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17 book review examples to help you write the perfect review.

It’s an exciting time to be a book reviewer. Once confined to print newspapers and journals, reviews now dot many corridors of the Internet — forever helping others discover their next great read. That said, every book reviewer will face a familiar panic: how can you do justice to a great book in just a thousand words?

As you know, the best way to learn how to do something is by immersing yourself in it. Luckily, the Internet (i.e. Goodreads and other review sites , in particular) has made book reviews more accessible than ever — which means that there are a lot of book reviews examples out there for you to view!

In this post, we compiled 17 prototypical book review examples in multiple genres to help you figure out how to write the perfect review . If you want to jump straight to the examples, you can skip the next section. Otherwise, let’s first check out what makes up a good review.

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What must a book review contain?

Like all works of art, no two book reviews will be identical. But fear not: there are a few guidelines for any aspiring book reviewer to follow. Most book reviews, for instance, are less than 1,500 words long, with the sweet spot hitting somewhere around the 1,000-word mark. (However, this may vary depending on the platform on which you’re writing, as we’ll see later.)

In addition, all reviews share some universal elements, as shown in our book review templates . These include:

• A review will offer a concise plot summary of the book. 
• A book review will offer an evaluation of the work. 
• A book review will offer a recommendation for the audience. 

If these are the basic ingredients that make up a book review, it’s the tone and style with which the book reviewer writes that brings the extra panache. This will differ from platform to platform, of course. A book review on Goodreads, for instance, will be much more informal and personal than a book review on Kirkus Reviews, as it is catering to a different audience. However, at the end of the day, the goal of all book reviews is to give the audience the tools to determine whether or not they’d like to read the book themselves.

Keeping that in mind, let’s proceed to some book review examples to put all of this in action.

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Book review examples for fiction books

Since story is king in the world of fiction, it probably won’t come as any surprise to learn that a book review for a novel will concentrate on how well the story was told .

That said, book reviews in all genres follow the same basic formula that we discussed earlier. In these examples, you’ll be able to see how book reviewers on different platforms expertly intertwine the plot summary and their personal opinions of the book to produce a clear, informative, and concise review.

Note: Some of the book review examples run very long. If a book review is truncated in this post, we’ve indicated by including a […] at the end, but you can always read the entire review if you click on the link provided.

Examples of literary fiction book reviews

Kirkus Reviews reviews Ralph Ellison’s The Invisible Man :

An extremely powerful story of a young Southern Negro, from his late high school days through three years of college to his life in Harlem.

His early training prepared him for a life of humility before white men, but through injustices- large and small, he came to realize that he was an "invisible man". People saw in him only a reflection of their preconceived ideas of what he was, denied his individuality, and ultimately did not see him at all. This theme, which has implications far beyond the obvious racial parallel, is skillfully handled. The incidents of the story are wholly absorbing. The boy's dismissal from college because of an innocent mistake, his shocked reaction to the anonymity of the North and to Harlem, his nightmare experiences on a one-day job in a paint factory and in the hospital, his lightning success as the Harlem leader of a communistic organization known as the Brotherhood, his involvement in black versus white and black versus black clashes and his disillusion and understanding of his invisibility- all climax naturally in scenes of violence and riot, followed by a retreat which is both literal and figurative. Parts of this experience may have been told before, but never with such freshness, intensity and power.

This is Ellison's first novel, but he has complete control of his story and his style. Watch it.

Lyndsey reviews George Orwell’s 1984 on Goodreads:

YOU. ARE. THE. DEAD. Oh my God. I got the chills so many times toward the end of this book. It completely blew my mind. It managed to surpass my high expectations AND be nothing at all like I expected. Or in Newspeak "Double Plus Good." Let me preface this with an apology. If I sound stunningly inarticulate at times in this review, I can't help it. My mind is completely fried.

This book is like the dystopian Lord of the Rings, with its richly developed culture and economics, not to mention a fully developed language called Newspeak, or rather more of the anti-language, whose purpose is to limit speech and understanding instead of to enhance and expand it. The world-building is so fully fleshed out and spine-tinglingly terrifying that it's almost as if George travelled to such a place, escaped from it, and then just wrote it all down.

I read Fahrenheit 451 over ten years ago in my early teens. At the time, I remember really wanting to read 1984, although I never managed to get my hands on it. I'm almost glad I didn't. Though I would not have admitted it at the time, it would have gone over my head. Or at the very least, I wouldn't have been able to appreciate it fully. […]

The New York Times reviews Lisa Halliday’s Asymmetry :

Three-quarters of the way through Lisa Halliday’s debut novel, “Asymmetry,” a British foreign correspondent named Alistair is spending Christmas on a compound outside of Baghdad. His fellow revelers include cameramen, defense contractors, United Nations employees and aid workers. Someone’s mother has FedExed a HoneyBaked ham from Maine; people are smoking by the swimming pool. It is 2003, just days after Saddam Hussein’s capture, and though the mood is optimistic, Alistair is worrying aloud about the ethics of his chosen profession, wondering if reporting on violence doesn’t indirectly abet violence and questioning why he’d rather be in a combat zone than reading a picture book to his son. But every time he returns to London, he begins to “spin out.” He can’t go home. “You observe what people do with their freedom — what they don’t do — and it’s impossible not to judge them for it,” he says.

The line, embedded unceremoniously in the middle of a page-long paragraph, doubles, like so many others in “Asymmetry,” as literary criticism. Halliday’s novel is so strange and startlingly smart that its mere existence seems like commentary on the state of fiction. One finishes “Asymmetry” for the first or second (or like this reader, third) time and is left wondering what other writers are not doing with their freedom — and, like Alistair, judging them for it.

Despite its title, “Asymmetry” comprises two seemingly unrelated sections of equal length, appended by a slim and quietly shocking coda. Halliday’s prose is clean and lean, almost reportorial in the style of W. G. Sebald, and like the murmurings of a shy person at a cocktail party, often comic only in single clauses. It’s a first novel that reads like the work of an author who has published many books over many years. […]

Emily W. Thompson reviews Michael Doane's The Crossing on Reedsy Discovery :

In Doane’s debut novel, a young man embarks on a journey of self-discovery with surprising results.

An unnamed protagonist (The Narrator) is dealing with heartbreak. His love, determined to see the world, sets out for Portland, Oregon. But he’s a small-town boy who hasn’t traveled much. So, the Narrator mourns her loss and hides from life, throwing himself into rehabbing an old motorcycle. Until one day, he takes a leap; he packs his bike and a few belongings and heads out to find the Girl.

Following in the footsteps of Jack Kerouac and William Least Heat-Moon, Doane offers a coming of age story about a man finding himself on the backroads of America. Doane’s a gifted writer with fluid prose and insightful observations, using The Narrator’s personal interactions to illuminate the diversity of the United States.

The Narrator initially sticks to the highways, trying to make it to the West Coast as quickly as possible. But a hitchhiker named Duke convinces him to get off the beaten path and enjoy the ride. “There’s not a place that’s like any other,” [39] Dukes contends, and The Narrator realizes he’s right. Suddenly, the trip is about the journey, not just the destination. The Narrator ditches his truck and traverses the deserts and mountains on his bike. He destroys his phone, cutting off ties with his past and living only in the moment.

As he crosses the country, The Narrator connects with several unique personalities whose experiences and views deeply impact his own. Duke, the complicated cowboy and drifter, who opens The Narrator’s eyes to a larger world. Zooey, the waitress in Colorado who opens his heart and reminds him that love can be found in this big world. And Rosie, The Narrator’s sweet landlady in Portland, who helps piece him back together both physically and emotionally.

This supporting cast of characters is excellent. Duke, in particular, is wonderfully nuanced and complicated. He’s a throwback to another time, a man without a cell phone who reads Sartre and sleeps under the stars. Yet he’s also a grifter with a “love ‘em and leave ‘em” attitude that harms those around him. It’s fascinating to watch The Narrator wrestle with Duke’s behavior, trying to determine which to model and which to discard.

Doane creates a relatable protagonist in The Narrator, whose personal growth doesn’t erase his faults. His willingness to hit the road with few resources is admirable, and he’s prescient enough to recognize the jealousy of those who cannot or will not take the leap. His encounters with new foods, places, and people broaden his horizons. Yet his immaturity and selfishness persist. He tells Rosie she’s been a good mother to him but chooses to ignore the continuing concern from his own parents as he effectively disappears from his old life.

Despite his flaws, it’s a pleasure to accompany The Narrator on his physical and emotional journey. The unexpected ending is a fitting denouement to an epic and memorable road trip.

The Book Smugglers review Anissa Gray’s The Care and Feeding of Ravenously Hungry Girls :

I am still dipping my toes into the literally fiction pool, finding what works for me and what doesn’t. Books like The Care and Feeding of Ravenously Hungry Girls by Anissa Gray are definitely my cup of tea.

Althea and Proctor Cochran had been pillars of their economically disadvantaged community for years – with their local restaurant/small market and their charity drives. Until they are found guilty of fraud for stealing and keeping most of the money they raised and sent to jail. Now disgraced, their entire family is suffering the consequences, specially their twin teenage daughters Baby Vi and Kim.  To complicate matters even more: Kim was actually the one to call the police on her parents after yet another fight with her mother. […]

Examples of children’s and YA fiction book reviews

The Book Hookup reviews Angie Thomas’ The Hate U Give :

♥ Quick Thoughts and Rating: 5 stars! I can’t imagine how challenging it would be to tackle the voice of a movement like Black Lives Matter, but I do know that Thomas did it with a finesse only a talented author like herself possibly could. With an unapologetically realistic delivery packed with emotion, The Hate U Give is a crucially important portrayal of the difficulties minorities face in our country every single day. I have no doubt that this book will be met with resistance by some (possibly many) and slapped with a “controversial” label, but if you’ve ever wondered what it was like to walk in a POC’s shoes, then I feel like this is an unflinchingly honest place to start.

In Angie Thomas’s debut novel, Starr Carter bursts on to the YA scene with both heart-wrecking and heartwarming sincerity. This author is definitely one to watch.

♥ Review: The hype around this book has been unquestionable and, admittedly, that made me both eager to get my hands on it and terrified to read it. I mean, what if I was to be the one person that didn’t love it as much as others? (That seems silly now because of how truly mesmerizing THUG was in the most heartbreakingly realistic way.) However, with the relevancy of its summary in regards to the unjust predicaments POC currently face in the US, I knew this one was a must-read, so I was ready to set my fears aside and dive in. That said, I had an altogether more personal, ulterior motive for wanting to read this book. […]

The New York Times reviews Melissa Albert’s The Hazel Wood :

Alice Crewe (a last name she’s chosen for herself) is a fairy tale legacy: the granddaughter of Althea Proserpine, author of a collection of dark-as-night fairy tales called “Tales From the Hinterland.” The book has a cult following, and though Alice has never met her grandmother, she’s learned a little about her through internet research. She hasn’t read the stories, because her mother, Ella Proserpine, forbids it.

Alice and Ella have moved from place to place in an attempt to avoid the “bad luck” that seems to follow them. Weird things have happened. As a child, Alice was kidnapped by a man who took her on a road trip to find her grandmother; he was stopped by the police before they did so. When at 17 she sees that man again, unchanged despite the years, Alice panics. Then Ella goes missing, and Alice turns to Ellery Finch, a schoolmate who’s an Althea Proserpine superfan, for help in tracking down her mother. Not only has Finch read every fairy tale in the collection, but handily, he remembers them, sharing them with Alice as they journey to the mysterious Hazel Wood, the estate of her now-dead grandmother, where they hope to find Ella.

“The Hazel Wood” starts out strange and gets stranger, in the best way possible. (The fairy stories Finch relays, which Albert includes as their own chapters, are as creepy and evocative as you’d hope.) Albert seamlessly combines contemporary realism with fantasy, blurring the edges in a way that highlights that place where stories and real life convene, where magic contains truth and the world as it appears is false, where just about anything can happen, particularly in the pages of a very good book. It’s a captivating debut. […]

James reviews Margaret Wise Brown’s Goodnight, Moon on Goodreads:

Goodnight Moon by Margaret Wise Brown is one of the books that followers of my blog voted as a must-read for our Children's Book August 2018 Readathon. Come check it out and join the next few weeks!

This picture book was such a delight. I hadn't remembered reading it when I was a child, but it might have been read to me... either way, it was like a whole new experience! It's always so difficult to convince a child to fall asleep at night. I don't have kids, but I do have a 5-month-old puppy who whines for 5 minutes every night when he goes in his cage/crate (hopefully he'll be fully housebroken soon so he can roam around when he wants). I can only imagine! I babysat a lot as a teenager and I have tons of younger cousins, nieces, and nephews, so I've been through it before, too. This was a believable experience, and it really helps show kids how to relax and just let go when it's time to sleep.

The bunny's are adorable. The rhymes are exquisite. I found it pretty fun, but possibly a little dated given many of those things aren't normal routines anymore. But the lessons to take from it are still powerful. Loved it! I want to sample some more books by this fine author and her illustrators.

Publishers Weekly reviews Elizabeth Lilly’s Geraldine :

This funny, thoroughly accomplished debut opens with two words: “I’m moving.” They’re spoken by the title character while she swoons across her family’s ottoman, and because Geraldine is a giraffe, her full-on melancholy mode is quite a spectacle. But while Geraldine may be a drama queen (even her mother says so), it won’t take readers long to warm up to her. The move takes Geraldine from Giraffe City, where everyone is like her, to a new school, where everyone else is human. Suddenly, the former extrovert becomes “That Giraffe Girl,” and all she wants to do is hide, which is pretty much impossible. “Even my voice tries to hide,” she says, in the book’s most poignant moment. “It’s gotten quiet and whispery.” Then she meets Cassie, who, though human, is also an outlier (“I’m that girl who wears glasses and likes MATH and always organizes her food”), and things begin to look up.

Lilly’s watercolor-and-ink drawings are as vividly comic and emotionally astute as her writing; just when readers think there are no more ways for Geraldine to contort her long neck, this highly promising talent comes up with something new.

Examples of genre fiction book reviews

Karlyn P reviews Nora Roberts’ Dark Witch , a paranormal romance novel , on Goodreads:

4 stars. Great world-building, weak romance, but still worth the read.

I hesitate to describe this book as a 'romance' novel simply because the book spent little time actually exploring the romance between Iona and Boyle. Sure, there IS a romance in this novel. Sprinkled throughout the book are a few scenes where Iona and Boyle meet, chat, wink at each, flirt some more, sleep together, have a misunderstanding, make up, and then profess their undying love. Very formulaic stuff, and all woven around the more important parts of this book.

The meat of this book is far more focused on the story of the Dark witch and her magically-gifted descendants living in Ireland. Despite being weak on the romance, I really enjoyed it. I think the book is probably better for it, because the romance itself was pretty lackluster stuff.

I absolutely plan to stick with this series as I enjoyed the world building, loved the Ireland setting, and was intrigued by all of the secondary characters. However, If you read Nora Roberts strictly for the romance scenes, this one might disappoint. But if you enjoy a solid background story with some dark magic and prophesies, you might enjoy it as much as I did.

I listened to this one on audio, and felt the narration was excellent.

Emily May reviews R.F. Kuang’s The Poppy Wars , an epic fantasy novel , on Goodreads:

“But I warn you, little warrior. The price of power is pain.”

Holy hell, what did I just read??

➽ A fantasy military school

➽ A rich world based on modern Chinese history

➽ Shamans and gods

➽ Detailed characterization leading to unforgettable characters

➽ Adorable, opium-smoking mentors

That's a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Isn't it just so great when you find one of those books that completely drags you in, makes you fall in love with the characters, and demands that you sit on the edge of your seat for every horrific, nail-biting moment of it? This is one of those books for me. And I must issue a serious content warning: this book explores some very dark themes. Proceed with caution (or not at all) if you are particularly sensitive to scenes of war, drug use and addiction, genocide, racism, sexism, ableism, self-harm, torture, and rape (off-page but extremely horrific).

Because, despite the fairly innocuous first 200 pages, the title speaks the truth: this is a book about war. All of its horrors and atrocities. It is not sugar-coated, and it is often graphic. The "poppy" aspect refers to opium, which is a big part of this book. It is a fantasy, but the book draws inspiration from the Second Sino-Japanese War and the Rape of Nanking.

Crime Fiction Lover reviews Jessica Barry’s Freefall , a crime novel:

In some crime novels, the wrongdoing hits you between the eyes from page one. With others it’s a more subtle process, and that’s OK too. So where does Freefall fit into the sliding scale?

In truth, it’s not clear. This is a novel with a thrilling concept at its core. A woman survives plane crash, then runs for her life. However, it is the subtleties at play that will draw you in like a spider beckoning to an unwitting fly.

Like the heroine in Sharon Bolton’s Dead Woman Walking, Allison is lucky to be alive. She was the only passenger in a private plane, belonging to her fiancé, Ben, who was piloting the expensive aircraft, when it came down in woodlands in the Colorado Rockies. Ally is also the only survivor, but rather than sitting back and waiting for rescue, she is soon pulling together items that may help her survive a little longer – first aid kit, energy bars, warm clothes, trainers – before fleeing the scene. If you’re hearing the faint sound of alarm bells ringing, get used to it. There’s much, much more to learn about Ally before this tale is over.

Kirkus Reviews reviews Ernest Cline’s Ready Player One , a science-fiction novel :

Video-game players embrace the quest of a lifetime in a virtual world; screenwriter Cline’s first novel is old wine in new bottles.

The real world, in 2045, is the usual dystopian horror story. So who can blame Wade, our narrator, if he spends most of his time in a virtual world? The 18-year-old, orphaned at 11, has no friends in his vertical trailer park in Oklahoma City, while the OASIS has captivating bells and whistles, and it’s free. Its creator, the legendary billionaire James Halliday, left a curious will. He had devised an elaborate online game, a hunt for a hidden Easter egg. The finder would inherit his estate. Old-fashioned riddles lead to three keys and three gates. Wade, or rather his avatar Parzival, is the first gunter (egg-hunter) to win the Copper Key, first of three.

Halliday was obsessed with the pop culture of the 1980s, primarily the arcade games, so the novel is as much retro as futurist. Parzival’s great strength is that he has absorbed all Halliday’s obsessions; he knows by heart three essential movies, crossing the line from geek to freak. His most formidable competitors are the Sixers, contract gunters working for the evil conglomerate IOI, whose goal is to acquire the OASIS. Cline’s narrative is straightforward but loaded with exposition. It takes a while to reach a scene that crackles with excitement: the meeting between Parzival (now world famous as the lead contender) and Sorrento, the head of IOI. The latter tries to recruit Parzival; when he fails, he issues and executes a death threat. Wade’s trailer is demolished, his relatives killed; luckily Wade was not at home. Too bad this is the dramatic high point. Parzival threads his way between more ’80s games and movies to gain the other keys; it’s clever but not exciting. Even a romance with another avatar and the ultimate “epic throwdown” fail to stir the blood.

Too much puzzle-solving, not enough suspense.

Book review examples for non-fiction books

Nonfiction books are generally written to inform readers about a certain topic. As such, the focus of a nonfiction book review will be on the clarity and effectiveness of this communication . In carrying this out, a book review may analyze the author’s source materials and assess the thesis in order to determine whether or not the book meets expectations.

Again, we’ve included abbreviated versions of long reviews here, so feel free to click on the link to read the entire piece!

The Washington Post reviews David Grann’s Killers of the Flower Moon :

The arc of David Grann’s career reminds one of a software whiz-kid or a latest-thing talk-show host — certainly not an investigative reporter, even if he is one of the best in the business. The newly released movie of his first book, “The Lost City of Z,” is generating all kinds of Oscar talk, and now comes the release of his second book, “Killers of the Flower Moon: The Osage Murders and the Birth of the FBI,” the film rights to which have already been sold for $5 million in what one industry journal called the “biggest and wildest book rights auction in memory.”

Grann deserves the attention. He’s canny about the stories he chases, he’s willing to go anywhere to chase them, and he’s a maestro in his ability to parcel out information at just the right clip: a hint here, a shading of meaning there, a smartly paced buildup of multiple possibilities followed by an inevitable reversal of readerly expectations or, in some cases, by a thrilling and dislocating pull of the entire narrative rug.

All of these strengths are on display in “Killers of the Flower Moon.” Around the turn of the 20th century, oil was discovered underneath Osage lands in the Oklahoma Territory, lands that were soon to become part of the state of Oklahoma. Through foresight and legal maneuvering, the Osage found a way to permanently attach that oil to themselves and shield it from the prying hands of white interlopers; this mechanism was known as “headrights,” which forbade the outright sale of oil rights and granted each full member of the tribe — and, supposedly, no one else — a share in the proceeds from any lease arrangement. For a while, the fail-safes did their job, and the Osage got rich — diamond-ring and chauffeured-car and imported-French-fashion rich — following which quite a large group of white men started to work like devils to separate the Osage from their money. And soon enough, and predictably enough, this work involved murder. Here in Jazz Age America’s most isolated of locales, dozens or even hundreds of Osage in possession of great fortunes — and of the potential for even greater fortunes in the future — were dispatched by poison, by gunshot and by dynamite. […]

Stacked Books reviews Malcolm Gladwell’s Outliers :

I’ve heard a lot of great things about Malcolm Gladwell’s writing. Friends and co-workers tell me that his subjects are interesting and his writing style is easy to follow without talking down to the reader. I wasn’t disappointed with Outliers. In it, Gladwell tackles the subject of success – how people obtain it and what contributes to extraordinary success as opposed to everyday success.

The thesis – that our success depends much more on circumstances out of our control than any effort we put forth – isn’t exactly revolutionary. Most of us know it to be true. However, I don’t think I’m lying when I say that most of us also believe that we if we just try that much harder and develop our talent that much further, it will be enough to become wildly successful, despite bad or just mediocre beginnings. Not so, says Gladwell.

Most of the evidence Gladwell gives us is anecdotal, which is my favorite kind to read. I can’t really speak to how scientifically valid it is, but it sure makes for engrossing listening. For example, did you know that successful hockey players are almost all born in January, February, or March? Kids born during these months are older than the others kids when they start playing in the youth leagues, which means they’re already better at the game (because they’re bigger). Thus, they get more play time, which means their skill increases at a faster rate, and it compounds as time goes by. Within a few years, they’re much, much better than the kids born just a few months later in the year. Basically, these kids’ birthdates are a huge factor in their success as adults – and it’s nothing they can do anything about. If anyone could make hockey interesting to a Texan who only grudgingly admits the sport even exists, it’s Gladwell. […]

Quill and Quire reviews Rick Prashaw’s Soar, Adam, Soar :

Ten years ago, I read a book called Almost Perfect. The young-adult novel by Brian Katcher won some awards and was held up as a powerful, nuanced portrayal of a young trans person. But the reality did not live up to the book’s billing. Instead, it turned out to be a one-dimensional and highly fetishized portrait of a trans person’s life, one that was nevertheless repeatedly dubbed “realistic” and “affecting” by non-transgender readers possessing only a vague, mass-market understanding of trans experiences.

In the intervening decade, trans narratives have emerged further into the literary spotlight, but those authored by trans people ourselves – and by trans men in particular – have seemed to fall under the shadow of cisgender sensationalized imaginings. Two current Canadian releases – Soar, Adam, Soar and This One Looks Like a Boy – provide a pointed object lesson into why trans-authored work about transgender experiences remains critical.

