursuing graduate study at UC Davis.
• Personal History and Diversity Statement

The University of California Davis, a public institution, is committed to supporting the diversity of the graduate student body and promoting equal opportunity in higher education. This commitment furthers the educational mission to serve the increasingly diverse population and educational needs of California and the nation. Both the Vice Provost of Graduate Education/Dean of Graduate Studies and the University of California affirm that diversity is critical to promoting lively intellectual exchange and the variety of ideas and perspectives essential to advancing higher education and research. Our graduate students contribute to the global pool of future scholars and academic leaders, thus high value is placed on achieving a diverse graduate student body to support the University of California’s academic excellence. We invite you to include in this statement how you may contribute to the diversification of graduate education and the UC Davis community.

The purpose of this essay is to get to know you as an individual and potential graduate student. Please describe how your personal background informs your decision to pursue a graduate degree. You may include any educational, familial, cultural, economic, or social experiences, challenges, community service, outreach activities, residency and citizenship, first-generation college status, or opportunities relevant to your academic journey; how your life experiences contribute to the social, intellectual, or cultural diversity within a campus community and your chosen field; or how you might serve educationally underrepresented and underserved segments of society with your graduate education.  

This essay should complement but not duplicate the content in the Statement of Purpose. Your Personal History and Diversity Statement must be entered directly into a text box in the application, and has a 4,000 character limit including spaces.

• Three letters of recommendations
• Letters should be from professors or other persons situated to speak about your potential for graduate Creative Writing study. You might also think of potential letter-writers in terms of their ability to speak to your participation in a dedicated community.
• Applicants must submit TOEFL/IELTS/Duolingo scores unless they have earned or will be earning a bachelor's, master's, or doctoral degree from either a regionally accredited or foreign college/university which provides instruction solely in English. See the  English Language Requirement  section for details. 
• Transcripts
• Transcripts are required from each post-secondary institution you have attended.   Copies or unofficial transcripts are allowed. If admitted, you’ll be required to send official transcripts for every institution listed on your application.
• Application fee
• The application fee is set by the UC Davis Office of Graduate Studies. The application fee for the 2023-2024 cycle is $135 for domestic students and $155 for international students, payable online. Waivers of this fee are only available to participants in  one of several graduate preparatory programs .  The MFA program has no ability to grant application fee waivers. 

Application FAQs :  https://grad.ucdavis.edu/admissions-process-overview

We aim for a class of 10 to 12 writers, hoping for a balance between genres. The writing sample is the most important part of your application; the committee is looking for high quality work in the applicant’s genre of choice.  All students in the MFA program at UC Davis take at least one workshop outside their primary genre, so you need not apply to a second genre in order to have access to it as a student.

The committee makes admissions and financial aid decisions simultaneously.  We offer a limited number of first-year funding packages; all second year students have access to full funding.

For the Fall 2021 cohort, we received 137 applications, admitted 16 (13 initial applicants and 3 waitlisted applicants), and 11 of those students will be joining us in the Fall.

• Funding your MFA

At UC Davis, we offer you the ability to fund your MFA. In fact, all students admitted to the program are guaranteed full funding in the second year of study, when students serve as teachers of Introduction to Creative Writing (English 5) and receive, in exchange, tuition and health insurance remission as well as a monthly stipend (second year students who come to Davis from out of state are expected to establish residency during their first year). We have a more limited amount of resources – teaching assistantships, research assistantships, and out of state tuition wavers – allocated to us for first year students, but in recent years, we’ve had excellent luck funding our accepted first years. We help students who do not receive English department funding help themselves by posting job announcements from other departments during the spring and summer leading up to their arrival. We are proud to say that over the course of the last twenty years, nearly every incoming student has wound up with at least partial funding (including a tuition waiver and health insurance coverage) by the time classes begin in the fall.

We have other resources for students, too – like the Miller Fund, which supports attendance for our writers at any single writer’s workshop or conference. Students have used these funds to attend well-known conferences like AWP, Writing By Writers, and the Tin House Conference. The Davis Humanities Institute offers a fellowship that first year students can apply for to fund their writing projects. Admitted students are also considered for University-wide fellowships

For additional information, please contact:

Sarah Yunus [email protected] Department of English Graduate Program Coordinator for the MFA Program in Creative Writing (530) 752-2281