Christopher Columbus

Italian explorer Christopher Columbus discovered the “New World” of the Americas on an expedition sponsored by King Ferdinand of Spain in 1492.

christopher columbus

c. 1451-1506

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Christopher Columbus was an Italian explorer and navigator. In 1492, he sailed across the Atlantic Ocean from Spain in the Santa Maria , with the Pinta and the Niña ships alongside, hoping to find a new route to Asia. Instead, he and his crew landed on an island in present-day Bahamas—claiming it for Spain and mistakenly “discovering” the Americas. Between 1493 and 1504, he made three more voyages to the Caribbean and South America, believing until his death that he had found a shorter route to Asia. Columbus has been credited—and blamed—for opening up the Americas to European colonization.

FULL NAME: Cristoforo Colombo BORN: c. 1451 DIED: May 20, 1506 BIRTHPLACE: Genoa, Italy SPOUSE: Filipa Perestrelo (c. 1479-1484) CHILDREN: Diego and Fernando

Christopher Columbus, whose real name was Cristoforo Colombo, was born in 1451 in the Republic of Genoa, part of what is now Italy. He is believed to have been the son of Dominico Colombo and Susanna Fontanarossa and had four siblings: brothers Bartholomew, Giovanni, and Giacomo, and a sister named Bianchinetta. He was an apprentice in his father’s wool weaving business and studied sailing and mapmaking.

In his 20s, Columbus moved to Lisbon, Portugal, and later resettled in Spain, which remained his home base for the duration of his life.

Columbus first went to sea as a teenager, participating in several trading voyages in the Mediterranean and Aegean seas. One such voyage, to the island of Khios, in modern-day Greece, brought him the closest he would ever come to Asia.

His first voyage into the Atlantic Ocean in 1476 nearly cost him his life, as the commercial fleet he was sailing with was attacked by French privateers off the coast of Portugal. His ship was burned, and Columbus had to swim to the Portuguese shore.

He made his way to Lisbon, where he eventually settled and married Filipa Perestrelo. The couple had one son, Diego, around 1480. His wife died when Diego was a young boy, and Columbus moved to Spain. He had a second son, Fernando, who was born out of wedlock in 1488 with Beatriz Enriquez de Arana.

After participating in several other expeditions to Africa, Columbus learned about the Atlantic currents that flow east and west from the Canary Islands.

The Asian islands near China and India were fabled for their spices and gold, making them an attractive destination for Europeans—but Muslim domination of the trade routes through the Middle East made travel eastward difficult.

Columbus devised a route to sail west across the Atlantic to reach Asia, believing it would be quicker and safer. He estimated the earth to be a sphere and the distance between the Canary Islands and Japan to be about 2,300 miles.

Many of Columbus’ contemporary nautical experts disagreed. They adhered to the (now known to be accurate) second-century BCE estimate of the Earth’s circumference at 25,000 miles, which made the actual distance between the Canary Islands and Japan about 12,200 statute miles. Despite their disagreement with Columbus on matters of distance, they concurred that a westward voyage from Europe would be an uninterrupted water route.

Columbus proposed a three-ship voyage of discovery across the Atlantic first to the Portuguese king, then to Genoa, and finally to Venice. He was rejected each time. In 1486, he went to the Spanish monarchy of Queen Isabella of Castile and Ferdinand II of Aragon. Their focus was on a war with the Muslims, and their nautical experts were skeptical, so they initially rejected Columbus.

The idea, however, must have intrigued the monarchs, because they kept Columbus on a retainer. Columbus continued to lobby the royal court, and soon, the Spanish army captured the last Muslim stronghold in Granada in January 1492. Shortly thereafter, the monarchs agreed to finance his expedition.

In late August 1492, Columbus left Spain from the port of Palos de la Frontera. He was sailing with three ships: Columbus in the larger Santa Maria (a type of ship known as a carrack), with the Pinta and the Niña (both Portuguese-style caravels) alongside.

a drawing showing christopher columbus on one knee and planting a flag after landing on an island

On October 12, 1492, after 36 days of sailing westward across the Atlantic, Columbus and several crewmen set foot on an island in present-day Bahamas, claiming it for Spain.

There, his crew encountered a timid but friendly group of natives who were open to trade with the sailors. They exchanged glass beads, cotton balls, parrots, and spears. The Europeans also noticed bits of gold the natives wore for adornment.

