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A comprehensive guide to crafting a successful comparison essay.

Comparison essays are a common assignment in academic settings, requiring students to analyze and contrast two or more subjects, concepts, or ideas. Writing a comparison essay can be challenging, but with the right approach and guidance, you can craft a compelling and informative piece of writing.

In this comprehensive guide, we will provide you with valuable tips and examples to help you master the art of comparison essay writing. Whether you’re comparing two literary works, historical events, scientific theories, or any other topics, this guide will equip you with the tools and strategies needed to create a well-structured and persuasive essay.

From choosing a suitable topic and developing a strong thesis statement to organizing your arguments and incorporating effective evidence, this guide will walk you through each step of the writing process. By following the advice and examples provided here, you’ll be able to produce a top-notch comparison essay that showcases your analytical skills and critical thinking abilities.

Understanding the Basics

Before diving into writing a comparison essay, it’s essential to understand the basics of comparison writing. A comparison essay, also known as a comparative essay, requires you to analyze two or more subjects by highlighting their similarities and differences. This type of essay aims to show how these subjects are similar or different in various aspects.

When writing a comparison essay, you should have a clear thesis statement that identifies the subjects you are comparing and the main points of comparison. It’s essential to structure your essay effectively by organizing your ideas logically. You can use different methods of organization, such as the block method or point-by-point method, to present your comparisons.

Additionally, make sure to include evidence and examples to support your comparisons. Use specific details and examples to strengthen your arguments and clarify the similarities and differences between the subjects. Lastly, remember to provide a strong conclusion that summarizes your main points and reinforces the significance of your comparison.

Choosing a Topic for Comparison Essay

When selecting a topic for your comparison essay, it’s essential to choose two subjects that have some similarities and differences to explore. You can compare two books, two movies, two historical figures, two theories, or any other pair of related subjects.

Consider selecting topics that interest you or that you are familiar with to make the writing process more engaging and manageable. Additionally, ensure that the subjects you choose are suitable for comparison and have enough material for analysis.

It’s also helpful to brainstorm ideas and create a list of potential topics before making a final decision. Once you have a few options in mind, evaluate them based on the relevance of the comparison, the availability of credible sources, and your own interest in the subjects.

Remember that a well-chosen topic is one of the keys to writing a successful comparison essay, so take your time to select subjects that will allow you to explore meaningful connections and differences in a compelling way.

Finding the Right Pairing

When writing a comparison essay, it’s crucial to find the right pairing of subjects to compare. Choose subjects that have enough similarities and differences to make a meaningful comparison. Consider the audience and purpose of your essay to determine what pairing will be most effective.

Look for subjects that you are passionate about or have a deep understanding of. This will make the writing process easier and more engaging. Additionally, consider choosing subjects that are relevant and timely, as this will make your essay more interesting to readers.

Don’t be afraid to think outside the box when finding the right pairing. Sometimes unexpected combinations can lead to the most compelling comparisons. Conduct thorough research on both subjects to ensure you have enough material to work with and present a balanced comparison.

Structuring Your Comparison Essay

When writing a comparison essay, it is essential to organize your ideas in a clear and logical manner. One effective way to structure your essay is to use a point-by-point comparison or a block comparison format.

Whichever format you choose, make sure to introduce your subjects, present your points of comparison, provide evidence or examples to support your comparisons, and conclude by summarizing the main points and highlighting the significance of your comparison.

Creating a Clear Outline

Before you start writing your comparison essay, it’s essential to create a clear outline. An outline serves as a roadmap that helps you stay organized and focused throughout the writing process. Here are some steps to create an effective outline:

1. Identify the subjects of comparison: Start by determining the two subjects you will be comparing in your essay. Make sure they have enough similarities and differences to make a meaningful comparison.

2. Brainstorm key points: Once you have chosen the subjects, brainstorm the key points you want to compare and contrast. These could include characteristics, features, themes, or arguments related to each subject.

3. Organize your points: Arrange your key points in a logical order. You can choose to compare similar points side by side or alternate between the two subjects to highlight differences.

4. Develop a thesis statement: Based on your key points, develop a clear thesis statement that states the main purpose of your comparison essay. This statement should guide the rest of your writing and provide a clear direction for your argument.

5. Create a structure: Divide your essay into introduction, body paragraphs, and conclusion. Each section should serve a specific purpose and contribute to the overall coherence of your essay.

By creating a clear outline, you can ensure that your comparison essay flows smoothly and effectively communicates your ideas to the reader.

Engaging the Reader

When writing a comparison essay, it is crucial to engage the reader right from the beginning. You want to hook their attention and make them want to keep reading. Here are some tips to engage your reader:

• Start with a strong opening statement or question that entices the reader to continue reading.
• Use vivid language and descriptive imagery to paint a clear picture in the reader’s mind.
• Provide interesting facts or statistics that pique the reader’s curiosity.
• Create a compelling thesis statement that outlines the purpose of your comparison essay.

By engaging the reader from the start, you set the stage for a successful and impactful comparison essay that keeps the reader engaged until the very end.

Point-by-Point vs Block Method

When writing a comparison essay, you have two main options for structuring your content: the point-by-point method and the block method. Each method has its own advantages and may be more suitable depending on the type of comparison you are making.

• Point-by-Point Method: This method involves discussing one point of comparison at a time between the two subjects. You will go back and forth between the subjects, highlighting similarities and differences for each point. This method allows for a more detailed and nuanced analysis of the subjects.
• Block Method: In contrast, the block method involves discussing all the points related to one subject first, followed by all the points related to the second subject. This method provides a more straightforward and organized comparison but may not delve as deeply into the individual points of comparison.

Ultimately, the choice between the point-by-point and block methods depends on the complexity of your comparison and the level of detail you want to explore. Experiment with both methods to see which one best suits your writing style and the specific requirements of your comparison essay.

Selecting the Best Approach

When it comes to writing a comparison essay, selecting the best approach is crucial to ensure a successful and effective comparison. There are several approaches you can take when comparing two subjects, including the block method and the point-by-point method.

The block method: This approach involves discussing all the similarities and differences of one subject first, followed by a thorough discussion of the second subject. This method is useful when the two subjects being compared are quite different or when the reader may not be familiar with one of the subjects.

The point-by-point method: This approach involves alternating between discussing the similarities and differences of the two subjects in each paragraph. This method allows for a more in-depth comparison of specific points and is often preferred when the two subjects have many similarities and differences.

Before selecting an approach, consider the nature of the subjects being compared and the purpose of your comparison essay. Choose the approach that will best serve your purpose and allow for a clear, organized, and engaging comparison.

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How to Write a Compare and Contrast Essay

Last Updated: May 12, 2023 Approved

This article was co-authored by Megan Morgan, PhD . Megan Morgan is a Graduate Program Academic Advisor in the School of Public & International Affairs at the University of Georgia. She earned her PhD in English from the University of Georgia in 2015. wikiHow marks an article as reader-approved once it receives enough positive feedback. This article has 29 testimonials from our readers, earning it our reader-approved status. This article has been viewed 3,103,698 times.

The purpose of a compare and contrast essay is to analyze the differences and/or the similarities of two distinct subjects. A good compare/contrast essay doesn’t only point out how the subjects are similar or different (or even both!). It uses those points to make a meaningful argument about the subjects. While it can be a little intimidating to approach this type of essay at first, with a little work and practice, you can write a great compare-and-contrast essay!

Formulating Your Argument

• You could pick two subjects that are in the same “category” but have differences that are significant in some way. For example, you could choose “homemade pizza vs. frozen grocery store pizza.”
• You could pick two subjects that don’t appear to have anything in common but that have a surprising similarity. For example, you could choose to compare bats and whales. (One is tiny and flies, and the other is huge and swims, but they both use sonar to hunt.)
• You could pick two subjects that might appear to be the same but are actually different. For example, you could choose "The Hunger Games movie vs. the book."

• For example, ask yourself: What can we learn by thinking about “The Hunger Games” and “Battle Royale” together that we would miss out on if we thought about them separately?
• It can be helpful to consider the “So what?” question when deciding whether your subjects have meaningful comparisons and contrasts to be made. If you say “The Hunger Games and Battle Royale are both similar and different,” and your friend asked you “So what?” what would your answer be? In other words, why bother putting these two things together?

• A “Venn diagram” can often be helpful when brainstorming. This set of overlapping circles can help you visualize where your subjects are similar and where they differ. In the outer edges of the circle, you write what is different; in the overlapping middle area, you write what’s similar. [2] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source
• You can also just draw out a list of all of the qualities or characteristics of each subject. Once you’ve done that, start looking through the list for traits that both subjects share. Major points of difference are also good to note.

• For example, if you are comparing and contrasting cats and dogs, you might notice that both are common household pets, fairly easy to adopt, and don’t usually have many special care needs. These are points of comparison (ways they are similar).
• You might also note that cats are usually more independent than dogs, that dogs may not provoke allergies as much as cats do, and that cats don’t get as big as many dogs do. These are points of contrast (ways they are different).
• These points of contrast can often be good places to start thinking about your thesis, or argument. Do these differences make one animal a superior type of pet? Or a better pet choice for a specific living situation (e.g., an apartment, a farm, etc.)?

• Show readers why one subject is more desirable than the other. Example: "Cats are better pets than dogs because they require less maintenance, are more independent, and are more adaptable."
• Help readers make a meaningful comparison between two subjects. Example: "New York City and San Francisco are both great cities for young professionals, but they differ in terms of their job opportunities, social environment, and living conditions."
• Show readers how two subjects are similar and different. Example: "While both The Catcher in the Rye and To Kill a Mockingbird explore the themes of loss of innocence and the deep bond between siblings, To Kill a Mockingbird is more concerned with racism while The Catcher in the Rye focuses on the prejudices of class."
• In middle school and high school, the standard format for essays is often the “5-paragraph form,” with an introduction, 3 body paragraphs, and a conclusion. If your teacher recommends this form, go for it. However, you should be aware that especially in college, teachers and professors tend to want students to break out of this limited mode. Don’t get so locked into having “three main points” that you forget to fully explore your topic.

Organizing Your Essay

• Subject by subject. This organization deals with all of the points about Topic A, then all of the points of Topic B. For example, you could discuss all your points about frozen pizza (in as many paragraphs as necessary), then all your points about homemade pizza. The strength of this form is that you don’t jump back and forth as much between topics, which can help your essay read more smoothly. It can also be helpful if you are using one subject as a “lens” through which to examine the other. The major disadvantage is that the comparisons and contrasts don’t really become evident until much further into the essay, and it can end up reading like a list of “points” rather than a cohesive essay. [4] X Trustworthy Source University of North Carolina Writing Center UNC's on-campus and online instructional service that provides assistance to students, faculty, and others during the writing process Go to source
• Point by point. This type of organization switches back and forth between points. For example, you could first discuss the prices of frozen pizza vs. homemade pizza, then the quality of ingredients, then the convenience factor. The advantage of this form is that it’s very clear what you’re comparing and contrasting. The disadvantage is that you do switch back and forth between topics, so you need to make sure that you use transitions and signposts to lead your reader through your argument.
• Compare then contrast. This organization presents all the comparisons first, then all the contrasts. It’s a pretty common way of organizing an essay, and it can be helpful if you really want to emphasize how your subjects are different. Putting the contrasts last places the emphasis on them. However, it can be more difficult for your readers to immediately see why these two subjects are being contrasted if all the similarities are first.

• Introduction. This paragraph comes first and presents the basic information about the subjects to be compared and contrasted. It should present your thesis and the direction of your essay (i.e., what you will discuss and why your readers should care).
• Body Paragraphs. These are the meat of your essay, where you provide the details and evidence that support your claims. Each different section or body paragraph should tackle a different division of proof. It should provide and analyze evidence in order to connect those proofs to your thesis and support your thesis. Many middle-school and high-school essays may only require three body paragraphs, but use as many as is necessary to fully convey your argument.
• Acknowledgement of Competitive Arguments/Concession. This paragraph acknowledges that other counter-arguments exist, but discusses how those arguments are flawed or do not apply.
• Conclusion. This paragraph summarizes the evidence presented. It will restate the thesis, but usually in a way that offers more information or sophistication than the introduction could. Remember: your audience now has all the information you gave them about why your argument is solid. They don’t need you to just reword your original thesis. Take it to the next level!

• Introduction: state your intent to discuss the differences between camping in the woods or on the beach.
• Body Paragraph 1 (Woods): Climate/Weather
• Body Paragraph 2 (Woods): Types of Activities and Facilities
• Body Paragraph 3 (Beach): Climate/Weather
• Body Paragraph 4 (Beach): Types of Activities and Facilities

• Introduction

• Body Paragraph 1: Similarity between woods and beaches (both are places with a wide variety of things to do)
• Body Paragraph 2: First difference between woods and beaches (they have different climates)
• Body Paragraph 3: Second difference between woods and beaches (there are more easily accessible woods than beaches in most parts of the country)
• Body Paragraph 4: Emphasis on the superiority of the woods to the beach

• Topic sentence: This sentence introduces the main idea and subject of the paragraph. It can also provide a transition from the ideas in the previous paragraph.
• Body: These sentences provide concrete evidence that support the topic sentence and main idea.
• Conclusion: this sentence wraps up the ideas in the paragraph. It may also provide a link to the next paragraph’s ideas.

Putting It All Together

• If you are having trouble finding evidence to support your argument, go back to your original texts and try the brainstorming process again. It could be that your argument is evolving past where it started, which is good! You just need to go back and look for further evidence.

• For example, in a body paragraph about the quality of ingredients in frozen vs. homemade pizza, you could close with an assertion like this: “Because you actively control the quality of the ingredients in pizza you make at home, it can be healthier for you than frozen pizza. It can also let you express your imagination. Pineapple and peanut butter pizza? Go for it! Pickles and parmesan? Do it! Using your own ingredients lets you have fun with your food.” This type of comment helps your reader understand why the ability to choose your own ingredients makes homemade pizza better.

• Reading your essay aloud can also help you find problem spots. Often, when you’re writing you get so used to what you meant to say that you don’t read what you actually said.

• Avoid bias. Don't use overly negative or defamatory language to show why a subject is unfavorable; use solid evidence to prove your points instead.
• Avoid first-person pronouns unless told otherwise. In some cases, your teacher may encourage you to use “I” and “you” in your essay. However, if the assignment or your teacher doesn’t mention it, stick with third-person instead, like “one may see” or “people may enjoy.” This is common practice for formal academic essays.
• Proofread! Spelling and punctuation errors happen to everyone, but not catching them can make you seem lazy. Go over your essay carefully, and ask a friend to help if you’re not confident in your own proofreading skills.

Sample Body Paragraphs

• "When one is deciding whether to go to the beach or the woods, the type of activities that each location offers are an important point to consider. At the beach, one can enjoy the water by swimming, surfing, or even building a sandcastle with a moat that will fill with water. When one is in the woods, one may be able to go fishing or swimming in a nearby lake, or one may not be near water at all. At the beach, one can keep one's kids entertained by burying them in sand or kicking around a soccer ball; if one is in the woods, one can entertain one's kids by showing them different plans or animals. Both the beach and the woods offer a variety of activities for adults and kids alike."

• "The beach has a wonderful climate, many activities, and great facilities for any visitor's everyday use. If a person goes to the beach during the right day or time of year, he or she can enjoy warm, yet refreshing water, a cool breeze, and a relatively hot climate. At the beach, one can go swimming, sunbathe, or build sandcastles. There are also great facilities at the beach, such as a changing room, umbrellas, and conveniently-located restaurants and changing facilities. The climate, activities, and facilities are important points to consider when deciding between the beach and the woods."

Sample Essay Outline

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About This Article

To write a compare and contrast essay, try organizing your essay so you're comparing and contrasting one aspect of your subjects in each paragraph. Or, if you don't want to jump back and forth between subjects, structure your essay so the first half is about one subject and the second half is about the other. You could also write your essay so the first few paragraphs introduce all of the comparisons and the last few paragraphs introduce all of the contrasts, which can help emphasize your subjects' differences and similarities. To learn how to choose subjects to compare and come up with a thesis statement, keep reading! Did this summary help you? Yes No

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Comparing and Contrasting: A Guide to Improve Your Essays

Walter Akolo

Essays that require you to compare and contrast two or more subjects, ideas, places, or items are common.

They call for you to highlight the key similarities (compare) and differences (contrast) between them.

This guide contains all the information you need to become better at writing comparing and contrasting essays.

This includes: how to structure your essay, how to decide on the content, and some examples of essay questions.

Let’s dive in.

What Is Comparing and Contrasting?

Is compare and contrast the same as similarities and differences, what is the purpose of comparing and contrasting, can you compare and contrast any two items, how do you compare and contrast in writing, what are some comparing and contrasting techniques, how do you compare and contrast in college level writing, the four essentials of compare and contrast essays, what can you learn from a compare and contrast essay.

At their most basic, both comparing and contrasting base their evaluation on two or more subjects that share a connection.

The subjects could have similar characteristics, features, or foundations.

But while a comparison discusses the similarities of the two subjects, e.g. a banana and a watermelon are both fruit, contrasting highlights how the subjects or items differ from each other, e.g. a watermelon is around 10 times larger than a banana.

Any question that you are asked in education will have a variety of interesting comparisons and deductions that you can make.

Compare is the same as similarities.

Contrast is the same as differences.

This is because comparing identifies the likeness between two subjects, items, or categories, while contrasting recognizes disparities between them.

When you compare things, you represent them regarding their similarity, but when you contrast things, you define them in reference to their differences.

As a result, if you are asked to discuss the similarities and differences between two subjects, you can take an identical approach to if you are writing a compare and contrast essay.

In writing, the purpose of comparing and contrasting is to highlight subtle but important differences or similarities that might not be immediately obvious.

By illustrating the differences between elements in a similar category, you help heighten readers’ understanding of the subject or topic of discussion.

For instance, you might choose to compare and contrast red wine and white wine by pointing out the subtle differences. One of these differences is that red wine is best served at room temperature while white is best served chilled.

Also, comparing and contrasting helps to make abstract ideas more definite and minimizes the confusion that might exist between two related concepts.

Can Comparing and Contrasting Be Useful Outside of Academia?

Comparing enables you to see the pros and cons, allowing you to have a better understanding of the things under discussion. In an essay, this helps you demonstrate that you understand the nuances of your topic enough to draw meaningful conclusions from them.

Let's use a real-word example to see the benefits. Imagine you're contrasting two dresses you could buy. You might think:

• Dress A is purple, my favorite color, but it has a difficult zip and is practically impossible to match a jacket to.
• Dress B is more expensive but I already have a suitable pair of shoes and jacket and it is easier to move in.

You're linking the qualities of each dress to the context of the decision you're making. This is the same for your essay. Your comparison and contrast points will be in relation to the question you need to answer.

Comparing and contrasting is only a useful technique when applied to two related concepts.

To effectively compare two or more things, they must feature characteristics similar enough to warrant comparison.

In addition to this they must also feature a similarity that generates an interesting discussion. But what do I mean by “interesting” here?

Let’s look at two concepts, the Magna Carta and my third grade poetry competition entry.

They are both text, written on paper by a person so they fulfil the first requirement, they have a similarity. But this comparison clearly would not fulfil the second requirement, you would not be able to draw any interesting conclusions.

However, if we compare the Magna Carta to the Bill of Rights, you would be able to come to some very interesting conclusions concerning the history of world politics.

To write a good compare and contrast essay, it’s best to pick two or more topics that share a meaningful connection .

The aim of the essay would be to show the subtle differences or unforeseen similarities.

By highlighting the distinctions between elements in a similar category you can increase your readers’ understanding.

Alternatively, you could choose to focus on a comparison between two subjects that initially appear unrelated.