To be fair, Soar, Adam, Soar isn’t just a story about a trans man. It’s also a story about epilepsy, the medical establishment, and coming of age as seen through a grieving father’s eyes. Adam, Prashaw’s trans son, died unexpectedly at age 22. Woven through the elder Prashaw’s narrative are excerpts from Adam’s social media posts, giving us glimpses into the young man’s interior life as he traverses his late teens and early 20s. […]

Book Geeks reviews Elizabeth Gilbert’s Eat, Pray, Love :

WRITING STYLE: 3.5/5

SUBJECT: 4/5

CANDIDNESS: 4.5/5

RELEVANCE: 3.5/5

ENTERTAINMENT QUOTIENT: 3.5/5

“Eat Pray Love” is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from amazon.in and sat down to read it. I don’t remember what I expected it to be – maybe more like a chick lit thing but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things – Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name – EAT (in Italy), PRAY (in India) and LOVE (in Bali, Indonesia). These are also the three Is – ITALY, INDIA, INDONESIA.

Though she had everything a middle-aged American woman can aspire for – MONEY, CAREER, FRIENDS, HUSBAND; Elizabeth was not happy in her life, she wasn’t happy in her marriage. Having suffered a terrible divorce and terrible breakup soon after, Elizabeth was shattered. She didn’t know where to go and what to do – all she knew was that she wanted to run away. So she set out on a weird adventure – she will go to three countries in a year and see if she can find out what she was looking for in life. This book is about that life changing journey that she takes for one whole year. […]

Emily May reviews Michelle Obama’s Becoming on Goodreads:

Look, I'm not a happy crier. I might cry at songs about leaving and missing someone; I might cry at books where things don't work out; I might cry at movies where someone dies. I've just never really understood why people get all choked up over happy, inspirational things. But Michelle Obama's kindness and empathy changed that. This book had me in tears for all the right reasons.

This is not really a book about politics, though political experiences obviously do come into it. It's a shame that some will dismiss this book because of a difference in political opinion, when it is really about a woman's life. About growing up poor and black on the South Side of Chicago; about getting married and struggling to maintain that marriage; about motherhood; about being thrown into an amazing and terrifying position.

I hate words like "inspirational" because they've become so overdone and cheesy, but I just have to say it-- Michelle Obama is an inspiration. I had the privilege of seeing her speak at The Forum in Inglewood, and she is one of the warmest, funniest, smartest, down-to-earth people I have ever seen in this world.

And yes, I know we present what we want the world to see, but I truly do think it's genuine. I think she is someone who really cares about people - especially kids - and wants to give them better lives and opportunities.

She's obviously intelligent, but she also doesn't gussy up her words. She talks straight, with an openness and honesty rarely seen. She's been one of the most powerful women in the world, she's been a graduate of Princeton and Harvard Law School, she's had her own successful career, and yet she has remained throughout that same girl - Michelle Robinson - from a working class family in Chicago.

I don't think there's anyone who wouldn't benefit from reading this book.

Hopefully, this post has given you a better idea of how to write a book review. You might be wondering how to put all of this knowledge into action now! Many book reviewers start out by setting up a book blog. If you don’t have time to research the intricacies of HTML, check out Reedsy Discovery — where you can read indie books for free and review them without going through the hassle of creating a blog. To register as a book reviewer , go here .

And if you’d like to see even more book review examples, simply go to this directory of book review blogs and click on any one of them to see a wealth of good book reviews. Beyond that, it's up to you to pick up a book and pen — and start reviewing!

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How to Write a Book Review: The Complete Guide

by Sue Weems | 23 comments

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If you've ever loved (or hated) a book, you may have been tempted to review it. Here's a complete guide to how to write a book review, so you can share your literary adventures with other readers more often! 

You finally reach the last page of a book that kept you up all night and close it with the afterglow of satisfaction and a tinge of regret that it’s over. If you enjoyed the book enough to stay up reading it way past your bedtime, consider writing a review. It is one of the best gifts you can give an author.

Regardless of how much you know about how to write a book review, the author will appreciate hearing how their words touched you.

But as you face the five shaded stars and empty box, a blank mind strikes. What do I say? I mean, is this a book really deserving of five stars? How did it compare to Dostoevsky or Angelou or Dickens?

Maybe there’s an easier way to write a book review.

Want to learn how to write a book from start to finish? Check out How to Write a Book: The Complete Guide .

The Fallacy of Book Reviews

Once you’ve decided to give a review, you are faced with the task of deciding how many stars to give a book.

When I first started writing book reviews, I made the mistake of trying to compare a book to ALL BOOKS OF ALL TIME. (Sorry for the all caps, but that’s how it felt, like a James Earl Jones voice was asking me where to put this book in the queue of all books.)

Other readers find themselves comparing new titles to their favorite books. It's a natural comparison. But is it fair?

This is honestly why I didn’t give reviews of books for a long time. How can I compare a modern romance or historical fiction war novel with Dostoevsky? I can’t, and I shouldn’t.

I realized my mistake one day as I was watching (of all things) a dog show. In the final round, they trotted out dogs of all shapes, colors, and sizes. I thought, “How can a Yorkshire Terrier compete with a Basset Hound?” As if he'd read my mind, the announcer explained that each is judged by the standards for its breed.

This was my “Aha!” moment. I have to take a book on its own terms. The question is not, “How does this book compare to all books I’ve read?” but “How well did this book deliver what it promised for the intended audience?”

A review is going to reflect my personal experience with the book, but I can help potential readers by taking a minute to consider what the author intended. Let me explain what I mean. 

How to Write a Book Review: Consider a Book’s Promise

A book makes a promise with its cover, blurb, and first pages. It begins to set expectations the minute a reader views the thumbnail or cover. Those things indicate the genre, tone, and likely the major themes.

If a book cover includes a lip-locked couple in flowing linen on a beach, and I open to the first page to read about a pimpled vampire in a trench coat speaking like Mr. Knightly about his plan for revenge on the entire human race, there’s been a breach of contract before I even get to page two. These are the books we put down immediately (unless a mixed-message beachy cover combined with an Austen vampire story is your thing).

But what if the cover, blurb, and first pages are cohesive and perk our interest enough to keep reading? Then we have to think about what the book has promised us, which revolves around one key idea: What is the core story question and how well is it resolved?

Sometimes genre expectations help us answer this question: a romance will end with a couple who finds their way, a murder mystery ends with a solved case, a thriller’s protagonist beats the clock and saves the country or planet.

The stories we love most do those expected things in a fresh or surprising way with characters we root for from the first page. Even (and especially!) when a book doesn’t fit neatly in a genre category, we need to consider what the book promises on those first pages and decide how well it succeeds on the terms it sets for itself.

When I Don’t Know What to Write

About a month ago, I realized I was overthinking how to write a book review. Here at the Write Practice we have a longstanding tradition of giving critiques using the Oreo method : point out something that was a strength, then something we wondered about or that confused us, followed by another positive.

We can use this same structure to write a simple review when we finish books. Consider this book review format: 

[Book Title] by [book author] is about ___[plot summary in a sentence—no spoilers!]___. I chose this book based on ________. I really enjoyed ________. I wondered how ___________. Anyone who likes ____ will love this book.

Following this basic template can help you write an honest review about most any book, and it will give the author or publisher good information about what worked (and possibly what didn’t). You might write about the characters, the conflict, the setting, or anything else that captured you and kept you reading.

As an added bonus, you will be a stronger reader when you are able to express why you enjoyed parts of a book (just like when you critique!). After you complete a few, you’ll find it gets easier, and you won’t need the template anymore.

What if I Didn’t Like It?

Like professional book reviewers, you will have to make the call about when to leave a negative review. If I can’t give a book at least three stars, I usually don’t review it. Why? If I don’t like a book after a couple chapters, I put it down. I don’t review anything that I haven’t read the entire book.

Also, it may be that I’m not the target audience. The book might be well-written and well-reviewed with a great cover, and it just doesn’t capture me. Or maybe it's a book that just isn't hitting me right now for reasons that have nothing to do with the book and everything to do with my own reading life and needs. Every book is not meant for every reader.

If a book kept me reading all the way to the end and I didn’t like the ending? I would probably still review it, since there had to be enough good things going on to keep me reading to the end. I might mention in my review that the ending was less satisfying than I hoped, but I would still end with a positive.

How to Write a Book Review: Your Turn

As writers, we know how difficult it is to put down the words day after day. We are typically voracious readers. Let’s send some love back out to our fellow writers this week and review the most recent title we enjoyed.

What was the last book you read or reviewed? Do you ever find it hard to review a book? Share in the comments .

Now it's your turn. Think of the last book you read. Then, take fifteen minutes to write a review of it based on the template above. When you're done, share your review in the Pro Practice Workshop . For bonus points, post it on the book's page on Amazon and Goodreads, too!

Don't forget to leave feedback for your fellow writers! What new reads will you discover in the comments?

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Sue Weems is a writer, teacher, and traveler with an advanced degree in (mostly fictional) revenge. When she’s not rationalizing her love for parentheses (and dramatic asides), she follows a sailor around the globe with their four children, two dogs, and an impossibly tall stack of books to read. You can read more of her writing tips on her website .

23 Comments

The Ice Dragon by George R.R. Martin is about a girl that shows no emotion befriending a ice dragon.

I chose this book based on the cover that had a little girl riding a ice dragon, and wondered what is about.

I really enjoyed the interaction the little girl had with the dragon.

I wondered how how the girl’s bond with the dragon.

Anyone who likes a coming of age story set in a fantasy will love this book.

Thanks for sharing your practice, Azure!

You’re welcome.

A interesting, at times perplexing, subject! And one on my mind lately,as I’ve agreed to do a few. I do enjoy giving reviews and am delighted when I can say, “This was a great book!” Or even, “I enjoyed this book.” It gets perplexing when I agree to review a book — and simply don’t like it. Then what to say? I hate to disappoint the writer but I’ve promised to give my honest opinion.

I’ve found some books mediocre and yet I see a dozen other reviewers saying “A great story!” Tastes do vary. But when there are obvious flaws I tend to skip all the best-friend-and-cousin reviewers and find the first person who says, “This writer has a problem with…” Usually there’ll be a number of reviewers who spot the same problems I do.

I like upbeat main characters, but not aggressive, belligerent, and/or self-centered ones. I like to meet in a story the kind of people I’d like to meet in real life— not people I’d avoid if possible. I recently read a book where the main character came across as insipid and the story only mildly interesting. Other reviewers said it was great and I know for this specific audience — readers who want a certain slant to a story — it was quite suitable. So I tried to cut the book some slack. Everyone has their limit as to how much blood and gore, smooching and snuggling, they are willing to read about.

Once I agreed to review a book and would have tossed it after the first chapter — for several reasons. A lot of “writer inserting facts for reader’s benefit”; teach/preach paragraphs; excess of description; attitudes of MCs. Once it’s live on seller’s sites like Amazon, what can you say? The one thing good it had going for it was the story line or theme. With a pro editor’s help it could have been a great story.

As for a review, one book I read lately was “A Clue for the Puzzle Lady” by Parnell Hall. It’s one of those “Stayed up half the night to finish it” books; I think anyone who likes a compelling cozy mystery would probably like it. Downside: I didn’t care for the “Puzzle Lady.” She’s a lush, hangs out at the bar getting sloshed. The upside: her sensible niece has a starring role —trying to keep her aunt on the straight-and-narrow and the mystery keeps you guessing until the end.

Christine, Thanks for sharing your insight! It sounds like you are approached often to review new books. It does make it tricky if it’s a request, especially outside your own preferences. Thanks for chiming in about your process, as I’m sure others will appreciate the perspective too. I’ll have to take a look at the Puzzle Lady– I do enjoy cozy mysteries. Sue

Here’s another cozy mystery book review in case you’re interested. I’m not approached by writers that often, but there are the Story Cartel, Book Bub and Goodreads, all sites where authors ask for review volunteers.

Reel Estate Ripoff by Renee Pawlish

The detective Reed Ferguson is a fan of Humphry Bogart, movie memorabilia of that era, and fancies himself a bit of a Sam Slade. Though not your super-sleuth, rather inept at times, he’s a likeable character. Told in first person, the story has a Philip Marlowe tone to it, but much tamer. Dialogue and story line are well done, the story well plotted and believable. I’d gladly read more stories about this particular gumshoe.

If you like cozy mystery books, I’ll send you a list later, Sue. Love them too and I’ve met many authors who write in this genre. Back on topic– you inspire me again to add some reviews to my Blog. I have been reading and writing many middle grade mysteries for a project! My latest favorite: “The World’s Greatest Detective” by Caroline Carson (who I hope to meet tomorrow in Arlington, VA!) My 12 year old grandson borrowed it and finished it before I could. “It’s the best mystery I ever read, Grandma! You’ ll never guess the ending with unpredictable twists!” What better review could we read. The target audience and I both highly recommend this 2017 mystery.

Adding it to my stack, Beth. Thanks!

Not wanting to sound life an idiot, but willing to risk it here among friends: What exactly is a cozy mystery?

Glad you asked! It’s a subgenre of mystery. The best examples of cozy mysteries are those by Agatha Christie. They usually avoid profanity, excessive gore/ violence, and sex. They focus more on the puzzle, sleuth, and their smaller world. Hope that helps!

Thanks, Sue.

Wonderful article. The first I have read by you. It especially gets those of us who don’t feel we have the formula down for review writing to be introduced to a form we can build upon with experience. You’ve kept it simple but you have given us the main ingredients needed for a good review. I printed this one off to look at the next few times I write reviews. Thank you.

Glad you found it helpful. Thanks for reading and commenting!

I haven’t gone into all this. It’s a matter of time, Joe. I gad about all over the place, not knowing where I am or where I’m going. Within weeks, I’ll be 87. I’ve books of my own that I’d like to see reviewed. Even sorting them out, however, even finding where any of them are, would be a time burden. You see the fix?

Hi Dave, You aren’t alone in feeling the press of time for getting your stories out into the world. May I gently offer this: start with finding and sorting one. If you can’t find it, write it anew. You’ve probably grown in time and perspective since you wrote the first draft, which will make for a stronger story. Good luck. I’m cheering you on!

This is an article for me, because I am happy to receive a rating. I haven’t sold many books. But, at least some thinks that it was worth the time to read. That was refreshing. And, I think I wrote two reviews, so far. It was on Amazon.com. Thank you.

You’re welcome!

Hi, Sue. Thanks for the helpful advice. I did a review on Amazon for the first of a 7-part thriller titled ‘Mosh Pit (The Rose Garden Incident)’ by Michael Hiebert. [Here it is.]

“5.0 out of 5 stars Advance copy review. By A fellow author on September 18, 2016 Format: Kindle Edition I Recommend This Book Strongly

I enjoyed reading this first part of the thriller. The author’s opening chapter/prologue was fast paced, and set me in the middle of the inciting incident along with two of the main characters. After that thrilling opening, I felt the ensuing chapters moved at a more leisurely pace, and was about to grade them as less praiseworthy when I watched a lecture by Brandon Sanderson on YouTube about building three dimensional characters and realised Michael Hiebert had done exactly that by introducing the reader to the minutiae of other characters who had parts to play in the development of the story. So, instead of cardboard cutouts of bland stock characters, the author shows us real people with real concerns that the reader can relate to.and actually care about. I look forward to reading the rest of this intriguing thriller, and highly recommend it to all lovers of well-written, and well-crafted thrillers.”

I also reviewed Part 2 of the series, but that review is too long to post here.

Footnote: The author, Michael Hiebert, was so pleased with my reviews, he recently asked me to beta-read a short story collection he plans to publish in November.

Great review, John! I like how you shared a bit of your process as a reader too, in recognizing what the writer was doing with their characterization. Thanks!

Thank you, Sue.

Five out of five stars When I picked up a copy of “The Girl with All the Gifts,” by M R Carey, at the used book store, I somehow had it in my head that it was a YA dystopian novel along the lines of “Divergent” or “The Hunger Games.” While I would definitely say that I was not right about that, I wouldn’t say that I was completely wrong. I was, however, completely unprepared for a zombie novel–which is a good thing, cause I wouldn’t have read it, and I’m glad I did. Think “The Walking Dead” meets (why do I want to say ‘The Curious Incident of the Dog in the Night”?) “Peter Pan.” I really enjoyed seeing things from, the main character, Melanie’s point of view. Her limited knowledge of her own situation was intriguing, to say the least (and probably why I thought of “The Curious Incident”). I was a bit disappointed when the POV changed to another character’s, but, as the novel progressed, I found myself sympathizing with nearly all the characters–with one exception, and I’ll leave that for you to ponder when you read it. I wondered how much of the science was real, but not enough for me to research it myself. Although, based on other reviews, I guess most of the science about the fungus is real. I also wondered about the fate of the remaining ‘lost boys’ of the cities. If you liked…. well, I don’t know. I’m not typically a fan of things zombie, so I don’t have a comparison, but the book was somewhat similar to “Divergent” and “The Hunger Games” in that the main character goes through a hellluva time and comes out the other side with a plan for her future.

“Tuesdays with Morrie” by Mitch Albom is a true story about how one man found meaning in life when his doctors gave him a death sentence. Morrie was a college professor who passed on his new found wisdom in the last year of his life to a favorite student, the author, who chronicled his professor’s perspectives on death and dying.

I chose this book because of its philosophical topic, and because it is so well written that the words just jump off the page.

Knowing we are all mortal beings, I especially liked the insights, the tidbits of wisdom imparted by the dying man. Death is a subject that few, if any of us, ever talk about seriously with friends and family. The subject of death is verboten. We deny its existence. And, if we are religious, we pretend we will not really die, but we deceive ourselves and think we will live on in some afterlife existence for all eternity. But the professor, Morrie, learns some valuable life lessons from his impending death, and Mitch Albom was gracious enough to capture them in this short but eminently readable book.

I really liked the book because it is timeless. This true story will impart serious life lessons for all future generations, and will help us gain perspectives on our lives and the relationships with those we love the most.

R. Allan Worrell

Sue, I’ve been meaning to come back since this was first posted to tell you thanks for a great article. I seldom review books for alllllll the reasons you listed. This is a perfect tool and I’ll surely use it. Cathy

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How to Write a Book Review: The Ultimate Guide

WHAT IS A BOOK REVIEW?

Traditionally, book reviews are evaluations of a recently published book in any genre. Usually, around the 500 to 700-word mark, they briefly describe a text’s main elements while appraising the work’s strengths and weaknesses. Published book reviews can appear in newspapers, magazines, and academic journals. They provide the reader with an overview of the book itself and indicate whether or not the reviewer would recommend the book to the reader.

WHAT IS THE PURPOSE OF A BOOK REVIEW?

There was a time when book reviews were a regular appearance in every quality newspaper and many periodicals. They were essential elements in whether or not a book would sell well. A review from a heavyweight critic could often be the deciding factor in whether a book became a bestseller or a damp squib. In the last few decades, however, the book review’s influence has waned considerably, with many potential book buyers preferring to consult customer reviews on Amazon, or sites like Goodreads, before buying. As a result, book review’s appearance in newspapers, journals, and digital media has become less frequent.

WHY BOTHER TEACHING STUDENTS TO WRITE BOOK REVIEWS AT ALL?

Even in the heyday of the book review’s influence, few students who learned the craft of writing a book review became literary critics! The real value of crafting a well-written book review for a student does not lie in their ability to impact book sales. Understanding how to produce a well-written book review helps students to:

●     Engage critically with a text

●     Critically evaluate a text

●     Respond personally to a range of different writing genres

●     Improve their own reading, writing, and thinking skills.

Not to Be Confused with a Book Report!

WHAT’S THE DIFFERENCE BETWEEN A BOOK REVIEW AND A BOOK REPORT?

While the terms are often used interchangeably, there are clear differences in both the purpose and the format of the two genres. Generally speaking, book reports aim to give a more detailed outline of what occurs in a book. A book report on a work of fiction will tend to give a comprehensive account of the characters, major plot lines, and themes in the book. Book reports are usually written around the K-12 age range, while book reviews tend not to be undertaken by those at the younger end of this age range due to the need for the higher-level critical skills required in writing them. At their highest expression, book reviews are written at the college level and by professional critics.

Learn how to write a book review step by step with our complete guide for students and teachers by familiarizing yourself with the structure and features.

BOOK REVIEW STRUCTURE

ANALYZE Evaluate the book with a critical mind.

THOROUGHNESS The whole is greater than the sum of all its parts. Review the book as a WHOLE.

COMPARE Where appropriate compare to similar texts and genres.

THUMBS UP OR DOWN? You are going to have to inevitably recommend or reject this book to potential readers.

BE CONSISTENT Take a stance and stick with it throughout your review.

FEATURES OF A BOOK REVIEW

PAST TENSE You are writing about a book you have already read.

EMOTIVE LANGUAGE Whatever your stance or opinion be passionate about it. Your audience will thank you for it.

VOICE Both active and passive voice are used in recounts.

A COMPLETE UNIT ON REVIEW AND ANALYSIS OF TEXTS

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ELEMENTS OF A BOOK REVIEW

As with any of the writing genres we teach our students, a book review can be helpfully explained in terms of criteria. While there is much to the ‘art’ of writing, there is also, thankfully, a lot of the nuts and bolts that can be listed too. Have students consider the following elements before writing:

●     Title: Often, the title of the book review will correspond to the title of the text itself, but there may also be some examination of the title’s relevance. How does it fit into the purpose of the work as a whole? Does it convey a message or reveal larger themes explored within the work?

●     Author: Within the book review, there may be some discussion of who the author is and what they have written before, especially if it relates to the current work being reviewed. There may be some mention of the author’s style and what they are best known for. If the author has received any awards or prizes, this may also be mentioned within the body of the review.

●     Genre: A book review will identify the genre that the book belongs to, whether fiction or nonfiction, poetry, romance, science-fiction, history etc. The genre will likely tie in, too with who the intended audience for the book is and what the overall purpose of the work is.

●     Book Jacket / Cover: Often, a book’s cover will contain artwork that is worthy of comment. It may contain interesting details related to the text that contribute to, or detract from, the work as a whole.

●     Structure: The book’s structure will often be heavily informed by its genre. Have students examine how the book is organized before writing their review. Does it contain a preface from a guest editor, for example? Is it written in sections or chapters? Does it have a table of contents, index, glossary etc.? While all these details may not make it into the review itself, looking at how the book is structured may reveal some interesting aspects.

●     Publisher and Price: A book review will usually contain details of who publishes the book and its cost. A review will often provide details of where the book is available too.

BOOK REVIEW KEY ELEMENTS

As students read and engage with the work they will review, they will develop a sense of the shape their review will take. This will begin with the summary. Encourage students to take notes during the reading of the work that will help them in writing the summary that will form an essential part of their review. Aspects of the book they may wish to take notes on in a work of fiction may include:

●     Characters: Who are the main characters? What are their motivations? Are they convincingly drawn? Or are they empathetic characters?

●     Themes: What are the main themes of the work? Are there recurring motifs in the work? Is the exploration of the themes deep or surface only?

●     Style: What are the key aspects of the writer’s style? How does it fit into the wider literary world?

●     Plot: What is the story’s main catalyst? What happens in the rising action? What are the story’s subplots? 

A book review will generally begin with a short summary of the work itself. However, it is important not to give too much away, remind students – no spoilers, please! For nonfiction works, this may be a summary of the main arguments of the work, again, without giving too much detail away. In a work of fiction, a book review will often summarise up to the rising action of the piece without going beyond to reveal too much!

The summary should also provide some orientation for the reader. Given the nature of the purpose of a review, it is important that students’ consider their intended audience in the writing of their review. Readers will most likely not have read the book in question and will require some orientation. This is often achieved through introductions to the main characters, themes, primary arguments etc. This will help the reader to gauge whether or not the book is of interest to them.

Once your student has summarized the work, it is time to ‘review’ in earnest. At this point, the student should begin to detail their own opinion of the book. To do this well they should:

i. Make It Personal

Often when teaching essay writing we will talk to our students about the importance of climbing up and down the ladder of abstraction. Just as it is helpful to explore large, more abstract concepts in an essay by bringing it down to Earth, in a book review, it is important that students can relate the characters, themes, ideas etc to their own lives.