Columbus and his men continued their journey, visiting the islands of Cuba (which he thought was mainland China) and Hispaniola (now Haiti and the Dominican Republic, which Columbus thought might be Japan) and meeting with the leaders of the native population.

During this time, the Santa Maria was wrecked on a reef off the coast of Hispaniola. With the help of some islanders, Columbus’ men salvaged what they could and built the settlement Villa de la Navidad (“Christmas Town”) with lumber from the ship.

Thirty-nine men stayed behind to occupy the settlement. Convinced his exploration had reached Asia, he set sail for home with the two remaining ships. Returning to Spain in 1493, Columbus gave a glowing but somewhat exaggerated report and was warmly received by the royal court.

In 1493, Columbus took to the seas on his second expedition and explored more islands in the Caribbean Ocean. Upon arrival at Hispaniola, Columbus and his crew discovered the Navidad settlement had been destroyed with all the sailors massacred.

Spurning the wishes of the local queen, Columbus established a forced labor policy upon the native population to rebuild the settlement and explore for gold, believing it would be profitable. His efforts produced small amounts of gold and great hatred among the native population.

Before returning to Spain, Columbus left his brothers Bartholomew and Giacomo to govern the settlement on Hispaniola and sailed briefly around the larger Caribbean islands, further convincing himself he had discovered the outer islands of China.

It wasn’t until his third voyage that Columbus actually reached the South American mainland, exploring the Orinoco River in present-day Venezuela. By this time, conditions at the Hispaniola settlement had deteriorated to the point of near-mutiny, with settlers claiming they had been misled by Columbus’ claims of riches and complaining about the poor management of his brothers.

The Spanish Crown sent a royal official who arrested Columbus and stripped him of his authority. He returned to Spain in chains to face the royal court. The charges were later dropped, but Columbus lost his titles as governor of the Indies and, for a time, much of the riches made during his voyages.

After convincing King Ferdinand that one more voyage would bring the abundant riches promised, Columbus went on his fourth and final voyage across the Atlantic Ocean in 1502. This time he traveled along the eastern coast of Central America in an unsuccessful search for a route to the Indian Ocean.

A storm wrecked one of his ships, stranding the captain and his sailors on the island of Cuba. During this time, local islanders, tired of the Spaniards’ poor treatment and obsession with gold, refused to give them food.

In a spark of inspiration, Columbus consulted an almanac and devised a plan to “punish” the islanders by taking away the moon. On February 29, 1504, a lunar eclipse alarmed the natives enough to re-establish trade with the Spaniards. A rescue party finally arrived, sent by the royal governor of Hispaniola in July, and Columbus and his men were taken back to Spain in November 1504.

In the two remaining years of his life, Columbus struggled to recover his reputation. Although he did regain some of his riches in May 1505, his titles were never returned.

Columbus probably died of severe arthritis following an infection on May 20, 1506, in Valladolid, Spain. At the time of his death, he still believed he had discovered a shorter route to Asia.

There are questions about the location of his burial site. According to the BBC , Columbus’ remains moved at least three or four times over the course of 400 years—including from Valladolid to Seville, Spain, in 1509; then to Santo Domingo, in what is now the Dominican Republic, in 1537; then to Havana, Cuba, in 1795; and back to Seville in 1898. As a result, Seville and Santo Domingo have both laid claim to being Columbus’ true burial site. It is also possible his bones were mixed up with another person’s amid all of their travels.

In May 2014, Columbus made headlines as news broke that a team of archaeologists might have found the Santa Maria off the north coast of Haiti. Barry Clifford, the leader of this expedition, told the Independent newspaper that “all geographical, underwater topography and archaeological evidence strongly suggests this wreck is Columbus’ famous flagship the Santa Maria.”

After a thorough investigation by the U.N. agency UNESCO, it was determined the wreck dates from a later period and was located too far from shore to be the famed ship.

Columbus has been credited for opening up the Americas to European colonization—as well as blamed for the destruction of the native peoples of the islands he explored. Ultimately, he failed to find that what he set out for: a new route to Asia and the riches it promised.

In what is known as the Columbian Exchange, Columbus’ expeditions set in motion the widespread transfer of people, plants, animals, diseases, and cultures that greatly affected nearly every society on the planet.