The more dissimilar they seem, the more interesting the comparison essay will turn out.

For instance, you could compare and contrast professional rugby players with marathon runners.

Can You Compare and Contrast in an Essay That Does Not Specifically Require It?

As a writer, you can employ comparing and contrasting techniques in your writing, particularly when looking for ideas you can later apply in your argument.

You can do this even when the comparison or contrast is not a requirement for the topic or argument you are presenting. Doing so could enable you to build your evaluation and develop a stronger argument.

Note that the similarities and differences you come up with might not even show up in the final draft.

While the use of compare and contrast can be neutral, you can also use it to highlight one option under discussion. When used this way, you can influence the perceived advantages of your preferred option.

As a writing style, comparing and contrasting can encompass an entire essay. However, it could also appear in some select paragraphs within the essay, where making some comparisons serves to better illustrate a point.

What Should You Do First?

Before you compare two things, always start by deciding on the reason for your comparison, then outline the criteria you will use to compare them.

Words and phrases commonly used for comparison include:

In writing, these words and phrases are called transitions . They help readers to understand or make the connection between sentences, paragraphs, and ideas.

Without transition words writing can feel clumsy and disjointed making it difficult to read. ProWritingAid’s transition report highlights all of a documents transitions and suggests that 25% of any sentences in a piece include a transition.

Sign up for a free ProWritingAid account to use the Transitions Report.

So, how do you form all of this into a coherent essay? It's a good idea to plan first, then decide what your paragraph layout will look like.

Venn diagrams are useful tool to start generating ideas. The, for your essay, you need to choose between going idea by idea and going point by point.

Using a Venn Diagram

A Venn diagram helps you to clearly see the similarities and differences between multiple objects, things, or subjects.

The writing tool comprises two, or more, simple, overlapping circles in which you list down the things that are alike (within the overlapping area) and those that differ (outside the overlapping area).

It’s great for brainstorming ideas and for creating your essay’s outline. You could even use it in an exam setting because it is quick and simple.

Going Subject by Subject

Going subject by subject is a structural choice for your essay.

Start by saying all you have to say on the first subject, then proceed to do the same about the second subject.

Depending on the length of your essay, you can fit the points about each subject into one paragraph or have several sections per each subject, ending with a conclusion.

This method is best for short essays on simple topics. Most university-level essays will go point by point instead.

Going Point by Point

Going point by point, or alternating, is the opposite essay structure from going subject by subject. This is ideal when you want to do more direct comparing and contrasting. It entails discussing one comparison point at a time. It allows you to use a paragraph to talk about how a certain comparing/contrasting point relates to the subjects or items you are discussing.

Alternatively, if you have lots of details about the subject, you might decide to use a paragraph for each point.

An academic compare and contrast essay looks at two or more subjects, ideas, people, or objects, compares their likeness, and contrasts their differences.

It’s an informative essay that provides insights on what is similar and different between the two items.

Depending on the essay’s instructions, you can focus solely on comparing or contrasting, or a combination of the two.

Examples of College Level Compare and Contrast Essay Questions

Here are eleven examples of compare and contrast essay questions that you might encounter at university:

• Archaeology: Compare and contrast the skulls of homo habilis, homo erectus, and homo sapiens.
• Art: Compare and contrast the working styles of any two Neoclassic artists.
• Astrophysics: Compare and contrast the chemical composition of Venus and Neptune.
• Biology: Compare and contrast the theories of Lamarck and Darwin.
• Business: Compare and contrast 2 or more business models within the agricultural industry.
• Creative writing: Compare and contrast free indirect discourse with epistolary styles.
• English Literature: Compare and contrast William Wordsworth with Robert Browning.
• Geography: Compare and contrast the benefit of solar panels with the benefit of wind turbines.
• History: Compare and contrast WWI to WWII with specific reference to the causes and outcomes.
• Medicine: Compare and contrast England’s health service with America’s health service.
• Psychology: Compare and contrast the behaviorist theory with the psychodynamic theory.

So, the key takeaways to keep in mind are:

Have a basis for comparison. The two things need to have enough in common to justify a discussion about their similarities and disparities.

Don’t go back and forth when using the block method. The best way to write your essay is to begin with a paragraph discussing all the facets of the first topic. Then, move on to another paragraph and talk through all the aspects of the second subject.

You can use both alternating and blocking techniques. Combining the two approaches is also an option. You can apply the alternating method in some paragraphs, then switch and use the block method. This method will help you offer a much deeper analysis of the subjects.

Have a reason for comparing the two things. Only select the points of comparison that resonate with your purpose.

Comparing and contrasting are essential analytical skills in academic writing. When your professor issues you with such an essay, their primary goal is to teach you how to:

• Engage in critical thinking
• See and make connections between words or ideas
• Move beyond mere descriptions or summaries to developing interesting analysis
• Get a deeper understanding of the subjects or items under comparison, their key features, and their interrelationships with each other.

Ultimately, your essay should enlighten readers by providing useful information.

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Walter Akolo is a freelance writer, internet marketer, trainer, and blogger for hire. He loves helping businesses increase their reach and conversion through excellent and engaging content. He has gotten millions of pageviews on his blog, FreelancerKenya, where he mentors writers. Check out his website walterakolo.com.

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• M.Ed., Curriculum and Instruction, University of Florida
• B.A., History, University of Florida

Compare and contrast essays are taught in school for many reasons. For one thing, they are relatively easy to teach, understand, and format. Students can typically understand the structure with just a short amount of instruction. In addition, these essays allow students develop critical thinking skills to approach a variety of topics.

Brainstorming Tip

One fun way to get students started brainstorming their compare and contrast essays is to create a Venn diagram , where the overlapping sections of the circle contain similarities and the non-overlapping areas contain the differing traits.

Following is a list of 101 topics for compare and contrast essays that you are welcome to use in your classroom. As you look through the list you will see that some items are academic in nature while others are included for interest-building and fun writing activities.

• Apple vs. Microsoft
• Coke vs. Pepsi
• Renaissance Art vs. Baroque Art
• Antebellum Era vs. Reconstruction Era in American History
• Childhood vs. Adulthood
• Star Wars vs. Star Trek
• Biology vs. Chemistry
• Astrology vs. Astronomy
• American Government vs. British Government (or any world government)
• Fruits vs. Vegetables
• Dogs vs. Cats
• Ego vs. Superego
• Christianity vs. Judaism (or any world religion )
• Republican vs. Democrat
• Monarchy vs. Presidency
• US President vs. UK Prime Minister
• Jazz vs. Classical Music
• Red vs. White (or any two colors)
• Soccer vs. Football
• North vs. South Before the Civil War
• New England Colonies vs. Middle Colonies OR vs. Southern Colonies
• Cash vs. Credit Cards
• Sam vs. Frodo Baggins
• Gandalf vs. Dumbledore
• Fred vs. Shaggy
• Rap vs. Pop
• Articles of Confederation vs. U.S. Constitution
• Henry VIII vs. King Louis XIV
• Stocks vs. Bonds
• Monopolies vs. Oligopolies
• Communism vs. Capitalism
• Socialism vs. Capitalism
• Diesel vs. Petroleum
• Nuclear Power vs. Solar Power
• Saltwater Fish vs. Freshwater Fish
• Squids vs. Octopus
• Mammals vs. Reptiles
• Baleen vs. Toothed Whales
• Seals vs. Sea Lions
• Crocodiles vs. Alligators
• Bats vs. Birds
• Oven vs. Microwave
• Greek vs. Roman Mythology
• Chinese vs. Japanese
• Comedy vs. Drama
• Renting vs. Owning
• Mozart vs. Beethoven
• Online vs. Traditional Education
• North vs. South Pole
• Watercolor vs. Oil
• 1984 vs. Fahrenheit 451
• Emily Dickinson vs. Samuel Taylor Coleridge
• W.E.B. DuBois vs. Booker T. Washington
• Strawberries vs. Apples
• Airplanes vs. Helicopters
• Hitler vs. Napoleon
• Roman Empire vs. British Empire
• Paper vs. Plastic
• Italy vs. Spain
• Baseball vs. Cricket
• Jefferson vs. Adams
• Thoroughbreds vs. Clydesdales
• Spiders vs. Scorpions
• Northern Hemisphere vs. Southern Hemisphere
• Hobbes vs. Locke
• Friends vs. Family
• Dried Fruit vs. Fresh
• Porcelain vs. Glass
• Modern Dance vs. Ballroom Dancing
• American Idol vs. The Voice
• Reality TV vs. Sitcoms
• Picard vs. Kirk
• Books vs. Movies
• Magazines vs. Comic Books
• Antique vs. New
• Public vs. Private Transportation
• Email vs. Letters
• Facebook vs. Twitter
• Coffee vs. an Energy Drink
• Toads vs. Frogs
• Profit vs. Non-Profit
• Boys vs. Girls
• Birds vs. Dinosaurs
• High School vs. College
• Chamberlain vs. Churchill
• Offense vs. Defense
• Jordan vs. Bryant
• Harry vs. Draco
• Roses vs. Carnations
• Poetry vs. Prose
• Fiction vs. Nonfiction
• Lions vs. Tigers
• Vampires vs. Werewolves
• Lollipops vs. popsicles
• Summer vs. Winter
• Recycling vs. Landfill
• Motorcycle vs. Bicycle
• Halogen vs. Incandescent
• Newton vs. Einstein
• . Go on vacation vs. Staycation
• Rock vs. Scissors
• 50 Argumentative Essay Topics
• 100 Persuasive Essay Topics
• Write a Compare and Contrast Essay
• Beef Up Critical Thinking and Writing Skills: Comparison Essays
• How to Teach the Compare and Contrast Essay
• American English to British English Vocabulary
• Venn Diagrams to Plan Essays and More
• Topical Organization Essay
• 501 Topic Suggestions for Writing Essays and Speeches
• Writing About Literature: Ten Sample Topics for Comparison & Contrast Essays
• Organizing Compare-Contrast Paragraphs
• Comparing and Contrasting in English
• 25 Essay Topics for American Government Classes
• Compare-Contrast Prewriting Chart
• Expository Essay Genre With Suggested Prompts
• Comparison in Composition

Comparing and Contrasting

What this handout is about.

This handout will help you first to determine whether a particular assignment is asking for comparison/contrast and then to generate a list of similarities and differences, decide which similarities and differences to focus on, and organize your paper so that it will be clear and effective. It will also explain how you can (and why you should) develop a thesis that goes beyond “Thing A and Thing B are similar in many ways but different in others.”

Introduction

In your career as a student, you’ll encounter many different kinds of writing assignments, each with its own requirements. One of the most common is the comparison/contrast essay, in which you focus on the ways in which certain things or ideas—usually two of them—are similar to (this is the comparison) and/or different from (this is the contrast) one another. By assigning such essays, your instructors are encouraging you to make connections between texts or ideas, engage in critical thinking, and go beyond mere description or summary to generate interesting analysis: when you reflect on similarities and differences, you gain a deeper understanding of the items you are comparing, their relationship to each other, and what is most important about them.

Recognizing comparison/contrast in assignments

Some assignments use words—like compare, contrast, similarities, and differences—that make it easy for you to see that they are asking you to compare and/or contrast. Here are a few hypothetical examples:

• Compare and contrast Frye’s and Bartky’s accounts of oppression.
• Compare WWI to WWII, identifying similarities in the causes, development, and outcomes of the wars.
• Contrast Wordsworth and Coleridge; what are the major differences in their poetry?

Notice that some topics ask only for comparison, others only for contrast, and others for both.

But it’s not always so easy to tell whether an assignment is asking you to include comparison/contrast. And in some cases, comparison/contrast is only part of the essay—you begin by comparing and/or contrasting two or more things and then use what you’ve learned to construct an argument or evaluation. Consider these examples, noticing the language that is used to ask for the comparison/contrast and whether the comparison/contrast is only one part of a larger assignment:

• Choose a particular idea or theme, such as romantic love, death, or nature, and consider how it is treated in two Romantic poems.
• How do the different authors we have studied so far define and describe oppression?
• Compare Frye’s and Bartky’s accounts of oppression. What does each imply about women’s collusion in their own oppression? Which is more accurate?
• In the texts we’ve studied, soldiers who served in different wars offer differing accounts of their experiences and feelings both during and after the fighting. What commonalities are there in these accounts? What factors do you think are responsible for their differences?

You may want to check out our handout on understanding assignments for additional tips.

Using comparison/contrast for all kinds of writing projects

Sometimes you may want to use comparison/contrast techniques in your own pre-writing work to get ideas that you can later use for an argument, even if comparison/contrast isn’t an official requirement for the paper you’re writing. For example, if you wanted to argue that Frye’s account of oppression is better than both de Beauvoir’s and Bartky’s, comparing and contrasting the main arguments of those three authors might help you construct your evaluation—even though the topic may not have asked for comparison/contrast and the lists of similarities and differences you generate may not appear anywhere in the final draft of your paper.

Discovering similarities and differences

Making a Venn diagram or a chart can help you quickly and efficiently compare and contrast two or more things or ideas. To make a Venn diagram, simply draw some overlapping circles, one circle for each item you’re considering. In the central area where they overlap, list the traits the two items have in common. Assign each one of the areas that doesn’t overlap; in those areas, you can list the traits that make the things different. Here’s a very simple example, using two pizza places:

To make a chart, figure out what criteria you want to focus on in comparing the items. Along the left side of the page, list each of the criteria. Across the top, list the names of the items. You should then have a box per item for each criterion; you can fill the boxes in and then survey what you’ve discovered.

Here’s an example, this time using three pizza places:

As you generate points of comparison, consider the purpose and content of the assignment and the focus of the class. What do you think the professor wants you to learn by doing this comparison/contrast? How does it fit with what you have been studying so far and with the other assignments in the course? Are there any clues about what to focus on in the assignment itself?

Here are some general questions about different types of things you might have to compare. These are by no means complete or definitive lists; they’re just here to give you some ideas—you can generate your own questions for these and other types of comparison. You may want to begin by using the questions reporters traditionally ask: Who? What? Where? When? Why? How? If you’re talking about objects, you might also consider general properties like size, shape, color, sound, weight, taste, texture, smell, number, duration, and location.

Two historical periods or events

• When did they occur—do you know the date(s) and duration? What happened or changed during each? Why are they significant?
• What kinds of work did people do? What kinds of relationships did they have? What did they value?
• What kinds of governments were there? Who were important people involved?
• What caused events in these periods, and what consequences did they have later on?

Two ideas or theories

• What are they about?
• Did they originate at some particular time?
• Who created them? Who uses or defends them?
• What is the central focus, claim, or goal of each? What conclusions do they offer?
• How are they applied to situations/people/things/etc.?
• Which seems more plausible to you, and why? How broad is their scope?
• What kind of evidence is usually offered for them?

Two pieces of writing or art

• What are their titles? What do they describe or depict?
• What is their tone or mood? What is their form?
• Who created them? When were they created? Why do you think they were created as they were? What themes do they address?
• Do you think one is of higher quality or greater merit than the other(s)—and if so, why?
• For writing: what plot, characterization, setting, theme, tone, and type of narration are used?
• Where are they from? How old are they? What is the gender, race, class, etc. of each?
• What, if anything, are they known for? Do they have any relationship to each other?
• What are they like? What did/do they do? What do they believe? Why are they interesting?
• What stands out most about each of them?

Deciding what to focus on

By now you have probably generated a huge list of similarities and differences—congratulations! Next you must decide which of them are interesting, important, and relevant enough to be included in your paper. Ask yourself these questions:

• What’s relevant to the assignment?
• What’s relevant to the course?
• What’s interesting and informative?
• What matters to the argument you are going to make?
• What’s basic or central (and needs to be mentioned even if obvious)?
• Overall, what’s more important—the similarities or the differences?

Suppose that you are writing a paper comparing two novels. For most literature classes, the fact that they both use Caslon type (a kind of typeface, like the fonts you may use in your writing) is not going to be relevant, nor is the fact that one of them has a few illustrations and the other has none; literature classes are more likely to focus on subjects like characterization, plot, setting, the writer’s style and intentions, language, central themes, and so forth. However, if you were writing a paper for a class on typesetting or on how illustrations are used to enhance novels, the typeface and presence or absence of illustrations might be absolutely critical to include in your final paper.

Sometimes a particular point of comparison or contrast might be relevant but not terribly revealing or interesting. For example, if you are writing a paper about Wordsworth’s “Tintern Abbey” and Coleridge’s “Frost at Midnight,” pointing out that they both have nature as a central theme is relevant (comparisons of poetry often talk about themes) but not terribly interesting; your class has probably already had many discussions about the Romantic poets’ fondness for nature. Talking about the different ways nature is depicted or the different aspects of nature that are emphasized might be more interesting and show a more sophisticated understanding of the poems.

Your thesis

The thesis of your comparison/contrast paper is very important: it can help you create a focused argument and give your reader a road map so they don’t get lost in the sea of points you are about to make. As in any paper, you will want to replace vague reports of your general topic (for example, “This paper will compare and contrast two pizza places,” or “Pepper’s and Amante are similar in some ways and different in others,” or “Pepper’s and Amante are similar in many ways, but they have one major difference”) with something more detailed and specific. For example, you might say, “Pepper’s and Amante have similar prices and ingredients, but their atmospheres and willingness to deliver set them apart.”

Be careful, though—although this thesis is fairly specific and does propose a simple argument (that atmosphere and delivery make the two pizza places different), your instructor will often be looking for a bit more analysis. In this case, the obvious question is “So what? Why should anyone care that Pepper’s and Amante are different in this way?” One might also wonder why the writer chose those two particular pizza places to compare—why not Papa John’s, Dominos, or Pizza Hut? Again, thinking about the context the class provides may help you answer such questions and make a stronger argument. Here’s a revision of the thesis mentioned earlier:

Pepper’s and Amante both offer a greater variety of ingredients than other Chapel Hill/Carrboro pizza places (and than any of the national chains), but the funky, lively atmosphere at Pepper’s makes it a better place to give visiting friends and family a taste of local culture.

You may find our handout on constructing thesis statements useful at this stage.

Organizing your paper

There are many different ways to organize a comparison/contrast essay. Here are two:

Subject-by-subject

Begin by saying everything you have to say about the first subject you are discussing, then move on and make all the points you want to make about the second subject (and after that, the third, and so on, if you’re comparing/contrasting more than two things). If the paper is short, you might be able to fit all of your points about each item into a single paragraph, but it’s more likely that you’d have several paragraphs per item. Using our pizza place comparison/contrast as an example, after the introduction, you might have a paragraph about the ingredients available at Pepper’s, a paragraph about its location, and a paragraph about its ambience. Then you’d have three similar paragraphs about Amante, followed by your conclusion.

The danger of this subject-by-subject organization is that your paper will simply be a list of points: a certain number of points (in my example, three) about one subject, then a certain number of points about another. This is usually not what college instructors are looking for in a paper—generally they want you to compare or contrast two or more things very directly, rather than just listing the traits the things have and leaving it up to the reader to reflect on how those traits are similar or different and why those similarities or differences matter. Thus, if you use the subject-by-subject form, you will probably want to have a very strong, analytical thesis and at least one body paragraph that ties all of your different points together.

A subject-by-subject structure can be a logical choice if you are writing what is sometimes called a “lens” comparison, in which you use one subject or item (which isn’t really your main topic) to better understand another item (which is). For example, you might be asked to compare a poem you’ve already covered thoroughly in class with one you are reading on your own. It might make sense to give a brief summary of your main ideas about the first poem (this would be your first subject, the “lens”), and then spend most of your paper discussing how those points are similar to or different from your ideas about the second.