Book reviews are meant to be subjective. They are opinion pieces, and opinions grow out of our experiences of life. Encourage students to link the work they are writing about to their own personal life within the body of the review. By making this personal connection to the work, students contextualize their opinions for the readers and help them to understand whether the book will be of interest to them or not in the process.

ii. Make It Universal

Just as it is important to climb down the ladder of abstraction to show how the work relates to individual life, it is important to climb upwards on the ladder too. Students should endeavor to show how the ideas explored in the book relate to the wider world. The may be in the form of the universality of the underlying themes in a work of fiction or, for example, the international implications for arguments expressed in a work of nonfiction.

iii. Support Opinions with Evidence

A book review is a subjective piece of writing by its very nature. However, just because it is subjective does not mean that opinions do not need to be justified. Make sure students understand how to back up their opinions with various forms of evidence, for example, quotations, statistics, and the use of primary and secondary sources.

EDIT AND REVISE YOUR BOOK REVIEW

As with any writing genre, encourage students to polish things up with review and revision at the end. Encourage them to proofread and check for accurate spelling throughout, with particular attention to the author’s name, character names, publisher etc. 

It is good practice too for students to double-check their use of evidence. Are statements supported? Are the statistics used correctly? Are the quotations from the text accurate? Mistakes such as these uncorrected can do great damage to the value of a book review as they can undermine the reader’s confidence in the writer’s judgement.

The discipline of writing book reviews offers students opportunities to develop their writing skills and exercise their critical faculties. Book reviews can be valuable standalone activities or serve as a part of a series of activities engaging with a central text. They can also serve as an effective springboard into later discussion work based on the ideas and issues explored in a particular book. Though the book review does not hold the sway it once did in the mind’s of the reading public, it still serves as an effective teaching tool in our classrooms today.

Teaching Resources

Use our resources and tools to improve your student’s writing skills through proven teaching strategies.

BOOK REVIEW GRAPHIC ORGANIZER (TEMPLATE)

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Book and Movie review writing examples (Student Writing Samples)

Below are a collection of student writing samples of book reviews.  Click on the image to enlarge and explore them in greater detail.  Please take a moment to both read the movie or book review in detail but also the teacher and student guides which highlight some of the key elements of writing a text review

Please understand these student writing samples are not intended to be perfect examples for each age or grade level but a piece of writing for students and teachers to explore together to critically analyze to improve student writing skills and deepen their understanding of book review writing.

We would recommend reading the example either a year above and below, as well as the grade you are currently working with to gain a broader appreciation of this text type .

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How to Write a Book Review in 5 Steps

Hannah Yang

If you love to read books, you might be looking for ways to share your opinions about your recent reads.

Writing book reviews is a great way to engage with the book-loving community. If your reviews gain a large enough following, you might even get paid to read books—every reader’s dream come true!

So how exactly do you write book reviews?

This article will explain what a book review is and give you a step-by-step guide for writing a good one.

What Is a Book Review?

How to review a book in 5 steps, best book review examples, how to be a book reviewer.

A book review is a critical assessment of a recently published book. Looking at book reviews helps readers figure out which books to read next and which books to avoid.

The average book review is around 300–750 words. It includes a quick summary of the book, the reviewer’s evaluation of the book, and a recommendation about who should read this book.

It’s important not to confuse book reviews with book reports. A book report is a summary that proves you understood the book, often assigned to elementary school or middle school students.

Book reviews, on the other hand, should offer a unique perspective on a book. They’re often assigned to undergraduate or graduate students.

Professional book reviews can be published in academic journals, on the reviewer’s personal blog, or on platforms like Goodreads.

Here are five steps you can follow to write your own book review.

1. Briefly Summarize the Book

If you’re wondering how to start a book review, the answer is simple—start by summarizing the story!

A quick and objective summary, similar to the one you might find on the book jacket, gives your readers a sense of what the book is about. That way, they have enough context to understand the rest of your review.

If the book is nonfiction, you should include the major questions the book examines, the ways the book tries to answer those questions, and any relevant details about the author’s credentials.

If the book is a novel, you should include the genre, the main character, and the events that launch the main character into the story.

However, it’s important not to spoil the story for people who haven’t read it yet. A good rule is not to mention anything that happens after the midpoint of the story. Leave the rest for the readers to discover on their own.

2. Evaluate the Book’s Qualities

Once you’ve explained the premise of the book, it’s time to provide a more subjective evaluation of the strengths and weaknesses of the book. What do you want other readers to know about this book?

Here are some different aspects of a nonfiction book you can evaluate:

• Key takeaways (e.g. What did you learn? What’s the book’s argument?)
• Readability (e.g. What background knowledge do readers need to understand this?)
• Prose (e.g. How are the points communicated? What’s the author’s writing style?)

Here are some different aspects of a novel you can evaluate:

• Characters (e.g. How well-developed is the protagonist? The villain? The love interest?)
• Plot (e.g. Are there surprising twists? Subverted tropes? Plot holes?)
• Worldbuilding (e.g. Is the world of the story immersive? Unique? Original?)
• Theme (e.g. What questions does the story examine? How does it answer those questions?)
• Prose (e.g. Is the writing lyrical or plain? Funny or serious? Dense or digestible?)

Many reviewers focus on one aspect for each of the paragraphs in their review.

As much as possible, try to balance the good with the bad. If the entire review is glowing, or if the entire review is critical, it won’t feel as objective as one that mentions both positive and negative qualities.

Also, make sure you include spoiler warnings if you’re going to mention anything that happens after the midpoint of the story. Some book review platforms let you hide those passages of your review until readers click on them.

3. Include Quotes from the Book

Quotes from the book can serve as useful supporting evidence for your key points. If you say the book includes lyrical prose, make sure to include a passage that represents the lyrical style of the book, so your readers can see what you mean.

You can include well-written passages that showcase the author’s talent. If you disliked the book, you can also choose quotes that showcase what you disliked most.

4. Rate the Book

Many book review platforms, such as Goodreads, let you give a star rating to each book you review.

You can develop your own rating system if you’d like. For example, you could rate books on a scale of 1–5, 1–10, or even 1–100.

Some reviewers break down their ratings into multiple categories. For example, you might give a book five stars for its characters, but only two stars for its plot.

5. Give Your Recommendation

Finish your book review by stating whether or not you would recommend this book to others. That’s the main purpose of a book review, after all—to convince readers either to read the book or to skip it.

It can be helpful to say exactly what kinds of readers you’d recommend it to.

For example, you might write, “This book is perfect for anyone who loves swing dancing and slow-burn romance,” or “Don’t read this if you don’t like slow, atmospheric books that focus more on vibes than on plot.”

You can also recommend other books in the same genre that you think fellow readers will enjoy if they liked this one. “If you liked A Song of Ice and Fire by George R.R. Martin, we recommend The Name of the Wind by Patrick Rothfuss and The Way of Kings by Brandon Sanderson.”

One way to learn how to write great book reviews is by reading them. Let’s look at a few examples of great book reviews you can use as inspiration.

Kirkus Reviews is a well-known American book review magazine. Here’s the beginning of their review of The Seven Husbands of Evelyn Hugo , a historical fiction novel by Taylor Jenkins Reid.

An aging starlet with seven marriages behind her generously offers the rights to her memoir to an inexperienced writer—at a heartbreaking cost. Monique Grant is stunned when Hollywood legend Evelyn Hugo grants an exclusive interview to her over more seasoned journalists, but when she’s also chosen to publish Evelyn’s final confessions after her death, she learns that the 79-year-old actress has enough life experience for them both. Growing up poor in Hell’s Kitchen, young Evelyn Herrera trades her virginity for a ride to Hollywood, changes her name, and climbs the rungs of the entertainment-industry ladder one husband at a time until she hits Oscar gold. To write her off as being calculating and fickle would leave out the difficulty of being a woman, especially a woman of color, trying to get by in the late 1950s without a man’s blessing.

Emily May is a UK-based book reviewer who’s one of the top-ranked reviewers on Goodreads. Here are the first few paragraphs of her Goodreads review of The Poppy War , a fantasy novel by R.F. Kuang.

“But I warn you, little warrior. The price of power is pain.” Holy hell, what did I just read?? A fantasy military school A rich world based on modern Chinese history Shamans and gods Detailed characterization leading to unforgettable characters Adorable, opium-smoking mentors That’s a basic list, but this book is all of that and SO MUCH MORE. I know 100% that The Poppy War will be one of my best reads of 2018.

Finally, Book Geeks is a website that describes itself as “India’s best book blog.” Here’s the beginning of their review of Eat Pray Love by Elizabeth Gilbert.

WRITING STYLE: 3.5/5 SUBJECT: 4/5 CANDIDNESS: 4.5/5 RELEVANCE: 3.5/5 ENTERTAINMENT QUOTIENT: 3.5/5 Eat Pray Love is so popular that it is almost impossible to not read it. Having felt ashamed many times on my not having read this book, I quietly ordered the book (before I saw the movie) from Amazon and sat down to read it. I don’t remember what I expected it to be—maybe more like a chick-lit but it turned out quite different. The book is a real story and is a short journal from the time when its writer went travelling to three different countries in pursuit of three different things—Italy (Pleasure), India (Spirituality), Bali (Balance) and this is what corresponds to the book’s name—EAT (in Italy), PRAY (in India), and LOVE (in Bali, Indonesia).

There are many benefits to becoming a consistent book reviewer.

After you establish a following, many publishing houses will send you books for free in exchange for a review, which can be a huge perk. In some cases, you can even get paid for your reviews.

So how do you become a book reviewer? Here are a few tips:

Develop your own book reviewing style to give your reviews a more personal touch. Do you want to leave funny reviews that make readers laugh? Personal reviews that include anecdotes from your own life? Serious reviews that readers can trust for an objective opinion?

Start taking notes every time you read a book you’re planning to review. Recording your initial reactions can help you develop more insightful critiques.

Finally, set book reviewing goals and stick to them. For example, you might decide to start by reviewing one book a month. That way, you can turn reviewing into a consistent practice.

Good luck, and happy writing!

Be confident about grammar

Check every email, essay, or story for grammar mistakes. Fix them before you press send.

Hannah Yang is a speculative fiction writer who writes about all things strange and surreal. Her work has appeared in Analog Science Fiction, Apex Magazine, The Dark, and elsewhere, and two of her stories have been finalists for the Locus Award. Her favorite hobbies include watercolor painting, playing guitar, and rock climbing. You can follow her work on hannahyang.com, or subscribe to her newsletter for publication updates.

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How to Write a Book Review: A Comprehensive Tutorial With Examples

You don’t need to be a literary expert to craft captivating book reviews. With one in every three readers selecting books based on insightful reviews, your opinions can guide fellow bibliophiles toward their next literary adventure.

Learning how to write a book review will not only help you excel at your assigned tasks, but you’ll also contribute valuable insights to the book-loving community and turn your passion into a professional pursuit.

In this comprehensive guide,  PaperPerk  will walk you through a few simple steps to master the art of writing book reviews so you can confidently embark on this rewarding journey.

What is a Book Review?

A book review is a critical evaluation of a book, offering insights into its content, quality, and impact. It helps readers make informed decisions about whether to read the book.

Writing a book review as an assignment benefits students in multiple ways. Firstly, it teaches them how to write a book review by developing their analytical skills as they evaluate the content, themes, and writing style .

Secondly, it enhances their ability to express opinions and provide constructive criticism. Additionally, book review assignments expose students to various publications and genres, broadening their knowledge.

Furthermore, these tasks foster essential skills for academic success, like critical thinking and the ability to synthesize information. By now, we’re sure you want to learn how to write a book review, so let’s look at the book review template first.

Table of Contents

Book Review Template

How to write a book review- a step by step guide.

Check out these 5 straightforward steps for composing the best book review.

Step 1: Planning Your Book Review – The Art of Getting Started

You’ve decided to take the plunge and share your thoughts on a book that has captivated (or perhaps disappointed) you. Before you start book reviewing, let’s take a step back and plan your approach. Since knowing how to write a book review that’s both informative and engaging is an art in itself.

Choosing Your Literature

First things first, pick the book you want to review. This might seem like a no-brainer, but selecting a book that genuinely interests you will make the review process more enjoyable and your insights more authentic.

Crafting the Master Plan

Next, create an  outline  that covers all the essential points you want to discuss in your review. This will serve as the roadmap for your writing journey.

The Devil is in the Details

As you read, note any information that stands out, whether it overwhelms, underwhelms, or simply intrigues you. Pay attention to:

• The characters and their development
• The plot and its intricacies
• Any themes, symbols, or motifs you find noteworthy

Remember to reserve a body paragraph for each point you want to discuss.

The Key Questions to Ponder

When planning your book review, consider the following questions:

• What’s the plot (if any)? Understanding the driving force behind the book will help you craft a more effective review.
• Is the plot interesting? Did the book hold your attention and keep you turning the pages?
• Are the writing techniques effective? Does the author’s style captivate you, making you want to read (or reread) the text?
• Are the characters or the information believable? Do the characters/plot/information feel real, and can you relate to them?
• Would you recommend the book to anyone? Consider if the book is worthy of being recommended, whether to impress someone or to support a point in a literature class.
• What could improve? Always keep an eye out for areas that could be improved. Providing constructive criticism can enhance the quality of literature.

Step 2 – Crafting the Perfect Introduction to Write a Book Review

In this second step of “how to write a book review,” we’re focusing on the art of creating a powerful opening that will hook your audience and set the stage for your analysis.

Identify Your Book and Author

Begin by mentioning the book you’ve chosen, including its  title  and the author’s name. This informs your readers and establishes the subject of your review.

Ponder the Title

Next, discuss the mental images or emotions the book’s title evokes in your mind . This helps your readers understand your initial feelings and expectations before diving into the book.

Judge the Book by Its Cover (Just a Little)

Take a moment to talk about the book’s cover. Did it intrigue you? Did it hint at what to expect from the story or the author’s writing style? Sharing your thoughts on the cover can offer a unique perspective on how the book presents itself to potential readers.

Present Your Thesis

Now it’s time to introduce your thesis. This statement should be a concise and insightful summary of your opinion of the book. For example:

“Normal People” by Sally Rooney is a captivating portrayal of the complexities of human relationships, exploring themes of love, class, and self-discovery with exceptional depth and authenticity.

Ensure that your thesis is relevant to the points or quotes you plan to discuss throughout your review.

Incorporating these elements into your introduction will create a strong foundation for your book review. Your readers will be eager to learn more about your thoughts and insights on the book, setting the stage for a compelling and thought-provoking analysis.

How to Write a Book Review: Step 3 – Building Brilliant Body Paragraphs

You’ve planned your review and written an attention-grabbing introduction. Now it’s time for the main event: crafting the body paragraphs of your book review. In this step of “how to write a book review,” we’ll explore the art of constructing engaging and insightful body paragraphs that will keep your readers hooked.

Summarize Without Spoilers

Begin by summarizing a specific section of the book, not revealing any major plot twists or spoilers. Your goal is to give your readers a taste of the story without ruining surprises.

Support Your Viewpoint with Quotes

Next, choose three quotes from the book that support your viewpoint or opinion. These quotes should be relevant to the section you’re summarizing and help illustrate your thoughts on the book.

Analyze the Quotes

Write a summary of each quote in your own words, explaining how it made you feel or what it led you to think about the book or the author’s writing. This analysis should provide insight into your perspective and demonstrate your understanding of the text.

Structure Your Body Paragraphs

Dedicate one body paragraph to each quote, ensuring your writing is well-connected, coherent, and easy to understand.

For example:

• In  Jane Eyre , Charlotte Brontë writes, “I am no bird; and no net ensnares me.” This powerful statement highlights Jane’s fierce independence and refusal to be trapped by societal expectations.
• In  Normal People , Sally Rooney explores the complexities of love and friendship when she writes, “It was culture as class performance, literature fetishized for its ability to take educated people on false emotional journeys.” This quote reveals the author’s astute observations on the role of culture and class in shaping personal relationships.
• In  Wuthering Heights , Emily Brontë captures the tumultuous nature of love with the quote, “He’s more myself than I am. Whatever our souls are made of, his and mine are the same.” This poignant line emphasizes the deep, unbreakable bond between the story’s central characters.

By following these guidelines, you’ll create body paragraphs that are both captivating and insightful, enhancing your book review and providing your readers with a deeper understanding of the literary work. 

How to Write a Book Review: Step 4 – Crafting a Captivating Conclusion

You’ve navigated through planning, introductions, and body paragraphs with finesse. Now it’s time to wrap up your book review with a  conclusion that leaves a lasting impression . In this final step of “how to write a book review,” we’ll explore the art of writing a memorable and persuasive conclusion.

Summarize Your Analysis

Begin by summarizing the key points you’ve presented in the body paragraphs. This helps to remind your readers of the insights and arguments you’ve shared throughout your review.

Offer Your Final Conclusion

Next, provide a conclusion that reflects your overall feelings about the book. This is your chance to leave a lasting impression and persuade your readers to consider your perspective.

Address the Book’s Appeal

Now, answer the question: Is this book worth reading? Be clear about who would enjoy the book and who might not. Discuss the taste preferences and circumstances that make the book more appealing to some readers than others.

For example:  The Alchemist is a book that can enchant a young teen, but those who are already well-versed in classic literature might find it less engaging.

Be Subtle and Balanced

Avoid simply stating whether you “liked” or “disliked” the book. Instead, use nuanced language to convey your message. Highlight the pros and cons of reading the type of literature you’ve reviewed, offering a balanced perspective.

Bringing It All Together

By following these guidelines, you’ll craft a conclusion that leaves your readers with a clear understanding of your thoughts and opinions on the book. Your review will be a valuable resource for those considering whether to pick up the book, and your witty and insightful analysis will make your review a pleasure to read. So conquer the world of book reviews, one captivating conclusion at a time!

How to Write a Book Review: Step 5 – Rating the Book (Optional)

You’ve masterfully crafted your book review, from the introduction to the conclusion. But wait, there’s one more step you might consider before calling it a day: rating the book. In this optional step of “how to write a book review,” we’ll explore the benefits and methods of assigning a rating to the book you’ve reviewed.

Why Rate the Book?

Sometimes, when writing a professional book review, it may not be appropriate to state whether you liked or disliked the book. In such cases, assigning a rating can be an effective way to get your message across without explicitly sharing your personal opinion.

How to Rate the Book

There are various rating systems you can use to evaluate the book, such as:

• A star rating (e.g., 1 to 5 stars)
• A numerical score (e.g., 1 to 10)
• A letter grade (e.g., A+ to F)

Choose a rating system that best suits your style and the format of your review. Be consistent in your rating criteria, considering writing quality, character development, plot, and overall enjoyment.

Tips for Rating the Book

Here are some tips for rating the book effectively:

• Be honest: Your rating should reflect your true feelings about the book. Don’t inflate or deflate your rating based on external factors, such as the book’s popularity or the author’s reputation.
• Be fair:Consider the book’s merits and shortcomings when rating. Even if you didn’t enjoy the book, recognize its strengths and acknowledge them in your rating.
• Be clear: Explain the rationale behind your rating so your readers understand the factors that influenced your evaluation.

Wrapping Up

By including a rating in your book review, you provide your readers with an additional insight into your thoughts on the book. While this step is optional, it can be a valuable tool for conveying your message subtly yet effectively. So, rate those books confidently, adding a touch of wit and wisdom to your book reviews.

Additional Tips on How to Write a Book Review: A Guide

In this segment, we’ll explore additional tips on how to write a book review. Get ready to captivate your readers and make your review a memorable one!

Hook ’em with an Intriguing Introduction

Keep your introduction precise and to the point. Readers have the attention span of a goldfish these days, so don’t let them swim away in boredom. Start with a bang and keep them hooked!

Embrace the World of Fiction

When learning how to write a book review, remember that reviewing fiction is often more engaging and effective. If your professor hasn’t assigned you a specific book, dive into the realm of fiction and select a novel that piques your interest.

Opinionated with Gusto

Don’t shy away from adding your own opinion to your review. A good book review always features the writer’s viewpoint and constructive criticism. After all, your readers want to know what  you  think!

Express Your Love (or Lack Thereof)

If you adored the book, let your readers know! Use phrases like “I’ll definitely return to this book again” to convey your enthusiasm. Conversely, be honest but respectful even if the book wasn’t your cup of tea.

Templates and Examples and Expert Help: Your Trusty Sidekicks

Feeling lost? You can always get help from formats, book review examples or online  college paper writing service  platforms. These trusty sidekicks will help you navigate the world of book reviews with ease. 

Be a Champion for New Writers and Literature

Remember to uplift new writers and pieces of literature. If you want to suggest improvements, do so kindly and constructively. There’s no need to be mean about anyone’s books – we’re all in this literary adventure together!

Criticize with Clarity, Not Cruelty

When adding criticism to your review, be clear but not mean. Remember, there’s a fine line between constructive criticism and cruelty. Tread lightly and keep your reader’s feelings in mind.

Avoid the Comparison Trap

Resist the urge to compare one writer’s book with another. Every book holds its worth, and comparing them will only confuse your reader. Stick to discussing the book at hand, and let it shine in its own light.

Top 7 Mistakes and How to Avoid Them

Writing a book review can be a delightful and rewarding experience, especially when you balance analysis, wit, and personal insights. However, some common mistakes can kill the brilliance of your review. 

In this section of “how to write a book review,” we’ll explore the top 7 blunders writers commit and how to steer clear of them, with a dash of  modernist literature  examples and tips for students writing book reviews as assignments.

Succumbing to the Lure of Plot Summaries

Mistake: Diving headfirst into a plot summary instead of dissecting the book’s themes, characters, and writing style.

Example: “The Bell Jar chronicles the life of a young woman who experiences a mental breakdown.”

How to Avoid: Delve into the book’s deeper aspects, such as its portrayal of mental health, societal expectations, and the author’s distinctive narrative voice. Offer thoughtful insights and reflections, making your review a treasure trove of analysis.

Unleashing the Spoiler Kraken

Mistake: Spilling major plot twists or the ending without providing a spoiler warning, effectively ruining the reading experience for potential readers.

Example: “In Metamorphosis, the protagonist’s transformation into a monstrous insect leads to…”

How to Avoid: Tread carefully when discussing significant plot developments, and consider using spoiler warnings. Focus on the impact of these plot points on the overall narrative, character growth, or thematic resonance.

Riding the Personal Bias Express

Mistake: Allowing personal bias to hijack the review without providing sufficient evidence or reasoning to support opinions.

Example: “I detest books about existential crises, so The Sun Also Rises was a snoozefest.”

How to Avoid: While personal opinions are valid, it’s crucial to back them up with specific examples from the book. Discuss aspects like writing style, character development, or pacing to support your evaluation and provide a more balanced perspective.

Wielding the Vague Language Saber

Mistake: Resorting to generic, vague language that fails to capture the nuances of the book and can come across as clichéd.

Example: “This book was mind-blowing. It’s a must-read for everyone.”

How to Avoid: Use precise and descriptive language to express your thoughts. Employ specific examples and quotations to highlight memorable scenes, the author’s unique writing style, or the impact of the book’s themes on readers.

Ignoring the Contextualization Compass

Mistake: Neglecting to provide context about the author, genre, or cultural relevance of the book, leaving readers without a proper frame of reference.

Example: “This book is dull and unoriginal.”

How to Avoid: Offer readers a broader understanding by discussing the author’s background, the genre conventions the book adheres to or subverts, and any societal or historical contexts that inform the narrative. This helps readers appreciate the book’s uniqueness and relevance.

Overindulging in Personal Preferences

Mistake: Letting personal preferences overshadow an objective assessment of the book’s merits.

Example: “I don’t like stream-of-consciousness writing, so this book is automatically bad.”