The horse from Europe allowed Native American tribes in the Great Plains of North America to shift from a nomadic to a hunting lifestyle. Wheat from the Old World fast became a main food source for people in the Americas. Coffee from Africa and sugar cane from Asia became major cash crops for Latin American countries. And foods from the Americas, such as potatoes, tomatoes and corn, became staples for Europeans and helped increase their populations.

The Columbian Exchange also brought new diseases to both hemispheres, though the effects were greatest in the Americas. Smallpox from the Old World killed millions, decimating the Native American populations to mere fractions of their original numbers. This more than any other factor allowed for European domination of the Americas.

The overwhelming benefits of the Columbian Exchange went to the Europeans initially and eventually to the rest of the world. The Americas were forever altered, and the once vibrant cultures of the Indigenous civilizations were changed and lost, denying the world any complete understanding of their existence.

two protestors holding their arm in the air in front of a metal statue of christopher columbus

As more Italians began to immigrate to the United States and settle in major cities during the 19 th century, they were subject to religious and ethnic discrimination. This included a mass lynching of 11 Sicilian immigrants in 1891 in New Orleans.

Just one year after this horrific event, President Benjamin Harrison called for the first national observance of Columbus Day on October 12, 1892, to mark the 400 th anniversary of his arrival in the Americas. Italian-Americans saw this honorary act for Columbus as a way of gaining acceptance.

Colorado became the first state to officially observe Columbus Day in 1906 and, within five years, 14 other states followed. Thanks to a joint resolution of Congress, the day officially became a federal holiday in 1934 during the administration of Franklin D. Roosevelt . In 1970, Congress declared the holiday would fall on the second Monday in October each year.

But as Columbus’ legacy—specifically, his exploration’s impacts on Indigenous civilizations—began to draw more criticism, more people chose not to take part. As of 2023, approximately 29 states no longer celebrate Columbus Day , and around 195 cities have renamed it or replaced with the alternative Indigenous Peoples Day. The latter isn’t an official holiday, but the federal government recognized its observance in 2022 and 2023. President Joe Biden called it “a day in honor of our diverse history and the Indigenous peoples who contribute to shaping this nation.”

One of the most notable cities to move away from celebrating Columbus Day in recent years is the state capital of Columbus, Ohio, which is named after the explorer. In 2018, Mayor Andrew Ginther announced the city would remain open on Columbus Day and instead celebrate a holiday on Veterans Day. In July 2020, the city also removed a 20-plus-foot metal statue of Columbus from the front of City Hall.

  • I went to sea from the most tender age and have continued in a sea life to this day. Whoever gives himself up to this art wants to know the secrets of Nature here below. It is more than forty years that I have been thus engaged. Wherever any one has sailed, there I have sailed.
  • Speaking of myself, little profit had I won from twenty years of service, during which I have served with so great labors and perils, for today I have no roof over my head in Castile; if I wish to sleep or eat, I have no place to which to go, save an inn or tavern, and most often, I lack the wherewithal to pay the score.
  • They say that there is in that land an infinite amount of gold; and that the people wear corals on their heads and very large bracelets of coral on their feet and arms; and that with coral they adorn and inlay chairs and chests and tables.
  • This island and all the others are very fertile to a limitless degree, and this island is extremely so. In it there are many harbors on the coast of the sea, beyond comparison with others that I know in Christendom, and many rivers, good and large, which is marvelous.
  • Our Almighty God has shown me the highest favor, which, since David, he has not shown to anybody.
  • Already the road is opened to gold and pearls, and it may surely be hoped that precious stones, spices, and a thousand other things, will also be found.
  • I have now seen so much irregularity, that I have come to another conclusion respecting the earth, namely, that it is not round as they describe, but of the form of a pear.
  • In all the countries visited by your Highnesses’ ships, I have caused a high cross to be fixed upon every headland and have proclaimed, to every nation that I have discovered, the lofty estate of your Highnesses and of your court in Spain.
  • I ought to be judged as a captain sent from Spain to the Indies, to conquer a nation numerous and warlike, with customs and religions altogether different to ours.
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Liz Goulet Dubois

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My First Biography: Christopher Columbus

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My First Biography: Christopher Columbus Paperback – August 1, 2010