Point-by-point

Rather than addressing things one subject at a time, you may wish to talk about one point of comparison at a time. There are two main ways this might play out, depending on how much you have to say about each of the things you are comparing. If you have just a little, you might, in a single paragraph, discuss how a certain point of comparison/contrast relates to all the items you are discussing. For example, I might describe, in one paragraph, what the prices are like at both Pepper’s and Amante; in the next paragraph, I might compare the ingredients available; in a third, I might contrast the atmospheres of the two restaurants.

If I had a bit more to say about the items I was comparing/contrasting, I might devote a whole paragraph to how each point relates to each item. For example, I might have a whole paragraph about the clientele at Pepper’s, followed by a whole paragraph about the clientele at Amante; then I would move on and do two more paragraphs discussing my next point of comparison/contrast—like the ingredients available at each restaurant.

There are no hard and fast rules about organizing a comparison/contrast paper, of course. Just be sure that your reader can easily tell what’s going on! Be aware, too, of the placement of your different points. If you are writing a comparison/contrast in service of an argument, keep in mind that the last point you make is the one you are leaving your reader with. For example, if I am trying to argue that Amante is better than Pepper’s, I should end with a contrast that leaves Amante sounding good, rather than with a point of comparison that I have to admit makes Pepper’s look better. If you’ve decided that the differences between the items you’re comparing/contrasting are most important, you’ll want to end with the differences—and vice versa, if the similarities seem most important to you.

Our handout on organization can help you write good topic sentences and transitions and make sure that you have a good overall structure in place for your paper.

Cue words and other tips

To help your reader keep track of where you are in the comparison/contrast, you’ll want to be sure that your transitions and topic sentences are especially strong. Your thesis should already have given the reader an idea of the points you’ll be making and the organization you’ll be using, but you can help them out with some extra cues. The following words may be helpful to you in signaling your intentions:

• like, similar to, also, unlike, similarly, in the same way, likewise, again, compared to, in contrast, in like manner, contrasted with, on the contrary, however, although, yet, even though, still, but, nevertheless, conversely, at the same time, regardless, despite, while, on the one hand … on the other hand.

For example, you might have a topic sentence like one of these:

• Compared to Pepper’s, Amante is quiet.
• Like Amante, Pepper’s offers fresh garlic as a topping.
• Despite their different locations (downtown Chapel Hill and downtown Carrboro), Pepper’s and Amante are both fairly easy to get to.

You may reproduce it for non-commercial use if you use the entire handout and attribute the source: The Writing Center, University of North Carolina at Chapel Hill

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4.1: Compare and Contrast

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The Purpose of Comparison and Contrast in Writing

Comparison in writing discusses elements that are similar, while contrast in writing discusses elements that are different. A compare-and-contrast essay, then, analyzes two subjects by examining them closely and comparing them, contrasting them, or both.

The key to a good compare-and-contrast essay is to choose two or more subjects that connect in a meaningful way. The purpose of conducting the comparison or contrast is not to state the obvious but rather to illuminate subtle differences or unexpected similarities. For example, if you wanted to focus on contrasting two subjects you would not pick apples and oranges; rather, you might choose to compare and contrast two types of oranges or two types of apples to highlight subtle differences. For example, Red Delicious apples are sweet, while Granny Smiths are tart and acidic. Drawing distinctions between elements in a similar category will increase the audience’s understanding of that category, which is the purpose of the compare-and-contrast essay.

Similarly, to focus on comparison, choose two subjects that seem at first to be unrelated. For a comparison essay, you likely would not choose two apples or two oranges because they share so many of the same properties already. Rather, you might try to compare how apples and oranges are quite similar. The more divergent the two subjects initially seem, the more interesting a comparison essay will be.

Writing at Work

Comparing and contrasting is also an evaluative tool. In order to make accurate evaluations about a given topic, you must first know the critical points of similarity and difference. Comparing and contrasting is a primary tool for many workplace assessments. You have likely compared and contrasted yourself to other colleagues. Employee advancements, pay raises, hiring, and firing are typically conducted using comparison and contrast. Comparison and contrast could be used to evaluate companies, departments, or individuals.

Brainstorm an essay that leans toward contrast. Choose one of the following three categories. Pick two examples from each. Then come up with one similarity and three differences between the examples.

• Romantic comedies
• Internet search engines
• Cell phones

Brainstorm an essay that leans toward comparison. Choose one of the following three items. Then come up with one difference and three similarities.

• Department stores and discount retail stores
• Fast food chains and fine dining restaurants
• Dogs and cats

The Structure of a Comparison-and-Contrast Essay

The compare-and-contrast essay starts with a thesis that clearly states the two subjects that are to be compared, contrasted, or both, and the reason for doing so. The thesis could lean more toward comparing, contrasting, or both. Remember, the point of comparing and contrasting is to provide useful knowledge to the reader. Take the following thesis as an example that leans more toward contrasting.

Thesis statement : Organic vegetables may cost more than those that are conventionally grown, but when put to the test, they are definitely worth every extra penny.

Here the thesis sets up the two subjects to be compared and contrasted (organic versus conventional vegetables), and it makes a claim about the results that might prove useful to the reader.

You may organize compare-and-contrast essays in one of the following two ways:

• According to the subjects themselves, discussing one and then the other
• According to individual points, discussing each subject in relation to each point

The organizational structure you choose depends on the nature of the topic, your purpose, and your audience. See the chart below, which diagrams the ways to organize the organic versus conventional vegetables thesis.

Given that compare-and-contrast essays analyze the relationship between two subjects, it is helpful to have some phrases on hand that will cue the reader to such analysis. See the Table of Phrases of Comparison and Contrast for examples.

Many business presentations are conducted using comparison and contrast. The organizing strategies—by subject or individual points—could also be used for organizing a presentation. Keep this in mind as a way of organizing your content the next time you or a colleague have to present something at work.

Create an outline for each of the items you chose in the earlier exercises. Use the point-by-point organizing strategy for one of them, and use the subject organizing strategy for the other.

Choose two people who are significant in your life and have a similar relationship with you (two friends, two siblings, etc). Make a list of similarities and differences between these people. Consult your list, then draw a conclusion based on the presence of these similarities and differences. Outline the similarities and differences, then write a statement that offers an overall conclusion.

Contributors and Attributions

Adapted from  Successful College Composition (Crowther et al.) . Sourced from  LibreTexts , licensed under  CC BY-NC-SA  .

Adapted from  Let's Get Writing (Browning, DeVries, Boylan, Kurtz and Burton) . Sourced from  LibreTexts , licensed under  CC BY-NC-SA  .

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• Writing Tips

Tips for Writing a Compare and Contrast Essay

• 5-minute read
• 19th August 2022

Compare and contrast essays are a specific form of academic essay with unique requirements, so if you’re a student , it’s important that you to know how to write one. Luckily, we’ve pieced together this guide to help you plan, structure, and put together your essay, complete with tips for comparing and contrasting.

Let’s begin.

1. What Is a Compare and Contrast Essay?

As you may have guessed, when writing a compare and contrast essay, you’ll need to do two things:

• Compare the similarities between two or more given subjects.
• Contrast their differences.

Compare and contrast essays are a common essay style because they allow your teacher or lecturer to assess your understanding of two theories, research methods, literary techniques, or other subjects. These subjects are usually related and may sometimes be confused with one another or are in conflict with each other.

By comparing and contrasting the subjects, you can also improve your analysis skills .

Some examples of compare and contrast essay titles include:

Compare and contrast a Shakespearean sonnet with a Petrarchan sonnet. What are the similarities and differences between anabolic and catabolic reactions? How were Nehru’s political beliefs similar to Gandhi’s? How did they differ?

2. Planning a Compare and Contrast Essay

As with any essay, before you begin writing, you should have a plan . In this case, you’ll first need to identify the similarities and differences between your subjects.

You can do this by writing out a list of all the qualities each subject possesses. Then, you can pick out any similar qualities that show up in both lists, and any qualities that are unique to just one of them. If you’re a visual learner, you might want to draw this as a Venn diagram .

Once you have all the similarities and differences prepared, consider which of them will be the most useful to include in your essay. Ask yourself:

• How much can you write about each point?
• What will your conclusion be, and which points support it?
• How will each point fit into your essay’s structure?

To answer that last question, let’s take a look at some ways to structure your essay.

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3. Structuring a Compare and Contrast Essay

Now that you’ve got a plan for your essay, it’s time to organize it. There are three main structures you can follow when writing a compare and contrast essay: 

• The block structure: All of the information about one subject (e.g., Shakespearean sonnets) is presented in the first few paragraphs, followed by the subject it’s being compared and contrasted with (e.g., Petrarchan sonnets).
• The alternating structure: One similarity or difference between both subjects (e.g., rhyme scheme) is explored in one paragraph, followed by a paragraph on another similarity or difference (e.g., use of imagery), and so on.
• The similarities and differences structure: All the similarities between both subjects are presented, followed by the differences.

There are benefits to each of these structures. The block structure, for example, can be easier to write, while the alternating structure presents each similarity and difference clearly, and the similarities and differences structure focuses on those points rather than the subjects themselves. 

So, when deciding which structure to use, consider what would work best for your essay. If you intend to cover each subject in detail, for example, you might want to choose the block structure. 

On the other hand, if you want to emphasize the connections between each subject, the alternating structure might be best. 

Finally, if you want to conclude that the subjects are either overwhelmingly similar or different to each other, the similarities and differences structure may work in your favor.

Whichever structure you follow, though, you’ll need to include a strong introduction and conclusion.

Your introduction should:

• Establish the subjects you will be comparing and contrasting.
• Provide some background about their connection (e.g., “Shakespearean and Petrarchan sonnets are poetic forms common in the 14th to 19th centuries”).
• Explain what you aim to achieve with your essay.

Meanwhile, your conclusion should:

• Summarize the main similarities and differences you have identified.
• Make a point regarding the relationship between your subjects.

4. Things to Remember

Here are some important tips to keep in mind when writing your compare and contrast essay:

• Ensure you are comparing or contrasting the same criteria between each subject. For example, it wouldn’t make sense to compare the line length of a Shakespearean sonnet with the rhyme scheme of a Petrarchan sonnet, as these are two separate categories.
• Always address both subjects of your essay in any introductions, conclusions, and topic sentences.
• Use comparison words and phrases such as “similarly,” “like,” and “in the same way” when comparing subjects.
• Use contrast words and phrases such as “in contrast,” “however,” and “whereas” when contrasting subjects.
• As with any essay, make sure to back up any arguments you make with evidence and credible sources .

Expert Academic Proofreading

Once you’ve written your compare and contrast essay, don’t forget to have it proofread. Our dedicated essay editing team is available 24/7 to help polish your paper. Try us out with a free proofreading and editing sample .

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Compare and Contrast Essay: My Best Friend

My best friend is called Kelvin. I’ve always considered him my best friend since I met him because he had a certain aura about him. In this essay, I will compare and contrast some of the main aspects of his character with those of my second best friend Amber to craft a clear argument as to why I consider him my best friend.

To start with, Kelvin has an open mind. He’s unlike Amber because she will only tolerate certain views. If Kelvin doesn’t like something he will be completely honest about it, but he won’t show it in a negative fashion. Amber, on the other hand, will do so and won’t be able to hide her boredom. I admire someone who can be as open minded as Kelvin.

Kelvin is also not afraid of showing off his opinions in the right way. In the event he disagrees with something I’ve done, he will make it clear that he disagrees. Amber also does this, and this is why I also value her presence in my life. I don’t like the proverbial yes men. I want real opinions, and that’s why we all get along so well.

One aspect where Kelvin contrasts with Amber is in the way he’ll happily try out new things. Amber is set in her ways and prefers to stick with what she knows. I’m similar to Amber, but I prefer Kelvin’s way of looking at things because he’s brought me out of my shell. Through my friendship with him, I’ve managed to experience things I would have never discovered without him.

Both Kelvin and Amber genuinely care about me and my affairs, though. They’re always interested in what I’m doing and how I am. They aren’t simply using me for their own ends. This is what I value in a best friend the most. On one occasion, I was having a hard time with the death of a loved one and I wanted to hide it. They were convinced something was wrong and they encouraged me to talk about it. Being able to talk about such matters with them helped me to get through the worst of it.

Another area where Kelvin stands out for me is the fact we have so much in common. Even if he wasn’t so open-minded, we would always get along because of our shared interests. We like the same type of music and can appreciate the same type of literature. This influences our conversations. It means we never get tired of speaking with each other.

On the other hand, Amber does have a lot of interests that I don’t share in. At times, this can mean we have little to talk about. Sometimes, we go through periods where we rarely speak. I’ve yet to run into this scenario with Kelvin.

Overall, Kelvin is my best friend because we have so many similarities. This is a relationship of mutual convenience. It’s not one-sided and we’re both equal partners. Whilst I value Amber in my life, we do have differences, and these differences can divide us on occasion.

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10.7 Comparison and Contrast

Learning objectives.

• Determine the purpose and structure of comparison and contrast in writing.
• Explain organizational methods used when comparing and contrasting.
• Understand how to write a compare-and-contrast essay.

The Purpose of Comparison and Contrast in Writing

Comparison in writing discusses elements that are similar, while contrast in writing discusses elements that are different. A compare-and-contrast essay , then, analyzes two subjects by comparing them, contrasting them, or both.

The key to a good compare-and-contrast essay is to choose two or more subjects that connect in a meaningful way. The purpose of conducting the comparison or contrast is not to state the obvious but rather to illuminate subtle differences or unexpected similarities. For example, if you wanted to focus on contrasting two subjects you would not pick apples and oranges; rather, you might choose to compare and contrast two types of oranges or two types of apples to highlight subtle differences. For example, Red Delicious apples are sweet, while Granny Smiths are tart and acidic. Drawing distinctions between elements in a similar category will increase the audience’s understanding of that category, which is the purpose of the compare-and-contrast essay.

Similarly, to focus on comparison, choose two subjects that seem at first to be unrelated. For a comparison essay, you likely would not choose two apples or two oranges because they share so many of the same properties already. Rather, you might try to compare how apples and oranges are quite similar. The more divergent the two subjects initially seem, the more interesting a comparison essay will be.

Writing at Work

Comparing and contrasting is also an evaluative tool. In order to make accurate evaluations about a given topic, you must first know the critical points of similarity and difference. Comparing and contrasting is a primary tool for many workplace assessments. You have likely compared and contrasted yourself to other colleagues. Employee advancements, pay raises, hiring, and firing are typically conducted using comparison and contrast. Comparison and contrast could be used to evaluate companies, departments, or individuals.

Brainstorm an essay that leans toward contrast. Choose one of the following three categories. Pick two examples from each. Then come up with one similarity and three differences between the examples.

• Romantic comedies
• Internet search engines
• Cell phones

Brainstorm an essay that leans toward comparison. Choose one of the following three items. Then come up with one difference and three similarities.

• Department stores and discount retail stores
• Fast food chains and fine dining restaurants
• Dogs and cats

The Structure of a Comparison and Contrast Essay

The compare-and-contrast essay starts with a thesis that clearly states the two subjects that are to be compared, contrasted, or both and the reason for doing so. The thesis could lean more toward comparing, contrasting, or both. Remember, the point of comparing and contrasting is to provide useful knowledge to the reader. Take the following thesis as an example that leans more toward contrasting.

Thesis statement: Organic vegetables may cost more than those that are conventionally grown, but when put to the test, they are definitely worth every extra penny.

Here the thesis sets up the two subjects to be compared and contrasted (organic versus conventional vegetables), and it makes a claim about the results that might prove useful to the reader.

You may organize compare-and-contrast essays in one of the following two ways:

• According to the subjects themselves, discussing one then the other
• According to individual points, discussing each subject in relation to each point

See Figure 10.1 “Comparison and Contrast Diagram” , which diagrams the ways to organize our organic versus conventional vegetables thesis.

Figure 10.1 Comparison and Contrast Diagram

The organizational structure you choose depends on the nature of the topic, your purpose, and your audience.

Given that compare-and-contrast essays analyze the relationship between two subjects, it is helpful to have some phrases on hand that will cue the reader to such analysis. See Table 10.3 “Phrases of Comparison and Contrast” for examples.

Table 10.3 Phrases of Comparison and Contrast

Create an outline for each of the items you chose in Note 10.72 “Exercise 1” and Note 10.73 “Exercise 2” . Use the point-by-point organizing strategy for one of them, and use the subject organizing strategy for the other.

Writing a Comparison and Contrast Essay

First choose whether you want to compare seemingly disparate subjects, contrast seemingly similar subjects, or compare and contrast subjects. Once you have decided on a topic, introduce it with an engaging opening paragraph. Your thesis should come at the end of the introduction, and it should establish the subjects you will compare, contrast, or both as well as state what can be learned from doing so.

The body of the essay can be organized in one of two ways: by subject or by individual points. The organizing strategy that you choose will depend on, as always, your audience and your purpose. You may also consider your particular approach to the subjects as well as the nature of the subjects themselves; some subjects might better lend themselves to one structure or the other. Make sure to use comparison and contrast phrases to cue the reader to the ways in which you are analyzing the relationship between the subjects.

After you finish analyzing the subjects, write a conclusion that summarizes the main points of the essay and reinforces your thesis. See Chapter 15 “Readings: Examples of Essays” to read a sample compare-and-contrast essay.

Many business presentations are conducted using comparison and contrast. The organizing strategies—by subject or individual points—could also be used for organizing a presentation. Keep this in mind as a way of organizing your content the next time you or a colleague have to present something at work.

Choose one of the outlines you created in Note 10.75 “Exercise 3” , and write a full compare-and-contrast essay. Be sure to include an engaging introduction, a clear thesis, well-defined and detailed paragraphs, and a fitting conclusion that ties everything together.

Key Takeaways

• A compare-and-contrast essay analyzes two subjects by either comparing them, contrasting them, or both.
• The purpose of writing a comparison or contrast essay is not to state the obvious but rather to illuminate subtle differences or unexpected similarities between two subjects.
• The thesis should clearly state the subjects that are to be compared, contrasted, or both, and it should state what is to be learned from doing so.

There are two main organizing strategies for compare-and-contrast essays.

• Organize by the subjects themselves, one then the other.
• Organize by individual points, in which you discuss each subject in relation to each point.
• Use phrases of comparison or phrases of contrast to signal to readers how exactly the two subjects are being analyzed.

Writing for Success Copyright © 2015 by University of Minnesota is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

5 Compare and Contrast Essay Examples (Full Text)

A compare and contrast essay selects two or more items that are critically analyzed to demonstrate their differences and similarities. Here is a template for you that provides the general structure:

A range of example essays is presented below.

Compare and Contrast Essay Examples

#1 jean piaget vs lev vygotsky essay.

1480 Words | 5 Pages | 10 References

(Level: University Undergraduate)

Thesis Statement: “This essay will critically examine and compare the developmental theories of Jean Piaget and Lev Vygotsky, focusing on their differing views on cognitive development in children and their influence on educational psychology, through an exploration of key concepts such as the role of culture and environment, scaffolding, equilibration, and their overall implications for educational practices..”

#2 Democracy vs Authoritarianism Essay

Thesis Statement: “The thesis of this analysis is that, despite the efficiency and control offered by authoritarian regimes, democratic systems, with their emphasis on individual freedoms, participatory governance, and social welfare, present a more balanced and ethically sound approach to governance, better aligned with the ideals of a just and progressive society.”

#3 Apples vs Oranges Essay

1190 Words | 5 Pages | 0 References

(Level: 4th Grade, 5th Grade, 6th Grade)

Thesis Statement: “While apples and oranges are both popular and nutritious fruits, they differ significantly in their taste profiles, nutritional benefits, cultural symbolism, and culinary applications.”