How to Avoid: Acknowledge personal preferences but strive to evaluate the book objectively. Focus on the book’s strengths and weaknesses, considering how well it achieves its goals within its genre or intended audience.

Forgetting the Target Audience Telescope

Mistake: Failing to mention the book’s target audience or who might enjoy it, leading to confusion for potential readers.

Example: “This book is great for everyone.”

How to Avoid: Contemplate the book’s intended audience, genre, and themes. Mention who might particularly enjoy the book based on these factors, whether it’s fans of a specific genre, readers interested in character-driven stories, or those seeking thought-provoking narratives.

By dodging these common pitfalls, writers can craft insightful, balanced, and engaging book reviews that help readers make informed decisions about their reading choices.

These tips are particularly beneficial for students writing book reviews as assignments, as they ensure a well-rounded and thoughtful analysis.!

Many students requested us to cover how to write a book review. This thorough guide is sure to help you. At Paperperk, professionals are dedicated to helping students find their balance. We understand the importance of good grades, so we offer the finest writing service , ensuring students stay ahead of the curve. So seek expert help because only Paperperk is your perfect solution!

What is the difference between a book review and a report?

Who is the target audience for book reviews and book reports, how do book reviews and reports differ in length and content, can i write professional book reviews, what are the key aspects of writing professional book reviews, how can i enhance my book-reviewing skills to write professional reviews, what should be included in a good book review.

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Home » Writing » How to Write a Good Book Review

Tips for Writing a Good Book Review 

Now that you’ve prepped what you want to say, how you want to say it, and who you want to say it to, it’s time to start writing. Below we’ve gathered our favorite tips to help you write a good book review. Wait… make that a GREAT book review.

1. Include general information

Make sure to include all the relevant book information for your audience , including the title, author, genre, and publisher in your review. While not necessary, it is also helpful to include the number of pages, list price, and ISBN number.

2. Provide a brief plot summary

After the hook, you can then move on to the brief plot summary. This summary shouldn’t be too long, but it can be a paragraph that explains the basic plot so that the reader better understands if it’s a topic of interest. One pitfall to avoid is to give away spoilers in the plot summary. Don’t give away any plot twists, and err on the side of caution if you feel that the information is too much. For example, tell the reader that the plot has unexpected twists rather than explain any surprises in the summary.

3. Focus on the book, not the author

Keep in mind that your main job as a reviewer is to share your opinion on the book, not to critique the author. Keep the focus on the story. Avoid referencing pitfalls in any of the author’s past books or what you about them as a writer. You can provide a brief introduction to the story mentioning the author and past books, but don’t spend too much time focused on the author. The review should focus on the content of the book and its characters.

4. Be clear and specific

It is not enough to just say that you did or didn’t like the book. Let your readers know why. Make your thoughts clear as early as possible and explain the reasons why you liked or disliked specific storyline components and characters. Be specific about what you loved about the writing, what drew you to the characters, or what left you feeling lukewarm about the plot. You don’t need to explain every aspect of the book, but the reader should walk away with a sense that they understand the basic plot and determine from the review if they want to read the book for themselves.

5. Remain subjective

Not all book reviews have to be glowing, but they should be subjective. Rather than just saying you didn’t like something, support it by letting your readers know why. We all gravitate towards different things, so what may not appeal to you may appeal to someone else. If you remain subjective, then you can explain to the reader the basic story and let them decide for themselves. The review can include your likes and dislikes, but they should focus on what you felt the story did well and what parts of the story you didn’t like. However, the main focus of the review should be to explain the story so that readers can determine if they want to read the book further.

6. Avoid spoilers

We know it can be tempting, but do your best not to let any spoilers slip in your book review. Have you ever been excited to see the latest blockbuster hit (or watch the season cliffhanger to your favorite TV show) and then someone spoils the end before you even have time to watch? That is exactly what you don’t want to do to your reader. As you explain the book in your summary, ask yourself if what you are explaining ruins any surprises or twists. As you write the review, keep it vague. For example, explain that there is a major plot twist but don’t go into the specifics.

7. Be transparent

Always share if you received an incentive to review the book, got an advance copy, or have any connection to the author. Your readers will appreciate your honesty. Plus, it helps you avoid the negative impact on your credibility if they find out later. Getting paid for a review is a perfectly reasonable excuse to read a book, but it does allow readers to determine if you’re being unbiased. By specifying if you have any relationship with the author, the reader can better trust your opinion, even if they feel you’re being more biased.

8. Keep it short

While book reviews can be any length, it is always best to keep it short and succinct. Pull in your reader with a strong first sentence that sets the tone of the review and end with your recommendation. Remember, most people start to scan when something gets too long. A book review is a short summary, so writing a novel-length review loses reader interests. Keeping it short will ensure that your readers will dive into your likes and dislikes and use your reviews to determine if they have an interest in the books.

9. Proofread before posting

The quickest way to lose credibility is to post a review filled with typos. Make sure to give your final book review a thorough read before posting it and double check the spelling of any character names or places that you mention. Even better, ask someone else to read it over. It is always good to have a fresh pair of eyes proof to catch any typos. If you don’t have a family or friend who will help with proofreader, you can join a writing community where members offer test reads and proofreading. Make sure that you don’t post the review publicly, because search engines will index it and the review will no longer be unique content.

Also, keep in mind that you will want to write different book reviews for different sites. Don’t just copy and paste the same review. Google search engines scan for duplicate content and if flagged, your review won’t appear.

10. Add a hook

The hook is one or two sentences that grab the reader and convince them to keep going. It should be interesting, but it should also stick with the topic without misleading readers. The hook could be a simple statement that explains the main character of the book, or it could ask a question that resonates with the reader. Don’t make the hook too sensational to avoid sounding like a sales pitch. It should simply provide an introduction that grabs reader interests.

11. Explain what you liked about the book

Writing your own book review is a way to explain what you liked about it, and what you liked could be of interest to another reader. This section allows you to personalize the review. You can explain what you liked about the characters, who was your favorite character, what part of the book was your favorite, and if the book invoked any personal feelings (e.g., you laughed or cried).

12. Explain what you disliked about the book

You likely have something that you disliked about the book, and this section explains what you wish would have been different about the storyline or the characters. Just like the other sections, make sure that you do not reveal too much and give away important plot lines that could be considered spoilers for the rest of the story.

13. Include brief quotes as examples

Brief quotes provide readers with better insight into characters. Using quotes from characters will help the reader follow the plot summary and determine if the characters are people they can relate to. Avoid using excessively long quotes. Since the reader hasn’t read the book, a long quote could ruin plot twists or overpower the review.

14. Reference similar books

A great way to introduce readers to a specific book is to compare your book review with other books. For example, you can explain to the reader that they will like the current book you’re reviewing if they like another similar book. Alternatively, you can also compare characters between books to provide better insight into the story’s characters and the dynamic between individual characters.

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This is Writing

How to Write a Book Review

By Kara Hutchings

A great book review is one that helps a reader decide whether they will pick up the book and read it. This article will provide guidance on how to write a book review. It will answer the question ‘what is a book review’, help you choose which book to review and explore the key elements that form a successful review.

Whether you’re a seasoned professional, student, or brand new to book reviewing, here’s our strategies and suggestions for writing an effective book review.

What you’ll learn in this article

The purpose of this article is to teach you how to write a book review. By reading this article you will learn the following: 

What is a book review?

• How to choose a book to review
• How to critically analyse a book
• The key elements of a book review
• Rating a book
• FAQs about book reviewing

Before you even pick up the book, it’s important to understand exactly what a book review is. 

A book review describes, analyzes and evaluates a book based on elements including writing style, plot, characters, significance, impact and fitness for purpose. The criteria for evaluating a book are explored in more detail below.

The most important part of a book review is the analysis and evaluation. A book review requires a critical evaluation meaning you must form an opinion about the book and support your opinion with evidence. Evidence from the book can include direct quotes, writing techniques, themes and character dialogue.

To ensure you are critically evaluating a book, it’s important to avoid falling into the trap of simply describing the plot and characters. Your opinion must be clearly stated, whether it’s positive or negative. The following is an example of a simple description, without any analysis or evaluation:

“The unnamed narrator, a woman writer, lives in Vienna with a man named Malina who works at a military museum, and she is conducting an affair with a Hungarian man named Ivan, who lives nearby and has two young children.” [1]

Book reviews can vary in tone and style, depending on the author of the review (i.e. whether you’re an academic writing a scholarly review, a journalist, or an amateur reviewer, etc) and the book you are reviewing. 

However, there are key elements that should always be addressed in order to create an effective book review. These include:

• a summary of the book,
• a critical assessment, and;
• a conclusion, including whether or not you would recommend the book to your audience.

You can read more about the key elements of a book review below. 

Choosing a book to review

The first and probably most important step of writing a book review is choosing the book you would like to review.

If you’re considering writing a book review then you most likely already have a book in mind. But if not, a good place to start is by thinking about your favourite author, or genre, and finding books in this area.

Don’t be afraid to choose a book from an author you love. Some people can feel intimidated by well-respected or famous authors and hence avoid being overly critical of them. But it’s important to choose a book that you’re actually interested in. 

Reviewing a book you don’t really want to read will feel too much like a school project.

If you’re truly interested in the book before you, you’ll find the time to properly research, carefully read, and form ideas about the book – all elements of a good book review.

If you’re hoping to get your review published online, it’s also best to select a recently published book. A newer book is less likely to have already been reviewed by another book reviewer and therefore more likely to get published.

Writing the book review

Now the fun part begins. Getting your opinion out there for the world to see. But there’s much more to a book review than simply writing. A sound structure, supported by thorough research, will ensure your book review gets the credibility it deserves.

Here’s how to get started:

Before you start writing

Before you jump into writing, it’s important that you do your research. It’s easy to know whether you do or don’t like a book. But why you have that opinion needs to be supported by research and evidence (i.e. the elements that inform your critical evaluation ).

• Download sample book reviews

A great place to start, particularly if this is your very first book review, is to read other reviews. Most of the reviews you read will follow a similar structure and touch on similar points, so use others as a guide for how you should be setting out your work. If you come across a book review that you find really engaging, ask yourself why it was so impactful and try to reproduce those elements in your own work. Because if the review was persuasive enough to encourage (or dissuade) you to read the book, it’s a successful book review.

You can browse professional book reviews from writers all around the world on websites including:

• The Telegraph (UK) website
• The New York Times Sunday Book Review
• The New York Review of Books
• National Library of Australia website
• The Australian newspaper website
• Kirkus Book Reviews
• This Is Writing

As you’re reading through the book reviews make sure to take notes on factors that will form the basis of your review

• What are the common elements of the book reviews you have read? 
• What do you like about the reviews? 
• Do you prefer reviews with controversial opinions? 
• Do you like when a serious tone is used, or do you prefer a more casual review? 
• What could you do better? 

2. Do your research

A good book review is one supported by thorough research.

Understanding the context in which a novel was written will help you form an opinion later when you start writing.

It’s difficult to form an argument about the author’s choice of language, for example, if you don’t understand the time period in which the novel was composed. If you’re reading a vampire mystery book, how can you evaluate the structure of the storyline if you don’t understand the elements of that genre?

There are a number of complex and competing elements that will influence the choices an author has made, so it’s crucial to understand the reasons behind their choices in order to form an opinion about things like style, tone, character development, plot and language. Here is a great example of a book review which considers the historical context in which the novel was composed.

To help you with your contextual research, use the below template as a starting point: 

In addition to the above criteria, you should also be reading actively and critically. As you’re reading, ask yourself questions like;

• how did the author structure their argument and how did they support it?
• has the book helped you understand the topic?
• And most importantly, would you recommend this book to others? 

We will explore how to form an opinion and making recommendations more in-depth below.

How long should a book review be?

The length of your book review depends on why you are writing the review and who it is for. Is it simply to provide your opinion to your social media followers, or are you trying to get published online? Is it for an academic purpose? Perhaps it is a university assignment.

Generally, book reviews are around 500 words. However, professional and academic book reviews can be thousands of words in length. If you’re interested in writing a professional book review, check out example book reviews on The Guardian online to get an idea of length. Ultimately, the more words you use, the more thorough your analysis can be. But always be conscious of keeping your writing concise and to the point.

If you are opting for a longer review (around the 1,000 word mark), you can break up long paragraphs of text by using headings and sub-headings. This helps make the content more digestible for the reader.

The elements of a book review

Now that you’ve finished reading the book, made extensive notes, and completed your research, it’s time to begin writing.

Any writer would know that a high-quality piece of writing is well structured. Your arguments should be developed in a logical manner, beginning with the context of the novel and a general overview of the plot, followed by an exploration of the author’s argument, your own opinions about the book, and ending with a conclusion – what rating do you give the book and would you recommend it to others.

The three key elements that you should include in your book review are:

• A summary of the content – including the plot, context, author’s argument, etc. (i.e. all the information you gathered in your initial research).
• A critical assessment of the book – your reaction to the book and whether or not it was effective in meeting its purpose.
• A recommendation – whether or not the audience you are writing for would appreciate the book.

Here’s a breakdown of each point:

1. Introduction

Your book review should begin with a captivating introduction to draw your reader in and make them want to continue reading. Generally, it’ll be around one sentence in length and give a quick overview of the main theme of the book. Here are two examples of short and snappy introductions that hook the reader in:

 “For every child kidnapped, another must be taken. Otherwise The Chain will be broken.” [2]

“Throughout college, Evvie, Maggie, and Topher were the best of friends. But time and the mistakes that come with simply being human may strain their love to the breaking point.” [3]

While trying to keep your introduction short, it’s important to also be concise. A complicated introduction can turn your reader away before they’ve even gotten to your analysis.

By trying to contain the introduction to a single, lengthy sentence , the below opening line is complicated and overloaded with commas, making it difficult to read:

The English nature writer Robert Macfarlane’s new book, “Underland: A Deep Time Journey,” has a title that evokes a burrowing theme park ride or an IMAX movie, and indeed, like Alice in Wonderland or Orpheus in the underworld, down we go. [4]

2. Describe the plot

Your introduction should lead into a description of the plot. In a few sentences, Include a description of the book’s setting, the main characters, and a loose summary of the plot. An outline of the storyline will help your audience decide whether or not they’re interested in reading the book.

However, make sure your introduction doesn’t give everything away. There should be just enough details to make the reader want to pick up the book, without giving away the whole story.

Not only do you want to touch on the plot of the book in your introduction, but you will also need to set the context. What is the historical, political, and/or social context in which the novel was written? What is the author’s background? What genre is the book written in? These questions set the scene for your critical assessment. Whether the author was successful in meeting their intended purpose will be informed by the reasons behind writing the novel.

3. Avoid spoilers

It almost goes without saying. Don’t spoil the book!

While your readers will want to know what the book is about, don’t rob them of experiencing genuine emotional reactions to the shocks and plot twists of the book. For example, if the main character dies at the end of the book, keep those details to yourself. There’ll be no point in your audience reading the book if they already know what happens.

It can be really tempting to reveal spoilers in your book review, because more often than not, the big shocks of the book are those that you want to talk about. When forming an opinion of the book’s effectiveness, your emotional reaction to surprising details are likely to be the evidence you need to prove the book’s effectiveness.

But it is possible to review a book without completely revealing the details if you choose your words carefully. After all, the purpose of your book review is to encourage others (or discourage if you didn’t enjoy the book) to read the book, and no-one is going to want to read the book if you’ve already told them the ending.

For example, ‘I Let You Go’ by Clare Mackintosh is renowned for having two ‘absolute stunner’ plot twist , however, this review on The New York Times only alludes to the twist enough to entice the reader to want to pick up the book, without completely  giving it away:

“The big plot twist in Clare Mackintosh’s first novel, I LET YOU GO, is genuinely shocking. The jolts that follow, right up until the last page, are pretty good too. And if you’re the kind of genre geek who jumps back to the ­beginning of a book to work out how you’ve been hoodwinked, you’ll find that the author has played fair and square.”[5]

4. Form an opinion

By far the most important part of writing a book review is forming an opinion. As we touched on earlier, your critical evaluation is what takes your writing from a simple summary of a book, to a review.

Keep in mind your critique doesn’t have to be all negative or all praise. A well-balanced book review would explore both sides so that the reader of your review gets the whole picture. A one-sided book review can give your audience the impression that your critique is an unfair assessment. Remember, a bad book takes just as long to write as a good one and every author deserves fair treatment. Even if you hated the book, you’ll be able to find some positives. And ultimately, make sure you are reviewing the book you read, not the book you wished the author had written.

Think back to the list you wrote when you were first reading the book. Here’s where those considerations come into play – the author’s background, the genre, the purpose of the book and the main thesis of the work are all elements that inform your opinion. Whether you did or did not enjoy the book can be supported by opinions based on factors such as whether the author effectively subverted traditional elements of the genre, or whether the author’s thesis didn’t challenge your way of thinking.

This review of the novel ‘Malina’ provides an example of the reviewer evaluating how the author’s academic experience influences her language style and the overall readability of the novel:

“Taken in bites, Bachmann’s prose is often lucid and powerful, enlivened by her poetic gifts. At length, she can be tough chewing. She wrote a doctoral dissertation on Heidegger and was a devoted reader of Wittgenstein’s “Tractatus Logico-Philosophicus,” though she’s nowhere near that tough. For every aphoristic dart she throws at the human condition (“the world is sick and doesn’t want a healthy force to prevail”), there is a sentence or meaning that remains tightly knotted, and a general lack of clear orientation prevails. Whatever verifiable facts about the plot and characters might exist beneath the novel’s psychological static, you can imagine Bachmann insisting, are none of your business.”[6]

Your book review will include multiple different arguments, so aim to break them down into separate paragraphs that each deal with individual aspects. And each paragraph should contain an evaluation with an example from the book to support it.

The following criteria can be used to help you form an evaluation: 

• objectivity
• thoroughness
• usefulness for intended purpose.

5. Include your favourite quotes

When making an argument you need examples to support your opinion. The easiest way to do this is by directly quoting the book.

For example, one of the key themes of Harper Lee’s To Kill a Mockingbird , is prejudice and the following quote directly illustrates this theme:

“You never really understand a person until you consider things from his point of view … Until you climb inside of his skin and walk around in it.” [7]

The main thing to consider when quoting the book is to keep the quotes short. A lengthy quote will take up too many words and potentially overpower your review. A short quote will help to get your point across while still letting your work shine through. The purpose of including quotes is to simply bring your argument to light.

6. Provide recommendations to your audience

Would you recommend the book to your audience?

In order to recommend the book, you need to determine who your audience is. Who are you writing the book review for? Not every book is suited to every reader. For example, a book written under the magical realism genre, wouldn’t be recommended to an audience that enjoy non-fiction.

This goes back to the point above, it’s important to remember that your individual tastes don’t necessarily reflect those of your readers. Even if you didn’t enjoy the book, there may be readers out there who it would appeal to so make sure you consider diverse tastes when making a book recommendation.

If you’re reviewing children, teenage or young adult books, it’s a good idea to give an ‘age-appropriateness’ recommendation. It can be tricky for parents when buying books for their children to know whether the book would be appropriate or not, so do the hard work for them. Check out Common Sense Media for ideas on how to give an age-appropriateness rating – this site rates books by age and learning value.

A captivating way to make a recommendation is to also compare the book to other similar ones. If the book you are reviewing has similar themes, characters, writing style, or is even composed by the same author, you will be able to make a recommendation based on how it compares to other work. You might write something along the lines of ‘If loved XXX book, you will love this one’. If your audience has already read the other book, they will be able to get a good idea of whether they will also like your book based on this comparison.

7. Rate the book

You might wonder if you’ve already expressed your opinion about the book throughout your review, why give it a rating as well?

Attaching a rating to your book review is a great way to give your audience an immediate sense of how you felt about the book. Before they even begin reading your review, they already know whether you’re recommending it or not.

The simplest way to rate a book is using a star rating. Goodreads uses a 5-star book rating system.

You can see the most popular books published in 2018 here based on the star rating. If you intend for your book review to be published on a website such as this, you will need to use the rating system provided by the site.

But if you’re self-publishing the review, you can choose whatever rating system that works best for you. You could break your rating system down into categories – maybe the book deserves four stars out of five for writing style, but only two stars for the plot development. It’s up to you.

8. Write a conclusion

The conclusion to your book review is the last thing your audience will read so you want to make sure it leaves them with a lasting impression. A reader has most likely come to your review to decide whether they will or won’t read the book, so if you want them to read the book, make it clear.

Your conclusion should follow general conclusion writing guidelines. The University of Melbourne suggests a conclusion should :

• Summaries the key points made in reaching your position; and
• Make a final comment on the topic.

While summarising the key points you should aim to balance the strengths and weakness of the book. What did the author do well? What could be improved upon? And remember, no new information should be included in the conclusion. Any interesting points you want to make about the book should be included in the body of your text.

This review of Laura Lippman’s ‘Lady in the Lake’ wraps up the book in the following short and sweet sentence:

The racism, classism, and sexism of 50 years ago wrapped up in a stylish, sexy, suspenseful period drama about a newsroom and the city it covers. [8]

9. Bibliographical details

A professional book review will also include a bibliographic citation of the book. Check out some examples on Kirkus Reviews to get an idea on how you can format your citation.

Here are the bibliographic details you should include in your review:

• Title: Clockwork Angel (The Infernal Devices)
• Author: Cassandra Clare
• Place of Publication: USA
• Date of Publication: Margaret K. McElderry Books
• Date of publication edition: August 31, 2010
• Number of pages: 496
• ISBN number*: 978-1416975861

*ISBN or ‘International Standard Book Number’ is a unique identifier for books . It is used by publishers, booksellers, libraries, internet retailers and other suppliers for ordering, listing, sales records and stock control purposes. It identifies the registrant as well as the title, edition and format of the book.

10. Editing

After you’ve completed the first draft of your book review, it’s time to start the editing process. Step away from your work for at least an hour to give your brain a rest. When you come back to review your work with fresh eyes, look out for the following:

• Is the paper well-organised?
• Are the transitions between paragraphs smooth?
• Have you backed up each point with evidence?
• Is there an introduction and a conclusion?
• Have you cited all your references?

Take the time to rewrite your work and make any changes necessary to improve it.

There are also some great tools that can assist in editing such as the Hemingway App . Copy and paste your work into the app and it will give you a readability score as well as highlight sentences that are too long and complicated.

Another useful tool is Grammarly . Grammarly is a handy application that detects spelling, punctuation, grammar, word choice, plagiarism and style, and suggests corrections. It’s also available as an app for both iOS and Android.

11. Proofread

The best way to undermine your credibility as a book reviewer is with spelling mistakes. To critique the work of another writer with a piece of writing that is littered with typos and incorrect punctuation tells your audience you don’t know what you’re talking about.

Before publishing your work, read over it a few times to catch any spelling or grammar errors, as well as double-checking your facts – including double-checking that the quotes and character names you referenced from the book are accurate, as well as the facts you’ve included about the author’s background.

If you’re not feeling confident in your proofreading skills, test yourself by reading this article from The Writing Centre . It contains seven errors (two punctuation errors, two grammatical errors and three spelling errors). See if you can spot them, then refer to this handout with the errors marked in red .

It might even be worthwhile also having another person proofread your work. Once you’ve read over your own work a few times it can be easy to miss things, so a fresh set of eyes could be useful in picking up any errors you haven’t. 

12. Have fun!

While it might seem like there are a lot of rules that go into writing a high-quality book review, the most important thing is that you enjoy what you’re doing! Your passion for the book you are reviewing will shine through in your writing.

If you have been book reviewing for some time and begin to feel burned out, take a break and remind yourself why you started writing book reviews in the first place – to share your love of reading with your fellow readers all over the world.

What is the objective of a book review?

The main purpose of a book review is to help a reader device whether to read the book themselves. For this reason, a book review should include a brief summary of the book’s content, characters and setting, as well as a critical evaluation on the success or effectiveness of the book.