  • Reading age 4 - 8 years
  • Print length 32 pages
  • Language English
  • Grade level Preschool - 3
  • Lexile measure 440L
  • Dimensions 8 x 0.25 x 8 inches
  • Publisher Scholastic Inc.
  • Publication date August 1, 2010
  • ISBN-10 0545142326
  • ISBN-13 978-0545142328
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  • Publisher ‏ : ‎ Scholastic Inc. (August 1, 2010)
  • Language ‏ : ‎ English
  • Paperback ‏ : ‎ 32 pages
  • ISBN-10 ‏ : ‎ 0545142326
  • ISBN-13 ‏ : ‎ 978-0545142328
  • Reading age ‏ : ‎ 4 - 8 years
  • Lexile measure ‏ : ‎ 440L
  • Grade level ‏ : ‎ Preschool - 3
  • Item Weight ‏ : ‎ 2.4 ounces
  • Dimensions ‏ : ‎ 8 x 0.25 x 8 inches
  • #977 in Children's Exploration Books
  • #3,131 in Children's Historical Biographies (Books)
  • #3,956 in Children's Books on the U.S.

About the authors

Marion dane bauer.

*******************************************

Newbery Honor Winner Continues to Challenge Herself—

and Readers—Twenty-Five Years Later

http://bit.ly/25mdane

Marion Dane Bauer is the author of more than eighty books for young people, ranging from novelty and picture books through early readers, both fiction and nonfiction, books on writing, and middle-grade and young-adult novels. She has won numerous awards, including several Minnesota Book Awards, a Jane Addams Peace Association Award for RAIN OF FIRE, an American Library Association Newbery Honor Award for ON MY HONOR, a number of state children's choice awards and the Kerlan Award from the University of Minnesota for the body of her work.

She is also the editor of and a contributor to the ground-breaking collection of gay and lesbian short stories, Am I Blue? Coming Out from the Silence.

Marion was one of the founding faculty and the first Faculty Chair for the Master of Fine Arts in Writing for Children and Young Adults program at Vermont College of Fine Arts. Her writing guide, the American Library Association Notable WHAT'S YOUR STORY? A YOUNG PERSON'S GUIDE TO WRITING FICTION, is used by writers of all ages. Her books have been translated into more than a dozen different languages.

She has six grandchildren and lives in St. Paul, Minnesota, with her partner and a cavalier King Charles spaniel, Dawn.

-------------------------------------

INTERVIEW WITH MARION DANE BAUER

Q. What brought you to a career as a writer?

A. I seem to have been born with my head full of stories. For almost as far back as I can remember, I used most of my unoccupied moments--even in school when I was supposed to be doing other "more important" things--to make up stories in my head. I sometimes got a notation on my report card that said, "Marion dreams." It was not a compliment. But while the stories I wove occupied my mind in a very satisfying way, they were so complex that I never thought of trying to write them down. I wouldn't have known where to begin. So though I did all kinds of writing through my teen and early adult years--letters, journals, essays, poetry--I didn't begin to gather the craft I needed to write stories until I was in my early thirties. That was also when my last excuse for not taking the time to sit down to do the writing I'd so long wanted to do started first grade.

Q. And why write for young people?

A. Because I get my creative energy in examining young lives, young issues. Most people, when they enter adulthood, leave childhood behind, by which I mean that they forget most of what they know about themselves as children. Of course, the ghosts of childhood still inhabit them, but they deal with them in other forms--problems with parental authority turn into problems with bosses, for instance--and don't keep reaching back to the original source to try to fix it, to make everything come out differently than it did the first time. Most children's writers, I suspect, are fixers. We return, again and again, usually under the cover of made-up characters, to work things through. I don't know that our childhoods are necessarily more painful than most. Every childhood has pain it, because life has pain in it at every stage. The difference is that we are compelled to keep returning to the source.

Q. You write for a wide range of ages. Do you write from a different place in writing for preschoolers than for young adolescents?

A. In a picture book or board book, I'm always writing from the womb of the family, a place that--while it might be intruded upon by fears, for instance--is still, ultimately, safe and nurturing. That's what my own early childhood was like, so it's easy for me to return to those feelings and to recreate them.

When I write for older readers, I'm writing from a very different experience. My early adolescence, especially, was a time of deep alienation, mostly from my peers but in some ways from my family as well. And so I write my older stories out of that pain, that longing for connection. A story has to have a problem at its core. No struggle, no story. And so that struggle for connection has become the central experience of all my older fiction. It's what gives my stories heart and meaning.