#4 Nature vs Nurture Essay

1525 Words | 5 Pages | 11 References

(Level: High School and College)

Thesis Statement: “The purpose of this essay is to examine and elucidate the complex and interconnected roles of genetic inheritance (nature) and environmental influences (nurture) in shaping human development across various domains such as physical traits, personality, behavior, intelligence, and abilities.”

#5 Dogs vs Cats Essay

1095 Words | 5 Pages | 7 Bibliographic Sources

(Level: 6th Grade, 7th Grade, 8th Grade)

Thesis Statement: “This essay explores the distinctive characteristics, emotional connections, and lifestyle considerations associated with owning dogs and cats, aiming to illuminate the unique joys and benefits each pet brings to their human companions.”

How to Write a Compare and Contrast Essay

I’ve recorded a full video for you on how to write a compare and contrast essay:

Get the Compare and Contrast Templates with AI Prompts Here

In the video, I outline the steps to writing your essay. Here they are explained below:

1. Essay Planning

First, I recommend using my compare and contrast worksheet, which acts like a Venn Diagram, walking you through the steps of comparing the similarities and differences of the concepts or items you’re comparing.

I recommend selecting 3-5 features that can be compared, as shown in the worksheet:

Grab the Worksheet as Part of the Compare and Contrast Essay Writing Pack

2. Writing the Essay

Once you’ve completed the worksheet, you’re ready to start writing. Go systematically through each feature you are comparing and discuss the similarities and differences, then make an evaluative statement after showing your depth of knowledge:

Get the Rest of the Premium Compare and Contrast Essay Writing Pack (With AI Prompts) Here

How to Write a Compare and Contrast Thesis Statement

Compare and contrast thesis statements can either:

• Remain neutral in an expository tone.
• Prosecute an argument about which of the items you’re comparing is overall best.

To write an argumentative thesis statement for a compare and contrast essay, try this AI Prompts:

💡 AI Prompt to Generate Ideas I am writing a compare and contrast essay that compares [Concept 1] and [Concept2]. Give me 5 potential single-sentence thesis statements that pass a reasonable judgement.

Ready to Write your Essay?

Take action! Choose one of the following options to start writing your compare and contrast essay now:

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23 Compare and Contrast

Comparison  in writing discusses elements that are similar, while  contrast  in writing discusses elements that are different. A  compare-and-contrast essay , then, analyzes two subjects by comparing them, contrasting them, or both.

The key to a good compare-and-contrast essay is to choose two or more subjects that connect in a meaningful way. The purpose of conducting the comparison or contrast is not to state the obvious but rather to illuminate subtle differences or unexpected similarities. For example, if you wanted to focus on contrasting two subjects you would not pick apples and oranges; rather, you might choose to compare and contrast two types of oranges or two types of apples to highlight subtle differences. For example, Red Delicious apples are sweet, while Granny Smiths are tart and acidic. Drawing distinctions between elements in a similar category will increase the audience’s understanding of that category, which is the purpose of the compare-and-contrast essay.

Figure 5.7 Apples, Green and Red

Similarly, to focus on comparison, choose two subjects that seem at first to be unrelated. For a comparison essay, you likely would not choose two apples or two oranges because they share so many of the same properties already. Rather, you might try to compare how apples and oranges are quite similar. The more divergent the two subjects initially seem, the more interesting a comparison essay will be.

Writing at Work

Comparing and contrasting is also an evaluative tool. In order to make accurate evaluations about a given topic, you must first know the critical points of similarity and difference. Comparing and contrasting is a primary tool for many workplace assessments. You have likely compared and contrasted yourself to other colleagues. Employee advancements, pay raises, hiring, and firing are typically conducted using comparison and contrast. Comparison and contrast could be used to evaluate companies, departments, or individuals.

Exercise 13

Brainstorm an essay that leans toward contrast. Choose one of the following three categories. Pick two examples from each. Then come up with one similarity and three differences between the examples.

• Romantic comedies
• Internet search engines
• Cell phones

Exercise 14

Brainstorm an essay that leans toward comparison. Choose one of the following three items. Then come up with one difference and three similarities.

• Department stores and discount retail stores
• Fast food chains and fine dining restaurants
• Dogs and cats

The Structure of a Comparison and Contrast Essay

The compare-and-contrast essay starts with a thesis that clearly states the two subjects that are to be compared, contrasted, or both and the reason for doing so. Remember, the point of comparing and contrasting is to provide useful knowledge to the reader. Take the following thesis as an example that focuses on contrast.

Thesis statement : Organic vegetables may cost more than those that are conventionally grown, but they are definitely worth every extra penny.

Here the thesis sets up the two subjects to be compared and contrasted (organic versus conventional vegetables), and it makes a claim about the results that might prove useful to the reader.

You may organize compare-and-contrast essays in one of the following two ways:

• According to the subjects themselves, discussing one then the other
• According to individual points, discussing each subject in relation to each point

The organizational structure you choose depends on the nature of the topic, your purpose, and your audience.

See the chart below, which diagrams the ways to organize the organic versus conventional vegetables thesis.

Figure 5.8 Organization Diagram

Given that compare-and-contrast essays analyze the relationship between two subjects, it is helpful to have some phrases on hand that will cue the reader to such analysis. See the chart below for examples.

Figure 5.9 Phrases of Comparison and Contrast

Exercise 15

Create an outline for each of the items you chose in Exercises 13 and 14. Use the point-by-point organizing strategy for one of them, and use the subject organizing strategy for the other.

Writing a Comparison and Contrast Essay

First, choose whether you want to compare seemingly disparate subjects, contrast seemingly similar subjects, or compare and contrast subjects. Once you have decided on a topic, introduce it with an engaging opening paragraph. Your thesis should come at the end of the introduction, and it should establish the subjects you will compare, contrast, or both as well as state what can be learned from doing so.

The body of the essay can be organized in one of two ways: by subject or by individual points. The organizing strategy that you choose will depend on, as always, your audience and your purpose. You may also consider your particular approach to the subjects as well as the nature of the subjects themselves; some subjects might better lend themselves to one structure or the other. Make sure to use comparison and contrast phrases to cue the reader to the ways in which you are analyzing the relationship between the subjects.

After you finish analyzing the subjects, write a conclusion that reinforces your thesis while drawing a conclusion based on what you have presented. This conclusion is the “and so” statement for your essay, giving you the place to offer a judgement based on the examination you have just offered.

Many business presentations are conducted using comparison and contrast. The organizing strategies—by subject or individual points—could also be used for organizing a presentation. Keep this in mind as a way of organizing your content the next time you or a colleague have to present something at work.

Exercise 16

Choose two people who are significant in your life and have a similar relationship with you (two friends, two siblings, etc). Make a list of similarities and differences between these people. Consult your list, then draw a conclusion based on the presence of these similarities and differences. Outline the similarities and differences, then write a statement that offers an overall conclusion.

Assignment 5

Choose one of the outlines you created in Exercise 15 or 16, and write a full compare-and-contrast essay. Be sure to include an engaging introduction, a clear thesis, well-defined and detailed paragraphs, and a fitting conclusion that ties everything together.

Key Takeaways

• A compare-and-contrast essay analyzes two subjects by either comparing them, contrasting them, or both.
• The purpose of writing a comparison or contrast essay is not to state the obvious but rather to illuminate subtle differences or unexpected similarities between two subjects.
• The thesis should clearly state the subjects that are to be compared, contrasted, or both, and it should state what is to be learned from doing so.
• Organize by the subjects themselves, one then the other.
• Organize by individual points, in which you discuss each subject in relation to each point.
• Use phrases of comparison or phrases of contrast to signal to readers how exactly the two subjects are being analyzed.

External Links

“ Disability ” (https://tinyurl.com/y99te6e2) by Nancy Mairs: In “Disability,” writer Nancy Mairs discusses the experience of being a disabled person in a world focused on the able-bodied. It seems to be titled “Hers” but it is the correct essay.

“ Friending, Ancient or Otherwise ” (https://tinyurl.com/y85u8ae8) by Alex Wright: In “Friending, Ancient or Otherwise,” writer Alex Wright explores the evolution and purpose of friendship in the age of social media.

“ Sex, Lies and Conversation: Why Is It So Hard for Men and Women to Talk to Each Other ? ” (https://tinyurl.com/y95dpehx) by Deborah Tannen. In this essay, Tannen compares and contrasts conversation styles. You can view the essay  here  (https://tinyurl.com/y9vnjqv8) also.

Example Comparison and Contrast Essay

“A South African Storm”

By Allison Howard – Peace Corps Volunteer: South Africa (2003-2005)

It’s a Saturday afternoon in January in South Africa. When I begin the 45–minute walk to the shops for groceries, I can hear thunder cracking in the distance up the mountain in Mageobaskloof. But at 4 p.m. the sky is still light and bright and I am sure—famous last words—I will be fine without an umbrella.

Just the basics: eggs, bread, Diet Coke in a bag slung into the crook of my elbow. Halfway from town, two black South African women—domestic workers in the homes of white Afrikaner families—stop me with wide smiles. They know me; I’m the only white person in town who walks everywhere, as they do. They chatter quickly in northern Sotho: “Missus, you must go fast. Pula e tla na! The rain, it comes!” They like me, and it feels very important to me that they do.“Yebo, yebo, mma,” I say—Yes, it’s true—and I hurry along in flip-flops, quickening my pace, feeling good about our brief but neighborly conversation. These are Venda women.

My black South African friends tell me it’s easy to tell a Venda from a Shangaan from a Xhosa from a Pedi. “These ones from Venda , they have wide across the nose and high in the cheekbones,” they say. But I don’t see it; I’m years away from being able to distinguish the nuances of ethnicity. Today, I know these women are Vendas simply because of their clothing: bright stripes of green and yellow and black fabric tied at one shoulder and hanging quite like a sack around their bodies. They’ve already extended a kindness to me by speaking in northern Sotho. It’s not their language but they know I don’t speak a word of Afrikaans (though they don’t understand why; Afrikaans is the language of white people). They know I struggle with Sotho and they’re trying to help me learn. So they speak Sotho to me and they’re delighted and amused by my fumbling responses. And I am, quite simply, delighted by their delight.

The Venda ladies are right: the rain, it comes. Lightly at first, and by habit I begin trotting to hurry my way home. Just a little rain at first and there are plenty of us out in it. I can see others up ahead on the street and others still just leaving the shops to get back before the real rain begins.

The people who are walking along this swath of tar road are black. Black people don’t live in this neighborhood—or in my town at all, for the most part. They work and board here as domestic workers, nannies, gardeners. Their families live in black townships and rural villages—some just outside of my town; others far away, in places like Venda.

Today, we’re walking together in the rain, and I’m quickening my pace because—after all , it’s raining . That’s what you do in the rain. And even though it’s coming down noticeably harder, it’s 80 degrees and I’m not cold, I’m just wet. My hair is stuck to my forehead and my T-shirt is soaked … and I’m the only one running for cover. And I think: So what? It’s just water and in the middle of the January summer, it’s warm, refreshing water. Why run? Why do we run from the rain?

In my life back in the United States, I might run because I was carrying a leather handbag, or because I wore an outfit that shouldn’t get wet. I would run because rain dishevels and messes things up. Mostly though, we run because we just do; it’s a habit. I’ve done it a hundred times: running to my car or the subway station with a newspaper sheltering my head. I have never not quickened my pace in the rain until today.

It took all of my 27 years and a move to Africa , where I don’t have a leather handbag to shelter or a pretty outfit to protect. I’m wearing an old cotton skirt and a T-shirt, and I’m drenched, and I love it. I learn things here in the most ordinary circumstances. And I feel like a smarter, better woman today because I got groceries in the rain.

But on the long walk home, positively soaked and smiling like a fool, I notice a car pulling over and a man yelling in Afrikaans to get in, get in. I look in the direction I’ve come from and several meters behind me is a woman with a baby tied to her back and an elderly man carrying bags, leading a young boy by the hand. On the road ahead, a woman about my age carries a parcel wrapped in plastic, balanced precariously on her head. There are maybe 20 people walking with me in my reverie of rain and they are black. And the man in the car is white and he’s gesturing frantically for me to get in. Why me? Why not the others? Because I’m white and it’s about race. Everything is about race here.

This man in the car is trying to do something kind and neighborly. He wants to help me and his gesture is right, but his instincts are so wrong. How do you resent someone who is, for no benefit of his own, trying to help? But I do. I resent him and I resent the world he lives in that taught him such selective kindness. This whole event unravels in a few seconds’ time. He’s leaned over and opened the car door, urging me in … and I get in. And we speed past my fellow walkers and he drops me at my doorstep before I have time to think of anything besides giving him directions.

It feels like a mistake because I’m ashamed to think what the Venda women would have felt if he’d ignored them and they had watched me climb into that car. In some ways, the whole episode seems absurd. I’m not going to atone for 400 years of South African history by walking with black people in the rain. If I’d refused his ride, he wouldn’t have thought anything besides the fact that I was certifiably crazy. That’s the thing about being here: I’m not going to change anything. But I believe it matters in some infinitesimal way that people like the Venda women, and the dozens of people who may walk alongside me on any given day, know that I’m there. In black South African culture, it is polite to greet every person you pass. That’s what they do, so I do it, too. On the occasional morning, someone might greet me as “sesi,” sister. I have to believe that matters; I know it matters to me.

I was disappointed in myself for getting into the car because I acted according to the same habit that makes us think rain an inconvenience. Just as we run from the rain, I hopped into that car because I’m supposed to. Conventionally, it makes sense. But convention compels us to do so many things that don’t make any sense at all. Convention misinforms our instincts. And in a larger sense, it is convention that propels Afrikaner culture anachronistically into the future. Ten years after the supposed end of apartheid, I’m living in a world of institutionalized racism. Convention becomes institution—and it’s oppressive and it’s unjust. I know that if I’m going to make it here for two more years, I need to walk in the rain. It’s a small, wasted gesture, but it’s an uncorrupted instinct that makes me feel human.

So much about living here feels like that fraction of a second when the Afrikaner man was appealing to my conventional sensibilities and the people on the street were appealing to my human instincts. It may feel unnatural to reject those sensibilities just as, at first, it feels unnatural to walk in the rain. But if I lose a hold on my instincts here, I’ll fail myself and I’ll fail to achieve those tiny things that matter so much. It’s simple and it’s small; and it’s everything. Gandhi said, “Be the change you wish to see in the world.” Indeed. Let it rain.

Example Comparison and Contrast Essay #2

Comparing and Contrasting London and Washington, DC

Both Washington, DC, and London are capital cities of English-speaking countries, and yet they offer vastly different experiences to their residents and visitors. Comparing and contrasting the two cities based on their history, their culture, and their residents show how different and similar the two are.

Both cities are rich in world and national history, though they developed on very different time lines. London, for example, has a history that dates back over two thousand years. It was part of the Roman Empire and known by the similar name, Londinium. It was not only one of the northernmost points of the Roman Empire but also the epicenter of the British Empire where it held significant global influence from the early sixteenth century on through the early twentieth century. Washington, DC, on the other hand, has only formally existed since the late eighteenth century. Though Native Americans inhabited the land several thousand years earlier, and settlers inhabited the land as early as the sixteenth century, the city did not become the capital of the United States until the 1790s. From that point onward to today, however, Washington, DC, has increasingly maintained significant global influence. Even though both cities have different histories, they have both held, and continue to hold, significant social influence in the economic and cultural global spheres.

Both Washington, DC, and London offer a wide array of museums that harbor many of the world’s most prized treasures. While Washington, DC, has the National Gallery of Art and several other Smithsonian galleries, London’s art scene and galleries have a definite edge in this category. From the Tate Modern to the British National Gallery, London’s art ranks among the world’s best. This difference and advantage has much to do with London and Britain’s historical depth compared to that of the United States. London has a much richer past than Washington, DC, and consequently has a lot more material to pull from when arranging its collections. Both cities have thriving theater districts, but again, London wins this comparison, too, both in quantity and quality of theater choices. With regard to other cultural places like restaurants, pubs, and bars, both cities are very comparable. Both have a wide selection of expensive, elegant restaurants as well as a similar amount of global and national chains. While London may be better known for its pubs and taste in beer, DC offers a different bar-going experience. With clubs and pubs that tend to stay open later than their British counterparts, the DC night life tend to be less reserved overall.

Both cities also share and differ in cultural diversity and cost of living. Both cities share a very expensive cost of living—both in terms of housing and shopping. A downtown one-bedroom apartment in DC can easily cost $1,800 per month, and a similar “flat” in London may double that amount. These high costs create socioeconomic disparity among the residents. Although both cities’ residents are predominantly wealthy, both have a significantly large population of poor and homeless. Perhaps the most significant difference between the resident demographics is the racial makeup. Washington, DC, is a “minority majority” city, which means the majority of its citizens are races other than white. In 2009, according to the US Census, 55 percent of DC residents were classified as “Black or African American” and 35 percent of its residents were classified as “white.” London, by contrast, has very few minorities—in 2006, 70 percent of its population was “white,” while only 10 percent was “black.” The racial demographic differences between the cities is drastic.

Even though Washington, DC, and London are major capital cities of English-speaking countries in the Western world, they have many differences along with their similarities. They have vastly different histories, art cultures, and racial demographics, but they remain similar in their cost of living and socioeconomic disparity.

Attributions

Content taken from Chapter 5 – Rhetorical Modes  by Jenifer Kurtz is licensed under a  Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License

English 101: Journey Into Open Copyright © 2021 by Christine Jones is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License , except where otherwise noted.

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Compare and Contrast Essay: Full Writing Guide and 150+ Topics

Compare and contrast essays are academic papers in which a student analyses two or more subjects with each other. To compare means to explore similarities between subjects, while to contrast means to look at their differences. Both subjects of the comparison are usually in the same category, although they have their differences. For example, it can be two movies, two universities, two cars etc.

Good compare and contrast papers from college essay writer focus on a central point, explaining the importance and implications of this analysis. A compare and contrast essay thesis must make a meaningful comparison. Find the central theme of your essay and do some brainstorming for your thesis.

This type of essay is very common among college and university students. Professors challenge their students to use their analytical and comparative skills and pay close attention to the subjects of their comparisons. This type of essay exercises observance and analysis, helps to establish a frame of reference, and makes meaningful arguments about a subject. Let's get deeper on how to write a compare and contrast essay with our research writing services .

How to Start a Compare and Contrast Essay: Brainstorm Similarities and Differences

Now that you know what is compare and contrast essay and are set with your topic, the first thing you should do is grab a piece of paper and make a list with two columns: similarities and differences. Jot down key things first, the most striking ones. Then try to look at the subjects from a different angle, incorporating your imagination.

If you are more of a visual learner, creating a Venn diagram might be a good idea. In order to create it, draw two circles that overlap. In the section where it overlaps, note similarities. Differences should be written in the part of the circle that does not overlap.

Let’s look at a simple example of compare and contrast essay. Let one of the subjects be oranges, and the other one be apples. Oranges have thick peel, originally from India, and are tropical fruit. These characteristics pertain only to oranges and should be in the part of the circle that does not overlap. For the same section on apples, we put thin peel, originated in Turkey or Kazakhstan, and moderate to subtropical. In the section that overlaps, let’s say that they are both fruit, can be juiced, and grow on trees. This simple, yet good example illustrates how the same concept can be applied to many other complicated topics with additional points of comparison and contrast.

This format of visual aid helps to organize similarities and differences and make them easier to perceive. Your diagram will give you a clear idea of the things you can write about.

Another good idea for brainstorming in preparation for your comparison contrast essay is to create a list with 2 columns, one for each subject, and compare the same characteristics for each of them simultaneously. This compare and contrast format will make writing your comparison contrast paper argument a breeze, as you will have your ideas ready and organized.