Book reviews save other readers time and offer them a chance to connect with the book before they even pick it up. They help validate the worthiness of a book – if someone else enjoyed the book, I might enjoy it too .

Book reviews are also very important to authors . They give a book greater visibility and a higher chance of being found by readers whether it’s online, in bookstores, among book clubs or blogging communities. A book review is a great opportunity for an author to expand their reach, as well as a platform for other books written in a similar style or from the same genre to be found.

Can you use ‘I’ in a book review?

Whether or not you use first person to write your book review will ultimately come down to why you are writing the review.

An academic piece of writing, for example, would not use first person. So if you’re writing your review for a school, university/college assignment or to be published in an academic journal or magazine (for example, the Oxford Academic Journal of Communication ), avoid using first person.

If you’re writing the review for your personal blog or website, or writing customer reviews online, then it’s okay to be a little more casual. Depending on your writing style and the purpose of your website, first-person can make your review more personal and relatable for your audience. It’s easier to give an opinion about how you felt about a book when writing in the first person, for example – ‘I loved the way the author used XYZ to ABC’.

Where can I get my book review published?

If you’re looking to get your book review published, here’s a step-by-step guide on how to:

• Identify where you want your book review to be published

There are a number of journals devoted to book reviews if you’re interested in having your book review published in a scholarly journal like the Oxford Academic Journal of Communication , Cambridge University’s Historical Journal , or the Australian Book Review .

If you’re not interested in going down the academic route, there are a host of websites where you can publish your book review, including This is Writing. A quick Google search will help you find websites where you could potentially have your review published, or check out our list of ‘Book Blogs and Review Websites for Book Lovers ’.

Otherwise, you can self-publish your book review on your own website or blog.

• Reach out to the editor Once you’ve decided where you’d like your book review to be published, get in contact with the journal or website. Your email to the editor or website owner should include a brief introduction about yourself, the book you intend on reviewing and why you’d like to write a review for the publication.It’s important to do your homework before contacting the editor or website owner. If you have a book in mind, do a quick search of the journal or website to make sure the book hasn’t already been reviewed by someone else. It’s recommended to select a book that has been published in the last two years, as anything earlier has likely already been claimed by another reviewer.And above all else, be confident! Even if you’re brand new to book reviewing, it’s perfectly alright to reach out to editors to ask them to publish your work. Conta c t us at This is Writing to have your book review featured.
• Read the book and write the review Once the editor or website owner has accepted your proposal to write a review for their publication, it’s time to get started. Refer to our recommendations on how to structure your book review above. If you’re writing for a journal you might even be lucky enough to be sent a free copy of the book.
• Submit and wait After you’ve completed the final proofread of your work it’s time to submit it to the editor or website owner. Be sure to read the journal or website submission guidelines thoroughly. Each publisher will have unique submission guidelines relating to criteria such as spelling and grammar, and offensive content, etc. Most book review journals and websites will receive a large number of submissions, so if yours doesn’t meet the guidelines it’s not likely to be considered for publishing.If you haven’t heard back after a month, it’s worthwhile following up. Send a second email asking the editor or website owner if they’ve received your submission and tell them you’re looking forward to hearing from them. The most important thing is to keep it polite and respectful. And make sure to check the website’s submission guidelines first to see if there’s a general timeline for feedback before you start harassing them after only a few days!

Can I get paid to write book reviews?

Yes. There are a number of websites that will pay writers to create book reviews for their website.

If you’re just getting started and looking for a bit of unpaid book reviewing experience, a great place to start is by writing customer reviews on websites that sell books, such as Amazon . These websites allow customers to give a star rating for the product as well as leave a comment. On Amazon, others can then mark your review as ‘helpful’ so you’ll be able to get a good idea on how people feel about your reviewing. Interacting with other book lovers and reviewers can also help improve your own reviewing style and build an audience.

You can also share your book reviews via your social media platforms, or start your own website or blog to publish your book reviews. Check out these tips on how to create a website from the Queensland Government.

The book I have chosen to review is not the first book of the series, does it matter?

No. As mentioned earlier in this article , if you want your book review to be published, you should be aiming to review a recently released book. The newer the book, the less likely it has already been reviewed by another review. If the first book of a series was released five years ago, and the second book released this year, review the second book. Chances are, the first book has already been reviewed to death. Reviewing book two is a chance to create brand new content for your audience.

Despite this, it’s still worthwhile touching on the storyline of the novels that have come before your book in the series as this provides context on the effectiveness of the book. Was book two a good sequel to the first book? What was different? What was the same? If the reader of your review has already read the first book, a comparison between the two will help them decide if they want to read the next book of the series.

[1] John Williams. “ A Postwar Love Triangle in Which One Partner May Be Pure Fantasy ”. The New York Times . July 24, 2019. Viewed 25 July 2019.

[2] “ The Chain ”. Kirkus Review. Viewed 29 July 2019.

[3] “ The Friends We Keep ”. Kirkus Review . Viewed 29 July 2019.

[4] Dwight Garner. “ ‘Underland’ Offers Excellent Nature Writing From Deep, Dark Places ”. The New York Times . Viewed 29 July 2019,

[5] Clare Mackintosh. “ Clare Mackintosh’s ‘I Let You Go’, and More ”. The New York Times . Viewed 25 July 2019.

[6] John Williams. “ A Postwar Love Triangle in Which One Partner May Be Pure Fantasy ”. The New York Times . July 24, 2019. Viewed 25 July 2019.

[7] Harper Lee. “To Kill a Mockingbird”. J. B. Lippincott & Co . Chapter 3.

[8] “ Lady in the Lake ”. Kirkus Review . Viewed 27 July 2019.

Scott Mullins

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• How To Series

How to Write a Book Review in 7 Steps

Book reviews are a great way to connect with fellow bibliophiles. A well-written review can help you discover new books, find bookish communities, and spark cultural conversations. When writing a book review, you want to share what you felt about a particular work—why you liked or disliked it—without spoiling it for future readers. Ultimately, the goal of writing a book review is to help readers decide whether to read the book themselves.

Let’s take a look at seven steps to help you write a reliable book review.

1. Read the Book

How can you write a review of a book you’ve never read? Alternatively, why would someone want to read a review by someone who has never read the book? The first and arguably most important first step to writing a book review is to read the entire book. Be attentive to your reading experience and note what captured or lost your attention.

2. Take Notes

Once you’ve finished reading the book, go back and take brief, purposeful notes. What are the major events of the book and what were their effects on you as a reader?

Here are some guidelines that can help lay the foundation for your review:

• Explain how the book as a whole affected you.
• Explain how the author evokes an emotional response.
• Explain the relationship between form and content.
• Explain the function of each character in the novel.
• Explain the characters’ relationships to one another.

3. Summarize the Book

All book reviews should include some kind of summary. You’ll want to inform readers of what the book is about without giving too much away. To accomplish this, here are some things to include in your summary:

• How is it categorized by the publisher?
• How is the book structured?
• Who is the target audience?

4. Form an Opinion

Your opinion is the crux of your book review. Be specific! Don’t just say if the book was good or bad, but explain why . Support your opinion with specific examples from the text and move from passing judgement to a thorough explanation.

5. Contextualize the Book

You can often obtain this information from looking at the book’s cover and introduction. Otherwise, you may need to do a little research. Spend some time relating this book to similar works by the author or from the same genre to further your explanation and judgement of it.

Some important questions to consider include:

• What genre does the book fall into?
• Is it the first of its kind or an imitation?
• Is this the author’s first book or fifteenth?

6. Avoid Spoilers

Please, for the love of literature, don’t ruin the book for others. A good book review does not give away the book’s plot twists or endings but piques the interest of future readers. If you absolutely have to give something away about the book, at least mark your review with a fair warning.

7. Review Your Review!

Hooray! You’ve finished writing your review. Now’s the time to step back and revisit your work. You may have to edit your review to add or remove details. Here are some questions to ask during your revisions:

• Did you explain every major aspect of the book?
• What was your target audience?
• Did you write this for a class with specific criteria—or for a fan magazine whose audience already knows this type of book well?
• Did you make a clear claim about your opinion of the book? Do you support your claim with evidence?

For a more in-depth review on how to write a book review, visit eNotes’ How To Series .

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61 How to Write a Book Review

The following is an outline to help you prepare for and write your review. The review will include five paragraphs.

¶1 Introduction

The introduction paragraph provides basic information about the book and gives a sense of what your report will be about. Along with a standard essay introduction, include:

• Title and Author
• Publication information: publisher, year, number of pages
• Brief description of characters
• Brief plot summary (1-3 sentences)

Body Paragraphs

There are two main sections for this part. The first is an explanation of what the book is about (summary). The second contains your opinions about the book and how successful it is (evaluation).

For fiction or other creative writing:

• Provide brief descriptions of the setting, the point of view (who tells the story), the main character(s) and other major characters. If there is a distinct mood or tone, mention that as well, for example gloom and doom, joyful, calm, tense, mysterious, etc.
• Give a short, objective plot summary. Provide the major events and the book’s climax and resolution.

In this section you explore and question the book in two paragraphs. Write your own opinions, but be sure to explain and support them with examples from the book.

¶3—Illustration/Expository paragraph

Define or explain the main literary element/s in the book. Some questions you might want to consider: Were you most struck by character, such as development or use of character types? Was the use of setting most memorable to you? Do you feel that conflict drove the plot? Which of the elements of Literature you have studied was most pivotal in this book?

¶4—Persuasive paragraph

Express whether a reader should or shouldn’t read this book. Some questions you might want to consider:

• Did the author achieve his or her purpose? For example, if this is a mystery story, did you feel the mystery and tension?
• Is the writing effective, powerful, difficult, beautiful?
• What are the strengths and weaknesses of the book?
• What is your overall response to the book? Did you find it interesting, moving, dull?
• Would you recommend it to others? Why or why not?

¶5—Conclusion

Conclude by pulling your thoughts together into a standard conclusion paragraph. You may also want to say what impression the book left you with or highlight what you want your reader to know about it.

Media Attributions

• “ Who, What, Where ” by mohamed hassan is licensed under a CC-0 Public Domain Licence .

Advanced English Copyright © 2021 by Allison Kilgannon is licensed under a Creative Commons Attribution-NonCommercial 4.0 International License , except where otherwise noted.

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How to Write a Book Review: Awesome Guide

A book review allows students to illustrate the author's intentions of writing the piece, as well as create a criticism of the book — as a whole. In other words, form an opinion of the author's presented ideas. Check out this guide from EssayPro - book review writing service to learn how to write a book review successfully.

What Is a Book Review?

You may prosper, “what is a book review?”. Book reviews are commonly assigned students to allow them to show a clear understanding of the novel. And to check if the students have actually read the book. The essay format is highly important for your consideration, take a look at the book review format below.

Book reviews are assigned to allow students to present their own opinion regarding the author’s ideas included in the book or passage. They are a form of literary criticism that analyzes the author’s ideas, writing techniques, and quality. A book analysis is entirely opinion-based, in relevance to the book. They are good practice for those who wish to become editors, due to the fact, editing requires a lot of criticism.

Book Review Template

The book review format includes an introduction, body, and conclusion.

• Introduction
• Describe the book cover and title.
• Include any subtitles at this stage.
• Include the Author’s Name.
• Write a brief description of the novel.
• Briefly introduce the main points of the body in your book review.
• Avoid mentioning any opinions at this time.
• Use about 3 quotations from the author’s novel.
• Summarize the quotations in your own words.
• Mention your own point-of-view of the quotation.
• Remember to keep every point included in its own paragraph.
• In brief, summarize the quotations.
• In brief, summarize the explanations.
• Finish with a concluding sentence.
• This can include your final opinion of the book.
• Star-Rating (Optional).

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How to Write a Book Review: Step-By-Step

Writing a book review is something that can be done with every novel. Book reviews can apply to all novels, no matter the genre. Some genres may be harder than others. On the other hand, the book review format remains the same. Take a look at these step-by-step instructions from our professional writers to learn how to write a book review in-depth.

Step 1: Planning

Create an essay outline which includes all of the main points you wish to summarise in your book analysis. Include information about the characters, details of the plot, and some other important parts of your chosen novel. Reserve a body paragraph for each point you wish to talk about.

Consider these points before writing:

• What is the plot of the book? Understanding the plot enables you to write an effective review.
• Is the plot gripping? Does the plot make you want to continue reading the novel? Did you enjoy the plot? Does it manage to grab a reader’s attention?
• Are the writing techniques used by the author effective? Does the writer imply factors in-between the lines? What are they?
• Are the characters believable? Are the characters logical? Does the book make the characters are real while reading?
• Would you recommend the book to anyone? The most important thing: would you tell others to read this book? Is it good enough? Is it bad?
• What could be better? Keep in mind the quotes that could have been presented better. Criticize the writer.

Step 2: Introduction

Presumably, you have chosen your book. To begin, mention the book title and author’s name. Talk about the cover of the book. Write a thesis statement regarding the fictitious story or non-fictional novel. Which briefly describes the quoted material in the book review.

Step 3: Body

Choose a specific chapter or scenario to summarise. Include about 3 quotes in the body. Create summaries of each quote in your own words. It is also encouraged to include your own point-of-view and the way you interpret the quote. It is highly important to have one quote per paragraph.

Step 4: Conclusion

Write a summary of the summarised quotations and explanations, included in the body paragraphs. After doing so, finish book analysis with a concluding sentence to show the bigger picture of the book. Think to yourself, “Is it worth reading?”, and answer the question in black and white. However, write in-between the lines. Avoid stating “I like/dislike this book.”

Step 5: Rate the Book (Optional)

After writing a book review, you may want to include a rating. Including a star-rating provides further insight into the quality of the book, to your readers. Book reviews with star-ratings can be more effective, compared to those which don’t. Though, this is entirely optional.

Count on the support of our cheap essay writing service . We process all your requests fast.

Dive into literary analysis with EssayPro . Our experts can help you craft insightful book reviews that delve deep into the themes, characters, and narratives of your chosen books. Enhance your understanding and appreciation of literature with us.

Writing Tips

Here is the list of tips for the book review:

• A long introduction can certainly lower one’s grade: keep the beginning short. Readers don’t like to read the long introduction for any essay style.
• It is advisable to write book reviews about fiction: it is not a must. Though, reviewing fiction can be far more effective than writing about a piece of nonfiction
• Avoid Comparing: avoid comparing your chosen novel with other books you have previously read. Doing so can be confusing for the reader.
• Opinion Matters: including your own point-of-view is something that is often encouraged when writing book reviews.
• Refer to Templates: a book review template can help a student get a clearer understanding of the required writing style.
• Don’t be Afraid to Criticize: usually, your own opinion isn’t required for academic papers below Ph.D. level. On the other hand, for book reviews, there’s an exception.
• Use Positivity: include a fair amount of positive comments and criticism.
• Review The Chosen Novel: avoid making things up. Review only what is presented in the chosen book.
• Enjoyed the book? If you loved reading the book, state it. Doing so makes your book analysis more personalized.

Writing a book review is something worth thinking about. Professors commonly assign this form of an assignment to students to enable them to express a grasp of a novel. Following the book review format is highly useful for beginners, as well as reading step-by-step instructions. Writing tips is also useful for people who are new to this essay type. If you need a book review or essay, ask our book report writing services ' write paper for me ' and we'll give you a hand asap!

We also recommend that everyone read the article about essay topics . It will help broaden your horizons in writing a book review as well as other papers.

Book Review Examples

Referring to a book review example is highly useful to those who wish to get a clearer understanding of how to review a book. Take a look at our examples written by our professional writers. Click on the button to open the book review examples and feel free to use them as a reference.

Book review

Kenneth Grahame’s ‘The Wind in the Willows’

Kenneth Grahame’s ‘The Wind in the Willows’ is a novel aimed at youngsters. The plot, itself, is not American humor, but that of Great Britain. In terms of sarcasm, and British-related jokes. The novel illustrates a fair mix of the relationships between the human-like animals, and wildlife. The narrative acts as an important milestone in post-Victorian children’s literature.

Book Review

Dr. John’s ‘Pollution’

Dr. John’s ‘Pollution’ consists of 3 major parts. The first part is all about the polluted ocean. The second being about the pollution of the sky. The third part is an in-depth study of how humans can resolve these issues. The book is a piece of non-fiction that focuses on modern-day pollution ordeals faced by both animals and humans on Planet Earth. It also focuses on climate change, being the result of the global pollution ordeal.

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How To Write A Book Review?

What to include in a book review, what is a book review, related articles.

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Describe a book you have recently read – IELTS Cue Card Sample Answers

Updated On Sep 18, 2023

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This article contains the Describe a book you have recently read Cue Card Sample Answers.

During Part 2 of the IELTS Speaking test, you will have exactly one minute to prepare and speak on a specific topic. This is the IELTS cue card task. You can learn how to communicate clearly and successfully by reviewing sample answers.

This IELTS cue card gives you an opportunity to share one of your opinions about a book you have recently read.

Practise IELTS Speaking Part 2 by referencing the Cue Card Sample Answers below.

Before you start, take a look at the introduction to Speaking Part 2 below!

Learn How to Prepare a Cue Card now!

Describe a book you read

You should say:

• Who wrote this book?
• What it is about?
• When you read it?
• And explain why you liked it.

Sample Answer 1

Being a bibliophile, I try my best to complete at least one book a week. Earlier, I used to read 4-5 books a month. However, gradually, the numbers declined as I got held up in other important tasks. So, with the new year, I have taken a resolution to finish a minimum of 2 books a month. Having said that, I spent the last week reading A Bend in the Road by Nicholas Sparks.

The main protagonists of this book are Miles Ryan and Sarah Andrews. The former loses his wife to a hit-and-run accident. After going through a tough time in his life and spending two years trying to find the person behind this accident, Miles begins dating his son – Jonah’s – teacher, Sarah Andrews.

With time, their relationship turns stronger, and they fall deeply in love with each other. However, Miles comes across new evidence pertaining to the death of his wife. And, this person is somehow related to Sarah.

This is a romantic novel that showcases the attributes of love, sacrifice, and letting go. I like the way the author described diverse emotions keenly and precisely. Also, I liked the way of writing that the author put forth in this book.

Sample Answer 2

On a Saturday evening, I was lying down with this book called “ Tell me your dreams” by Sidney Sheldon. Thanks to the maid, who served hot tea.

The book had an irresistible start. Initially, it describes three women, their love life and the mysterious ways in which their lovers are killed. After some time, the plot becomes gripping. It is revealed that they are three personalities of the same woman, Ashley, who suffered from multiple personality disorder and had murdered the men mercilessly.

Later, it is revealed that Ashley had a traumatic childhood which caused her to create these identities. Ashley is represented by a lawyer friend of her father. The court finally accepts that it was Ashley’s condition that made her kill and orders psychiatric treatment. She gets treated in the hospital and regains sanity.

The book has revealed an episode in the life of a psychiatrically affected person. It gave me an insight into the lives of women experiencing wounding disturbances in their childhood. Infact, when I come across news about murders, especially when the charges are against a lady, I suspect whether the woman is really guilty. The book cast such an effect on me.

• Grant: agree to give or allow (something requested) to.  Eg: He was granted permission to take leave
• Curious: interested in learning about people or things around you Eg: Rose was curious about her results. 
• Impulsively: without forethought; on impulse; suddenly.  Eg: Rose impulsively decided to buy the diamond necklace. 
• Found out: discover something or come to know about something.  Eg: The treasure box hidden in the backyard was found out. 
• Novelty: the quality of being new, original, or unusual Eg: The tourists are still a novelty on this remote island
• In hindsight: the ability to understand an event or situation only after it has happened Eg: In hindsight, I should have taken the job offer. 

Related Cue Cards:

• An educational trip
• Describe something interesting you learned from the internet
• Interesting Conversation
• Describe a piece of good news that you heard or received

Explore More Interesting Cue cards >>

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Janet had been an IELTS Trainer before she dived into the field of Content Writing. During her days of being a Trainer, Janet had written essays and sample answers which got her students an 8+ band in the IELTS Test. Her contributions to our articles have been engaging and simple to help the students understand and grasp the information with ease. Janet, born and brought up in California, had no idea about the IELTS until she moved to study in Canada. Her peers leaned to her for help as her first language was English.

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How to write a review? | B2 First (FCE)

You always have to do two things describe and discuss something, for example, a film , a book , a restaurant , an experience or whatever the task might require you to talk about. Also, you have to make a recommendation at the end of your text.

Unlike an essay a review should be written in an informal or neutral register, this means:

• you CAN use phrasal verbs ,
• you CAN use idioms
• you CAN use contractions
• you CAN be creative!

Check our Writing Guide below – to see how to write an FCE review in detail.

B2 First (FCE) Review: Structure

Fce, cae, cpe, practice, write & improve, b2 first (fce) review: writing guide.

We will use the example FCE review topic below:

You see this announcement in your college English-language magazine.

Book reviews wanted Have you read a book in which the main character behaved in a surprising way?

Write us a review of the book, explaining what the main character did and why it was surprising. Tell us whether or not you would recommend this book to other people.

The best reviews will be published in the magazine.

Write your  review (140-190 words)

Step 1: Briefly analyse the given topic…

The first thing you need to do is to underline a description part -in other words, just find what needs to be described.

Secondly, find a discussion part   – in other words, try to find the specific points you need to comment on in your text.

Finally, find the  target reader so you know exactly who you are writing for and who is going to read your review.

You see this announcement in your college English-language magazine. (our readers)

Book reviews wanted Have you read a book in which the main character behaved in a surprising way? (to describe)

Write us a review of the book, explaining what the main character did and why it was surprising. ( to comment) 

Now we have all three elements we need to write a great review:

You need to describe: Book in which the main character behaved in a surprising way

You need to answer/discuss:

• What did the main character do?
• Why it  was surprising?

Who is the target reader: college English-language magazine.

We know now that the target readers are students, teachers and probably parents so the writing style should be neutral or informal.

We don’t need to be too formal because after all some of the readers are students, but we also don’t want to be too informal as some of the readers are teachers and parents.

Now we can start building our structure and writing a review.

Step 2: Title

The review should start with the title, and there are few simple ways to write it:

• imagine you’re reviewing a book you can write:  [Title] by [Author]
• if you were reviewing a restaurant you could write: [name of the restaurant] – a review

Title (book): Dark Souls by Stephen King (by) Title (restaurant): Taco Bell in London – a review (a review)

We will use this title in our guide : TITLE : Time Machine by Adam Smith

Tip : Nothing prevents you from writing something more unique but it has to point to what you are going to review.

Step 3: Introduction

The other function of your introduction is to engage the reader .   You can do it by asking a question.

Make your introduction at least 2 sentences long.

INTRODUCTION: What would you do if you could travel back in time? Most people would probably meet their great-great-grandparents or watch how the amazing pyramids in Giza were built, but Tom Lee, the main character of the novel Time Machine by Adam Smith finds himself in a completely unexpected situation and he has to make a very difficult decision that will change history as we know it.

                  – question

                  – details about the book and main character

Step 4: The body paragraphs (main content) 

The body paragraphs are the main parts of your review so they should be the longest and carry most of the information.  Also, here you describe the points you’ve found in (Step 1)

You can use idioms , and phrasal verbs   –  neutral/informal language is appropriate for your target reader – students and teachers.

See the example below, in which we dedicated one paragraph to one   point.

[Who is the main character and what did he do? – describe]

Tom, a teacher in a little town in Rotherham, finds a mysterious time portal in the back of a ragged diner which takes him back to the year 1935. He soon realises that every time he goes through the portal he gets to the exact same point in the past. Eventually, he makes the unexpected decision to stop Michael James Newton  from brutally killing President John F. Kennedy on 22.11.1963.