Q. How does your Newbery Honor novel, On My Honor, fit with that pattern of writing about alienation and connection?

A. It would be easy to say that On My Honor is different from my other novels in that it was the first story I ever drew from a real event. Having a friend drown in a river wasn't something that happened to me, but it happened to a friend of mine when we were twelve or thirteen. When I heard about the incident at the time I felt it in a visceral way. What would it be like to have a choice I made turn into something so terrible and to know that I could never do anything to make the situation right? I wondered. That's where I started when I began writing the story, with the two boys on their bikes heading toward the river, everything about to go terribly wrong. Very quickly, though, I realized that while I had a clear story problem, the drowning, I had no solution for the problem . . . unless I was going to bring Tony back to life, and I wasn't writing that kind of story. At that point I instinctively backed up and started again. This time I began with Joel, the main character, asking his father's permission to bike with his friend Tony out to the state park, something Tony is pressuring him to do and which Joel is hoping his father will forbid. His father, not understanding the situation, gives permission, and Joel is furious . . . alienated. Once I had that opening, the frame for my story was set. Alienation in the opening, reconciliation at the end. The reconciliation can't change the fact of Tony's death, but it gives closure and comfort. So it fits the usual pattern for my novels. (Perhaps I should note that I didn't do any of this consciously. I wasn't saying, "I write about alienation and reconnection. How can I fit that in here?" I just reached for events that made the story feel right for me, and those were the ones to present themselves.)

Q. You often write animal stories: Ghost Eye, Runt, A Bear Named Trouble, and now Little Dog, Lost is about to come out. Is there any particular reason that you write about animals?

A. The first reason I write about animals is because animals touch a deep chord in my own psyche. I have always been fascinated by the pets that share my life, by watching their minds work, by noting their emotions, by feeling the life that pulses through them. So writing about animals just feels right. But I write about animals, also, because animal stories are universal. If I'm writing about a twelve-year-old boy it is assumed that I'm writing for other ten, eleven, twelve-year-old boys. If I'm writing about a cat, a wolf, a bear, a dog, I'm writing for everyone . . . even adults, even myself. Perhaps especially myself.

Q. You are known as a writing teacher as well as a writer. How to you find a balance between teaching and writing?

A. I have taught for many years, though I'm retired from teaching now except for occasional very time-limited stints. My most recent teaching was through the Vermont College of Fine Arts in their MFA in Writing for Children and Young Adults program. But I have taken care to make sure my primary time and energy were devoted to my own writing. I made sure I was a writer who teaches, not a teacher who writes.

Q. How has teaching writing impacted your own development as a writer?

A. Being a writing teacher has, of course, sharpened my skills as a critic. You can't say to a developing writer, "Your story doesn't work." You have to tell her what specifically doesn't work and why and then, without intruding, give suggestions about what the next step might be in strengthening that story. Having, again and again, to define with thought and care what is needed in other writers' work brings me back to my own work with deepened insights. Eventually, I teach myself what I'm teaching others, and having said it to others makes it easier to hear for myself. One time my partner, who was not a writer herself but who had heard me speak to writers on a number of occasions, read an early draft of one of my stories and said, "Wouldn't you say . . . to one of your students?" And . . . was exactly what that story needed, so I learned from myself through her.

Q. You've been writing stories for young people for more than forty years, and you've mentioned that you keep playing out some of the same deep themes. How do you manage to keep your work fresh?

A. One of the things that keeps my work fresh is moving between different genres. A picture book requires such different energy than a young novella, and a different rhythm, too. A young novella has a different rhythm and energy than an older novel. Nonfiction is its own experience. Moving between the various demands of the various kinds of work keeps me from ever settling into a rut. When I'm writing a young chapter book, a chapter is about five pages long. It's just a natural shape those younger stories fall into. And I love climbing into a chapter knowing I can, very quickly, climb out again. But then when I turn to an older novel where chapters can be much longer, I love equally settling in and fleshing my world out, stretching. One of my most recent books, a novella called Little Dog, Lost, moves into the territory of fiction in verse, something entirely new for me. I took such pleasure in writing that story because I had to discover how to do what I was doing at every step along the way. Even after more than 80 books published, everything about that story felt fresh because the way I was presenting it was fresh for me.