One mistake you should avoid is simply listing all of the differences or similarities for each subject. Sometimes students get too caught up in looking for similarities and differences that their compare and contrast essays end up sounding like grocery lists. Your essay should be based on analyzing the similarities and differences, analyzing your conclusions about the two subjects, and finding connections between them—while following a specific format.

Compare and Contrast Essay Structure and Outline

So, how do you structure this compare and contrast paper? Well, since compare and contrast essay examples rely heavily on factual analysis, there are two outline methods that can help you organize your facts. You can use the block method, or point-by-point method, to write a compare and contrast essay outline.

While using the block structure of a compare and contrast essay, all the information is presented for the first subject, and its characteristics and specific details are explained. This concludes one block. The second block takes the same approach as the first for the second subject.

The point-by-point structure lists each similarity and difference simultaneously—making notes of both subjects. For example, you can list a characteristic specific to one subject, followed by its similarity or difference to the other subject.

Both formats have their pros and cons. The block method is clearly easier for a compare and contrast essay writer, as you simply point out all of the information about the two subjects, and basically leave it to the reader to do the comparison. The point-by-point format requires you to analyze the points yourself while making similarities and differences more explicit to the reader for them to be easier to understand. Here is a detailed structure of each type presented below.

Point-by-Point Method

• Introduce the topic;
• Specify your theme;
• Present your thesis - cover all areas of the essay in one sentence.

Example thesis: Cars and motorcycles make for excellent means of transportation, but a good choice depends on the person’s lifestyle, finances, and the city they live in.

Body Paragraph 1 - LIFESTYLE

• Topic Sentence: Motorcycles impact the owner’s lifestyle less than cars.
• Topic 1 - Motorcycles
• ~ Argument: Motorcycles are smaller and more comfortable to store.
• ~ Argument: Motorcycles are easy to learn and use.
• Topic 2 - Cars
• ~ Argument: Cars are a big deal - they are like a second home.
• ~ Argument: It takes time to learn to become a good driver.

Body Paragraph 2 - FINANCES

• Topic sentence: Cars are much more expensive than motorcycles
• ~ Argument: You can buy a good motorcycle for under 300$.
• ~ Argument: Fewer parts that are more accessible to fix.
• ~ Argument: Parts and service are expensive if something breaks.
• ~ Argument: Cars need more gas than motorcycles.

Body Paragraph 3 - CITY

• Topic sentence: Cars are a better option for bigger cities with wider roads.
• ~ Argument: Riding motorcycles in a big city is more dangerous than with cars.
• ~ Argument: Motorcycles work great in a city like Rome, where all the streets are narrow.
• ~ Argument: Big cities are easier and more comfortable to navigate by car.
• ~ Argument: With a car, traveling outside of the city is much easier.
• Sum up all you wrote in the article.

Block Method

• Thesis — cover all areas of the essay in one sentence

Body Paragraph 1

• Topic Sentence: Motorcycles are cheaper and easier to take care of than cars.
• Aspect 1 - Lifestyle
• Aspect 2 - Finances
• ~ Argument: Fewer parts, easier to fix.
• Aspect 3 - City
• ~ Argument: Riding motorcycles in a big city is more dangerous than cars.

Body Paragraph 2

• Topic sentence: Cars are more expensive but more comfortable for a big city and for travelling.
• ~ Argument: Cars are a big deal—like a second home.
• ~ Argument: With a car, traveling outside the city is much more comfortable.

Body Paragraph 3 ‍

Use the last paragraph to evaluate the comparisons and explain why they’re essential. Giving a lot of facts can be intense. To water it down, try to give the reader any real-life applications of these facts.

Depending on the structure selected, you can begin to create an outline for your essay. The typical comparison essay follows the format of having an introduction, three body paragraphs, and a conclusion — though, if you need to focus on each subject in more detailed ways, feel free to include an extra paragraph to cover all of the most important points.

To make your compare and contrast essay flow better, we recommend using special transition words and phrases. They will add variety and improve your paper overall.

For the section where you compare two subjects, you can include any of the following words: similarly, likewise, also, both, just like, similar to, the same as, alike, or to compare to. When contrasting two subjects, use: in contrast, in comparison, by comparison, on the other hand, while, whereas, but, to differ from, dissimilar to, or unlike.

Show Your Evidence

Arguments for any essay, including compare and contrast essays, need to be supported by sufficient evidence. Make good use of your personal experiences, books, scholarly articles, magazine and newspaper articles, movies, or anything that will make your argument sound credible. For example, in your essay, if you were to compare attending college on campus vs. distance-based learning, you could include your personal experiences of being a student, and how often students show up to class on a daily basis. You could also talk about your experience taking online classes, which makes your argument about online classes credible as well.

Helpful Final Tips

The biggest tip dissertation writing services can give you is to have the right attitude when writing a compare contrast essay, and actively engage the reader in the discussion. If you find it interesting, so will your reader! Here are some more compare and contrast essay tips that will help you to polish yours up:

• Compare and contrast essays need powerful transitions. Try learning more about writing transition sentences using the words we provided for you in the 'Compare and Contrast Structure and Outline' section.
• Always clarify the concepts you introduce in your essay. Always explain lesser known information—don’t assume the reader must already know it.
• Do not forget to proofread. Small mistakes, but in high quantities, can result in a low grade. Pay attention to your grammar and punctuation.
• Have a friend or family member take a look at your essay; they may notice things you have missed.

Compare and Contrast Essay Examples

Now that you know everything there is to know about compare and contrast essays, let’s take a look at some compare and contrast examples to get you started on your paper or get a hand from our essay helper .

Different countries across the world have diverse cultural practices, and this has an effect on work relationships and development. Geert Hofstede came up with a structured way of comparing cultural dimensions of different countries. The theory explains the impacts of a community’s culture on the values of the community members, and the way these values relate to their behaviors. He gives scores as a way to help distinguish people from different nations using the following dimensions: long-term orientation, individualism, power distance, indulgence, necessity avoidance, and masculinity. Let us examine comparisons between two countries: the United Kingdom and China — based on Hofstede’s Six Dimensions of Culture.

Over the last two decades, the demand from consumers for organic foods has increased tremendously. In fact, the popularity of organic foods has exploded significantly with consumers, spending a considerably higher amount of money on them as compared to the amount spent on inorganic foods. The US market noted an increase in sales of more than 10% between 2014 and 2015 (Brown, n.p). The increase is in line with the views of many consumers that organic foods are safer, tastier, and healthier compared to the inorganic foods. Furthermore, considering the environmental effects of foods, organic foods present less risk of environmental pollution — compared to inorganic foods. By definition, organic foods are those that are grown without any artificial chemical treatment, or treatment by use of other substances that have been modified genetically, such as hormones and/or antibiotics (Brown, n.p).

Still feeling confused about the complexities of the compare and contrast essay? Feel free to contact our paper writing service to get a professional writing help.

Finding the Best Compare and Contrast Essay Topics For You

When choosing a topic for your comparison essay, remember that subjects cannot be drastically different, because there would be little to no points of comparison (similarities). The same goes for too many similarities, which will result in poor contrasts. For example, it is better to write about two composers, rather than a composer and a singer.

It is extremely important to choose a topic you are passionate about. You never want to come across something that seems dull and uninspiring for you. Here are some excellent ways to brainstorm for a topic from essay writer :

• Find categories: Choose a type (like animals, films or economics), and compare subjects within that category – wild animals to farm animals, Star Wars to Star Trek, private companies to public companies, etc.
• Random Surprising Fact: Dig for fun facts which could make great topics. Did you know that chickens can be traced back to dinosaurs?
• Movie vs. Book: Most of the time, the book is better than the movie — unless it’s Blade Runner or Lord of the Rings. If you’re a pop culture lover, compare movies vs. books, video games, comics, etc.

Use our rewrite essay service when you need help from professionals.

How to Choose a Great Compare and Contrast Topic

College students should consider providing themselves with a chance to use all topic examples. With enough revision, an advantage is gained. As it will be possible to compare arguments and contrast their aspects. Also, discuss numerous situations to get closer to the conclusion.

For example:

• Choose a topic from the field of your interests. Otherwise you risk failing your paper.
• It is a good idea to choose a topic based upon the class subject or specialist subject. (Unless the requirements say otherwise.)
• Analyze each argument carefully. Include every detail for each opposing idea. Without doing so, you can definitely lower grades.
• Write a conclusion that summarizes both arguments. It should allow readers to find the answer they’re looking for.
• It is up to you to determine which arguments are right and wrong in the final conclusion.
• Before approaching the final conclusion, it’s important to discuss each argument equally. It is a bad idea to be biased, as it can also lower grades.

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150 Compare and Contrast Essay Topics to Consider

Choosing a topic can be a challenging task, but there are plenty of options to consider. In the following sections, we have compiled a list of 150 compare and contrast essay topics to help you get started. These topics cover a wide range of subjects, from education and technology to history and politics. Whether you are a high school student or a college student, you are sure to find a topic that interests you. So, read on to discover some great compare and contrast essay ideas.

Compare and Contrast Essay Topics For College Students

When attending a college, at any time your professor can assign you the task of writing this form of an essay. Consider these topics for college students from our team to get the grades you deserve.

• Attending a College Course Vs. Distance-Based Learning.
• Writing a Research Paper Vs. Writing a Creative Writing Paper. What are the differences and similarities?
• The differences between a Bachelor’s Degree and a Master’s Degree.
• The key aspects of the differences between the US and the UK education systems.
• Completing assignments at a library compared with doing so at home. Which is the most efficient?
• The similarities and differences in the behavior among married and unmarried couples.
• The similarities and differences between the EU (European Union) and ASEAN (The Association of Southeast Asian Nations)?
• The similarities and significant differences between American and Canadian English.
• Writing an Internship Report Vs. Writing a Research Paper
• The differences between US colleges and colleges in the EU?

Interesting Compare and Contrast Essay Topics

Some topics for the compare and contrast essay format can be boring. To keep up motivation, doing a research , have a look at these topics. Maybe they can serve you as research paper help .

• Public Transport Vs. Driving A Car. Which is more efficient?
• Mandarin Vs. Cantonese: What are the differences between these Chinese languages?
• Sports Cars Vs. Luxurious Family Cars
• Wireless Technology Vs. Wired Devices
• Thai Food Vs. Filipino Cuisine
• What is the difference and similarities between a register office marriage and a traditional marriage?
• The 2000s Vs. The 2010s. What are the differences and what makes them similar?
• Abu Dhabi Vs. Dubai. What are the main factors involved in the differences?
• What are the differences between American and British culture?
• What does the New York Metro do differently to the London Underground?

Compare and Contrast Essay Topics for High School Students

When writing essays for high school, it is good to keep them informative. Have a look at these compare and contrast sample topics.

• Highschool Life Vs. College Life
• Paying College Fees Vs. Being Awarded a Scholarship
• All Night Study Sessions Vs. Late Night Parties
• Teenager Vs. Young Adult Relationships
• Being in a Relationship Vs. Being Single
• Male Vs. Female Behavior
• The similarities and differences between a high school diploma and a college degree
• The similarities and differences between Economics and Business Studies
• The benefits of having a part-time job, instead of a freelance job, in college
• High School Extra Curricular Activities Vs. Voluntarily Community Services

Compare and Contrast Essay Topics for Science

At some point, every science student will be assigned this type of essay. To keep things at flow, have a look at best compare and contrast essay example topics on science:

• Undiscovered Species on Earth Vs. Potential Life on Mars: What will we discover in the future?
• The benefits of Gasoline Powered Cars Vs. Electric Powered Cars
• The differences of the Milky Way Vs. Centaurus (Galaxies).
• Earthquakes Vs. Hurricanes: What should be prepared for the most?
• The differences between our moon and Mars’ moons.
• SpaceX Vs. NASA. What is done differently within these organizations?
• The differences and similarities between Stephen Hawking and Brian Cox’s theories on the cosmos. Do they agree or correspond with each other?
• Pregnancy Vs. Motherhood
• Jupiter Vs. Saturn
• Greenhouse Farming Vs. Polytunnel Farming

Sports & Leisure Topics

Studying Physical Education? Or a gym fanatic? Have a look at our compare and contrast essay topics for sports and leisure.

• The English Premier League Compared With The Bundesliga
• Real Madrid Vs. Barcelona
• Football Vs. Basketball
• Walking Vs. Eating Outside with Your Partner
• Jamaica Team Vs. United States Team: Main Factors and Differences
• Formula One Vs. Off-Road Racing
• Germany Team Vs. Brazil Team
• Morning Exercise Vs. Evening Exercise.
• Manning Team Vs. Brazil Team
• Swimming Vs. Cycling

Topics About Culture

Culture can have several meanings. If you’re a Religious Studies or Culture student, take a look at these good compare and contrast essay topics about culture.

• The fundamental similarities and differences between Pope Francis and Tawadros II of Alexandria
• Canadian Vs. Australian Religion
• The differences between Islamic and Christian Holidays
• The cultural similarities and differences between the Native Aboriginals and Caucasian Australians
• Native American Culture Vs. New England Culture
• The cultural differences and similarities between Italians and Sicilians
• In-depth: The origins of Buddhism and Hinduism
• In-depth: The origins of Christianity and Islam
• Greek Gods Vs. Hindu Gods
• The Bible: Old Testament Vs. New Testament

Unique Compare and Contrast Essay Topics

What about writing an essay which is out of the ordinary? Consider following these topics to write a compare and contrast essay on, that are unique.

• The reasons why some wealthy people pay extortionate amounts of money for gold-plated cell phones, rather than buying the normal phone.
• The differences between Lipton Tea and Ahmad Tea
• American Football Vs. British Football: What are their differences?
• The differences and similarities between France and Britain
• Fanta Vs. 7Up
• Traditional Helicopters Vs. Lifesize Drones
• The differences and similarities between Boston Dynamics and the fictional equivalent Skynet (From Terminator Movies).
• Socialism Vs. Capitalism: Which is better?
• Curved Screen TVs’ Vs. Regular Flat Screen TVs’: Are they really worth big bucks?
• Is it better to wear black or white at funerals?

Good Compare and Contrast Essay Topics

Sometimes, it may be a requirement to take it back a notch. Especially if you’re new to these style of writing. Consider having a look at these good compare and contrast essay topics that are pretty easy to start off.

• Is it a good idea to work on weekdays or weekends?
• Black of White Coffee
• Becoming a teacher or a doctor? Which career choice has more of an impact on society?
• Air Travel Vs. Sea Travel: Which is better?
• Rail Travel Vs. Road Travel: Which is more convenient?
• What makes Europe far greater than Africa? In terms of financial growth, regulations, public funds, policies etc…
• Eating fruit for breakfast Vs. cereals
• Staying Home to Read Vs. Traveling the World During Holidays. Which is more beneficial for personal growth?
• Japanese Vs. Brazilian Cuisine
• What makes ASEAN Nations more efficient than African Nations?

Compare and Contrast Essay Topics About TV Shows, Music and Movies

We all enjoy at least one of these things. If not, all of them. Why not have a go at writing a compare and contrast essay about what you have been recently watching or listening to?

• Breaking Bad Vs. Better Call Saul: Which is more commonly binge watched?
• The differences between Dance Music and Heavy Metal
• James Bond Vs. Johnny English
• Iron Man Vs. The Incredible Hulk: Who would win?
• What is done differently in modern movies, compared to old black and white movies?
• Dumber and Dumber 2 Vs. Ted: Which movie is funnier?
• Are Horror movies or Action Movies best suited to you?
• The differences and similarities between Mozart and Beethoven compositions.
• Hip Hop Vs. Traditional Music
• Classical Music Vs. Pop Music. Which genre helps people concentrate?

Topics About Art

Sometimes, art students are required to write this style of essay. Have a look at these compare and contrast essay topics about the arts of the centuries.

• The fundamental differences and similarities between paintings and sculptures
• The different styles of Vincent Van Gogh and Leonardo Da Vinci.
• Viewing Original Art Compared With Digital Copies. How are these experiences different?
• 18th Century Paintings Vs. 21st Century Digitally Illustrated Images
• German Art Vs. American Art
• Modern Painting Vs. Modern Photography
• How can we compare modern graphic designers to 18th-century painters?
• Ancient Greek Art Vs. Ancient Egyptian Art
• Ancient Japanese Art Vs. Ancient Persian Art
• What 16th Century Painting Materials were used compared with the modern day?

Best Compare and Contrast Essay Topics

Almost every student at any stage of academics is assigned this style of writing. If you’re lacking inspiration, consider looking at some of the best compare and contrast essay topics to get you on track with your writing.

• The United States and North Korea Governmental Conflict: What is the reason behind this phenomenon?
• In the Early Hours, Drinking Water is far healthier than consuming soda.
• The United States Vs. The People’s Republic of China: Which economy is the most efficient?
• Studying in Foreign Countries Vs. Studying In Your Hometown: Which is more of an advantage?
• Toast Vs. Cereal: Which is the most consumed in the morning?
• Sleeping Vs. Daydreaming: Which is the most commonly prefered? And amongst who?
• Learning French Vs. Chinese: Which is the most straightforward?
• Android Phones Vs. iPhones
• The Liberation of Slaves Vs. The Liberation of Women: Which is more remembered?
• The differences between the US Dollar and British Pound. What are their advantages? And How do they correspond with each other?

Easy Compare and Contrast Essay Topics

In all types of academics, these essays occur. If you’re new to this style of writing, check our easy compare and contrast essay topics.

• The Third Reich Vs. North Korea
• Tea Vs. Coffee
• iPhone Vs. Samsung
• KFC Vs. Wendy’s
• Laurel or Yanny?
• Healthy Lifestyle Vs. Obese Lifestyle
• Forkes Vs. Sporks
• Rice Vs. Porridge
• Roast Dinner Vs. Chicken & Mushroom Pie
• What’s the difference between apples and oranges?

Psychology Compare and Contrast Essay Topics

Deciding upon good compare and contrast essay topics for psychology assignments can be difficult. Consider referring to our list of 10 psychology compare and contrast essay topics to help get the deserved grades.

• What is a more severe eating order? Bulimia or Anorexia
• Modern Medicine Vs. Traditional Medicine for Treating Depression?
• Soft Drugs Vs. Hard Drugs. Which is more dangerous for people’s psychological well-being?
• How do the differences between Lust and Love have an effect on people’s mindsets?
• Ego Vs. Superego
• Parents Advice Vs. Peers Advice amongst children and teens.
• Strict Parenting Vs. Relaxed Parenting
• Mental Institutions Vs. Stress Clinics
• Bipolar Disorder Vs. Epilepsy
• How does child abuse affect victims in later life?

Compare and Contrast Essay Topics for Sixth Graders

From time to time, your teacher will assign the task of writing a compare and contrast essay. It can be hard to choose a topic, especially for beginners. Check out our easy compare and contrast essay topics for sixth graders.

• Exam Preparation Vs. Homework Assignments
• Homeschooling Vs. Public Education
• High School Vs. Elementary School
• 5th Grade Vs. 6th Grade: What makes them different or the same?
• Are Moms’ or Dads’ more strict among children?
• Is it better to have strict parents or more open parents?
• Sandy Beaches Vs. Pebble Beaches: Which beaches are more popular?
• Is it a good idea to learn guitar or piano?
• Is it better to eat vegetable salads or pieces of fruit for lunch?
• 1st Grade Vs. 6th Grade

Funny Compare and Contrast Essay Topics

Sometimes, it is good to have a laugh. As they always say : 'laughter is the best medicine'. Check out these funny compare and contrast essay topics for a little giggle when writing.