[Why it was surprising? – comment]

It seems to me that Tom could choose many other and more personal things to do, but he decides to try and change history to a degree that he cannot predict . In my opinion , that came definitely unexpected an d if I were in his position I probably wouldn’t even consider a task this far-reaching.

                      – own opinion

                   – descriptive/interesting vocabulary

                    – relevant details about the main character and book

Step 5: Conclusion / Recommendations

Finally, we need to make a recommendation because after all, that’s the only reason why anyone would read a review they want to know what the reviewer thinks about the book ,   film or restaurant .

A good final paragraph of a review does exactly two things 

• it includes a recommendation
• and a final sentence to round off the review

CONCLUSION: I definitely recommend “Time Machine” to everyone who has already read some of Adam Smith’s novels as well as to those who like stories with twists and turns around every corner plus you get some modern history on top of that. For me, it was absolutely worth reading and I’m sure you won’t be disappointed. 

See full review…

Full review.

Time Machine by Adam Smith

What would you do if you could travel back in time? Most people would probably meet their great-great-grandparents or watch how the amazing pyramids in Giza were built, but Tom Lee, the main character of the novel Time Machine by Adam Smith finds himself in a completely unexpected situation and he has to make a very difficult decision that will change history as we know it.

Tom, a teacher in a little town in Rotherham, finds a mysterious time portal in the back of a ragged diner which takes him back to the year 1935. He soon realises that every time he goes through the portal he gets to the exact same point in the past. Eventually, he makes the unexpected decision to stop Michael James Newton from brutally killing President John F. Kennedy on 22.11.1963.

It seems to me that Tom could choose many other and more personal things to do, but he decides to try and change history to a degree that he cannot predict. In my opinion, that came definitely unexpected and if I were in his position I probably wouldn’t even consider a task this far-reaching.

I definitely recommend “Time Machine” to everyone who has already read some of Adam Smith’s novels as well as to those who like stories with twists and turns around every corner plus you get some modern history on top of that. For me, it was absolutely worth reading and I’m sure you won’t be disappointed.

Check your (FCE) Review

B2 first (fce) review: model answers, model answer 1.

You have seen this notice in your school library:

REVIEWS NEEDED We want to buy some new books for the library. Have you read a good book in English recently? Write us a review of a book you enjoyed, explaining why you liked it and why you think it would be a good choice for the school library.

We will use your reviews to help us decide which books to buy

Model answer

THE THIEVES OF OSTIA

„The thieves of Ostia‟ by Caroline Lawrence is the first in a series of books entitled„The Roman Mysteries‟ and I think it‟s an absolute must for the school library.

The book is set in the Roman port of Ostia nearly two thousand years ago. It tells the story of Flavia and her three friends, and their attempts to discover who has been killing the dogs of Ostia and why. It‟s full of mystery and excitement, and the plot has many twists and turns, which make you want to keep reading.

The book is aimed at ten – to twelve – year  – old native English speakers, but it is very popular with older children and would be ideal for teenagers studying English. What‟s more, it gives a fascinating insight into life in Roman times, so readers learn about history as well as improve their language skills.

After finishing „The Thieves of Ostia‟, students will want to borrow further books from the series. By buying it, then, the library would be doing a lot to encourage students to read more in English

Model Answer 2

You have found the following advertisement online:

RESTAURANT REVIEWS WANTED!

Have you been to a great restaurant lately? If so, send us an honest review of the restaurant explaining what you liked and disliked of the place as well as its location, staff and how it looks on the inside.

We will publish the first 20 decent reviews we get!

Foster’s Hollywood

Being a huge fan of traditional American fast food and restaurant styles, it’s no wonder that my favourite restaurant in Granada is Foster’s Hollywood.

Located smack in the middle of the city, this fast-food chain serves a wide variety of mouthwatering, American dishes at a reasonable price. These range from typical Tex-Mex nachos or French fries to more elaborate meals like traditional, homemade Bourbon steak. And if you’re hungry, it’s the perfect place to go, as their servings are absolutely huge!

Another cool thing about this place is its magnificent decor. If you’re a film buff, you will quickly fall in love with this place, since all the walls are covered in famous movie posters! Apart from that, it’s got a spacious dining hall, super friendly staff and an outdoor terrace which is absolutely fantastic on summer nights!

The only negative thing I can say is that it is right next to a gym, which sometimes makes me feel guilty for eating so much!

Nevertheless, Foster’s Hollywood offers delicious meals in an unbeatable atmosphere, so you should definitely give it a try. I promise you won’t regret it!

B2 First (FCE) Review: Example Topics

Example topic 1.

Your teacher has asked you to write a review for a book you have read recently. The best reviews will go in the school magazine. Review the book giving your opinion and say whether or not you would recommend it.

Example Topic 2

Your teacher has asked you to write a review for a film you have seen recently on DVD or at the cinema.The best reviews will go in the school magazine. Review the book giving your opinion and saying whether ornot you would recommend it.

Example Topic 3

At school, you are building a tourist website in English. Your teacher has asked you to write a review of arestaurant you have eaten at in your town. Review the restaurant giving your opinion and saying whetheror not you would recommend it.

B2 First (FCE) Review: Writing Checklist

After writing your text, you can check it yourself using the writing checklist below.

How to do that? Simply check your text/email by answering the questions one by one:

• Have I covered all the key information required by the task?
• Have I written only information which is relevant to the task?
• Have I developed the basic points in the task with my own ideas?

Communicative Achievement

• Have I achieved the main purpose(s) of the text (for example, explaining, persuading, suggesting, apologising, comparing, etc.)?
• Have I communicated a balance of straightforward and more complex ideas?
• Have I used a suitable style and register (formal or informal) for the task?

Organisation

• Have I used paragraphs appropriately to organise my ideas?
• Have I used other organisational features appropriately for the genre of the text (for example, titles, headings, openings, closings, etc.)?
• Is the connection between my ideas clear and easy for the reader to follow? (For example, have I used appropriate linking words, pronouns, etc. to refer to different things within the text?)
• Are the ideas balanced appropriately, with suitable attention and space given to each one?
• Have I used a wide range of vocabulary?
• Have I avoided repeating the same words and phrases?
• Have I used a range of simple and more complex grammatical structures?
• Have I correctly used any common phrases which are relevant to the specific task or topic?
• Is my use of grammar accurate?
• Is my spelling accurate?

More than Practice Tests

B2 first (fce) review: tips.

• Make sure you have at least 4 paragraphs.
• Choose an appropriate title.
• The introduction will talk about what’s being reviewed.
• Use a relaxed , friendly , chatty style.
• You can use contractions such as I’m, I’ve etc..
• Use a new paragraph for each point you want to make.
• In the concluding paragraph give your opinion.

B2 First (FCE) Review: Grammar & Vocabulary

The grammar and vocabulary that you need unfortunately depend heavily on the type of question you get.

One thing you can do though is to make sure your grammar and vocabulary are related to the tasks . So for example, if you are writing a review about a film make sure your vocabulary is related to films.

So include words like “s cripts, director, cast, plot, setting, special effects, and stunts”

If you want to mention who directed the film or who played the part of a certain character then make sure you use the passive  “The film was directed by Y”. “The the protagonist was played by X”.

If you are talking about an experience and you need to describe the experience then make sure you use narrative tenses because obviously this experience happened in the past.

This means you need to use the past simple, the past continuous and the past perfect. For example “I checked into the hotel at 10 am. I had been travelling all night and was feeling exhausted. The hotel staff were very welcoming and made me feel at home”.

B2 First (FCE) Review: Useful Phrases & Expressions

We will finish it with some useful vocabulary mostly used to organize information. Although it is taking a shortcut, if you learn several expressions for each paragraph in each type of text that could be on your exam, you will certainly be able to create a very consistent and well-organized text.

Giving background

This show stars…  The play is directed by… The film is about…  It‟s set in……….  The story is based on (a book…)  It‟s about…..  There are many memorable characters including ….  The main theme of the film is…..

Expressions that introduce a contrast

On the plus side,…  On the down side,… On the one hand,…  On the other hand,…

Recommending

Overall, I‟d recommend…  All in all, the film was…  I wouldn‟t hesitate to recommend…  I wouldn‟t encourage anyone to …  I would recommend this film to anyone.  Although I enjoyed it, I would not recommend it for….  It‟s one of the best (shows) I’ve ever seen.  Although I am not normally keen on (musicals),I am glad that I decided to go.  The (film) lifts you out of your everyday life

B2 First (FCE) Review: Frequently Asked Questions

Who will read the review.

Your review will be read by readers of a magazine.

What is the purpose of the review?

The review is intended to give information to the reader which will help them decide whether to attend the event themselves.

What style should I use?

Use a style similar to an article that is likely to interest the reader.

What information should I include?

Give essential information about the story, cast, band members, etc. Say what you like and didn‟t like about the performances. Make a recommendation to the reader about whether or not they should go.

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Describe a Book You Have Read Recently

Posted by David S. Wills | Jan 6, 2018 | IELTS Tips , Speaking , YouTube | 0

Today we’re going to look at a question from IELTS speaking part two, also known as the “long answer” question. In this part of the exam, as you probably know, you are expected to speak for about two minutes on a given topic . The topic will be presented to you on a “cue card” and you will then have a minute to make notes before you speak. Today, the topic is books and we will explore how to describe a book you have read recently .

There are lots of different ways that this question could be phrased, and so, as always, you can’t just memorise an answer. In fact, in IELTS it’s always a bad idea to memorize answers. You have questions like “describe your favourite book” or “describe a book that you read in your childhood,” but today I’m going to give you a more general question.

In this lesson, we will learn several things:

• How to read the cue card
• Note-making skills
• Some useful vocabulary
• How to answer this cue card fully

The Cue Card: Describe a book you have read recently

As I said, there are many IELTS cue cards about books. You could be asked about your favorite book or a book you really love, but in this case we will just look at a book you have read recently:

Describe a book you have read recently. You should say: what kind of book it is who wrote the book what the story of the book is and explain if it is a good book or not.

Once you have read the cue card, you must think about it quickly. Analyse the topic and ask yourself what exactly you should talk about. In this case, you may ask:

• Can I talk about any book? – no, only one you’ve read recently
• Could it be a book that I dislike? – yes, that is possible
• Must it be a book that I enjoyed? – no, the final part of the question makes it clear that you don’t have to have liked it
• Should I talk about the plot? – yes, that is fulfilling the third bullet point

You should quickly choose a book, think about how to explain it, and then try to talk about the ideas on the cue card.

Making Notes

So the first thing you should do is make a few notes on the topic. Of course, as we’ve discussed before, you really shouldn’t write too much. Remember – you just have one minute! Don’t write down sentences or else you’ll only have enough to speak for ten or twenty seconds. Instead, write the ideas you want to discuss or the vocabulary you may need.

In this case, of course we first have to think about the book itself. What was its name, and who was the author? It doesn’t have to be an English book, but you do need to be able to give the English title and – if it was written by an English-speaking author, you also must be able to say their name. Here in China, many famous foreigners have Chinese names, or at least their names are adapted to make it easier for Chinese speakers to pronounce, and so they sound weird to an English speaker. For example, my students always talk about “Jobs” when they mean “Steve Jobs.” So make sure you know the name.

Then you need to think about the tasks outlined in the cue card and make notes on them so that you don’t forget any part of it. This is where you need to make useful notes.

So the first thing we need to talk about, according to the cue card, is the “kind of” book. Another way of saying that is “ genre .” This means, is it a mystery novel or a romance? Is it a horror novel or a coming-of-age story? There are so many kinds of novels. Of course, you don’t need to know them all, but being able to talk about the ones that you actually like is important. Go beyond that and consider being able to discuss the book further in terms of adjectives – is it thrilling? Hilarious? Shocking? Provocative? These are some good vocabulary items to note down during your one minute.

When it comes to genre, you can borrow many words from your movie vocabulary . Here is a video about describing movies. Most of those words can be re-used for describing books:

Next you should really think about the plot of the novel. You don’t need to say everything. Instead, summarize it. Think about the main action and key scenes. Talk briefly about the beginning and ending, or any important moments.

When talking about the plot of a film or book, you can use the present simple or past simple. This is because these events exist outside of time as they are immortalized in a text. They are, in a sense, always happening.

For example, you could equally say:

Romeo kissed Juliet

Romeo kisses Juliet.

A great way of learning how to do this effectively is to go on Wikipedia or IMDB and then find descriptions of movies. Obviously, you should not try to memorize these, but you can definitely borrow some language or even structure.

Structuring your Answer

The important things about IELTS speaking part 2 are that you actually answer all parts of the question, and that you do it in between 1 and 2 minutes. The order in which you give the details is not important. Therefore, you can talk about any of the cue card suggestions first or last. However, be sensible and think of a logical order in your head. Make sure these are in your notes so that you don’t forget anything.

Sample Answer – Describe a Book

Here’s my answer to the above question.

Recently, I read a novel called Before the Fall by Noah Hawley, who is the writer of some popular TV shows. It’s hard to give the genre because it’s a quite unusual book; however, it is both a drama and a mystery to some degree. The story is about a plane crash. This happens at the beginning of the book, and after that we get the back story of the people who were on the plane. We don’t know why the plane crashed although it seems like an accident. However, the mystery element comes into the book as the story develops because we are shown too many coincidences. The book also details the relationship between a man and a boy who survive the crash, and this gives the story its heart. I really enjoyed this book. Normally I prefer to read non-fiction books but in this case I was attracted to Before the Fall because I really liked the writer’s TV work and I was curious about how he would handle a novel. Ultimately, I was not disappointed. His ability to tell a good story made him an excellent novelist.

Here’s my recording of the sample answer. Don’t forget to subscribe to the channel for more IELTS videos. I try to post about once every 1-2 weeks.

I answered the “who wrote it” and “what kind of book” parts very quickly at the beginning and spent more time on the plot and my reaction to the book. It’s important you take into consideration while planning that some parts of the question simply aren’t possible to talk about that much.

Note also the verb “detail” in that second paragraph. It’s a reporting verb used in slightly formal speech meaning roughly the same as “tells”.

About The Author

David S. Wills

David S. Wills is the author of Scientologist! William S. Burroughs and the 'Weird Cult' and the founder/editor of Beatdom literary journal. He lives and works in rural Cambodia and loves to travel. He has worked as an IELTS tutor since 2010, has completed both TEFL and CELTA courses, and has a certificate from Cambridge for Teaching Writing. David has worked in many different countries, and for several years designed a writing course for the University of Worcester. In 2018, he wrote the popular IELTS handbook, Grammar for IELTS Writing and he has since written two other books about IELTS. His other IELTS website is called IELTS Teaching.

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For years I found myself visiting a particular author’s website over and over again. 

Why? Because I liked his movie reviews. We had similar tastes in movies, and if he didn’t like a movie, I figured I wouldn’t either. 

Authors often ask me, “What should I talk about in my email newsletter?” or “What should I blog about?” I recommend writing book reviews and movie reviews. Reviews provide helpful information for your readers. As readers agree with your tastes, they’ll feel connected to you, and you’ll build credibility with your target reader.

While reviews make great content for all writers, they are  magic  for unpublished novelists. 

When you write reviews on books and movies in your genre, you develop your taste, voice, and audience. Writing reviews keeps you reading and forces you to read with intent. 

Readers don’t want to read your blog post on how to write romance novels, but they do want to find out what you thought about the popular romance novel everyone is talking about. Your reviews help readers find new books to read. Over time, your readers will view you as a reliable source of book recommendations, which is  really  helpful when it comes time to recommend your own book. 

But there is a catch to writing book reviews, and two Novel Marketing listeners called in wondering about it. 

How do you write a  good, helpful  book review?

Two Kinds of Reviews

Before you write a review, you need to decide what kind of review you want to write.

There are two kinds of reviews.

Standard Reviews (Discovery)

A standard review helps readers answer the question, “Is this the kind of book I would enjoy reading?” Readers typically seek a standard review  before  they read a book they’ve already heard about.

But readers also  discover  new books through standard reviews. They may not have known about the book until they read your review, and after reading and learning about the book, they’ll decide whether to read it.

Spoiler Reviews (Understanding)

I asked listeners on  AuthorMedia.social  whether they read book reviews after they’ve finished the book, and most of them did! Sometimes people read reviews to understand the book better after they’ve completed it. 

Spoiler reviews give readers a sense of community and a place to discuss a book. Readers are curious to see whether anyone else noticed that the author got the horses all wrong. 

Some readers like spoiler reviews because they can read the full review and skip the book altogether. 

For instance, some people say, “I want to be able to talk about  Thinking Fast and Slow  (Affiliate Link) without actually having to finish that book.”

Or, “I don’t want to read  Jordan Peterson’s  12 Rules for Life  (Affiliate Link), but I want to be able to argue with people who like Jordan Peterson. So what do I need to know about it?”

Why Most Reviews are Boring

If the person writing the review is unskilled or doesn’t have a strategy, their book reviews can be painfully dull. 

Reviews are usually boring because the reviewer lacks:

• Passion 

Specificity

Originality .

How do you write interesting reviews? You develop those characteristics. 

Your duty is to your reader, not the author of the book. Don’t water down your opinion just because you are afraid you will hurt the author’s feelings. A courageously negative review may actually sell more copies of a book than a boring milk-toast review. 

Why? Because no one reads boring reviews! And if few people read the review, then fewer people will discover the book. And if readers don’t know about it, they can’t buy it. 

The more you care about the book (or what the book could have been if you didn’t like it), the more your readers will enjoy reading your review. Enthusiasm is infectious. Apathy is noxious. Your enthusiasm for the genre will make your reviews more fun and convincing. 

Good reviews address the specifics of what you liked and didn’t like. You can be specific without spoiling it. 

For instance, I loved the characters of  Avatar the Last Airbender . I loved how each of them changed, and I loved how they interacted with each other. By the third season, each character had undergone a transformation, but you will have to watch the show to find out why. 

Most reviewers begin by reading other reviews about the same book so their thoughts will be similar. Don’t do that. You can read the other reviews, but you must say something new. Tell us what  you  thought, not what you think society wants you to think. There is enormous pressure to conform. The only way to stand out is to resist the pressure.

Pick an Angle

One way to quickly make your reviews more popular is to pick an angle for your reviews. Your angle not only makes the reviews more interesting to readers, but it also makes them easier to write. Instead of reviewing the whole book, review just one aspect of the book.

You can choose any angle, but here are a few to get you thinking.

Persona Review

One common way to review books is through a persona. View the book through the lens of one aspect of your identity. For example, you might title your persona review “A Homeschool Mom’s Review of  The Shack ” or perhaps, “A Texan’s Review of The Dark Tower Series.” 

The popular YouTube Channel called  Girlfriend Reviews  provides an excellent example of how persona reviews work. She talks about video games, but she doesn’t review the game itself. 

She talks about what it’s like to live with someone who  plays  the video game. For instance, she’ll discuss how annoying the game is to listen to from the next room. Persona reviews can be extremely entertaining and useful, as the channel’s 1.26 million subscribers would testify.

Content Review 

Content reviews answer questions about whether a book is rated R rated or PG. The reviewer reveals what types of objectionable content the book includes. 

Different readers find different kinds of content objectionable. Some readers are offended by bad language and sexual content, but they are fine reading graphic violence. Other readers object to violence of any kind but accept the profanity. 

When you write a review, you’re forced to know and address the issues your audience cares about. 

Content reviews are in high demand, but very few reviewers are writing them.

Worldview Review 

Readers want to know whether a book will line up with their worldview. They want to know if a book secretly advocates for communism, feminism, capitalism, environmentalism, conservatism, liberalism, etc. Every  ism  has an audience who wants to know whether the book will match their worldview.   

When you review a book through the lens of a particular worldview, you help readers decide whether the book is one they want to read.

Comedy Review

Some people use book reviews as a chance to crack jokes and make readers laugh. Mathew Pierce writes comedy reviews, and he titled one recent review, “ I Did Not Read Girl, Wash Your Face , but I Am Outraged By It .” While that blog post could technically be considered a review, it’s more of a platform for the author to write social commentary and make jokes. 

Technical Review

If you have an area of technical expertise, you can review the book’s attention to pertinent details. For example, if you know a lot about guns, you can detail how the author got the guns right (or not). If you are a historian or a scientist, you can validate or argue certain aspects of the setting, events, or plausibility of the science used in the story.  

Theology Review

Just because a book is published by a Christian publisher doesn’t mean it has good theology. Additionally, each reader has a different understanding of what constitutes “good theology.” Christian readers often read reviews to determine the theological underpinnings of a book before they read or buy it. 

What to Include in Your Review

Open with a line that sparks curiosity ..

Your reader is asking, “Why should I care about this review?” and you must begin by answering that question.

Mark Twain brilliantly sparks curiosity in his  review of James Fenimore Cooper  by titling his essay “Fenimore Cooper’s Literary Offenses.” Twain opens with quotes from literature professors claiming that “Cooper is the greatest artist in the domain of romantic fiction in America. “

Get your popcorn, ladies and gentlemen! We are in for a fight. What will Mark Twain say to these luminaries? 

There are many ways to pique curiosity. You don’t have to be controversial, but you do have to make people curious  somehow . 

If you are writing a comedy review, open with one of your best jokes. 

If you are writing a technical review, make people curious. “Is  The Expanse  really hard science fiction, or is it secretly a space opera? Let’s dig into the science and find out.”    

Answer these Questions:

• What did you love?
• What did you hate?
• Who would like this book?
• Who would hate this book?
• How does this book compare with similar books?

The more specific you can be with your answers, the more helpful your review will be.

Close with a summary .

If you shortened your book review into a Rotten Tomatoes blurb, how would it read? Closing your book review with a summary is an excellent way to practice making punchy and truthful statements with only a few words. And if you can say it in less than 280 characters, it’s also tweetable. 

5 Tips on Writing Better Reviews

Tip #1: pick a goal and an audience..

Who are you writing your review for? The answer to that question will shape your review.

• Is this a spoiler review for readers who have already read the book? 
• Is this a critical review for people who have no intention of reading the book? 
• Is this a review for potential readers who haven’t decided if they will read the book?
• Is this a review for moms wondering whether this would be a good book to buy for their children? 

Having a consistent goal will help you develop your reviewer voice and provide consistency.

Tip # 2: Make an argument, then provide evidence. 

“ Fenimore Cooper’s Literary Offenses” by Mark Twain  is a good example of how to argue and prove a point. Fenimore Cooper was the author of  The Last of the Mohicans  and several other popular books during the first half of the 19th century.

In that review, Mark Twain laid out 19 rules for writing romantic fiction, and then he showed how Cooper’s writing in  The Deerslayer  violated 18 of those rules. One of those rules is still commonly quoted today: “Use the right word, not its second cousin.”

He concludes with this:

“Now I feel sure, deep down in my heart, that Cooper wrote about the poorest English that exists in our language, and that the English of “Deerslayer” is the very worst that even Cooper ever wrote.”

Twain got away with that scathing summary because he first gave evidence to back it up. If you write fiction, I encourage you to take a few minutes to read his essay. 

Tip # 3: Write both negative and positive reviews.

Positive reviews build your audience, demonstrate what you like, and develop relationships with other authors. If a positive review is the playground of fun reading, a negative review is the fence around the playground.  

​​Negative reviews build your credibility, demonstrate your reading tastes, and develop your courage. 

Writing both negative and positive makes reviews familiar with your tastes. They’ll be able to predict their own enjoyment of a book based on your negative or positive review.

Tip # 4: Establish a creative scoring system.

If you plan to write a lot of reviews, you might consider establishing your own scoring system. For example, Rotten Tomatoes is the “home of the  Tomatometer , the most trusted measurement of quality for Movies & TV.”

When it’s done well, a scoring system provides context for your reviews and makes them more fun to read. The more creative you are, the better. Avoid a five-star system, especially if you plan to give every book four or five stars. This is not a helpful scoring system. 