Q. What is your deepest motivation in writing for children?

A. I entered the field with a single passion ... to be a truth teller. I grew up in at a time when children were routinely lied to, lies of omission--information we were carefully shielded from--as much as overt untruths. And my mother, while certainly well intentioned, was probably better than most both at shielding and at lying to "protect" me. When I grew old enough to understand the ways I'd been lied to, I was furious. And I was also determined not to follow the same path in dealing with children myself, my own children or the ones I wrote for. Children are far less apt to be shielded from basic information these days. In fact, they are bombarded through the media with what may be a too explicit view--certainly too skewed and dark a view--of the world they are entering. But they still need the deep realities of the life that stands before them--the pain of it and the hope--to be interpreted in a straightforward and wise way. That's what my stories attempt to do, to tell the truth as I know it. It's truth with a small t, of course, because it is my truth, not something handed down from on high, but it's the very best of what I have to bring to the page.

Q. Finally, you've been writing and teaching for a long time. You have retired from teaching. Do you expect to retire from writing some day?

A. I hope not. I hope to be able to continue writing as long as my brain still works. It's like breathing. It's not just what I do for a livelihood. It's what I do to live.

Liz Goulet Dubois

Liz is an author, illustrator, and product designer who works from her toy-filled studio in the country in Rhode Island. Her favorite kinds of books to make are character-driven, with quirky personalities steering the stories. You'll see these characters in picture books, early reader graphic novels, and those sturdy kind of books for the youngest readers that have interactive elements, like flaps and folds.

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my first biography christopher columbus pdf

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The Children's Book Review

My First Biography: Christopher Columbus

Bianca Schulze

By Bianca Schulze, The Children’s Book Review Published: October 10, 2011

In recognition of Columbus Day …

Picture Book About Christopher Columbus

by Marion Dane Bauer (Author), Liz Goulet Dubois (Illustrator)

Reading level: Ages 4 and up

Paperback: 32 pages

Publisher: Scholastic Inc. (August 1, 2010)

Source: Publisher

Publisher’s synopsis: Christopher Columbus dreamed of adventure and discovery. He sailed across an ocean to an unknown land. He showed the way. Many others followed. With simple, lyrical text and bold, kid-friendly illustrations, this book introduces Christopher Columbus to the youngest readers and inspires them to follow their dreams.

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Bianca Schulze is the founder of The Children’s Book Review. She is a reader, reviewer, mother and children’s book lover. She also has a decade’s worth of experience working with children in the great outdoors. Combined with her love of books and experience as a children’s specialist bookseller, the goal is to share her passion for children’s literature to grow readers. Born and raised in Sydney, Australia, she now lives with her husband and three children near Boulder, Colorado.

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"Christopher Columbus in United States Historiography: Biography as Projection"

Profile image of Carla Rahn Phillips

1992, History Teacher

This article, originally published in The History Teacher in 1992, surveys the treatment of Christopher Columbus in books published in the United States from the late 18th to the late 20th century. Despite a wealth of serious scholarship about the explorer and his times, over time the image of Columbus has often been delineated according to political and societal agendas, rather than by a search for accuracy.

Related Papers

Christine Cadot

my first biography christopher columbus pdf

CHRISTOPHER COLUMBUS: THE JUDGMENT OF HISTORY

ALFONSO JESÚS TREVIÑO

Christopher Columbus, the discoverer of America; he was a daring navigator, brave and intrepid, ambitious and cruel with the Indians, admired and blessed in some countries and hated in others. Was Columbus a great man? The history of the discovery of America and the voyages of Christopher Columbus are reviewed. Comments are provided on the judgment of history regarding Columbus from Europe, Spain, the USA, and Latin America.

Colin Jenkins

A paper that highlights the *real* Christopher Columbus, based on authentic dispatches and interactions reported by and from the man himself. This reality is juxtaposed to the whitewashed revisionism that has created the celebratory theme of Columbus Day in the United States.

Geoffrey Symcox

Elise Bartosik-Velez

Alan Backler

Luisa Caiazzo

Christopher Columbus used to be represented as an intrepid explorer who, by discovering America, marked the beginning of the modern age. Recently, the sacrality associated with his name has been challenged as a result of the increasing emphasis laid on the Native Americans' perspective, whereby Columbus, once deified, has recently often been vilified. This paper focuses on the role Columbus's name has played in the space of American collective memory with an interest in Columbus Day, a national holiday since 1937, which in the last twenty-five years has been renamed as Indigenous People's Day in many cities across the United States, drawing a scenario where the holiday name is shaping different versions of the past.

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