• What is the best way to waste your time? Watching Funny Animal Videos or Mr. Bean Clips?
• Are Pug Dogs or Maltese Dogs crazier?
• Pot Noodles Vs. McDonalds Meals.
• What is the difference between Peter Griffin and Homer Simpson?
• Mrs. Doubtfire Vs. Mrs. Brown. How are they similar?
• Which game is more addictive? Flappy Bird or Angry Birds?
• Big Shaq Vs. PSY
• Stewie Griffin Vs. Maggie Simpson
• Quarter Pounders Vs. Big Macs
• Mr. Bean Vs. Alan Harper

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Daniel Parker

is a seasoned educational writer focusing on scholarship guidance, research papers, and various forms of academic essays including reflective and narrative essays. His expertise also extends to detailed case studies. A scholar with a background in English Literature and Education, Daniel’s work on EssayPro blog aims to support students in achieving academic excellence and securing scholarships. His hobbies include reading classic literature and participating in academic forums.

is an expert in nursing and healthcare, with a strong background in history, law, and literature. Holding advanced degrees in nursing and public health, his analytical approach and comprehensive knowledge help students navigate complex topics. On EssayPro blog, Adam provides insightful articles on everything from historical analysis to the intricacies of healthcare policies. In his downtime, he enjoys historical documentaries and volunteering at local clinics.

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Difference Between Two of My Friends

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Writing Academic Essays: Tips and Support: Compare and Contrast Essay

• Informative Process Analysis
• Cause and Effect Essay
• Compare and Contrast Essay
• Argumentative Essay
• Newspapers, Databases & Articles
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Compare/Contrast Essay

• Writing a Compare & Contrast Essay (video)

Compare and Contrast

Compare and Contrast two things

Identify the argument

• What makes this paper argumentative?
• "Better" may be defined in different ways, depending on your argument.
• It should be clear to your readers that you have chosen one subject over the other and why you have done so.

Point-by-Point:

Introduction of two subjects for comparison (Paragraph 1). The Introductory paragraph explains to your readers why they will want to compare the two subjects, and reviews for them the points of comparison.

• Paragraph two introduces and explains point 1 for comparison and discusses how it applies to both subjects; i.e. apples and oranges.
• Paragraph three introduces and explains point 2 for comparison and discusses how it applies to both subjects.
• Paragraph  four introduces and explains point 3 for comparison and discusses how it applies to both subjects.

Conclusion of essay, highlighting the similarities and differences of the two subjects and giving overall recommendations as to which one is superior (better) for the audience.

Choose a topic you know a great deal about and can discuss at length. Think of your skills, hobbies, and interests.

• Could you compare two cell phones to propose to the audience which one you think is a better buy/faster for sending videos and pics/easier to use?
• How about two novels by the same or different authors? Which one is clearly better, and WHY?
• What types of exercises to target abdominal muscles?
• Which residence hall is better to live in - closer to the gym, closer to the lake, closer to San Antonio?
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The 25 Photos That Defined the Modern Age

A group of experts met to discuss the images that have best captured — and changed — the world since 1955.

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By M.H. Miller ,  Brendan Embser ,  Emmanuel Iduma and Lucy McKeon

• Published June 3, 2024 Updated June 4, 2024

This story contains graphic images of violence and death.

Let’s get this out of the way first: Of the dozens of photographers not represented here that a reasonable person might expect to have been included, the most conspicuous absentees include Berenice Abbott, Ansel Adams, Robert Adams, Richard Avedon, Dawoud Bey, Henri Cartier-Bresson, Imogen Cunningham, Roy DeCarava, William Eggleston, Walker Evans, Robert Mapplethorpe, Helmut Newton and Irving Penn. Putting together a list of the 25 most significant photographs since 1955 — both fine art photos and reportage — proved a difficult task for the panelists (even the chosen time frame was controversial). They were: the Canadian conceptual photographer Stan Douglas , 63; the Vietnamese American photographer An-My Lê , 64; the acting chief curator of Photography at the Museum of Modern Art, Roxana Marcoci, 66; the American documentary photographer Susan Meiselas , 75; the American photographer Shikeith , 35; and Nadia Vellam, 51, T’s photo and video director. Each participant (including myself, the moderator, 36) submitted up to seven possible nominees for the list. We gathered at The New York Times Building on a morning last February (with Shikeith joining on video from a shoot in Los Angeles) to begin our deliberations.

We chose judges from the realms of both fine art and reportage because, increasingly, the line between the two has collapsed. The modern age has been defined by photographs — images that began their lives in newspapers or magazines are repurposed as art; art has become a vehicle for information. Therefore, it was important to us and our jurors that we not draw boundaries between what was created as journalism and what was created as art. What was important was that the photographs we chose changed, in some way, how we see the world.

The conversation naturally turned into a series of questions. Like how important was it for a photograph to have expanded the possibilities of the medium? And how much did it matter who took a photo and what their intentions were? The list that emerged is less concerned with a historical chronology or an accepted canon than it is with a set of themes that have been linked indelibly to the photographic medium since its inception: labor and activism; war; the self and the family. Intriguingly, beyond an image by Wolfgang Tillmans from the ’90s, fashion photography is largely absent. So, too, are many world historical events that have been captured in landmark photographs, including the assassination of JFK, the fall of the Berlin Wall and anything from the pandemic lockdown or the presidency of Donald Trump. There were just too many other photographs to consider.

The process of producing the final list was clearly not scientific. It was more of a debate among a certain group of people on a certain day and is best considered that way. At the end of nearly four hours, jittery from caffeine, the group stood before a pile of crumpled masterworks on the floor as we assembled our chosen 25 images on a conference table. Many of our questions weren’t resolved (indeed, are unresolvable), but the results — which aren’t ranked but rather presented in the order in which we discussed them — are nothing if not surprising. — M.H. Miller

The conversation has been edited and condensed.

M.H. Miller: I thought we should start by talking about the time frame we settled on, starting in 1955.

Stan Douglas: It’s an agenda.

Miller: A little bit. It certainly shows an American bias, so I apologize to our Canadian representative — 1955 is really the beginning of the American civil rights movement, an era from which a number of us nominated photographs, and photography was so important in just making people aware of what was going on in the country. An-My, you chose Robert Frank’s picture of a streetcar in New Orleans, taken that year.

1. Robert Frank, “Trolley — New Orleans,” 1955

Robert Frank used “Trolley — New Orleans” as the original cover of his influential photo book “The Americans,” first published in the United States in 1959. Frank, a Swiss émigré, spent two years traveling the States and capturing what he saw. In this photograph, two Black passengers sit at the rear of a New Orleans streetcar while four white passengers sit at the front; all look out from a row of windows, the mullions between them emphasizing their strict separation. At the time of its publication, “The Americans” was considered by several critics to be a pessimistic, angry portrait of the country. (The magazine Popular Photography famously called it a “warped” and “wart-covered” depiction “by a joyless man.”) Many more viewers and artists, however, found inspiration in the direct, unromantic style pioneered by Frank, whose outsider status likely let him view America’s contradictions from a clarifying distance. He had “sucked a sad poem out of America onto film,” as Jack Kerouac wrote in an introduction to the book. This image, shot in the months before the Montgomery bus boycotts made segregation a national debate, showed America to itself, as if for the first time. The faces in the photographs, Kerouac wrote, don’t “editorialize or criticize, or say anything but ‘this is the way we are in real life.’” — Emmanuel Iduma

An-My Lê: I tried to look for things that spoke to me, but also spoke to a generation.

Douglas: If I had to choose a civil rights image, I wouldn’t choose this one. Great photograph. But something happening on the street would be more appropriate, I think, like the dog attacking protesters , or the photo with the firemen .

Roxana Marcoci: But this was the cover of “The Americans,” and it does happen in the street, actually. I think that what you’re saying is, it’s not a photojournalistic image.

Douglas: The most important thing to me is: does a photograph reveal a new reality, or reveal something that’s been hidden previously? I think that’s a key criterion for making it significant. What impact on the world can that image have? A European might not have recognized that this was happening in the U.S. Maybe a lot of Americans in the North didn’t realize this was happening in the U.S. And I love this photograph, so I’m very happy to keep it.

2. David Jackson, Mamie Till and Gene Mobley Standing Before the Body of Emmett Till at a Chicago Funeral Home, 1955

Mamie Till fixes her eyes on her dead son, as her fiancé, Gene Mobley, holding her, stares at the viewer. Emmett Till , 14, is laid out on a cot in a Chicago funeral home, his face disfigured and bloated. His mother allowed the photojournalist David Jackson to take this picture in September 1955, a few days after two white men had abducted and murdered Till while he was visiting relatives in Mississippi. Quickly acquitted by an all-white jury, the men would go on to sell their confession to Look magazine for $4,000. When this photo was published, first in Jet magazine and then in The Chicago Defender and other Black newspapers, it incited an unprecedented level of outrage in America over racial violence; Jet had to reprint the Sept. 15, 1955, issue in which it appeared because of high demand. For the same reason Mamie Till let this picture be taken, she chose to keep her son’s coffin open during the funeral. “The murder of my son has shown me that what happens to any of us, anywhere in the world, had better be the business of us all,” she said. An estimated 100,000 people came to view his body. Jackson’s photograph was a call to action for many, including Rosa Parks, who said she thought of Till when she refused to give up her seat on a Montgomery bus later that same year. — E.I.

Miller: I feel like you can’t have this conversation, especially with the year we designated as the starting point, without talking about Emmett Till. There’s the devastating series of photographs of Till’s funeral. But there’s also the one from the trial — when Till’s great-uncle is identifying the men who murdered his nephew. The judge didn’t allow that photographer, Ernest C. Withers, to shoot in the courtroom. So it’s a miracle that the picture exists, and that it’s composed as well as it is when it had to be taken in secret. And it’s a moment where you saw a larger shift taking place. Up to that point in the South, a Black witness identifying white defendants in court was unheard-of.

Marcoci: The picture [of his body] was also about the power of the witness, right?

Susan Meiselas: Oh, for sure. Mamie Till and her insistence on an open coffin: how brave an act that was. And it ran in Jet and moved around the world.

Douglas: The issue for me with the trial picture is that it needs a paragraph to explain why we’re looking at it.

Marcoci: The courtroom was a travesty. They went free. But this, Mamie Till with her son, created a generation of Black activists.

Shikeith: I grew up in a predominantly Black neighborhood in Philadelphia, and when we were learning about Black history in the fourth or fifth grade, that picture was brazenly shared with students. It was probably the first time I learned how powerful a photograph can be in having real material change in the world. It’s an image that I’ve lived with my [whole] life, and that’s impacted how I viewed the world and racism and its violence. It scares me. But, you know, it’s the truth. The truth can be very scary for a lot of us.

Miller: Shikeith, you also selected this Gordon Parks photograph, which is one of two color images the group nominated from the 1950s and ’60s — and the second was taken from outer space.

3. Gordon Parks, “Department Store, Mobile, Alabama,” 1956

In 1956, Life magazine sent Gordon Parks to document the effects of Jim Crow segregation laws in the American South through the experiences of one extended family in Mobile, Ala. Parks was one of the few Black photojournalists to work for an establishment magazine at the time, and was known especially for his fashion photography, as is easily apparent from this image. For Life, he photographed everyday scenes — a church choir singing or children drinking from water fountains — intentionally capturing signs reading “White Only” or “ Lots for Colored .” “Department Store, Mobile, Alabama” (1956) was shot for the Life story, which ran at 12 pages under the title “The Restraints: Open and Hidden” but, for unknown reasons, it didn’t make the final edit, and it wasn’t published until 2012, when a five-volume collection of Parks’s photographs was released. “Department Store” has since become a belated icon, one of the most memorable images in a career that also includes directing the 1971 film “Shaft.” Notable most of all for its vivid color, a startling contrast to the predominantly black-and-white imagery from the civil rights era, the portrait depicts Joanne Thornton Wilson, then age 27, dressed in an ice-blue, A-line cocktail dress, with her young niece, Shirley Anne Kirksey, standing beneath the red neon “Colored Entrance” sign in front of a department store. Wilson’s upright posture and outward gaze — peering in the opposite direction of the sign’s blue arrow — subtly signify defiance. But there’s an intimacy and vulnerability in the picture, too. In 2013, Wilson, who went on to become a high school teacher, told the art historian Maurice Berger that she regretted that the strap of her slip had visibly fallen. “Dressing well made me feel first class,” she said. “I wanted to set an example.” She had set an example, of course, which Parks had recorded with such clarity: Wilson also told Berger that she refused to take her niece through the “colored” entrance. — Brendan Embser

Shikeith: I think what’s beautiful about this image is that it’s brilliantly composed — it uses beauty to draw you into a poignant moment in history, becoming a record of the Jim Crow laws in the Southern U.S. I tried to pick photographs that had an influence on me, and that I thought my mother would recognize, to indicate their influence on people who might operate outside of art history conversations. It [can be used as] a tool for educating even the youngest of minds about what marginalized communities went through.

Marcoci: I think that’s a great point: the pedagogical nature of photographs. In this picture, there’s the elegance and grace of these two figures, and then the ugliness of that “Colored Entrance” sign. There’s such a tension between them.

Nadia Vellam: You don’t immediately realize the context because you’re so attracted to the two people in the image. It asks you to spend more time looking.

Douglas: It’s quite an exquisite picture. It’s basically an X, which draws your eye into the center, which then takes you to that woman’s gaze outside the frame. Inside the frame, there’s something quite sweet. But outside — both beyond that door and out in the world that’s made that door — there’s something quite ugly.

4. Alberto Korda, “Guerrillero Heroico (Che Guevara),” 1960

Alberto Korda, a favored photographer of Fidel Castro, captured this image of a 31-year-old Che Guevara by chance during a funeral in Havana in 1960 to honor the victims of a freighter explosion. Guevara, at the time the president of the National Bank of Cuba, happened to move into Korda’s line of sight while Castro was giving a speech. His expression is one of restrained anger; the Cuban government accused the United States of being responsible for the tragedy, which it denied. Five years later, Guevara resigned from Castro’s cabinet and joined revolutionary causes abroad, including in Congo and Bolivia, where he led guerrillas in a failed coup attempt. Korda’s photo wasn’t widely published until after Guevara’s execution by Bolivian soldiers in 1967, when posters, murals and eventually T-shirts emblazoned with Guevara’s face began to appear around the world. In the original portrait, he is flanked by another man and some palm fronds, but the reproductions are cropped to show just Guevara’s head. Korda’s image made Guevara into something more than a man, or even a famous revolutionary; he became a symbol for revolution itself. — E.I.

Miller: We have two pictures of Che Guevara to consider. Stan, you picked Che following his execution , and Susan, you picked the more famous portrait of him by Alberto Korda. It’s in every college dorm.

Marcoci: It’s in every tattoo parlor.

Douglas: They’re both propaganda images. One is the revolutionary looking to the future, which we’ve seen in everything from Soviet realist paintings to Obama posters. So, in many ways, a cliché, even though it’s had this huge impact. The image of Che dead [which was taken by the Bolivian photographer Freddy Alborta] is both iconic in that it’s like [an Andrea] Mantegna [1431-1506] painting of the dead Christ [“ Lamentation Over the Dead Christ ,” circa 1480], but also as evidence, on the part of the people who killed him, that the guy is dead. It’s just such a weird photograph: the officer on the right who’s poking at Che’s body to prove he’s just a human. Just mortal. And it somehow seemed like the end of the export of revolution from Cuba, which very much shut down after Che’s death.

Meiselas: And then he’s resurrected as a tattoo.

5. Diane Arbus, “Boy With a Straw Hat Waiting to March in a Pro-War Parade, N.Y.C., 1967”

The boy in “Boy With a Straw Hat” doesn’t look like a typical Arbus subject. Wearing a prim collared shirt, bow-tie and boater hat, with one American flag at his side and another, much smaller one twisted into a bow on his lapel, the thin-lipped paradegoer seems like the paragon of anodyne conservatism. He’s nothing like the cross-dressers, carnival entertainers, nudists and others relegated to the margins of society that fascinated Arbus, whose work prompted one of the more protracted debates on the ethics of photography, as her images were so often said to skirt the lines of voyeurism and exploitation. Yet his steady gaze prompts a similar sense of unease in the viewer, as does the small pin on his jacket that reads Bomb Hanoi. “Boy With a Straw Hat” was the cover image of Artforum’s May 1971 issue, published two months before Arbus’s death by suicide at age 48. In 1972, when her posthumous MoMA retrospective drew record crowds, the art critic Hilton Kramer refuted the idea that she was merely capturing her subjects for the sake of spectacle; he argued that she collaborated with the people she photographed, and that that act of participation provided dignity — or at least authenticity — especially for those individuals who are shunned or otherwise invisible. Arbus herself once said that the “best thing is the difference. I get to keep what nobody needs.” — B.E.

Miller: A number of us nominated Diane Arbus photos.

Douglas: [I picked] the sitting room in Levittown [“ Xmas Tree in a Living Room in Levittown, L.I., 1962 ”], which is one of those suburbs created in the postwar period that people could buy [homes in] with their G.I. Bill money, in which Black people couldn’t live. It’s a case of there [being] something outside the image, which is very powerful: The construction of this new suburban reality, while Emmett Till’s being killed.

Marcoci: I chose the “Giant” [“ A Jewish Giant at Home With His Parents in the Bronx, N.Y., 1970 .”], because this was one of the first pictures where I was really thinking, “Who is that person? What would it be like to be him?”

Meiselas: One of the things that photographs do is make us emotional. Some of Arbus’s most memorable pictures are the ones that make you feel more than think.

Vellam: I’d vote for “Giant” just because it spawned so many people’s idea of portraiture: Katy Grannan, Deana Lawson, Larry Sultan. Like this idea of going into a place — in her case, middle-class suburbia — that you may not even have spent any time in otherwise. I feel like that became its own genre: There’s so much photography that has come out of her idea of going into people’s homes.

Marcoci: If I were to choose just one Arbus, I’d probably choose “Boy With a Straw Hat”: A portrait of an individual that’s this very interesting collective portrait of America, too. There’s this tension between the innocent face and then those buttons: “God Bless America” and “Bomb Hanoi.”

Shikeith: He’s sort of the archetype for the Proud Boys. You can see that smirk on his face.

Meiselas: There were pictures from the R.N.C. [Republican National Convention] four years ago that looked so much like this.

Miller: Stan and An-My both nominated a very different kind of photograph from the Vietnam War era: Malcolm Browne’s picture of Thích Quảng Đức’s self-immolation.

6. Malcolm Browne, the Self-Immolation of the Buddhist Monk Thích Quảng Đức in Saigon, 1963

The AP reporter Malcolm Browne was among the only photojournalists on the scene when the monk Thích Quảng Đức set himself on fire in 1963 in Saigon as an act of protest against the South Vietnamese government’s persecution of the Buddhist majority. As flames engulfed Quảng Đức, hundreds of monks surrounded him, mourning while he burned. The photo, sent out as soon as possible on a commercial flight to reach the AP’s offices, was published on front pages internationally the following morning. When President John F. Kennedy saw it, he reportedly exclaimed, “Jesus Christ!” and then ordered a review of his administration’s Vietnam policy. (He would later say, “No news picture in history has generated so much emotion around the world as that one.”) Browne won the Pulitzer Prize in 1964 for the photograph, which also contributed to the collapse of support for the South Vietnamese president Ngô Đình Diệm, who was assassinated in a coup that year. President Kennedy was assassinated just a few weeks later, and his successor, Lyndon B. Johnson, would escalate the war. Browne’s photograph, which is newly resonant today, enshrined the act of self-immolation as the most extreme form of protest. — Lucy McKeon

Lê: I think it’s one of the most incredible monuments that exists as a photograph. [It documents] an extraordinary act of sacrifice for a cause. These days, you see [some] people protesting, and it’s all about their egos. And here, there’s no ego. It’s one of the few pictures I know that’s so violent and peaceful at the same time.