Howard Taylor  has three categories in his scoring system:

• Cleared the Threshold of Awesome
• Not Awesome, Not Disappointing
• Fell Below the Threshold of Disappointment

He also ranks each movie against the others. Each year you can see what his fifth favorite film was for that year. This scoring system gives his reviews plenty of context. 

You could also score various elements of the book. For example, “The plot and characters get a thumbs up, but the setting gets a thumbs down.” 

Tip # 5: Study Craft

If you find it difficult to write reviews for the books you are reading, it may indicate you haven’t read enough books on the craft of writing.

Here are some craft books you should consider:

• Plot & Structure , James Scott Bell  (Affiliate Link)
• Getting into Character , by Brandilyn Collins  (Affiliate Link)
• The Story Equation , by Susan May Warren  (Affiliate Link)

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When it comes to blogging, Thomas Umstattd Jr. knows what he is talking about. His two blogs have several million page views, and he has also coached authors all over the world who collectively get millions of visitors each year.

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Topic 1: Describe a book you have recently read

• What kind of book it is
• What it is about
• What sort of people would enjoy it
• And explain why you liked it.

Sample Answer:

I consider myself as a bookworm so when it comes to describing a book I read, I am really confused since I don’t know which one to choose, but I will tell you about the book that I have just finished most recently – Angels and Demons – a bestselling mystery-thriller novel written by Dan Brown. The whole story revolves around the protagonist named Robert Langdon who is on a quest to rescue the Pope and discover the underlying mysteries of the Catholic church. Though the book involves a lot of religious issues, it can cater to all kinds of readers as there aren’t many technical terms. From my point of view, it is a true masterpiece, enchanting and captivating, filled with conspiracies and plot twists that really send shivers down my spine. I was so fascinated by the book that I had to find the film adaptation online to watch afterwards, and it did not let me down at all. The movie was so action-packed that it kept me on the edge of my seat.

What I especially like about the book is that it is very thought-provoking and it kept me thinking for a very long time after I had finished reading. I appreciate the moral lessons of the book. The story, though may sound distant to our lives, conveys meanings that are relatable to readers, and I am grateful that I learnt something from the book.

All in all, it is an outstanding book that I would definitely recommend to my friends.

Topic 2: Describe a book that you would like to read again

• What the book was about
• Why you read it the first place
• What you learned from this book
• And explain why you would like to read it again.

Sample Answer

Okay so I would like to tell you about the book called Harry Potter, which is a fantasy novel, written by the British author J. K. Rowling. It’s one that I can reread time and time again.

The book describes the life of a young wizard named Harry Potter and his two best friends, Ron and Hermione. Harry has to struggle to kill the Dark wizard Lord Voldemort, whose aim is to become immortal and destroy all those who stand in his way of ruling the world.

The reason why this book comes to mind is that it is a reminder of my childhood. It was a gift for my birthday from my parents to reward my high score in an exam at school. Up until now, I can still remember clearly how fascinated I was when I received it.

Thanks to this book, I realized that determination and effort play essential roles in achieving my goals. Since then, I have always worked hard to overcome all obstacles and challenges in my life.

Harry Potter will always be on my to-read list for a number of reasons. Firstly, I have always been a great admirer of science fiction books so I love the way that the author describes the whole magical world with the magic school, Hogwarts, and the flying brooms. Secondly, reading this book not only helps me to relax after a long day of work or study but also cheers me up whenever I am feeling blue.

Source: zim.vn

Another Topics:

Describe a book that enjoyed reading because you had to think a lot.

IELTS Speaking Part 2: describe a book answer

Describe a book you liked to read in your childhood

Describe an exciting book you have read

Describe the book you read that you found useful

[…] Sample Answer […]

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Have You Read a Good Book Recently?

• 10 January 2013

A really good read can be hard to find – with tens of thousands of books published every week both in Ireland and worldwide, how do you find the best one for you? Book reviews are an ideal way to find out more about a book and to get a readers view on exactly why they enjoyed it (or didn’t!)

With our new look site, writing.ie now have an easy access book review section where you can spread the news of the great books you’ve read – whether it’s an eBook or print, independently published or traditionally published, our readers want to hear your thoughts. We have a long list of genres on our review submission page, but if the genre isn’t there, just let us know and we’ll add it. Click here to check out the page: https://www.writing.ie//submit-book-review/

We’d also love to hear from book clubs on books you’ve enjoyed – did you have a heated debate on a particular title? Share it with us!

What makes a good review?

Not everyone will know the plot or storyline of your chosen book, so give us an outline of what it’s about, avoiding spoilers! Then we want to know what you thought of it, what were the highlights for you? Did it fulfill your expectations and hold you to the end, or did you love the opening but find it sagged a bit in the middle? Were the characters clearly drawn, the plot issues resolved satisfactorily? Give us a few lines on your thoughts.

There is nothing nicer you can do for a writer, than spread the news that you enjoyed their book.

Please note all reviews are subject to editorial approval before publication.

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Ielts cue card # 184 - describe a book you have recently read, describe a book you have recently read..

• what the book is
• who wrote the book
• what the book is about

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Write a review of a book you have recently read (in approximately 300 words) for your school magazine. Make use of the given points. Name of the book - author - publisher - readership - cover and illustrations - plot - characters - insight into some interesting incident - message if any - appeal the book holds for you

Write a review of a book you have recently read (in approximately 300 words) for you school magazine. Make use of the given points. Name of the book - author - publisher - readership - cover and illustrations - plot - characters - insight into some interesting incident - message if any - appeal the book holds for you

The white tiger by aravind adiga aravind adiga's first novel, the white tiger , paints a vivid and disturbing picture of life in the strikingly different cultures that comprise modern india. home to more than 15 percent of the world's population, the country has grown to become an economic power, and yet vast numbers of its inhabitants have little to show for its prosperity. the conflict created by that reality propels this riveting tale. son of a rickshaw puller, the neo conventional protagonist from the book, the white tiger, balram halwai, narates the actual story connected with his lifestyle and his movement through darkness in order to attain light. in a tongue-in-cheek manner he unravels how the ruling capitalist ideology never ever allows the actual poverty stricken to come up into the limelight. the publisher of the book is harper collins india limited. summary of the book in essentially the most impoverished along with destitute villages in the indian subcontinent, a young boy is hungry for knowledge. however, the circumstances plus the cultural disorders prevalent causes it to become almost unattainable for him to do so. prevailing among the limited opportunities, the son of a rickshaw-puller, find a means to escape the vice-grip associated with his family and he becomes the driver for the son of a wealthy landowner. brilliant and quick-witted, he quickly relates to terms while using the divide concerning the rich and the poor. he realizes that he should now break the centuries-old shackles and should flee intended for his existence and vie his old life to satisfy his fate. detailed review white tiger is the story of balram, the son of a rickshaw puller, who lives within a small indian village. he detects the destitution of his family members, repulses and decides to break clear of it. he is searching for opportunities that can alleviate his poverty. he learns to drive and manages to obtain a driver's job with the property owner of his village. lady luck smiles upon him as balram was asked to accompany the property owner's son to delhi as a driver. in delhi, balram understands the ways of the city society. a keen observer and a fast learner, balram realizes fastly that slight dishonesty should bring him sufficient money for any security in near future. he kills his master along with which he runs off to bengaluru and years later, balram is viewed as a good influential member of the bengaluru power circle productively steering his career derived from one height completely to another. about aravidn adiga born on october 23, 1974 , aravind adiga is working as an indian journalist and writer. in the year 2008 2008 , his debut novel the white tiger won the man booker prize..

Book Reviewers who wish to have one of their book reviews nominated for the prestigious National Books Critics Circle award should not submit book review articles that review more than three books at a time. This is because editors for the National Books Critics CircleReview will not publish a book review article if it is too lengthy and cumbersome to read. In their submission guidelines, the editors explicitly state that review articles that cover more than three books at a time are considered too lengthy and cumbersome to read. Which of the following statements represents an assumption upon which the arguments above depend?

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A few books I’ve recently (re)read

Nadya Williams   |   May 15, 2024 Leave a Comment

It’s been a good year for reading! I want to take a minute to mention here a few books I’ve read or re-read over the past couple of months—especially those that stood out but that I have not yet mentioned on this blog. If you’re looking for potential summer reading, here you go! But also, do YOU have favorite books (old or new) that have stood out so far this year? I want to hear it!

Literary odysseys abound. But Leif Enger’s newest novel, I Cheerfully Refuse —an odyssey whose Odysseus is also part Aeneas, Huck Finn, and perhaps most of all Orpheus—is one of a kind. And in true-to-form Enger, it’s not a fly-by-reading kind of book. Also, you can’t really read it in public—yet another Enger-reading hazard. You need privacy to mourn and weep, as the tale will absorb you utterly, and there is much to mourn here. But it is oh-so-breathtakingly beautiful.

Dan got me this book as a present recently, in a nod to our new-ish Ohio residency–the novel tells the tale of very early settlers moving from Pennsylvania to Ohio. I really enjoyed it, but still processing the particulars. But I liked it enough to want to read the rest of the trilogy now.

On to a different trilogy. I first read C.S. Lewis’s Space Trilogy about a decade ago, and I thought it was okay. It didn’t knock my socks off, if you will. I re-read the concluding novel in the trilogy, That Hideous Strength , earlier this spring, and this time, it was powerful. I’ve been thinking about it ever since in connection with my larger interest in the post-Christian devaluing of human life and, really, of our society’s relentless attacks on everything that makes us human. The villains in this trilogy are fighting humanity, and this includes fighting marriage and children, by the way—their dream is to offer a way to live forever without, well, traditional human reproduction.

Reading the villains’ anti-children rhetoric reminded me of the similar sentiments we have been seeing of late—all the cringy “dogs welcome, no kids allowed” signs that circulate on social media. But the whole point, Lewis reminds, is that losing (and devaluing) our humanity comes at the cost of losing the soul.

I re-read another fantastic book on the topic of humanity—what it means to be human, but also dreams of stronger, more perfect beings. In her Gods and Robots: Myths, Machines, and Ancient Dreams of Technology , Adrienne Mayor gathers stories from Greek mythology that deal with super-human beings that are, what we might call today, robots or artificial life. Bronze giants, crafted maidens, artificial bulls. These stories show, Mayor notes, that our fascination with creating such beings—now ever more advanced, given AI capabilities—is nothing new. It is, rather, a dream three thousand years in the making.

Okay, I technically got archaeologist Eric Cline’s new graphic history version of his best-selling book on 1177 BC for my fourth-grader. But I couldn’t help but sneak some peeks. It’s quite impressive! And the (grown up) sequel: After 1177 B.C. is sitting here on my shelf, waiting to be read.

I appreciated the opportunity to review recently two new books about Ukraine that are remarkable each in its own way. First, Sasha Vasilyuk’s novel debut, Your Presence Is Mandatory —loosely based on Sasha’s grandfather’s story, offers mournful reminders of the history of Ukraine that continue to be relevant to the current war. ( Here is my review in Plough )

And second, Ukrainian journalist Illia Ponomarenko’s military memoir, I Will Show You How It Was , shows why freedom—a free Ukraine—is worth fighting for. ( Here is my review in Law and Liberty ) It is an important book, as the war drags on now beyond a two-year mark with no end in sight. I look forward to Julie Durbin’s review of this book for Current this summer. Julie has lived in Ukraine—including in Kyiv—for a decade, which gives her a particularly personal connection to the region and this war ( you can read here her reflections on her decade in Ukraine as a missionary).

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6 New Books We Recommend This Week

Suggested reading from critics and editors at The New York Times.

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It’s a happy coincidence that we recommend Becca Rothfeld’s essay collection “All Things Are Too Small” — a critic’s manifesto “in praise of excess,” as her subtitle has it — in the same week that we also recommend Justin Taylor’s maximalist new novel “Reboot,” an exuberant satire of modern society that stuffs everything from fandom to TV retreads to the rise of conspiracy culture into its craw. I don’t know if Rothfeld has read Taylor’s novel, but I get the feeling she would approve. Maybe you will too: In the spirit of “more, bigger, louder,” why not pick those up together?

Our other recommendations this week include a queer baseball romance novel, an up-to-the-minute story about a widower running for the presidency of his local labor union, a graphic novelist’s collection of spare visual stories and, in nonfiction, a foreign policy journalist’s sobering look at global politics in the 21st century. Happy reading. — Gregory Cowles

REBOOT Justin Taylor

This satire of modern media and pop culture follows a former child actor who is trying to revive the TV show that made him famous. Taylor delves into the worlds of online fandom while exploring the inner life of a man seeking redemption — and something meaningful to do.

“His book is, in part, a performance of culture, a mirror America complete with its own highly imagined myths, yet one still rooted in the Second Great Awakening and the country’s earliest literature. It’s a performance full of wit and rigor.”

From Joshua Ferris’s review

Pantheon | $28

YOU SHOULD BE SO LUCKY Cat Sebastian

When a grieving reporter falls for the struggling baseball player he’s been assigned to write about, their romance is like watching a Labrador puppy fall in love with a pampered Persian cat: all eager impulse on one side and arch contrariness on the other.

“People think the ending is what defines a romance, and it does, but that’s not what a romance is for. The end is where you stop, but the journey is why you go. … If you read one romance this spring, make it this one.”

From Olivia Waite’s romance column

Avon | Paperback, $18.99

ALL THINGS ARE TOO SMALL: Essays in Praise of Excess Becca Rothfeld

A striking debut by a young critic who has been heralded as a throwback to an era of livelier discourse. Rothfeld has published widely and works currently as a nonfiction book critic for The Washington Post; her interests range far, but these essays are united by a plea for more excess in all things, especially thought.

“Splendidly immodest in its neo-Romantic agenda — to tear down minimalism and puritanism in its many current varieties. … A carnival of high-low allusion and analysis.”

From David Gates’s review

Metropolitan Books | $27.99

THE RETURN OF GREAT POWERS: Russia, China, and the Next World War Jim Sciutto

Sciutto’s absorbing account of 21st-century brinkmanship takes readers from Ukraine in the days and hours ahead of Russia’s invasion to the waters of the Taiwan Strait where Chinese jets flying overhead raise tensions across the region. It’s a book that should be read by every legislator or presidential nominee sufficiently deluded to think that returning America to its isolationist past or making chummy with Putin is a viable option in today’s world.

“Enough to send those with a front-row view into the old basement bomb shelter. … The stuff of unholy nightmares.”

From Scott Anderson’s review

Dutton | $30

THE SPOILED HEART Sunjeev Sahota

Sahota’s novel is a bracing study of a middle-aged man’s downfall. A grieving widower seems to finally be turning things around for himself as he runs for the top job at his labor union and pursues a love interest. But his election campaign gets entangled in identity politics, and his troubles quickly multiply.

“Sahota has a surgeon’s dexterous hands, and the reader senses his confidence. … A plot-packed, propulsive story.”

From Caoilinn Hughes’s review

Viking | $29

SPIRAL AND OTHER STORIES Aidan Koch

The lush, sparsely worded work of this award-winning graphic novelist less resembles anything recognizably “comic book” than it does a sort of dreamlike oasis of art. Her latest piece of masterful minimalism, constructed from sensuous washes of watercolor, pencil, crayon and collage, pulses with bright pigment and tender melancholy.

“Many of these pages are purely abstract, but when Koch draws details, it’s in startlingly specific and consistent contours that give these stories a breadth of character as well as depiction.”

From Sam Thielman’s graphic novels column

New York Review Comics | $24.95

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Briefly Noted

Revolusi , by David Van Reybrouck (Norton) . This powerful account of the colonization of Indonesia takes the form of a people’s history, using interviews with those who lived under—and sometimes defied—Dutch rule. Van Reybrouck, a Belgian historian best known for his work about the Democratic Republic of the Congo, shows how the Dutch relied on genocide and slavery to piece together the Indonesian “jigsaw puzzle.” As one colonist put it, “Trade cannot be maintained without war, nor war without trade.” Van Reybrouck also captures the hope that independence brought, showing how, before a U.S.-sponsored dictatorship ushered in a “crazed explosion of violence,” Indonesians’ fight against oppression inspired other nations to break free.

Women and the Piano , by Susan Tomes (Yale) . In this engaging survey of fifty female pianists, from the eighteenth century to the present, Tomes aims to correct a male-centric understanding of piano history. Women pianists have long been scrutinized—for playing in a “masculine” style, for their appearances, for not orienting themselves around family. Through short biographies, Tomes documents the cost of pursuing art. Fanny Mendelssohn allowed her compositions to be published under her brother Felix’s name; Zhu Xiao-Mei continued studying Bach even after being sent to do manual labor during China’s Cultural Revolution. Yet the resounding note is one of passion. As Marguerite Long told her students, “My joy in life is work, because it will never betray you.”

What We’re Reading

Discover notable new fiction and nonfiction.

Lucky , by Jane Smiley (Knopf) . The main character of this warmhearted novel is Jodie Rattler, a girl who, at the age of six, accompanies her uncle to a racetrack and wins a roll of forty-three two-dollar bills. That talisman propels Rattler through life, from her upbringing in a gregarious family to a successful, if ultimately unfulfilling, career as a folk-rock singer-songwriter. As the novel wends its way from the nineteen-fifties to the near future, through multiple national crises—some historical, some speculative—Rattler contemplates the mixed blessings of her lifelong lucky streak and the contingencies inherent in “the great enigma . . . the sense you have, that comes and goes, of who you are, what a self is.”

Piglet , by Lottie Hazell (Henry Holt) . Newly installed in a house in Oxford, the protagonist of this novel savors visions of a future with her well-to-do fiancé. To her relief, they are a world away from her family in Derby, for whom she feels “a crawling embarrassment,” and from whom she received the nickname Piglet, for her prodigious appetite. Days before the wedding, however, her fiancé confesses a betrayal. Clinging to “the life she had so carefully built, so smugly shared,” Piglet insists on moving forward with the marriage. But amid sensuous descriptions of her cooking and of the vast amounts of food she begins to order at restaurants, battles between self-denial and indulgence, external expectations and inner feeling, start to consume her. Each burger and croquembouche is freighted with meaning.

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Books & Fiction

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By Keeanga-Yamahtta Taylor

By Casey Cep

By Benjamin Wallace-Wells

By John McPhee

Tell us, Tom Selleck: Who are you, really?

The 79-year-old actor opens up — kind of — in his memoir, “You Never Know.”

Unlike Ben Franklin, who arrived in Philadelphia after a long journey by foot and boat, with enough money to buy three puffy rolls, Tom Selleck entered Los Angeles in the family car, dad at the wheel, ready to settle down in Sherman Oaks, a short drive from Hollywood.

Though Franklin is not mentioned in Selleck’s memoir, “ You Never Know ,” his work ethic and didacticism are widely evident. Another great American is also present: Huck Finn. By combining Franklin’s homiletic pronouncements with Huck’s folksy immediacy of voice, Selleck, along with co-writer Ellis Henican, has created an easygoing, talky American memoir.

And why not? Sturdy as Mount Rushmore, athletic and eminently likable, Selleck exudes traditional American masculine traits; he’s the very embodiment of the strong, silent type. But silence can be a hazard when it comes to writing a memoir, which after all is a genre of self-reflection, confession and exposure.

Known for his privacy, Selleck has written a what book instead of a why book, a chronology of doing , as he writes about his life. As he says late in the book, “Feelings are hard to describe.” So readers can decide if they’re satisfied with a résumé — a running of the credits, if you will.

I like Tom Selleck, and while waiting for the book to arrive, I watched a lot of his movies and shows. Though I find the memoir disappointing, it will make a great audiobook, and I wonder if that’s what he had in mind, letting his easygoing voice tell a story that is soothing because he keeps it on the surface.

A quick list of some doings: student at USC, where a drama professor referred him to a Hollywood agent; acting classes to improve his “instrument”; joined California Army National Guard in 1967; appeared on “The Dating Game”; TV commercials; print ads; B movies, then better ones; survived the Hollywood cattle calls until he was chosen for a new TV show titled “Magnum, P.I.” By now it’s 1980, and Selleck is 35. He’s paid his dues and lived up to his principle of “Don’t know where I’m goin’, but there’s no use bein’ late.” Hi, Huck.

This Hollywood education exposes a ruthless industry that both tests and forms Selleck’s values. He sums up his success by quoting Calvin Coolidge: “Nothing in the world can take the place of persistence,” a very Franklinesque aphorism. But, despite Selleck’s persistence, he wrestles with the “critic on my shoulder,” that voice that says you’re not good enough. Soon, though, another phrase — a mantra, really — takes its place: “Tom, you’re good enough.”

The book gives us a lot of doing and name-dropping. We may learn about the risqué incident when Carol Burnett had her legs around Selleck’s neck, and his photo shoot with a naked Barbara Parkins, but we learn nothing about his love life — according to my research outside the book, he’s been involved with more than three famous actresses — and little about his first marriage. He dilutes his inward thoughts with vague phrasing such as “I kinda knew,” “I don’t know why … well, actually, yes, I do know why,” or “I sit here, pen in hand, trying to explain my emotions … I can’t.”

Such coy deflections and elisions try our patience and may leave some of us wondering why he wrote a memoir if he can’t express feelings. Instead, we get clichés like “In the film business, work is waiting for you every day, and you owe it your commitment every day” and repetitions of the line he uses in his TV commercials for reverse mortgages: “This isn’t my first rodeo.” In his memoir, does Selleck have difficulty separating himself from the characters he depicts? He’s selling himself to his readers, and we’ll buy it because we like him and he’s a good actor, but cliché and evasion erode intimacy .

Ten chapters detail the creation and success of “Magnum, P.I.,” and we learn much about television production and its grueling deadlines, and that actors chew ice before doing a scene so their breath won’t show up on camera. We also learn how loyal and dedicated Selleck is to his crew, those folks who make our favorite shows possible. During the last season of “Magnum,” Selleck asked his network to give his hard-working team of seven years a bonus; the studio refused. So Selleck arranged to have his own bonus docked and gave $1,000 to each crew member. Commendable.

“Magnum” is firmly part of what scholar Susan Jeffords calls the “remasculinization of America,” a post-Vietnam cultural shift that, through films and popular culture, reinvigorated hypermasculine images and traditional male values. “Magnum” featured a Vietnam veteran, an ex-Navy SEAL, who relocates to Hawaii and becomes a private investigator. He became a character millions of men admire and emulate. But Selleck says little about his longest-lived iteration of American masculinity, Frank Reagan of the TV hit “Blue Bloods,” now in its 14th and final season. A lifelong Republican, Selleck, I’m sure, enjoys playing a character who has the same last name as a president he admires.

Reagan is an aging patriarch who wields his masculinity both as the NYPD police commissioner and as a father who sits at the head of the table during family Sunday dinners. Selleck does not share what it’s like playing this older man who covers up his body with an overcoat and a cowl-neck sweater. Instead, we’re told the business details of “Blue Bloods,” not its personal impact on its star.

Selleck is completely silent about the nine “Jesse Stone” TV movies he made beginning in 2005. Stone, a cop, does open up, revealing both the whats and the whys of his character, especially in the exchanges between him and his male therapist. Selleck is also at his sexiest, lounging in bed, the famous chin doubling as he reaches for his reading glasses. How does a masculine icon age? Selleck doesn’t say.

Closing on a pastoral note in the epilogue, the 79-year-old actor walks around his ranch and checks the water tanks he needs for his avocado crop while reminiscing about the stories he’s just told us and the ones he’s keeping to himself. In the book’s penultimate sentence he writes, “I am the steward of those stories, the same way I am steward of my land.” Unsurprisingly, Selleck fails to mention his allegedly improper transfer of over 1 million gallons of water onto “my land” in 2015.

It’s hard to separate the dancer from the dance, the mustache from the man, but not impossible. Memoir is supposed to puncture the facade of performance, or at least try to. Perhaps Selleck will trust his audience enough to write a more intimate sequel. He’s been speaking to us for a long while now, and I’m sure he has more to say.