Douglas: He was there for five minutes, apparently, burning, and just didn’t flinch, didn’t say a word. This is what you do when you have no other recourse, when you feel the suppression is so severe that this is the only way you can get your statement heard.

Meiselas: It makes me think of the Napalm Girl, as well [ Nick Ut’s 1972 image of Kim Phuc Phan Thi , age 9, fleeing a napalm attack in the village of Trảng Bàng]. That moment impacted a generation. The question is, which one mobilized us further?

Lê: The Napalm Girl picture, for me, represents the notion that all Vietnamese are victims of war. I started watching war movies in college, and every time the word “Vietnam” comes up, that is the image that people have in their mind. I think the monk speaks to [something] beyond himself. He’s not a victim.

7. NASA/William A. Anders, “Earthrise,” 1968

On Christmas Eve 1968, aboard Apollo 8 during its pioneering orbit of the moon, William A. Anders photographed the Earth “rising” above the lunar horizon. The picture was the first of its kind — and it was also unplanned. Anders, the youngest of the three astronauts on the spacecraft, had been tasked with taking photographs of the moon’s craters, mountains and other geological features. He spontaneously decided, however, to include Earth in the frame when he noticed how beautiful it was. “Here was this orb looking like a Christmas tree ornament, very fragile,” Anders would recall in a NASA oral history. “And yet it was our home.” His first shot was in black and white. For the next, he switched to color, which emphasized the contrast between the moon’s gray surface and the planet’s blue-green vibrancy. “Earthrise” was the first image most of humanity saw of the planet we live on, a nature photo like none before it and a reminder of how small our world really is, in comparison with the rest of the universe. As Joni Mitchell would sing of the image, on 1976’s “ Refuge of the Roads ”: “And you couldn’t see a city on that marbled bowling ball/Or a forest or a highway/Or me here least of all. …” — E.I.

Lê: “Earthrise” isn’t the first image of the Earth seen from space. There were earlier low-resolution ones in the ’40s , made from unmanned missiles or whatever. There was one made on Apollo 4, in 1967 . But I think this one, taken by a crew member on Apollo 8 the next year with a Hasselblad, is important because it’s humbling: seeing the Earth in relationship to the Moon, and thinking about us not being the only people on this Earth. Perhaps this is when we started thinking about how we should take care of our home.

Miller: Stan, you nominated a later photo, “ Sunset on Mars ” (2005).

Douglas: I’ve always had this knee-jerk response to Apollo being American propaganda somehow, part of the arms race — who’s going to get [to the Moon] first, the U.S. or the Russians? And once the U.S. got there, they lost interest. It wasn’t really about exploration, but dominance. This image on Mars is something quite extraordinary, because in effect, the camera is a prosthesis. It’s both a very artificial one and a human one. We actually extend our vision through it.

8. Ernest C. Withers, “I Am a Man: Sanitation Workers Strike, Memphis, Tennessee,” 1968

In the last weeks of his life, Martin Luther King Jr. took part in a protest of Black sanitation workers striking for safer conditions and decent wages in Memphis, Tenn. In a speech, King emphasized the connection between the United States’ civil rights battle and the struggles of poor and disenfranchised people worldwide, a message that resonated with the crowd. Their protest signs bore the phrase “I Am a Man,” a stark acknowledgment of all the ways this most basic fact was disrespected. “We were going to demand to have the same dignity and the same courtesy any other citizen of Memphis has,” one of the participants, James Douglas, recalled in a 1978 documentary titled “I Am a Man.” The defining photo of the strike was taken by the Black photojournalist Ernest C. Withers, a Memphis native who previously shot the trial of Emmett Till’s killers, and also made famous images of the Montgomery bus boycott , the integration of Central High School in Little Rock, Ark. Withers’s picture became the official record of King’s last major civil rights action. Years later, however, Withers’s own story was revealed to have been more complicated. Like King, the photographer drew the attention of the F.B.I. Unlike King, he became a paid informant. Yet he continued to produce some of the most iconic images of the movement: On April 4, 1968, less than a week after taking this photo, Withers was on the balcony of the Lorraine Motel, photographing the blood stain at the scene of King’s assassination. — L.M.

Shikeith: I think I first saw this image around the time the Million Man March was happening [in 1995]. I have a greater understanding of manhood [now] and how much of it I want to align with, and how much I don’t. But I understand how vital the need to identify as a man was in that moment.

Meiselas: I love the contrast of “I am a man,” singular, and “I am a collective.” It’s just all there: perfect distance, perfect composition. Whether or not Withers was working for the F.B.I. …

Douglas: Was he?

Meiselas: Yeah.

Douglas: And his role was to just …

Meiselas: Report on his fellow men. They paid him to spy on his colleagues. It’s a dark story. But let’s not go there.

9. Blair Stapp, Huey Newton, Black Panther Minister of Defense, 1968

In the summer of 1968, outside of the Alameda County Courthouse in Oakland, Calif., where Huey P. Newton stood trial for the murder of a police officer, supporters held up posters of him that instantly became synonymous with the Black Panther Party. The year before, Newton, the party’s co-founder and Minister of Defense, had collaborated with fellow Panther Eldridge Cleaver and the photographer Blair Stapp to stage a portrait of himself in a black leather jacket and a tipped beret, holding a shotgun in one hand and a spear in the other. He’s seated on a rattan peacock chair that recalls chairs woven by inmates in the United States-colonized Philippines decades earlier. Its oval back piece frames Newton’s head like an oversize halo. Two Zulu warrior shields are propped against the wall. Stapp’s portrait and the peacock chair itself have since become an enduring symbol of Black Power. Michelle Obama sat in one for her 1982 prom portrait . Melvin Van Peebles recreated the photograph in his 1995 film “Panther.” The visual artist Sam Durant memorialized Newton in bronze in 2004 , and Henry Taylor painted it in 2007 . After two hung juries, the murder charges against Newton were dropped in 1971. For him, the struggle was about survival — or as he put it, “survival pending revolution.” — B.E.

Shikeith: I was trying to think of images that my grandmothers revered in a way. I think this is one of those images that exists in a lot of Black domestic spaces as a symbol for strength and determination. And it has this royal demeanor that’s been continuously emulated in Black photographic practice, whether amateur or professional.

Marcoci: The beret is almost [like] Che’s.

Shikeith: You can see people replicating this pose on the wicker chair throughout Black portraiture in the ’80s and early ’90s. I’m really interested in photographs that’ve had a long-lasting effect on our daily lives.

10. W. Eugene Smith, “Tomoko in Her Bath,” 1972

In the Magnum photojournalist W. Eugene Smith’s picture of Tomoko Kamimura, 15, she is being bathed by her mother at their home, in Minamata, Japan. Kamimura had been born with a kind of mercury poisoning that would later come to be known as Minamata disease, caused by a chemical factory contaminating the city’s water and food supply for more than 30 years. Smith and his wife, the photographer and activist Aileen M. Smith, lived in Minamata in the early 1970s, taking thousands of photographs to document the toll of the disaster — 1,784 people died after contracting the disease and thousands were left with severe neurological and musculoskeletal disabilities. Images from the series were printed by Life magazine in 1972, and Kamimura’s portrait became, for a time, one of the most famous images in the world. Amid the public outcry, “rumors began to circulate through the neighborhood claiming that we were making money from the publicity,” Kamimura’s father, Yoshio, would later write, “but this was untrue — it had never entered our minds to profit from the photograph of Tomoko. We never dreamed that a photograph like that could be commercial.” The Chisso Corporation, which owned the factory, has paid damages to some 10,000 victims. Kamimura died in 1977, at the age of 21. Smith died the following year. Twenty years later, after a French TV network wanted to use the photograph, Aileen M. Smith transferred control of it to Kamimura’s family. They haven’t allowed the photograph to be reproduced since. — L.M.

Meiselas: Without this documentation by Eugene Smith, I don’t think Minamata and the mercury poisoning would ever have been confronted. So when you do choose to represent a victim, I hope it’s purposeful.

Douglas: I heartily agree. And it’s a beautiful image of a loving relationship between mother and daughter.

Vellam: Smith documented people, but he was also very conscious of what he was doing while he was documenting them. I think he took a very long time after he shot everyone to figure out what he even wanted to show from them.

Meiselas: He believed that they should be better understood.

11. Photo Archive Group, “Photographs From S-21: 1975-79”

Some photographs, taken in the darkest moments of history, end up saying very different things from what their creators intended — like the images that Stalin’s secret police took during the Great Purge, or the ones white spectators took of lynchings in the United States. One of the more extensive photographic records of an authoritarian regime comes from the Khmer Rouge army, which controlled Cambodia from 1975 to 1979 and whose genocidal purges of minority groups and political opponents led to the murder of almost a quarter of the country’s population. Before killing most of its victims, the army took their portraits, in part to prove to leaders that the supposed enemies of the state were indeed being executed. Of the nearly 20,000 people sent between 1975 and 1979 to what was known as the S-21 death camp, the Khmer Rouge’s most notorious torture center, only about a dozen survived. In 1994, the American nonprofit organization Photo Archive Group cleaned and cataloged more than 5,000 photographs taken of prisoners before their executions. A selection of the images, known as “Photographs from S-21: 1975-79,” was published as a book called “The Killing Fields” in 1996 and shown at MoMA the following year. Who was the girl pictured here? What had she seen? It’s impossible to know. And yet the regime’s photographic record offers a way into humanizing and remembering the victims of one of the most ruthless atrocities of the 20th century. S-21 is now the Tuol Sleng Genocide Museum, where a number of the images from “Photographs From S-21: 1975-1979” are on permanent display. — L.M.

Lê: So these pictures were found in an archive in Cambodia [in 1993]. After the Khmer Rouge took over [in 1975], they went on a rampage, killing teachers and anyone who they felt wasn’t one of theirs. The bodies were buried in different locations. But they photographed these people before killing them. There were thousands of these pictures.

Douglas: If you want to make them disappear, why do you document them?

Lê: But that’s the thing. It’s the banality of evil. It’s unconscionable, right? Civilians being just collateral damage in war. Perhaps there are other ways to speak about violence, and I think this [set of photographs] certainly does.

12. Cindy Sherman, “Untitled Film Stills,” 1977-80

Cindy Sherman was 23 when she began making her “Untitled Film Stills,” a series of 70 black-and-white staged self-portraits that explore stereotypes of women in film and mass media. As a student at Buffalo State College, where she originally studied painting, she became fascinated by performers such as Vito Acconci and Chris Burden, artists who put their own bodies center stage. Sherman also liked to dress up as stock characters for parties, purchasing clothes from flea markets and experimenting with cosmetics. In “Untitled Film Stills,” she plays the career girl, ingénue, librarian , mistress, femme fatale and runaway , alternately heartbroken, hung over, daydreaming or determined to escape a predator as though trapped in some film noir. But which film? That feeling of vague recognition was Sherman’s point, as well as that of other artists of the era experimenting with pictures from mass media, who would eventually be called the Pictures Generation, a name based on a 1977 exhibition curated by Douglas Crimp . They wanted viewers to almost recognize the images, so as to heighten the uncanny nature of their work. Sherman initially sold eight-by-ten prints from “Untitled Film Stills” for $50 out of a binder from her desk at her day job as a receptionist at the nonprofit gallery Artists Space in New York. Douglas Eklund, who organized a Pictures Generation exhibition in 2009, noted that the series “never ceases to astonish, as if Sherman knew how to operate all of the machinery of mass-cultural representation with one hand tied behind her back.” Her intuitive grasp of the self-portrait’s theatrical appeal, especially when that self could be manipulated — decades before anyone could have imagined camera filters on an iPhone — has kept “Untitled Film Stills” relevant ever since. — B.E.

Marcoci: There’s something about the “Untitled Film Stills.” It’s this relationship between still and moving images. Cindy Sherman has the capacity to encapsulate, in a single [work], a narrative. She calls on this pantheon of women’s roles from movies that we think we’ve seen, but none of them are based on an actual film still. There’s one [“Untitled Film Still #13,” 1978] where she looks like Brigitte Bardot in a head scarf from Jean-Luc Godard’s “Contempt” (1963), but she’s a librarian. She’s reaching for a book. She makes the Bardot type into an intellectual, which is [an agency] that most male Hollywood filmmakers of the time, or even a filmmaker like Godard, would not have given the real Bardot. She was able to see something about how we engage with mass media and tweak it.

Douglas: I’m not convinced about Sherman. [There’s] an art-world canonization of the work. How important was it? How influential? I don’t think it was that important or influential outside of a very small area.

Marcoci: On the other hand, if you ask people if they know about Sherman, they probably do.

Lê: They do. Many young women find Sherman’s work empowering.

Marcoci: I never thought that we would just be considering photojournalism.

Meiselas: No.

Douglas: I mean, looking at the art world, I would include Ed Ruscha’s “Every Building on the Sunset Strip” [1966].

13. Ed Ruscha, “Every Building on the Sunset Strip,” 1966

As a teenager in Oklahoma City in the 1950s, Ed Ruscha delivered newspapers by bicycle daily along a two-mile route. He dreamed about making a model of all the buildings on his circuit, he later recalled in an interview with the Los Angeles Times, “like an architect standing over a table and plotting out a city.” After moving to Los Angeles for art school in 1956, Ruscha became obsessed with the city’s architecture, particularly on the Sunset Strip, that part of Sunset Boulevard that stretches for about two miles, like his old paper route, across West Hollywood. In 1966, Ruscha photographed both sides of the Strip by securing a motorized camera to the bed of a pickup truck. The result was “Every Building on the Sunset Strip,” a nearly 25-foot accordion-fold, self-published artist’s book. Today, Ruscha is most famous for his text-based paintings, many of which reference corporate logos and advertising slogans, for which he is widely celebrated as postwar America’s answer to the Dadaist nonsense movement. But his photography shares with the paintings a repetitive, deadpan humor. In addition to the Sunset Strip, Ruscha photographed swimming pools, gas stations, parking lots and apartments, and collected the images into small books that provoked the ire of critics — and fellow photographers — who deemed the work lacking in style and meaning. (“Only an idiot would take pictures of nothing but the filling stations,” the photographer Jeff Wall once complained.) But what he created was a kind of time travel, a meticulous, obsessive visual cartography of a long-lost Los Angeles. He and his brother, Paul, still make the trip to photograph the street every couple of years. — B.E.

Marcoci: I love [Ed] Ruscha, and I think we’ve barely touched on conceptual photography. Obviously superimportant, but is he really the photographer that did so much for photography through that series?

Meiselas: I know what you mean. Of course, because the photographs came way early, we rediscovered them after he became famous for painting.

Miller: Well, he’s certainly not as famous as a photographer as some people on this list, but I don’t know if we need to get hung up on that.

Douglas: I think “Sunset Strip” was extraordinary. Ruscha produces photographs governed by a hard-core conceptual procedure. In the case of “Every Building on the Sunset Strip,” the procedure is in the title and, in order to fulfill it, he had to make hundreds of stops along a Los Angeles street. But I also thought this was too inside the art world.

Miller: Maybe this is a good time to talk about Nan Goldin.

14. Nan Goldin, “The Ballad of Sexual Dependency,” 1979-2004

Nan Goldin originally presented “Ballad,” named after a song from Bertolt Brecht’s satirical musical “The Threepenny Opera,” as a series of 35-millimeter slides shown by a carousel projector in bars and nightclubs and backed by an eclectic soundtrack — from Dean Martin to the Velvet Underground. Goldin’s visual diary is itself a bohemian opera of New York’s downtown counterculture, a community freed from convention yet abandoned many times over by society; it documents sex, addiction, beauty, violence, powerful friendship, the AIDS crisis and the joyful struggle to live beyond the limits of the mainstream. Friends were photographed doing the twist at a party or preparing to inject heroin. In “Nan One Month After Being Battered” (1984), a portrait of domestic abuse, the artist’s bloodshot eye meets the lens head-on. Goldin’s “Ballad” has since been credited with inspiring everything from selfie culture to the raw, diaristic aesthetic and saturated color now commonplace across social media and in fine art. Over the years, Goldin would revise and update the series, presenting it with new images and a different soundtrack, and it would become an ubiquitous presence in galleries and museums. But because the work has so thoroughly permeated the culture, it’s easy to overlook just how radical it was when it debuted. In “ All the Beauty and the Bloodshed ,” Laura Poitras’s 2022 documentary about Goldin, the photographer describes a resistance to her art in the ’80s, “especially from male artists and gallerists who said ‘This isn’t photography. Nobody photographs their own life.’ It was still a kind of outlier act.” — L.M.

Marcoci: We’re talking about an artist who’s very much engaged with youth culture, with the cultures that transgress gender binaries. Also with the ravages of a generation that takes drugs, that loves, that dies young. “The Ballad of Sexual Dependency” is a ballad. It shows this group of people as images set to music.

Meiselas: It was radical, it was very impactful to the photographic medium. But here’s my question: Would we be choosing either Nan [Goldin] or Cindy Sherman if we didn’t know their names?

Marcoci: Did you watch the “Ballad”?

Meiselas: Of course. I watched it in 1985.

Marcoci: How many times?

Meiselas: How many times has she changed it?

Marcoci: But even that I like. You don’t need to choose one picture. It’s interesting for me when photography is not just a moment that’s frozen in time, when it has the capacity to change.

15. Wolfgang Tillmans, “Lutz, Alex, Suzanne & Christoph on Beach (B/W),” 1993

A slightly different, color image of the same people in “Lutz, Alex, Suzanne & Christoph on Beach (B/W)” was first published by i-D magazine in 1993 for an unconventional fashion story about camouflage. The German photographer Wolfgang Tillmans staged the scene in Bournemouth, England, where he’d attended art school the previous year, and captured a whorl of bodies in military fatigues, each person clasping another’s arm, thigh or chest, and all wearing camouflage patterns from different countries — a post-Cold War utopia. The black-and-white version was printed on color paper, which accounts for the warmth of its tone. On the beach, Lutz, Alex, Suzanne and Christoph appear as if from a scene in Charles and Ray Eames’s 1977 short film “Powers of Ten,” which zooms out from a sunny picnic into the farthest reaches of the universe. Tillmans’s photograph “seems to model something like chosen family,” says the curator Phil Taylor, who edited a collection of the artist’s interviews. The way Tillmans envisions family in this early portrait — as a tight embrace amid the implied violence of the outside world — is emblematic of the way he would go on to depict men kissing at gay nightclubs or activists at antiwar demonstrations, each a picture of solidarity against the odds. — B.E.

Lê: I think Wolfgang [Tillmans] captured youth culture — in magazines like i-D and The Face — at a time [the early ’90s] when young people were being captured in a different way: It was very clinical and idealized, and he just came out with this very real [take on] youth culture. The pictures were a little more grainy, and I think it [changed] the way young people are seen. My students always bring up his work. I think it’s a way to photograph your family and friends and turn them into real protagonists. And I see that influence as very long-lasting.

Marcoci: What’s interesting in this image is [that] it’s four friends on a beach, dressed in camouflage. Camouflage immediately makes you think of military uniforms, of obedience, of listening to orders. But in the techno culture of these clubs in the 1990s, it had become a symbol of individuality and freedom: the exact opposite of what the uniform means.

Meiselas: This image, if I didn’t know his name, I would’ve just turned the page.

Lê: I think we need a picture that speaks about youth. And I think even though this picture was made in ’93 …

Miller: … That’s still how young people are photographed today.