Sibbie O’Sullivan, a former teacher in the Honors College at the University of Maryland, is the author of “My Private Lennon: Explorations From a Fan Who Never Screamed.”

Tom Selleck

You Never Know

By Tom Selleck with Ellis Henican

Dey Street. 352 pp. $29.99

More from Book World

Love everything about books? Make sure to subscribe to our Book Club newsletter , where Ron Charles guides you through the literary news of the week.

Check out our coverage of this year’s Pulitzer winners: Jayne Anne Phillips won the fiction prize for her novel “ Night Watch .” The nonfiction prize went to Nathan Thrall, for “ A Day in the Life of Abed Salama .” Cristina Rivera Garza received the memoir prize for “ Liliana’s Invincible Summer .” And Jonathan Eig received the biography prize for his “ King: A Life .”

Best books of 2023: See our picks for the 10 best books of 2023 or dive into the staff picks that Book World writers and editors treasured in 2023. Check out the complete lists of 50 notable works for fiction and the top 50 nonfiction books of last year.

Find your favorite genre: Three new memoirs tell stories of struggle and resilience, while five recent historical novels offer a window into other times. Audiobooks more your thing? We’ve got you covered there, too . If you’re looking for what’s new, we have a list of our most anticipated books of 2024 . And here are 10 noteworthy new titles that you might want to consider picking up this April.

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The Book You’re Reading Might Be Wrong

This is an edition of The Atlantic Daily, a newsletter that guides you through the biggest stories of the day, helps you discover new ideas, and recommends the best in culture. Sign up for it here.

If Kristi Noem never actually met the North Korean dictator Kim Jong Un, then how did that anecdote make it into her memoir? The answer, after these three stories from The Atlantic :

• It’s not a rap beef. It’s a cultural reckoning.
• Trump flaunts his corruption.
• Who really has brain worms?

The Art of the Check

The newsletter you’re reading right now was reviewed by a fact-checker named Sam. Sam spent about an hour this afternoon scrutinizing my words and sentences, and making sure the quotes from my interviews match my recordings. You know what probably didn’t get that kind of review? The book on your nightstand. Or, as it happens, Noem’s new memoir.

Book publishers don’t employ fact-checking teams, and they don’t require a full fact-check before publication. Instead, a book is usually reviewed only by editors and copy editors—people who shape the story’s structure, word choice, and grammar. An editor might catch something incorrect in the process, and a lawyer might examine some claims in the book to ensure that the publisher won’t be sued for defamation. But that’s it. University presses typically use a peer-review process that helps screen for any factual errors. But in publishing more broadly, no one checks every date, quote, or description. It works this way at all of the Big Five publishers, which include HarperCollins, Simon & Schuster, Penguin Random House, Hachette, and Macmillan. (None of these publishers responded to my requests for comment.)

Whaaat?! you might be thinking, spitting that Thursday glass of merlot all over your screen as every book you’ve ever read flashes before your eyes. Was it all a lie? The answer is no. But books absolutely do go out into the world containing factual errors. For most books, and especially for memoirs, “it’s up to the author to turn in a manuscript that is accurate,” Jane Friedman, a publishing-industry reporter, told me.

A few writers will go out and pay for their own fact-checker. Many don’t—including, evidently, Noem, who, as you may have heard by now, shot her dog in a gravel pit. That incident , which the South Dakota governor wrote about in her memoir, No Going Back , seems to be true. But a passage about the North Korean dictator Kim Jong Un is probably not. In the book, Noem claims to have met Kim during a congressional trip where he “underestimated” her. At least one former congressional staffer has said that that meeting never happened. And after being questioned about it, Noem’s office said it would be correcting a few errors in the book.

A simple fact-check could have prevented this particular embarrassment for Noem: A checker would have called others who were part of the delegation to verify whether the meeting had taken place. So why don’t publishers fact-check, to avoid this problem in the first place? From the publisher’s perspective, hiring a team of checkers is “a huge expense,” Friedman said—it would “destroy the profitability” of some books. And there are logistical challenges: Fact-checking memoirs, for example, can be difficult, because you’re dealing with people’s memories. But magazines do it all the time.

If authors want their work checked, they generally have to pay for it themselves. Many of my Atlantic colleagues have hired fact-checkers to review their books. But the process is cumbersome and expensive—the editorial equivalent of an “intensive colonoscopy,” as one colleague described it to me recently. The checker pores over every word and sentence of the book, using multiple sources to back up each fact. She listens to all of the author’s audio, reviews transcripts, and calls people to verify quotes. The whole process can take several weeks. One fact-checker I spoke with charges $5,000 to $8,000 for a standard nonfiction book. Others charge more. It makes sense, then, that, as Friedman said, the number of authors who opt for independent fact-checking “is minuscule.”

So what of Noem’s book? Her publisher, Center Street, which is a conservative imprint of Hachette, had a decision to make when the error was discovered: It could conduct an emergency recall of Noem’s books, pulling all of them back from bookstores and Amazon warehouses around the country, and print new, accurate copies, Kathleen Schmidt, a public-relations professional who writes the Substack newsletter Publishing Confidential , explained to me. But that would have been incredibly difficult, she said, given the logistics and extreme expense of both shipping and paper. Center Street issued a statement saying it would remove the Kim anecdote from the audio and ebook versions of No Going Back , as well as from any future reprints. (Noem’s team did not reply to a request for comment about her fact-checking process.)

This means that, for now, Noem’s book, which was officially released on Tuesday, will exist in the world as is. Many people will buy it, read it, and accept as fact that Noem once met—and was underestimated by—Kim Jong Un.

Books have always had a certain heft to them—sometimes literally, but also metaphorically. We tend to believe a book’s contents by virtue of their vessel. “People might be a little less likely to do that if they understood that the publisher is basically just publishing whatever the author said was correct,” Friedman told me.

Maybe this latest incident will spark a change in the publishing industry—but it probably won’t. For now, people should think critically about everything they read, remembering, Friedman said, “that [books] are fallible—as fallible as anything else.”

• The blurb problem keeps getting worse.
• The wrath of Goodreads

Today’s News

• Last night, President Joe Biden said that if Israel launches a large-scale invasion of Rafah, a city in southern Gaza, the U.S. would stop supplying Israel with certain weapons and artillery shells.
• House Democrats overwhelmingly joined Republicans in rejecting Representative Majorie Taylor Greene’s motion to oust House Speaker Mike Johnson.
• Barron Trump, Donald Trump’s 18-year-old son, was selected to be a Florida delegate at the Republican National Convention, where he will participate in nominating his father for president.
• The Weekly Planet : Scientists are debating whether concepts such as memory, consciousness, and communication can be applied beyond the animal kingdom , Zoë Schlanger writes.
• Time-Travel Thursdays : 50 years ago, the architect Peter Blake questioned everything he thought he knew about modern building, Sam Fentress writes.

Explore all of our newsletters here.

Evening Read

A Fundamental Stage of Human Reproduction Is Shifting

By Katherine J. Wu

In recent decades , people around the world, especially in wealthy, developed countries , have been starting their families later and later. Since the 1970s, American women have on average delayed the beginning of parenthood from age 21 to 27 ; Korean women have nudged the number past 32 . As more women have kids in their 40s , the average age at which women give birth to any of their kids is now above 30, or fast approaching it, in most high-income nations. Rama Singh, an evolutionary biologist at McMaster University, in Canada, thinks that if women keep having babies later in life, another fundamental reproductive stage could change: Women might start to enter menopause later too. That age currently sits around 50, a figure that some researchers believe has held since the genesis of our species. But to Singh’s mind, no ironclad biological law is stopping women’s reproductive years from stretching far past that threshold. If women decide to keep having kids at older ages, he told me, one day, hundreds of thousands of years from now, menopause could—theoretically—entirely disappear.

Read the full article.

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Culture Break

Listen. The trailer for How to Know What’s Real , a new season of the How To podcast series (out on Monday). Co-hosts Megan Garber and Andrea Valdez explore deepfakes, illusions, misinformation, and more.

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A ton of inbreeding is required to produce purebred dogs—and it’s causing serious health problems for them, according to a recent New York Times column by Alexandra Horowitz, a cognitive scientist. Your Frenchie’s parents are likely more closely related than half-siblings! Your golden retriever might have parents that are genetically as close as siblings! Such inbreeding has consequences: A pug’s skull shape makes breathing difficult. German shepherds are prone to hip dysplasia. “As a species, we are so attached to the idea that we should be able to buy a dog who looks however we like—flat of face or fancy of coat—that we are willing to overlook the consequences” for them, Horowitz writes .

Stephanie Bai contributed to this newsletter.

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Nine things to know: All about Valhalla Golf Club

Need to Know

No. 11, Holler: It’s a middle- to long-iron shot into a shallow green that features a slight false front, with a large bunker in front and a smaller one behind. The green angles right to left, but shots going too far left will bound down the steep hillside. (Source: PGA of America)

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Valhalla Golf Club in Louisville, Kentucky, was built specifically to host major championships, and it has stood the test of time. Now recently polished and upgraded, the course is ready to host this year’s PGA Championship.

1. WHAT’S IN A NAME?

Its name alone invokes epic tales, and it has been the site of some. Valhalla refers to the mythological Norse hall of slain warriors who rest under the watchful eye of the warrior god Odin. A bit fanciful, perhaps. But the original ownership hired Jack Nicklaus in the 1980s to design a major-championship venue, and the venue has produced memorable theatrics during three PGA Championships (1996 – Mark Brooks; 2000 - Tiger Woods; 2014 – Rory McIlroy), two Senior PGA Championships (2004 – Hale Irwin; 2011 – Tom Watson) and the 2008 Ryder Cup (USA). Perhaps another humbled god of yore can rise again this time.

The first PGA saw Kentucky’s own Kenny Perry fall in a sudden-death playoff to Mark Brooks. Perry made a mess of the first extra hole after making the questionable decision to be interviewed in the CBS broadcast booth instead of keeping warm on the range. Perry also lost a sudden-death playoff at the 2009 Masters after making bogey on the final two holes of regulation. He never did get his major championship, but he got redemption in his home state when, at the age of 48, he was a member of the U.S. Team that won the 2008 Ryder Cup at Valhalla. That team, captained by Paul Azinger, set a template that the U.S. side has been trying to replicate since.

Valhalla’s next PGA, held just four years after Brooks’ victory, was Woods’ third consecutive major win. He became the first man since Ben Hogan in 1953 to win three majors in the same year and went on to win the following year’s Masters to complete the Tiger Slam. Woods had to hole a downhill, sliding 7-footer for birdie to force a playoff with plucky underdog Bob May, then dispatched of him in a three-hole playoff. The scene of Woods chasing down his birdie putt and pointing at the hole on the first extra hole is perhaps the most famous moment at Valhalla.

Photo Finish: This epic finishing hole bends gracefully to the right, with a large bunker to the left of the landing zone and a beautiful water feature on the right. Most players can get home in two, but will have to contend with a big bunker in front and a smaller pot bunker left. The vast, horseshoe-shaped green has distinct putting areas left, center, and right, so simply getting on the surface is no guarantee of a good score. (Source: PGA of America)

Straight Up: The tee shot must find the uphill, left-angling fairway, which means avoiding the two large bunkers, one on each side of the landing area. Then the approach must find the green, which is completely surrounded by trouble—two bunkers to the left and tightly mown turf everywhere else. (Source: PGA of America)

Homestretch: Brush Run Creek lines the right side of this slight dogleg-right, as well. But the real difficulty is the formidable green complex, which features two bunkers in front and a severe drop-off to a closely manicured chipping area to the right. The natural amphitheater is a prime spot for spectator viewing. (Source: PGA of America)

Julep: Unfortunately, that’s not mint julep in Brush Run Creek, which runs down the entire right side of the hole. The landing area is framed by deep bluegrass rough to the left and a large bunker to the right. The creek and a small bunker edge the right side of the large green, with a bigger bunker on the left. (Source: PGA of America)

On The Rocks: The longest par 3 on the course, and also one of the best views of the surrounding countryside. The serene setting gets more serious around the two-tiered green, which is sandwiched between two bunkers in front and two behind. Playing from either of the two rear bunkers can be especially painful as the green slopes from back to front. (Source: PGA of America)

The Limestone Hole: Don’t let the distance deceive you: Yes, it’s the shortest two-shot hole on the course, but those two shots have to be good. A cluster of six bunkers sits just to the left of the fairway landing zone, while the green is a true island, surrounded by water and built up nearly 20 feet on large limestone boulders. (Source: PGA of America)

Holler: It’s a middle- to long-iron shot into a shallow green that features a slight false front, with a large bunker in front and a smaller one behind. The green angles right to left, but shots going too far left will bound down the steep hillside. (Source: PGA of America)

Sting Like A Bee: This hole has an island fairway which is especially difficult because it doglegs to the right and then leaves an approach shot of 170-190 yards to an elevated green. One of the deepest bunkers on the course sits to the right of the angled putting surface, while the bluegrass rough to the left is gnarly and painful. (Source: PGA of America)

Big Red: Named after Secretariat, the big, long-distance thoroughbred, this hole is a double-dogleg with a fairway bunker on the right side of the driving zone and deep rough and trees to the left. The undulating, two-tiered green is nearly perpendicular to the fairway and protected by a large, deep bunker in front. (Source: PGA of America)

Twin Spires: The tee shot at this uphill par 4 is challenged by three fairway bunkers along the right side and two more left. The uphill approach makes judging the yardage difficult, exaggerated by the presence of one of the largest and deepest bunkers on the course just right of the green.The green itself is one of the most undulating on the entire golf course. (Source: PGA of America)

Float Like A Butterfly: It’s only a short- to middle-iron in, but the green complex is as dangerous as a Muhammad Ali combination. The front is protected by a deep bunker and a severe, closely manicured collection area. There is another bunker left, and another low-mow collection area beyond the green. The large, angled green affords numerous testing hole locations. (Source: PGA of America)

Genuine Risk: The split fairway sets up a classic risk vs. reward dilemma. Driving to the left shortens the hole by more than 50 yards, but the landing area is only 26 yards wide, surrounded by bluegrass rough, and guarded by water right; the approach from this island fairway is 210-230 yards, all over water. Driving to the right is longer but safer. With water along the front and left side of the green, it’s a brave player who attacks from any angle. (Source: PGA of America)

Long Shot: The name “Long Shot” refers not to distance but one’s chance of making a par on this difficult hole. It demands an accurate tee shot, and for some players will be something less than a driver as the aim is to get as close to Floyd’s Fork as one dares. Even after a good drive, players will still be looking at over 200 yards to a challenging green complex: A deep bunker guards the left side, a closely mown collection area lurks on the right. (Source: PGA of America)

The Sun Shines Bright: The fairway on this dogleg-right is bracketed by a large fairway bunker on the right side and three bunkers on the left. The large, triangular green is also guarded on both sides, by a large bunker right and a closely mown collection area left. The back-right hole location is one of the most challenging on the course. (Source: PGA of America)

Mine That Bird: The aggressive line on this short-ish par 4 is down the left side, carrying the large bunker at the inside of the dogleg-left’s elbow. When the tee is moved forward most players can drive the green, but this brings Floyd’s Fork into play to the left side of the green and the putting surface features significant movement and contours. Golfers who choose to lay back and approach with a wedge will need precise distance control to get near the hole wherever it’s positioned. (Source: PGA of America)

Honest Abe: Named after Kentucky’s only president (Lincoln was born in Larue County, about 70 miles south of Valhalla; his family moved to Illinois when he was 7), this challenging par 3 demands an “honest” attempt. Floyd’s Fork sweeps around to the right of the green, which also is guarded by a large bunker to the right and smaller bunkers to the left and behind. But the real danger is misreading the wind, which can push a shot to the right side, which slopes down toward the hazards. (Source: PGA of America)

The Post: The challenge on this dogleg-left is not only off the tee, but also on the approach. The large front-right bunker is both visually intimidating and a real threat when the hole is cut front-left or back-right. The left bunker will catch errant shots aimed at the back of the green. (Source: PGA of America)

Winning Colors: Another slight dogleg left, this long par 4 is lined with beautiful Kentucky hardwoods. Tee shots need to stay clear of a finger of Floyd’s Fork, a waterway that runs along the left side of the fairway and green, and continues to meander through the front nine. Also protecting the angled green are three bunkers, two front-left and one back-right. (Source: PGA of America)

McIlroy will mark something of a milestone when he returns to Valhalla this week. This was the site of his fourth – and most recent major – victory. That tournament was held in August, so we are a few months short of an exact decade, but there will no doubt be reflections on the fact that McIlroy won four majors from 2011-14 but has not won one since. He finished off his 2014 PGA Championship in the dark after storms delayed the final round. It was his second major win of the year, coming on the heels of his victory a month earlier in The Open.

2. BIG BALLPARK

This is a golf club, not a country club, and everything about it is big in scale. It’s a golf facility built for the modern game and built for hosting big events. The 485-acre property sits 20 miles east of downtown Louisville, easily accessible by highway and with plenty of local parking to accommodate the large crowds.

With 60 feet of elevation change across the entire site, Valhalla is easily walkable. There’s also plenty of room alongside the holes to provide spectators with excellent viewing and to tuck the necessary cart paths behind mounds or in the trees. The two tees of the double-sided practice area sit 350 yards apart so there’s no need to worry about netting on the practice area, either. The takeaway? There’s no shortage of space at Valhalla.

3. HAZARD-OUS MATERIAL

The corridors at Valhalla are framed by the spartan use of bunkers and the creeks that wind through the property. There are 62 bunkers on the course, and they’re almost evenly deployed between the fairways and the greens.

The fairway bunkers tend to line the sides of the landing zones, which are approximately 25 yards wide. They’re not necessarily there to define ideal lines of play or to present players with risky, but rewarding, carries. They simply constrict the landing areas and penalize those who stray from the fairway.

The greenside bunkers also help define aerial lines of play; these are perched up putting surfaces that are not designed for ground-game approaches. In this sense, the course is distinctly modern in its encouragement of aerial power.

Additional strategy is provided by two meandering streams: Floyd’s Fork on the front nine and Brush Run Creek on the back nine. Together, they influence play on seven holes should players come up short with their approaches or wander too far afield with their tee shots.

4. LONG GAME

Valhalla has been lengthened by 151 yards for this year’s PGA Championship, a 2% increase over its yardage in 2014. It will now top out at 7,609 yards and have a par of 71. Over that same decade, the average drive on the PGA TOUR has increased by 2.8%. That means the effective playing distance is marginally less than it was a decade ago, especially when considering the added length that iron shots travel. Valhalla’s added length is part of ongoing renovation by the Nicklaus design team. Recent changes were concentrated on four holes: the par-4 first and 12th holes, the par-3 14th and par-5 closing hole.

The first hole will now play approximately 50 yards longer, while 20 yards have been added to No. 12. The 14th hole can now be played as a 250-yard par-3.

5. THREE KEY HOLES

These are three holes to keep an eye on this week:

No. 4: The 372-yard par 4 normally plays as a lay-up off the tee to a tightly-bunkered fairway and then a wedge to a well-guarded green. But the PGA’s Chief Championship Officer, Kerry Haigh, has indicated that the tees will “probably” be moved up at some point, in which case many players will tempt what amounts to a 305-yard carry to the green. Making the hole drivable brings Floyd’s Fork into play left of the putting surface.

No. 6: This 495-yard par 4 will likely be the toughest hole all week. Players have to back off on a driver because the fairway ends at 295 yards, bisected by Floyd’s Fork. It’s a 340-yard carry past trees and creek to reach the other side. Modesty off the tee leaves most players with 200 yards remaining to a perched green that falls off steeply on the left. Miss the fairway off the tee and par becomes very elusive.

No. 13: This 351-yard par 4 is Valhalla’s most photographed hole, and for good reason. It plays from an elevated tee to a densely-bunkered fairway. The approach is hit to a fortress of an island green that has absolutely no support around it. You either hit the 5,662-square-foot green or you are in the water. The risk-reward ratio is extremely high, so everyone rational lays up off the tee and then tries to hit the green with a wedge. The hole has recently been excavated anew to expose its supportive limestone and adjoining waterfall. It's quite the spectacle.

6. THAT 18TH

Fitting for a course in Kentucky, the 18th hole is nicknamed “Photo Finish,” and it has provided plenty of those. Two of the three PGAs held at Valhalla have been decided in a playoff, while the other was a one-shot victory.

For this year’s PGA, the par 5 has been lengthened by 28 yards to 570. It's still within reach of most of the field, but players will need to hit the fairway to get home in two.

The oversized green is 6,534 square feet. It wraps around a mammoth “lion’s mouth” bunker that is in front of the green and divides it into three sections. The green serves as center stage, surrounded by hills that create a huge amphitheater for spectators.

Perry bogeyed the hole in 1996, then watched Brooks make a 4-footer for birdie to force a playoff. Brooks birdied it again to win on the first extra hole.

Four years later, Woods had to hole a 7-foot birdie on No. 18 to force a three-hole playoff with May. And in 2014, the PGA had one of its most memorable finishes as McIlroy asserted himself on the 18th tee, finishing in the dark to avoid having to return the next day to complete his one-stroke win.

7. NEW GRASS

Louisville occupies what turfgrass folks call the “transition zone.” That is the mid-central region of the United States, which is in between a more Northern climate that favors bentgrass and a Southern climate suited for Bermudagrass. The mid-season heat and humidity that Valhalla endures is not ideal for cool-season grasses, and that meant that the club’s original bentgrass fairways and tees were prone to wilting and required extra care.

In 2021, the club switched 30 acres of fairway and teeing grounds to Zeon Zoysia, a fine-bladed turfgrass that thrives in the local conditions and requires less water, chemicals and labor. That leads to annual savings of $250,000 in maintenance.

From a competition standpoint, the Zoysia will play firmer, faster and effectively speed up the ground game, placing more of a premium on accurate ballstriking. That shrinks the playing surface because the ball will roll more after landing. In other words, it’s a more sustainable playing surface that also requires more precise play. It’s a win-win.

8. NEW GREENS

Valhalla’s greens, which were rebuilt in 2011, are on the small side for championship golf. They average approximately 5,000 square feet, which makes them the third-smallest thus far in the PGA TOUR season. Only those at Pebble Beach (3,500 square feet) and Harbour Town (3,700) have been smaller. This also is just the third time in 2024 that the TOUR pros will face bentgrass putting surfaces, following those at Augusta National and TPC Craig Ranch recently for THE CJ CUP Byron Nelson.

Valhalla’s greens are visible from the approach area, even if not every pin placement can be seen. The course generally presents itself very well visually, a design trait of Nicklaus. With putting surfaces mowed to 1/10th of an inch, they will likely support speeds of 12-12.5 on the Stimpmeter. The breaks tend to be subtle, not swooping, and particular attention must be paid to putts inside 5-6 feet given the presence of modest contours at the cup.

9. SUPER STUFF

Valhalla’s superintendent, John Bollard, is a 25-year veteran of the turfgrass industry. He has spent the past five years at Valhalla, where he oversaw the installation of the Zeon Zoysia fairways and tees. He’s also been prepping for his first professional major through close observation of the set-ups at Southern Hills for the 2022 PGA and last year at Oak Hill. It helps having a brand-new shop and storage area, plus the support of three assistants, a total of 40 employees, and – for championship week – another 125 volunteers.

He'll have Valhalla ready for another memorable finish.

Valhalla Golf Club 2024 PGA Championship

Card of the course:

Bradley S. Klein is a veteran golf writer and author of 10 books on course design. A former PGA TOUR caddie, he was architecture editor of Golfweek for over two decades and is now a freelance journalist and course design consultant. Follow Bradley S. Klein on Twitter .