16. Lee Friedlander, “Boston,” 1986, From the Series “At Work,” 1975-95

Lee Friedlander is best known for photographing America’s social landscape, from mundane street scenes in the Midwest to nudes of Madonna that were taken in the late 1970s. Between 1975 and 1995, he created six series of photographs depicting employees at different types of workplaces, including Rust Belt factories, a telemarketing call center and a New York investment firm. One of these series, commissioned by the M.I.T. Museum and produced between 1985 and 1986, looks at office workers in the Boston area who used desktop computers for their jobs. At the time, this was a fairly new development, but one that Friedlander presciently recognized would come to define not just corporate life but humanity itself. His subjects are often seemingly oblivious — or indifferent — to the presence of the camera. Likewise, his camera often omits the computers themselves, the ostensible subject of his images. Instead, the workers, sitting at brightly lit desks, are pictured from the chest up, their detached expressions familiar to any of us as they sit engrossed in (or bored by) screens just out of frame. With this series Friedlander had tapped into the dark comedy of the mundane. His influence can be seen in a generation of younger photographers who seek to question everyday life — from Alec Soth to LaToya Ruby Frazier — and whose images would mostly be viewed on screens. — E.I.

Marcoci: I love this series.

Douglas: I love it, too, but I put this in out of guilt for not having more art people in here. It’s images of these people just engaged in the world around them.

Meiselas: In autonomous labor. I remember when I first saw this series of white-collar workers in front of machines.

Lê: No one had done that before.

17. LaToya Ruby Frazier, “The Last Cruze,” 2019

LaToya Ruby Frazier’s series “The Last Cruze,” named after the compact car made by General Motors, follows the 2019 closure of an auto plant in Lordstown, Ohio, that had been open since 1966. Over nine months, Frazier documented the impact one corporation can have on a community, which lost thousands of jobs. A selection of images from the series were first published in The New York Times Magazine in May 2019, and the work was later presented as a multimedia installation: More than 60 portraits and video interviews with union workers and their families were mounted to orange metal trusses at the Renaissance Society in Chicago. In the accompanying monograph, Frazier included essays by artists and critics as well as members of the local chapter of the United Auto Workers union. On its cover is this photograph, which she shot from a helicopter, showing a group of workers and their families protesting the plant’s abrupt shuttering and requesting a new product to work on. Other images show Lordstown residents in various states of mourning — wiping away tears or proudly displaying union memorabilia. Born in a Pennsylvania steel manufacturing town, Frazier embedded herself with the Ohio workers, producing one of the most detailed records of the gutting of America’s working class. “‘The Last Cruze’ is a workers’ monument,” she has said. “It is half-holy, half-assembly line.” — L.M.

Marcoci: LaToya Ruby Frazier is a true artist-activist. These workers were losing their pension plans, their health benefits, you name it. It’s a work that includes more than 60 pictures of union workers along with their testimonies, because she also did these interviews with them.

Miller: I think “The Last Cruze” might be the only complete photographic record we have of the impact that corporate decision-making has on a work force. GM skipped town, cut their costs and the people of Lordstown were left holding the bag. We have another picture, nominated by Susan, that also documents labor.

18. Sebastião Salgado, “Serra Pelada Gold Mine, State of Pará, Brazil,” 1986

One of the most striking aspects of Sebastião Salgado’s photographs of an open-air gold mine in Brazil is the scale. Several thousand men — their bodies hunched and fragile — are rendered miniature against the backdrop of a massive pit in the earth. In the photos, most of the miners are climbing into or out of that pit, holding tools or ferrying sacks up and down narrow ladders and steep slopes. In several shots, Salgado chose not to include the horizon within the frame; the viewer can’t see where the workers’ dangerous journey ends. The photographer, who was born in the state of Minas Gerais (which means “general mines”) in Brazil, spent 35 days at Serra Pelada, living alongside the miners while he took these photographs. When they were published in 1987 in The New York Times Magazine, they revealed a late-20th-century gold rush and the appalling conditions facing those at the bottom of it. In the nearly four decades since, Salgado has gone on to capture the burning oil wells in Kuwait, the genocide in Rwanda and the destruction of the Amazon rainforest. Some critics have labeled him an “aesthete of misery,” using the plight of the poor and disenfranchised to make visually striking pictures. When these images are exhibited in a fine art context, their size is so massive, the sheer aesthetics of the imagery threaten to eclipse the act of documentation. But in a profile in The Guardian this year marking his 80th birthday, Salgado responded, “I came from the third world. When I was born, Brazil was a developing country. The pictures I took, I took from my side, from my world, from where I come from. … The flaw my critics have, I don’t. It’s the feeling of guilt.” — E.I.

Meiselas: The scale of what he presented to us at the time was really quite amazing.

Douglas: It was like, “Holy moly, that’s still going on?”

Meiselas: Exactly.

19. Stuart Franklin, an Unidentified Man Blocking a Column of Tanks in Tiananmen Square, 1989

On June 5, 1989, as a column of tanks rolled into formation on Chang’an Avenue bordering Tiananmen Square, the Magnum photographer Stuart Franklin watched from the sixth-floor balcony of the nearby Beijing Hotel. He was holed up there with several other foreign correspondents, who were all covering the weekslong protests, led by hundreds of thousands of unarmed students, against the Chinese Community Party. Two nights before, the People’s Liberation Army had cleared the area with force; the next morning, they prevented parents from looking for students lost in the fray, and the soldiers fired live rounds even as medics attempted to rush the injured to safety. (Thousands are thought to have been killed in the protests, although an official death toll has never been released.) Suddenly, around noon on the 5th, a young man in a white shirt and dark pants, holding shopping bags in his hands, approached the first tank. On the video footage, it attempts to maneuver around him. Like a matador taunting a bull, he flings his arms in fury and, when the tank turns back, the man jumps out again. Yet the dramatic photograph Franklin took, with five tanks and a destroyed bus in the frame, draws its power from its stillness, its potential energy. (Four other photographers are known to have captured the same scene, including Jeff Widener, whose tightly framed version for The Associated Press ran on the front page of The Times.) Authoritarian regimes cannot tolerate symbolic images of resistance and, while the Tank Man — whose identity has never been confirmed — became an inspiration for pro-democracy movements across the world, he was snuffed out from official Chinese memory. Today, image searches in China for “Tiananmen Square” only turn up cheerful pictures of a tourist destination. — B.E.

Douglas: Multiple photographers shot this image because they were all in the same corner of a hotel overlooking Tiananmen Square. They couldn’t really shoot anywhere else on the square. The first time I saw this scene, it was a video.

Meiselas: Right, there was a television camera. The stills are very different. And I don’t care whose image it is. I’m thinking about the man in front of the tank and what happens when one man stands up. And I love how this looks alongside Ernest Withers’s “I Am a Man.”

20. Adam Broomberg & Oliver Chanarin, “The Day Nobody Died,” 2008

In 2008, the artist duo Adam Broomberg and Oliver Chanarin were embedded with the British Army in Afghanistan during a period that was, at the time, the deadliest week since the war began in 2001. They brought a lightproof box containing a roll of photographic paper, and, occasionally, exposed six-meter segments of the paper to the sun for 20 seconds at a time. They were creating photograms, which, as opposed to conventional war photographs, display the marks of their making but little else. The resulting works — 12 in total — set out “to create a kind of post-mortem of photojournalistic representation of conflict,” as the artists wrote when the work was first exhibited. They made these images on days when a BBC fixer was executed or a suicide attack killed nine Afghan soldiers. But they also made one on the day that the title refers to — a day with no fatalities. In a literal sense, there isn’t anything to see in the images except splashes of light as abstract as a blurry sonogram. When Broomberg and Chanarin arrived in Afghanistan, the war was in its seventh year and, by then, a surfeit of photographs depicting death and violence had long been circulating. There’s hardly consensus on what to leave out when depicting war, but there is some consensus on the need to bear witness. With their photograms, Broomberg and Chanarin found a new, unexpected, but no less emotional way of doing so. — E.I.

Miller: There were a lot of different kinds of images of war from the George W. Bush era. Nadia, you nominated Adam Broomberg and Oliver Chanarin’s “The Day Nobody Died,” which is very abstract.

Douglas: What is it?

Vellam: They did this project in Afghanistan where they took rolls of photo paper and put them outside, exposing them to the sun or the weather. Whatever would happen while the photo paper was exposed was the work. It’s about a new idea of photography, about it not depicting something specific but creating a mood. And this one was taken, as the title says, on a day nobody died, which is such an interesting and different way to talk about a conflict.

21. Richard Drew, “Falling Man,” 2001

When it was first published by The Associated Press, the photojournalist Richard Drew’s image of a man falling to his death from the World Trade Center on the morning of Sept. 11, 2001, was denounced by many readers as exploitative. Several media outlets published the image once, on Sept. 12 — including The Times, on page A7 — but it then disappeared from circulation, confined to shock websites like rotten.com. There was no shortage of graphic images of 9/11, including footage of the planes flying into the buildings. But Drew’s photo was uniquely unsettling because of its uncomfortable elegance: a single victim, framed by both north and south towers, caught in a fragile stasis before death. The image eventually began a strange afterlife as “one of the most famous photographs in human history,” according to the journalist Tom Junod, who wrote a 2003 essay in Esquire in which he attempts to identify the falling man. He couldn’t — not definitively. No one has. Recalling war photography that valorizes the unknown soldier, “Falling Man” would go on to be one of the inspirations for a novel by Don DeLillo and an opera by Daniel Levy. Long after the dust settled on the former site of the World Trade Center, the photograph of the unnamed man remains, like “an unmarked grave,” in Junod’s words, merely asking that we look at it. — E.I.

Miller: I think “Falling Man” is the defining image from the most violent day in America since the Civil War.

Shikeith: I was in middle school when 9/11 happened. Images from that day seem to seep into you. You carry them for life and they dictate certain fears and anxieties.

Miller: And then there are all the images from what happened in the years to come. The pictures of soldiers torturing detainees at Abu Ghraib military prison are arguably the most famous photographs from the war on terror.

22. Staff Sgt. Ivan L. Frederick II, Abu Ghraib Hooded Detainee, 2003

In early 2004, investigations into abuse of Iraqi prisoners by U.S. soldiers at the Abu Ghraib detention facility had already been reported by news outlets including The New York Times and CNN. But the government had kept all photographs of torture out of view — until leaked images reached CBS. Even then, the news anchor Dan Rather would claim, the network’s executives only granted permission to show them when faced with the threat of a scoop by The New Yorker’s investigative journalist Seymour Hersh. (CBS executives justified holding the photos on various grounds, including the desire to avoid retaliation against American hostages.) The Abu Ghraib photos finally appeared in both outlets later that year. Their subject matter is brutal: men stripped naked and made to form a human pyramid with soldiers grinning behind them; a hooded man standing atop a box, hooked to electrical wires. The fact that American soldiers had recorded these scenes on their personal cameras only made them more disturbing. The photos significantly shifted American public opinion on the war on terror, further demonstrating the power of an image to alter a story. They also speak to a broader shift in news photography, in which everyone — no matter their intentions — is now a potential journalist. — L.M.

Shikeith: Both “Falling Man” and the hooded Iraqi detainee have a hard-core bodily effect on me. I think there was a sort of naïveté to the world I grew up in, just this idea that America is the greatest place on earth. For a moment there, we believed the myth. At least I did. When I started seeing these images, I developed a distrust in a lot of things. It only got worse. I have a very pessimistic outlook, but it sort of begins here, with these images.

23. Carrie Mae Weems, “From Here I Saw What Happened and I Cried,” 1995-96

Carrie Mae Weems’s “From Here I Saw What Happened and I Cried” is a work of appropriation that brings together 34 photographs, many of them of Black Americans, dating from the mid-19th century to the late 1960s, which collectively form a lesson on the history of racism in America. At the heart of the work are four images of people who were enslaved in South Carolina — some of the earliest known images that exist of America’s original sin — taken by the photographer Joseph T. Zealy and commissioned in 1850 by the Harvard University biologist Louis Agassiz. Originally intended to illustrate Agassiz’s baseless phrenological theories of Black inferiority, the pictures were rescaled and reframed by Weems, who also tinted them blood-red, making explicit the violence that allowed for their creation. Stored in Harvard’s archives for more than a century, Zealy’s images fell into obscurity, only to be rediscovered in 1976. After Weems used them without permission, the school threatened her with a lawsuit. “I think that your suing me would be a really good thing,” she told the university, as she later recalled to the art historian Deborah Willis. “You should, and we should have this conversation in court.” Instead of proceeding with the suit, Harvard acquired the work, further complicating the idea of ownership that Weems investigates. — E.I.

Vellam: We should talk about Carrie [Mae Weems].

Meiselas: We should definitely talk about Carrie. There are two very different options [“ Kitchen Table Series ,” 1990, and “From Here I Saw What Happened and I Cried.”]

Lê: I chose the “Kitchen Table Series” [in which Weems poses as the matriarch in various domestic scenes she staged in a single room, containing little else but an overhead lamp and a table]. The kitchen table is symbolic — it’s the intimacy of the home. In a way I always felt these pictures were about people being able to be themselves, being open and visible in a way that they maybe can’t in public.

Marcoci: To me, the “Kitchen Table Series” is a true performance for the camera in a way that Cindy’s is in “Untitled Film Stills.” But “From Here I Saw What Happened and I Cried” is an amazing work because it engages with race, with slavery, with colonialism, through an archive. The subjects here were really originally presented as specimens. But what Carrie does is give a voice back to these subjects, whose voices were completely muted. She enlarges the photographs. She tints them blood-red. The whole thing becomes a poem.

Shikeith: This particular work taught me how to use photographs to tell a story. And the fact that [Harvard threatened to sue her] introduces this whole other issue about who gets to tell what stories.

24. Deana Lawson, “Nation,” 2018

The idea for “Nation” came to Deana Lawson in a dream. She was haunted by a story that George Washington’s false teeth were made from the teeth of enslaved people . For months, she kept an image of Washington’s dentures — held in Mount Vernon’s collection — on the wall of her bedroom. Lawson dreamed about a person wearing a mouth guard and wondered if she might forge a connection between the majesty of gold — the jewelry of hip-hop and the regalia of the Ashanti Kingdom — and the fact that the first president of the United States could only speak the lofty words of liberty through teeth that once belonged to the oppressed. Lawson is known for portraits she stages in homes and other intimate spaces, often decorated with a large array of objects: family pictures, children’s toys, a Michael Jackson poster. In her images, Black men and women, their skin captured in color with meticulous attention to shade and tone, appear not as documentary subjects but as vessels. “Her people seem to occupy a higher plane, a kingdom of restored glory,” the novelist Zadie Smith has written of Lawson’s photography. At the photo shoot for “Nation,” Lawson offered three hip-hop artists a selection of jewelry and a mouth guard, typically worn during dental procedures, painted gold. “Someone said that I’m ruthless when it comes to what I want,” Lawson says in an interview in her self-titled 2018 monograph. “I have an image in mind that … burns so deeply that I have to make it, and I don’t care what people are going to think.” “Nation” presents an endless series of questions about Black lineage, going back centuries before the nation’s founding. Lawson later printed the picture of Washington’s teeth on a card and slipped it into the edge of the work’s golden frame. — B.E.

Miller: Deana Lawson seems to be doing something similar to Weems in “Nation.”

Marcoci: I think that’s an amazing image. It’s actually a collage, with the picture of George Washington’s dentures tucked into the top right corner. She’s said photography has the power to make history and the present speak to each other.

25. Carlijn Jacobs, “Renaissance,” 2022

On July 29, 2022, when Beyoncé released “Renaissance,” the first of what she’s envisioned as a three-act magnum opus (act two, “Cowboy Carter,” was released this March), the public was exhausted after two and a half years of pandemic restrictions and unprecedented change to their daily routines. They were stir-crazy and impatient for the dance floor. Beyoncé embraced the sounds of house music pioneered by Black and queer D.J.s, as well as the subversive, high-gloss styling of ballroom culture. The singer appears on the album’s cover in a Giannina Azar-designed silver rope dress, sitting astride a horse covered in mirrors. The image was taken by Carlijn Jacobs, a Dutch fashion photographer interested in the art of masquerade and maximalist glamour, and alludes to both rodeo and royalty. It also conjures a range of artistic references, including Kehinde Wiley’s painting “ Equestrian Portrait of Isabella of Bourbon ” (2016); Rose Hartman’s snapshots of Bianca Jagger on a white horse at Studio 54 in 1977; and John Collier’s 1890s painting of Lady Godiva, the 11th-century Englishwoman said to have rode her horse naked through the streets as a form of protest. — B.E.

Vellam: Does anybody else feel like we’re missing a pop-culture celebrity moment? If we’re talking about images that go everywhere, and that people who live in the middle of the country all are going to look at, I don’t feel we have that.

Douglas: I think it’s important to include the idea of celebrity culture in photography. I’m not quite sure what that would be.

Lê: There’s the [2017] picture of Beyoncé pregnant with all the flowers .

Miller: Initially, Shikeith had also picked Beyoncé from the album cover of “Dangerously in Love” (2003).

Marcoci: But sorry, why don’t we then just choose a [Richard] Avedon of a celebrity?

Vellam: Marilyn Monroe [from 1957]. But don’t we feel like we have plenty of photographs from the past? Don’t we want to think about what celebrity is now?

Miller: What’s the iconic pop culture image from the last five years?

Douglas: Is there a Kardashian image?

Vellam: I can’t, because I hate them so much. But yes, you want the thing of [Kim Kardashian] when she broke the internet with her butt [an image that ran on the cover of Paper magazine in 2014].

Douglas: I’m going back to Beyoncé, because [you want] an image of a celebrity who’s not a person but an image. She’s like a simulacrum somehow.

Vellam: With her “Renaissance” cover, suddenly she was plastered everywhere. It was all over the city.

Douglas: I’d buy that.

Shikeith: I think it’s very important that she released this album and highlighted Black queer contributions to music in the culture because, very frequently, those same contributions are erased or attributed to someone else. Especially in pop culture.

Marcoci: Can you hold it up on your phone?

Vellam: Yeah. I listen to it all the time.

Top: Gordon Parks, “Department Store, Mobile, Alabama” (1956) © the Gordon Parks Foundation; NASA/William A. Anders, “Earthrise” (1968); Alberto Korda, “Guerrillero Heroico (Che Guevara)” (1960) © Alberto Korda, courtesy of the Alberto Korda Estate; Stuart Franklin, an unidentified man blocking a column of tanks in Tiananmen Square (1989) © Stuart Franklin/Magnum Photos; Deana Lawson, “Nation” (2018) © Deana Lawson, courtesy of the artist and David Kordansky Gallery; LaToya Ruby Frazier, “United Auto Workers and Their Families Holding up ‘Drive It Home’ Campaign Signs Outside UAW Local 1112 Reuther Scandy Alli Union Hall, Lordstown, OH, 2019,” from the series “The Last Cruze” (2019) © LaToya Ruby Frazier, courtesy of the artist and Gladstone Gallery

An earlier version of this article referred imprecisely to the first presentation of LaToya Ruby Frazier’s series “The Last Cruze.” A selection of images from the series ran in The New York Times Magazine in May 2019, and the larger work was later shown as a multimedia installation at the Renaissance Society in Chicago. It was not first presented at the Renaissance Society. The article also misstated the date of the Tank Man photograph by Stuart Franklin in Beijing; it was June 5, 1989, not June 4. 

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M.H. Miller is a features director for T Magazine. More about M.H. Miller

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The 25 Essential Italian Pasta Dishes:  Two chefs, one cookbook author, a culinary historian and a food writer made a list of the country’s most delicious meals , from carbonara in Rome to ravioli in Campania.

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